The document defines propaganda and lists some common tactics used, including fear appeal, rumor, innuendo, slogan, repetition, bandwagon, and doublespeak/euphemism. It provides examples and brief explanations of each tactic, such as using fear to frighten people into agreeing, subtly derogatory remarks, getting people to join in by following others, and using unclear or mild language to describe negative ideas. The overall message is that propaganda uses biased or misleading information to promote a particular viewpoint through these different persuasive techniques.
Silence in the Classroom and on the ScreenNorm Friesen
Silence in the context of online, threaded, text-based, class discussions is frequently seen as posing a significant pedagogical challenge or “dilemma” (Feenberg, 1989; Xin & Feenberg, 2008). Those who provide advice on mentoring online discussions recommend strategies similar to ones used in the classroom. They ask moderators to “call on specific individuals just as a teacher might call on a student in a traditional class” (1995), and to engage in “explicit meta-communication,” explaining “unclear remarks,” and describing their “emotional tone and intent” (Feenberg & Xin, 2002).
But is the “solution” to silence simply its logical or dialectical opposite, more “communication?” Is online silence comparable to silence in the classroom? And what is the pedagogical significance of silence in either setting? These questions get at some significant experiential, pedagogical characteristics that separate online from offline. These kinds of characteristics, moreover, have proven difficult to pin down in research into online. In this presentation, I will explore the question of the pedagogical significance of silence by presenting and discussing descriptive and reflective passages from the literature of pedagogy (online and in the classroom) and from hermeneutic phenomenology.
Social media began as early online communities and forums where people could connect and share information. As technology advanced, more sophisticated social media platforms launched, allowing users to share updates, photos, videos and connect with a wider audience. These new platforms like Facebook and Twitter revolutionized how people communicate and share online, establishing social media as a dominant form of media consumption and participation worldwide.
Film posters are designed and produced before filming begins. They aim to attract audiences and represent the key elements of the upcoming movie in a visually engaging way. An effective poster summarizes the genre, tone, and major stars or characters in just a few images and words to pique viewers' interest and excitement for the film's release.
Social media platforms have become essential marketing tools for films and other media products. Advertising campaigns use collected user data to identify the most effective promotional techniques on sites like Instagram, YouTube, Facebook, and Twitter. These sites allow profiles to unify all promotional materials like posters, reviews, behind-the-scenes footage, and merchandise under a single hashtag. An example given is the Netflix series Dark, which made creative use of Instagram to promote its seasons. Social media offers experimentation important for cutting through distractions and engaging potential audiences in the unpredictable online landscape.
Presentation analysis the key compotents necessary for constructing an effective studio title and presenting a design of my own, along with an explaination of the background by which it's been inspired by.
The document is a storyboard for a pre-production project in A Level Media Studies. It provides a visual outline of key scenes and events in the narrative through a series of frames showing important details. The storyboard helps plan the production and ensures the visuals effectively communicate the story.
The document provides details for a pitch for a short film project. It includes a synopsis of the film, which follows a man wandering city streets feeling lost and searching for answers. It explores themes of loneliness, isolation, and downfall. The document also includes mood boards, influences, filming locations, crew details, character profiles, and discussion of genre, audience, and marketing considerations. The overall pitch is for a psychological drama short film exploring loneliness and emotional detachment.
The document defines propaganda and lists some common tactics used, including fear appeal, rumor, innuendo, slogan, repetition, bandwagon, and doublespeak/euphemism. It provides examples and brief explanations of each tactic, such as using fear to frighten people into agreeing, subtly derogatory remarks, getting people to join in by following others, and using unclear or mild language to describe negative ideas. The overall message is that propaganda uses biased or misleading information to promote a particular viewpoint through these different persuasive techniques.
Silence in the Classroom and on the ScreenNorm Friesen
Silence in the context of online, threaded, text-based, class discussions is frequently seen as posing a significant pedagogical challenge or “dilemma” (Feenberg, 1989; Xin & Feenberg, 2008). Those who provide advice on mentoring online discussions recommend strategies similar to ones used in the classroom. They ask moderators to “call on specific individuals just as a teacher might call on a student in a traditional class” (1995), and to engage in “explicit meta-communication,” explaining “unclear remarks,” and describing their “emotional tone and intent” (Feenberg & Xin, 2002).
But is the “solution” to silence simply its logical or dialectical opposite, more “communication?” Is online silence comparable to silence in the classroom? And what is the pedagogical significance of silence in either setting? These questions get at some significant experiential, pedagogical characteristics that separate online from offline. These kinds of characteristics, moreover, have proven difficult to pin down in research into online. In this presentation, I will explore the question of the pedagogical significance of silence by presenting and discussing descriptive and reflective passages from the literature of pedagogy (online and in the classroom) and from hermeneutic phenomenology.
Social media began as early online communities and forums where people could connect and share information. As technology advanced, more sophisticated social media platforms launched, allowing users to share updates, photos, videos and connect with a wider audience. These new platforms like Facebook and Twitter revolutionized how people communicate and share online, establishing social media as a dominant form of media consumption and participation worldwide.
Film posters are designed and produced before filming begins. They aim to attract audiences and represent the key elements of the upcoming movie in a visually engaging way. An effective poster summarizes the genre, tone, and major stars or characters in just a few images and words to pique viewers' interest and excitement for the film's release.
Social media platforms have become essential marketing tools for films and other media products. Advertising campaigns use collected user data to identify the most effective promotional techniques on sites like Instagram, YouTube, Facebook, and Twitter. These sites allow profiles to unify all promotional materials like posters, reviews, behind-the-scenes footage, and merchandise under a single hashtag. An example given is the Netflix series Dark, which made creative use of Instagram to promote its seasons. Social media offers experimentation important for cutting through distractions and engaging potential audiences in the unpredictable online landscape.
Presentation analysis the key compotents necessary for constructing an effective studio title and presenting a design of my own, along with an explaination of the background by which it's been inspired by.
The document is a storyboard for a pre-production project in A Level Media Studies. It provides a visual outline of key scenes and events in the narrative through a series of frames showing important details. The storyboard helps plan the production and ensures the visuals effectively communicate the story.
The document provides details for a pitch for a short film project. It includes a synopsis of the film, which follows a man wandering city streets feeling lost and searching for answers. It explores themes of loneliness, isolation, and downfall. The document also includes mood boards, influences, filming locations, crew details, character profiles, and discussion of genre, audience, and marketing considerations. The overall pitch is for a psychological drama short film exploring loneliness and emotional detachment.
The document discusses developing a film title and key elements of an effective title design. It lists potential title ideas for a new film, including "Glass Tears", "You Won't Remember Me", and "Fleeing Thoughts of Winter". An effective title should be thought-provoking, encapsulate the film's themes, use a simple minimalist approach, hold symbolic meaning, resonate emotionally, and be original. The title is an essential part of forming the visual language of the film and what the audience will remember.
The document outlines key elements of effective film poster design including capturing attention through an intriguing and ambitious design that encapsulates themes without revealing too much, using a singular compositional element and complimentary colors to evoke emotions, having an original yet minimalistic design that symbolizes and summarizes the film.
The document discusses storyboards and their purpose in film pre-production. It explains that storyboards are drawings of each planned shot accompanied by descriptions of the action and dialogue. This allows directors to make important decisions in advance, like composition, camera angles, and blocking, and essentially pre-edit the film. While storyboards don't have to be strictly followed, they provide an overall view of the story and inform the crew. However, some directors feel storyboards eliminate spontaneity that can lead to new ideas.
The document defines a shot list as a list of all shots that compose an entire film. It discusses how the shot list, created during pre-production, plays an essential role during filming by allowing the film crew to overlook all shots and understand how they are juxtaposed and transition to evoke emotions in the audience. The shot list also helps prevent continuity errors and serves as a checklist to provide the project with direction and preparedness for the film crew during shooting.
The document discusses a shooting schedule that had to be reworked multiple times due to changing coronavirus restrictions. To address this, the schedule was designed simply and included all key information. As the schedule would be used by all crew members, it needed to be easily accessible and updated in real time. For these reasons, Google Sheets was used to construct the schedule so that it could be shared widely and keep everyone informed of updates.
This document summarizes the technical details of a film project, including the crew, equipment used, and props. The director and writer, Adam Kalabiska, is also the cinematographer and editor. The small crew includes Milos Jejinic in the lead role and Violette Maris in a supporting role. Production delays led to simplifying the story but focusing on key elements and symbolism, such as a red umbrella representing love and desire. Milos was cast in the lead role because he could relate to the director's autobiographical experiences. The equipment used includes a Nikon D7200 camera, tripod, microphone, and lens. Props include fake blood, bandages, red umbrella, paper with phone
Analysing the importance of finding the right location, what needs to be taken into consideration and photos of locations for my short film that's currently in development.
The document discusses revisions made to a short film screenplay. The author simplified parts of the narrative due to scheduling issues but believes the key themes will still come through with a focus on visuals and storytelling elements. If doing the project again, the author would pay more attention to outlining themes and how they relate to each scene from the beginning. They also learned that ideas need time to evolve and being true to oneself is important while also staying constructively critical.
The document discusses script development for a media project. It appears to be version 3 of the script created by Adam Kalabiska for a level media studies coursework. The script will likely go through further revisions and development before being finalized for the media project.
The document discusses script development for a screenplay. It outlines changes made, including adding a new scene that conveys meaning through body language and camera placement rather than dialogue. Transitions between scenes still need work to feel natural. Editing shots to evoke emotion could help establish rhythm. Another section that was changed involves the trigger for the main character to exit the bus, in order to build mystery around a recurring figure and motivate the character's broken state. Effective scenes withhold just enough information to engage audiences without providing too much or too little detail.
The document provides feedback on improving the initial draft of a screenplay. It notes that character development needs more focus, as the main character lacks demonstrated deeper motivations and goals. It suggests adding an additional scene to provide more character information and balance the tempo. The narrative also feels fragmented and could be strengthened by outlining themes and finding correlations. Flashbacks are replaced with surreal visions to tap deeper into the human psyche. The ending lacks a key piece of introduced information but still brings narrative closure. More could be done to establish a sense of being lost and lack of motive throughout the film.
This document discusses the genre of mystery/drama films and provides examples. It notes that mystery/drama offers elements of both genres, with an emphasis on dramatic storylines and conflict as the base. The mystery element creates engagement and intrigue by withholding key information from audiences. Technical elements common to the genre include low-key lighting, fast-paced editing, diegetic sound, handheld camera movements, and slow pacing/long takes. The document analyzes a scene from the film Amour that sets up mystery through withholding information and deliberate camera movements, creating intrigue and evoking psychological responses from audiences.
The story follows a young man wandering the lonely city streets as night falls. He feels lost and disconnected from himself and the world. He sees a mysterious figure passing in the shadows that he follows, desperately longing for human connection. His journey leads to an "absolute downfall" for which he is responsible. As it begins to rain, the street lights bleed into the dark sky, washing away bruises of the past but scraping him raw and exposing a deep truth he has been seeking.
The document proposes three potential short film ideas:
1) "In the Still of the Night" follows a mafia gathering discussing rumors of a hitman, cutting between the present and past depictions of the hitman's assassinations.
2) "The Hunger Artist" adapts Kafka's short story about a performer who fasts for the public's entertainment until he is no longer appreciated.
3) "Photographer" follows a photographer's daily routine of capturing people in a city over one day, showing how their lives change between the morning and evening.
- The document summarizes the results of a survey conducted to gather information to help plan a short film project.
- The survey was distributed online and aimed to understand preferences around genre, storytelling style, themes, and preferred platforms for viewing short films.
- Key results found that drama was the most popular genre, responses were split on linear vs. nonlinear storytelling, and online distribution was preferred over film festivals for casual viewers.
The film Mémorable uses stop-motion animation to portray a man's experience with Alzheimer's disease. Through surreal visuals, we see him slowly lose his memory and his grasp on reality, which strains his relationship with his wife. His character and the world around him become increasingly abstract and unrecognizable as the disease progresses. Though he loses awareness of nearly everything else, his deep love for his wife is the last thing to remain clear in his mind.
1) Character development in short films focuses on establishing a character's current wants and philosophical beliefs due to limited time for backstory. This allows the audience to engage with what is at stake for the character.
2) Storylines in short films are kept simple and focused on a single idea/theme due to short length. Visual storytelling is essential to convey information with limited time for dialogue.
3) Short films still require narrative structure with characters overcoming obstacles to achieve goals, creating stakes, even with limited length. This keeps the audience engaged in the story.
The history of short films began in 1878 when Eadweard Muybridge took multiple photos of a galloping horse to study its motion, inadvertently creating one of the first moving images. Early short films in the 1900s were typically 15-20 minutes due to expensive film stock and technology limitations. During World War II, short films were used extensively for propaganda by various nations. The 1990s saw a resurgence of independent short filmmaking due to more affordable digital cameras. Today, short films are widely shared online, helping launch the careers of directors who later create feature films.
The document appears to be a shotlist for a media project. It contains the opening sequence and lists shots but provides no details about the content of the shots. The shotlist was created by Adam Kalabiska for an AS Level Media Studies project.
Physiology and chemistry of skin and pigmentation, hairs, scalp, lips and nail, Cleansing cream, Lotions, Face powders, Face packs, Lipsticks, Bath products, soaps and baby product,
Preparation and standardization of the following : Tonic, Bleaches, Dentifrices and Mouth washes & Tooth Pastes, Cosmetics for Nails.
How to Fix the Import Error in the Odoo 17Celine George
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
The document discusses developing a film title and key elements of an effective title design. It lists potential title ideas for a new film, including "Glass Tears", "You Won't Remember Me", and "Fleeing Thoughts of Winter". An effective title should be thought-provoking, encapsulate the film's themes, use a simple minimalist approach, hold symbolic meaning, resonate emotionally, and be original. The title is an essential part of forming the visual language of the film and what the audience will remember.
The document outlines key elements of effective film poster design including capturing attention through an intriguing and ambitious design that encapsulates themes without revealing too much, using a singular compositional element and complimentary colors to evoke emotions, having an original yet minimalistic design that symbolizes and summarizes the film.
The document discusses storyboards and their purpose in film pre-production. It explains that storyboards are drawings of each planned shot accompanied by descriptions of the action and dialogue. This allows directors to make important decisions in advance, like composition, camera angles, and blocking, and essentially pre-edit the film. While storyboards don't have to be strictly followed, they provide an overall view of the story and inform the crew. However, some directors feel storyboards eliminate spontaneity that can lead to new ideas.
The document defines a shot list as a list of all shots that compose an entire film. It discusses how the shot list, created during pre-production, plays an essential role during filming by allowing the film crew to overlook all shots and understand how they are juxtaposed and transition to evoke emotions in the audience. The shot list also helps prevent continuity errors and serves as a checklist to provide the project with direction and preparedness for the film crew during shooting.
The document discusses a shooting schedule that had to be reworked multiple times due to changing coronavirus restrictions. To address this, the schedule was designed simply and included all key information. As the schedule would be used by all crew members, it needed to be easily accessible and updated in real time. For these reasons, Google Sheets was used to construct the schedule so that it could be shared widely and keep everyone informed of updates.
This document summarizes the technical details of a film project, including the crew, equipment used, and props. The director and writer, Adam Kalabiska, is also the cinematographer and editor. The small crew includes Milos Jejinic in the lead role and Violette Maris in a supporting role. Production delays led to simplifying the story but focusing on key elements and symbolism, such as a red umbrella representing love and desire. Milos was cast in the lead role because he could relate to the director's autobiographical experiences. The equipment used includes a Nikon D7200 camera, tripod, microphone, and lens. Props include fake blood, bandages, red umbrella, paper with phone
Analysing the importance of finding the right location, what needs to be taken into consideration and photos of locations for my short film that's currently in development.
The document discusses revisions made to a short film screenplay. The author simplified parts of the narrative due to scheduling issues but believes the key themes will still come through with a focus on visuals and storytelling elements. If doing the project again, the author would pay more attention to outlining themes and how they relate to each scene from the beginning. They also learned that ideas need time to evolve and being true to oneself is important while also staying constructively critical.
The document discusses script development for a media project. It appears to be version 3 of the script created by Adam Kalabiska for a level media studies coursework. The script will likely go through further revisions and development before being finalized for the media project.
The document discusses script development for a screenplay. It outlines changes made, including adding a new scene that conveys meaning through body language and camera placement rather than dialogue. Transitions between scenes still need work to feel natural. Editing shots to evoke emotion could help establish rhythm. Another section that was changed involves the trigger for the main character to exit the bus, in order to build mystery around a recurring figure and motivate the character's broken state. Effective scenes withhold just enough information to engage audiences without providing too much or too little detail.
The document provides feedback on improving the initial draft of a screenplay. It notes that character development needs more focus, as the main character lacks demonstrated deeper motivations and goals. It suggests adding an additional scene to provide more character information and balance the tempo. The narrative also feels fragmented and could be strengthened by outlining themes and finding correlations. Flashbacks are replaced with surreal visions to tap deeper into the human psyche. The ending lacks a key piece of introduced information but still brings narrative closure. More could be done to establish a sense of being lost and lack of motive throughout the film.
This document discusses the genre of mystery/drama films and provides examples. It notes that mystery/drama offers elements of both genres, with an emphasis on dramatic storylines and conflict as the base. The mystery element creates engagement and intrigue by withholding key information from audiences. Technical elements common to the genre include low-key lighting, fast-paced editing, diegetic sound, handheld camera movements, and slow pacing/long takes. The document analyzes a scene from the film Amour that sets up mystery through withholding information and deliberate camera movements, creating intrigue and evoking psychological responses from audiences.
The story follows a young man wandering the lonely city streets as night falls. He feels lost and disconnected from himself and the world. He sees a mysterious figure passing in the shadows that he follows, desperately longing for human connection. His journey leads to an "absolute downfall" for which he is responsible. As it begins to rain, the street lights bleed into the dark sky, washing away bruises of the past but scraping him raw and exposing a deep truth he has been seeking.
The document proposes three potential short film ideas:
1) "In the Still of the Night" follows a mafia gathering discussing rumors of a hitman, cutting between the present and past depictions of the hitman's assassinations.
2) "The Hunger Artist" adapts Kafka's short story about a performer who fasts for the public's entertainment until he is no longer appreciated.
3) "Photographer" follows a photographer's daily routine of capturing people in a city over one day, showing how their lives change between the morning and evening.
- The document summarizes the results of a survey conducted to gather information to help plan a short film project.
- The survey was distributed online and aimed to understand preferences around genre, storytelling style, themes, and preferred platforms for viewing short films.
- Key results found that drama was the most popular genre, responses were split on linear vs. nonlinear storytelling, and online distribution was preferred over film festivals for casual viewers.
The film Mémorable uses stop-motion animation to portray a man's experience with Alzheimer's disease. Through surreal visuals, we see him slowly lose his memory and his grasp on reality, which strains his relationship with his wife. His character and the world around him become increasingly abstract and unrecognizable as the disease progresses. Though he loses awareness of nearly everything else, his deep love for his wife is the last thing to remain clear in his mind.
1) Character development in short films focuses on establishing a character's current wants and philosophical beliefs due to limited time for backstory. This allows the audience to engage with what is at stake for the character.
2) Storylines in short films are kept simple and focused on a single idea/theme due to short length. Visual storytelling is essential to convey information with limited time for dialogue.
3) Short films still require narrative structure with characters overcoming obstacles to achieve goals, creating stakes, even with limited length. This keeps the audience engaged in the story.
The history of short films began in 1878 when Eadweard Muybridge took multiple photos of a galloping horse to study its motion, inadvertently creating one of the first moving images. Early short films in the 1900s were typically 15-20 minutes due to expensive film stock and technology limitations. During World War II, short films were used extensively for propaganda by various nations. The 1990s saw a resurgence of independent short filmmaking due to more affordable digital cameras. Today, short films are widely shared online, helping launch the careers of directors who later create feature films.
The document appears to be a shotlist for a media project. It contains the opening sequence and lists shots but provides no details about the content of the shots. The shotlist was created by Adam Kalabiska for an AS Level Media Studies project.
Physiology and chemistry of skin and pigmentation, hairs, scalp, lips and nail, Cleansing cream, Lotions, Face powders, Face packs, Lipsticks, Bath products, soaps and baby product,
Preparation and standardization of the following : Tonic, Bleaches, Dentifrices and Mouth washes & Tooth Pastes, Cosmetics for Nails.
How to Fix the Import Error in the Odoo 17Celine George
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
2. Introduction
It goes without saying that there is an endless amount of interpretations, but
what I personally took from it is that one shouldn’t be afraid of opening up and
getting personal, as that (combined with a grain of madness) is responsible for
creating the very best and deepest of art. Following this valuable and enriching
journey, I have a clear idea of the themes explored in what has essentially
become a self-portrait. This is absolutely essentially as this is what informs all
creative decision, whether they be technical or performance related. Each every
element is supported by these ideas, thereby creating a unified, yet deeply
layered visual language on which the story plays out.
“Writing is easy. All you need to do is sit under the typewriter and bleed.”
Over the course of the developing my screen, I’ve seen the story and character(s) grow in front of
my eyes. It turned out to be a very informative and self/reflective experience, as at a certain point I
finally understood and consequently fully embraced the words of Ernest Hemingway…
Ernest Hemingway
1899 - 1961