This document discusses how archetypes are represented in films through the seasons and colors. It analyzes how different seasons are associated with different genres: summer with romance, winter with irony/satire, spring with comedy, and autumn with tragedy. As an example, it examines how Toni Morrison's novel "The Bluest Eye" uses the seasons to represent stages in the story and characters' lives. It also discusses five spheres that archetypes can be classified into - human, animal, vegetation, mineral, and water. Finally, it analyzes how different colors like black, white, blue, green, and yellow can represent different archetypes or concepts in films.
1. Archetypes in Films
Presented by Alpa Ponda
Paper no : 7
Literary Theory & Criticism
Submitted to :smt. S B
Gardi department of
English
Enrolment no:
2069108420170025
Mail ID:
alpaponda.7@gamil.com
Sem : 2
Batch year : 2016- 2018
2. Seasons’ role in Archetypes
Summer
Romance
Winter
Irony & Satire
Spring
Comedy
Autumn
Tragedy
3. The Bluest Eyes
• The book begins in AUTUMN , the first meet of Claudia
and Frieda to Pecola..
• WINTER is connected with emptiness and death, in this
chapter Pecola is abused by Geraldine.
• SPRING as rebirth ,new life, change. The characters
have new life with the beginning of destruction..
• In SUMMER, we find isolated and insane Pecola.
4. Five Sphere in schema
• Human
• Animal
• Vegetation
• Mineral
• water
11. Concluding……
How we did a structure analysis of films
and its way of representing so all image
that is concrete or abstract has its story in
its creation…..
