Student of Dezyne E'cole College ,the student is updating his industry required skills of Fashion Design through the Diploma Programme.This is a work showcase of of student after one year of her study of Women's Wear Diploma Design Programme www.dezyneecole.com

1. PORTFOLIO
B.Sc Fashion Technology +1st Year Diploma
Dezyne E‟cole College www.dezyneecole.com
Sangeeta Chouhan
FASHION DESIGN

2. ACKNOWLEDGMENT
I am thankful to all those whose guidance helped to me to
complete my project.
I am thankful to my mentors of DEZYNE E’ Cole college who gave
me this opportunity of making this project and helped me to show
my working abilities through this project.
SANGEETA CHOUHAN
Bachelor’s of science in Fashion Technology +
1st year Diploma

3. DEZYNE E‟COLE COLLEGE
CIVILLINE ,AJMER
WWW.dezyneecole.com
This project of MS.SANGEETA CHOUHAN student of bachelor‟s of science in
fashion technology with 1styear women‟s wear fashion diploma program has
been checked and graded as
Thanks
Principal
[seal and signature]

4. SYNOPSIS
This project has been compiled as a final. Submission of
the techniques learnt in fashion technology 1st year . we
learnt many things during our study period . draping ,
garment construction , Corel , colors , texture. We are
handling a case study make a slwar kameez for 30-32
years old lecturer in engineering college using any surface
design technique .
SANGEETA CHOUHAN
THANK YOU

5. CONTENT
1 INTRODUCTION
2 LARNING EXPERIENCE
3 GARMENT INDUSTRY
4 COLOR
5 ILLUSTRATION
6 GRAFIC DESIGN
7 FABRIC TEXTURE
8 GARMENT CONSTRUCTION
9 DRAPING
10 CASE STUDY

6. FASHION DESIGNER
 www.dezyneecole.com
9829024839
PROFILE
I AM A FASHION DESIGNER
from DEZYNE E” COLE
COLLEGE.
I appreciate hand skills and the
arts of manipulating fabrics. I
have always enjoyed doing
intricate work and have a keen
eyes for details finishing. F or
me asthenic is equally important
as the functionality of a product .
A good design is completed
only with use of elements and
principles of design . A design
process is followed in an
organized and design manner Is
the key of a successful end
product.
SKILLS
 Pattern Engineering
 Corel Draw
 Indian Traditional Textile
 Draping
 Textiles
 Fabric manipulation
 Foundation of Design
 Presentation Skills
INTEREST
 PINETERST
 Music
  Reading
 mehandi
LANGUAGES
 Hindi
 English
EDUCATION
B.sc fashion
technology
Ajmer
12th RBSC
board Ajmer
10th RBSC
Board
Ajmer
DEZYNE E‟COLE
college 2015-16
SAVITRI girls school
2014-15
Veer public Sc.sec.
school2012-13
EXPERIENCE
Garment construction
Collection of casual women‟s wear
Fabric Manipulation – Manipulate
fabric by tucks, pleats etc.
Draping - dart manipulation
Embroidery – collection of traditional
Indian embroidery.
SANGEETA CHOUHAN
9887072588

7. THE FASHION INDUSTRY
Fashion today is the key driving force in running not just a
country ‘ s economy but in linking the country with its partners
different sides of the networked globe.
The need of the growing fashion conscious consumer and the
ongoing process of globalization has paved the way for new job
avenues and opportunities in the arena of fashion .Fashion is a
dynamic force which influence lifestyle choice made by consumers .
Glamour not with standing , fashion is a serious are indicative of
India being center – stage on the global fashion map fashion studies
offers insight into the components and processes of design
manufacturing market in apparel and textiles . It encompasses the
process from fiber to fabric from concept to creation of garment.
Fashion is a dynamic force which influences lifestyle choice made
by consumer .
Fashion theory and practices are built on a academic foundation
where history anthropology , sociology , psychology and economic
intermingle to shed light on clothing as one of the three most
essential needs of a country. It drives international trends in a
multitude of areas from apparel.

8. FASHION

9. .
WOMENS’S FASHION WEAR
“Fashion is not something that exists in
dress only . Fashion is in the street, fashion
has to with ideas , the way we live, what is
happening‟ . By COCO channel
Women's wear has always enjoyed the
center stage in fashion clothing is past wear
custom made i.e. stitched for an individual
using her body measurements by a tailor or a
dressmaker . During earlier the majority of
women, however wore clothes made at home
the women of the house.
With changing times , the role of the women
have become multi dimensional ; from
handling office to home ; to kinds and
simultaneously balancing their social and
personal responsibilities working for home or
for office , with a hectic schedule has led to
the requirement of an easy to wear , maintain
and comfortable dressing which has become
a necessity for today life style .
There is a huge market various segments of
women with explicitly needs . Many brands
like levies curves allensolly , marks and
spencer address these requirements with
their apparel lines based on specific market
requirement's of size , ethnicity and
occasions .
Introduction of garments for plus size women
and occasions .
Introduction of garments for plus size women
and maternity wear also acquired
considerable share .

10. Influence of trends on women wear
women ready – to – wear garments
follow specific trend prediction for the
season to enable the designer ,
fabric manufacture , garments
manufacture and retailor to plan the
design and production of garments at
least 18 months in advance of the
actual season of sale couture and
pert a porter shows held in Paris ,
London , new York are the main
source of fashion trends for women's
wear . At the time of shows all the
partners in the fashion value chain
i.e. the fabric manufactures garments
manufacturers buyers , retails and
fashion editors , flock to these cities
to review the new style.

11. The three primary elements that make a garment are its color, fabric
and shape .
COLOUR
Color prediction in women swear is very
important. season the palette has four groups:
pastel, neutral, bright, and deep colors. It
starts with the overall mood, and it is this that
determines the colors ,tones , the texture, the
accents in the theme, whether the look will be
vintage, washed-out for one season or fresh
and soft colors for the next is determined by
the chosen theme.
Elements of Design in Women’s wear

12. FABRIC
Fabric is the fundamental element of a
garment and is responsible for 50%-80% of the
cost of the garment. Texture, handle and
surface qualities of a fabric play an important
role in achieving the total effect of the style.
Prints and woven designs can be in a variety of
patterns like small, delicate floral (asin Laura
Ashley prints); large floras in bold colors, soft
water colors, geometric designs, stripes (both
broad and thin), checks - gingham, madras and
small plaids .Embellishments may include
appliqués, hand and machine embroideries and
other decorative techniques applied on fabrics
and garments. The created surfaces may mean
tune with not just the fashion trends for the
season, but also showcasing the cultural
plethora of the Indian embroideries that are the
part of our heritage. Trims are types of closures
which include buttons, zips, etc., as well as
piping and interlinings used in the garment.

13. SHAPES/ SILOUETTE
Asilhouette is the shape or the outline of the clothing when worm.
The basic shapes or silhouettes of each season can change suddenly or
evolve slowly. Different combinations of shapes made by separate
garments worn together lends style to the overall shape or silhouette of
the outfit

14. .
GARMENT COLLECTIONS
Garment collections are designed
as a group of coordinated pieces that
can be made from fabrics, color palette
and details following the same story. A
garment collection can start with 10-15
garment pieces.

15. LEARNING EXPERIENCE
Fashion design is a very vast industry to
be a industrial friendly we learn what are the
techniques and skills are required for the
fulfillment the need of industry and start
paying attention on elements of principle
This is what I learnt hear at Dezyne e‟ Cole
college creating fashion does not just entail
a vivid imagination and instinct for creativity .
It also involves many decisions and myriad
techniques , focused on a central ideas . In
my college fashion design has made me
build a strong foundation in terms of design
sense concepluatisation in depend research
creative application and individual ,artistic
expression .
As a part of fashion industry . I am training
my self through skill education in bachelor
degree of science in fashion technology and
industry oriented diploma programme in built
with this study .
During the course duration of diploma I had
an exposure towards practical working in
fashion design . 1st year bachelor of science
in fashion technology .

16. FABRIC
TEXTURE
DRAPING
COMPUTER
ILLUSTRATION

17. FOUNDATION DESIGN

18. FOUNDATION DESIGN
Today Color Are Very Important In Fashion Design .
Color Influence In Dress Our Eyes Right To Left And Up
To Down . Color Describe A Dress Emotions , It Generate
Our Mood To Wear The Dress . Color Person Look Like
Toller And Thinner . In Color Wheel We Will See Primary
Colors Poster Red , Chrome Yellow , Cobalt Blue .
Its Also Called Parents Colors . Some Of The Other
Factors Influencing The Choice
.
Effect Of Light
Texture
Age Of The Person
Size Of Person
Personality
Completion
Occasion
Concept of color
white
I
B
G
O
R
Y
V

19. COLOR WHEEL
PRIMARY
SECONDARY
COOL WARM

20. COLOR WHEEL
TINTS AND
SHADES

21. ONE AND SAME COLOR
CAN SEEM DIFFERENT
OPPTICAL
ILLUSION

22. MONOCHROMATIC
COLOR SCHEME
POLYCHROMATIC
COLOR SCHEME

23. ACCENTED NEUTRAL
COLOR SCHEME
SINGLE COMPLEMENTARY
COLOR SCHEME

24. DOUBLE
COMPLEMENTARY
TRIAD
COMPLEMENTARY

25. GREY SCALE
NUTRAL COLOR

26. TEXTURE WHEEL
Both a tactile and visual surface quality which may be rough or
smooth soft or hard with resultant light being reflected unevenly by
the surface .
Texture can be added to attract or repeat interest to an element .
Depending on the pleasantness of the texture. Texture is used
according to the texture wheel in any design .
ROUGH

27. • Line
• Shape
• Value
• Color
• Texture
LINE - ALine Is A Series Of Connecting Point. It Is The
Simple Design Elements . All Lines Have Direction Length Width .
Horizontal Vertical Diagonal
Elements Of Design
SHAPE
Two – dimensional flat forms , having only length and width , are usually
described as shape .
Shaped are of different kind like;
Geometric shape
Origami shape
Shape are used in following ways in any garment :
Hemline
Sleeves
Embroidery
Prints

28. VALUE

29. RHYTHM
It is a timed beat which needs to be sened by our eyes in any visual
composition .
Rhythm is not anything to be heard by ears , in any visual composition .
It may contain following things :
Repetition
Gradation
Radiation
GRADATION
REPETATION
RADIATION

30. UNITY
Unity means that arrangement exists among the elements in
a design, they look as though they belong to one family .
It contain following things:
Simplicity repetition
Grouping
RADIATION
It means radiating so many lines from a common print.
It creates movements from that print to all that area where
those radiations are going .
It is used in many ways in our garment like:
Gathers
Knotting etc.

31. GRADATION
Gradation in art is a visual technique to
create movement from one color to another ,
from and shape to another , one texture to
another.
Space, distance, volume and curved or rounded
from are some of the visual effect created with
gradation .

32. Balance is the distribution of
visual weight of design elements with
in a composition
BALANCE
PROPORTION
Proportion refers to
relative size measured
against other elements.
MEDIUM TALL SHORT

33. CONTRAST
Contrast means difference in
elements . It is obtained by each
and a very element as shown
below .
FROM
From may be described as any three dimensional object .
From can be measured from to to bottom (height) side to side (width) and
from back to front (depth)from is also defined by light and dark . It can be
defined by the presence of shadows on surface or faces of an object .
There are two types of from geometric (man-made ) and natural (organic
from ).
In garment it is used as a silhouette . It is outer edge of the garment
commonly used silhouette are
rectangularHourglass
TriangleWedge

34. ILLUSTRATION

35. CROSS HATCHING HATCHING
STROKES STIPPLING

36. POCKETS

37. CUFFS

39. WAIST BANDS

40. YOKE’S

41. COLLERS

43. ILLUSTRATION
Before manufacturing a costume or an
accessory the first thing a fashion designer .
Prefer into see a visual picture is what is to be
created . This is very necessary to get an idea on
how it will look when the wear it
.
In our year bachelor of science in fashion
technology . I have learned fashion sketching
about proper body proportion it is one of the
important subject in designing visualization of
now ideas in artistic sense hand drown sketches
12 head theory and fashion terminology [details
of garment through pocket , yokes , sleeves
different style of skirt , collars ] create hand
sketch collection of designer dress.

44. MANISH MALHOTRA
Manish Malhotra is considered to be India ,s leading designer , born on
December 5,1965 , and most successful fashion designer.
Career And Popularity
Manish Malhotra Started His
Career As Model White Studying At
Elphniments College In Mumbai
After Few Modeling Assignments
He Then Joined Equinox – A
Boutique In Bandra .
Manish Malhotra Has Designed For
Many Leading Actress In
Bollywood . He Is Known For His
Different Style He Is Most
Probably Known For Designing
The Costumes For Urmila
Matondkar In The Film Rangeela .
Starts Including Kajol , Karishma
Kapoor , Karenna Kapoor , Rani
Mukhrjee , Aishwarya Rai Have All
Worn His Designs , He Also
Designed for Sharukh Khan In
Movie „Mohabbatein „.
He Had Designed Clothes For
Michel Jackson For His
Appearance During The Bollywood
Awards in New York.
Brand And Labels
Manish Malhotra
Expertise
Manish Malhotra Is Strongly
Influenced By Fusion Wear. A And
He Focus Pale ,Ice Creamy
Neutrals, lilacs and lemons for
women look .the line has a
lehangas with contemporary ops
and heavy dupattas.

47. J j Valaya (Born October 8,1967) Is A Noted Indian Fashion Designer And
Couturier From New Delhi ,M He Founded The House Of Valaya , A Luxury
FashionAnd Life Style Houses In 1992 Along With His Brother TJ Singh , A
Founding Number Of Fashion Design Council Of India
FDCI And The First Global Brand Ambassador Of Arystal Giant Swarovski ,
He Has Been Designing For Men And Women And Has Bridal And Evening
Collections In Addition To Day WearAnd Ready To Wear .
Education And Career- He Studied Commerce And CollegeAnd
Planned To Be Chartered Accountant Eventually . But His Passion For
Beautiful Things And Fixation For The Rich Indian Art And Culture Look Him
To The NIFT New Delhi Where He Graduated In Fashion Design In 1991.
Expertise – J J Valaya Has Became A Trend Settler In His Field . The
Trade Mark Of J J Valaya Consist Of Vibrant Colors Classic Silhouettes And
The Most Exquisite Embroideries . He Aim To Add A Time Less Quality To His
Aeration . His Own Fashion Boutique – The House Of Valaya In Delhi Is The
First Of Luxury Product , Furniture, Tapestries , Stunning Fabric And Home
Furnishing .The Outfit Wear Mostly In Chiffon , Double Georgette , Voiles And
Blends In Typical Summer Hue Pastels , Aqua And Lime Green And Orange .
Awards And Reorganization – First Indian Student To Win
“The Prized” IncitationAt The Young Designers International Competition
Held In Paris.
J J VALAYA

50. Neeta lulla
Introduction – Neeta Lulla Is One Of The INDIA S Most Successful
Costumes Designer Couturier And Fashion Stylist Born In Mumbai .
Career – Neeta Lulla Started An As Assistant To The INDIAN Leading
Fashion Choreographer , Jeanne Naroji In The Late 1980 After Going
Experience And Knowledge In The Field , She Started Off With Her First
Venture In Bollywood .
Expertise – Stylish Bold Collection Is Introduced By Neeta Lulla ,
Marvelous Saris Are In Traditional Style . She Has Also Introduced Delicate
Colors In All Type Of Dresses As WellAs Women Sarees , Tunes , Gowns Etc.
Awards And Achievement .
National Film Awards For Best Costume Design 2004 For Jodha Akbar. Etc.

53. RITU BERI
Ritu Beri Was Born In Delhi , She In International Fashion Designer . She
Is The First Asian Designer To Head The French Fashion Brand , Jean
Louis Scherer.
Education And Career – Ritu Beri Graduated From Lady Shri
Ram College In Economic Honors After Which The Joined Nift The
Designer Is Amongst The First Batch Of Nift . Her Final Collection “Lava
Nya” Became One Of The Highlights .
Expertise – Ritu Beri Has Been The Most Talented Designer Because
Of Her Popular And Unique Style And Modernized Work And Her Quality
Has Made Her So Famous . Her Designs Are Demanded By The Indian As
WellAs The Hollywood Film Industry .
Brand And Labels – Beri Launched Her Label “Ritu Beri” In
India An 1990.
Awards –
Beri Received MillenniumArchiever And Rashtriya Shiromani Awards In
The Year 2000.

56. SABYASACHI MUKHERJEE
Sabyasachi Mukherjee (Born1974) Is A Indian Fashion Designer From Kolkata
.
Education And Career – After 12 From St Zavier He Graduated
From NIFT Kolkata .
Expertise – Mukherjee Started A Project Called “SAVE THE SAREE” He
Retails Hand Woven Indian Saree And A Non Profit Basis And The Entire
Process Goes To The Weavers Of Murshidabad . Sabyasachi‟s Collection Of
Winter Fashion Week 2011 Received The Finer Version Of Khadi.
Awards And Achievement –In 2001 , Sabyasachi Won The
Famina British Council Most Outstanding Young Designer Of India Awards .

60. Corel draw is a vector graphic software it is used for graphic designing in
this software I have learned how to use vector graphic software to give
perfect look to my illustration through shape tool logo design, text editing
typography, cover pages, layouts and pattern making with the help of
editing tool use 2 point curve, 3 point curve, mathematical defined curved
line, smooth looking graphics saved on bitmap file format design are easy
to select color, move re-size and many other effect and tools..
COREL DRAW

61. FASHION
TECHNOLOGY

63. FA
SH
IO
N
TECHNO
LO
G
Y

66. SURFACE DESIGN
TECHNIQUE

67. SURFACE DESIGN TECHNIQUE
Surface Design Technique Is A Method Of Decorating Fabric .Surface
Design Technique Is A Way To Give New Look To Any Garment .
Fabric plays a very important role for making a garment. It is
available in various types. But can be produced in desired varieties through
surface design techniques.
Surface design technique is the art of manipulating fabric. For
any fashion designer fabric first need to be prepared with textures and then
used for style and design development.
Style requires plain texture and sometimes textured fabrics to
create better styles.
Textures can be developed through printing, painting, weaving,
embroidery, dyeing, fabric manipulation, etc.
Surface design technique describes the identity of the fabric
through the particular technique used onto it. It can be structural and
decorative. Structural techniques applied during or after the production of
the fabric, where decorative techniques applied on top of the fabric or
garment. These techniques can be applied on any type of garment.
Surface design techniques increases the value of the garment
because textures and colors plays an important role to attract the eye
towards the design as compared to a plain design with out patterns and
textures.
In ancient times also, surface design techniques were used
such as dyes found in ancient Egypt, Rome, etc. later in Victorian era, black
work, embroidery, brocades, damask were came into being. The variety of
effects gives variety of effects on the garment such as elegance, luxury,
grace, etc.
Surface design technique Is the best ingredient to a garment.
My concept can be attained through it.
In Structural We Design The Surface Before The Final Fabric Or
Garment Had Been Made.
In Decorative Design Technique We Decorate The Surface After The
Fabric Or Garment Had Been Made.
Decorative Design
Structural Design
There Are Two Method Of Surface Design Techniques .

68. FABRIC MANIUPLATION
Fabric Manipulation – Fabric Manipulation Both Of Structural And
Decorative . Fabric Manipulation Use Apply On Main Fabric .It Is A Surface
Design Technique .

69. EMBROIDARY
Embroidery is a needle work . It is a surface design technique . Earlier it
is done by hand . It is also handcraft of decorating or other material
with needle colorful yarn. It is most often used on caps coats , blanket ,
dress , skirt etc. the basic technique of embroidery chain stitches ,
Holbein , stain applique . Various types of embroidery like ; phulkari of
Punjab ,kasuti of Karnataka , kantha of Bengal etc.
PHULKARI
KASUTI

70. PRINT
Aside from the direct application of pigment on to the surface of
prepared cotton yardage , the techniques of fixing color to woven cloth to
create patterns and compositions again involves either the use of resists
, mordant resist or combinations of the two , applied with a pen , brush ,
metal or wooden block or stencil

71. GARMENT CONSTRUCTION
PROJECT

72. GARMENT CONSTRUCTION
Garment Construction Pattern Making Is The Process Of
Transforming A Design Into Its Constituent Flat Pattern Pieces And
Then Drafting Them Out Pattern For A Garment Is The Blue Print On
Which The Fabric Is Cut And The Same Is Achieved By 2 Method
.
• Flat Pattern Methods
• Draping Methods
Flat Pattern Method – Is
A Method Where In Body Or Dress
Form Measurement's Are Taken For
Developing A Pattern In Other
Words This System Depends On
Accurate Measurements To
Compete The Paper Pattern . Flat
Pattern Making Should Be Done In
Conjunction With A Dress Form So
That As The Design Evolves ,
Proportion And Balance In The
Garment Can Be Checked Side By
Side . It Is Important To Transfer
The Pattern On To A Muslin To Test
The Fit , On Dress Form Or A
Human Figure .
Flat Pattern Cutting Is Now Widely
Used Because Of Its Accuracy Of
Sizing . It Is A System Of Creating
Patterns By Manipulating A Basic
Block .
• The Basic Block Includes Ease
Allowance Which Allows The Body
The Body To Perform A Variety Of
Normal Body Functions Requiring
Movement Of Various Body Parts .
• The Method Is Logical And Easy To
Understand .
• It Is Also The Fastest And Most
Efficient Pattern Design Method
Even For Complicated Designs .

73. Draping Methods –
Draping Method Is The
Oldest Pattern Making Method
And Is Generally Regarded As A
Creative Approach . In This
Method A Piece Of Fabric Is
Draped Directly On A Dummy /
Dress From And Made To Fit To
Achieve The Desired Look Or
Shape . The Fabric May Be
Arranged Artistically In Folds
For A Specific Design . This
Muslin Pattern Is Then
Transferred On The Paper ,
And Corrections Are Made , If
Any , And Then The Same Are
Converted Into A Final Pattern .

74. BLOCK / SLOPER
Sloper Is A Term Given To A Very Basic Set Of Pattern Pieces
Used To Make Additional Pattern Of Any Style . It Refers To Paper
Cutting Of Basic Bodice, Skirt , Sleeve Or Any Such Basic Pattern
From Which All The Other Designs Developed .The Block Normally
Represents The Dimension Of A Specific Form Or Figure .
It Is Important That The Correct Block Is Chosen For The Design ;
This Not Only Saves Time During Adaptation But Can Affect The
Final Shape.
One dart
bodice front
size 34
Basic bodice
back size 34
Basic bodice
back size 34

75. PATTERN MAKING
Each Pattern Piece Will Have A Series Of Lines . Dots And Other
Symbols Printed On It .These Symbols Are To Help You Alter The
Pattern And Join The Pattern Pieces Together . The Symbols Are
Universal Across All Major Paper Patterns.
Cutting Line
Multi Size
Grain Line
Seam Allowance
Button Hole
Button Position
Dart
Pleat
Tuck
Bust Point

76. FIGURE SHAPES
THE wedge – upper
body (bust and shoulders) is larger Chan lower body (hips).
The triangle – lower body
(hips)is larger than upper body (bust and shoulders)
The rectangle – upper
and lower body are of similar proportions.
The hourglass –
upper and lower body similar in proportion with a small , near waist .

77. CHILD BASIC BLOCK
A Bodice , Is An Article Of Clothing For Women , Covering The Body
From The Neck To The Waist . A Bodice Indicates The Upper Part Of A
Dress . This Construction Was Standard For Fashionable Garments
From 18th Century Until The Late 19th Century .
SCALE = ½ ‘’

78. WOMEN'S BODICE BLOCK
A Bodice Is An Article Of Clothing For Women , Covering The Body
From The Neck To The Waist . A Bodice Indicates The Upper Part Of A
Dress . This Construction Was Standard For Fashionable Garments
From 18th Century Until The Late 19th Century .
SCALE = ½ ‘’

79. KAMEEZ
Kurta Is A Upper Garment A Long Shirt Or Tunic Falling Above Or Somewhere
Below The Knee. The Side Seam (Known As The Chaak ) Are Often Open
Below The Waist Line . They Were Traditional Wear With Loose Salwar Or
Pajama . Kurta Are Worn Both As Casual Everyday Wear . Variations Of Kurta
Kalidar , Princess Panel Kurta ,A Line Kurta , Flared Kurta , Floor Length
Kurta , Angrakha Kurta , Tulip Kurta , Flared Kurta , Floor Length Kurta ,
Kaftan Kurta , C-cut Kurta , Overlapping Kurta , Dogri Kurta Etc.
SCALE = 1/4 ‘’

80. ½ ‘’
SALWAR
The Salwar Is The Lower Garment Of 19th Century . Salwar Is The
Traditional Attire Of Punjabi Region . The Use Of The Sultan In The Punjab
Region . Svasthan Referred To A Lower Garment Which Can Be Describe
As A Type Of Trouser . The Svasthana Has Noted In Ancient India Which
Sticks To The Calves With Narrow Circumference Of The Lower Opening .
SCALE = 1/3 ‘’

81. BASIC SKIRT BLOCK
A Skirt Is A Tube Or Cone Shaped Draped Garment That Hangs From
The Waist Or Hip ,And Fuller Below , With The Fullness Introduced By
Means Of Darts , Gores , Pleats , Or Panels . The Hemline Of Skirt Can
Very From Micro To Floor Length And Can Very According .
SCALE = ½ ‘’

82. SAREE BLOUSE
A Blouse Is A Upper Garment , Loose – Fitted Garment For Women And
Children , Covering The Body From The Neck Or Shoulder More Or Less
To The Waistline , With Or Without A Collar , Button And Sleeves .
SCALE = ½ ‘’

83. NIGHT SUIT
Top – The Top Is Made
Up Of Front Opening With
A Comfort Fitting And Is
Loosely Fitted Garment
For Night Wear .
Pajama – The
Children ‘ S Bodice Block
Is The Slopper For All
The Garments For
Children ‘ S .
SCALE = 1/5 ‘’

84. CHOLI BLOUSE
Choli Blouse Is Cut To Fit Tightly To The Body And Has Short Sleeves
And A Low Neck . The Choli Usually Cropped , Allowing Exposure Of The
Navel The Cropped Design Is Particular Well Suited For Wear In The Hot
Summers . Choli Blouse Is Variations Of Plain Blouse
placket
SCALE = ½ ‘’

85. A kali or kalidar kurta is similar to a frock and has many panels . The kalidar
kurta is made up several geometrical pieces . It has two rectangular central in
the back and the front . The kali kurta is worn by men and women .
KALIDAR KURTA
SCALE = ½ ‘’

86. OWN CREATIONS
PRINCES PANAL
KURTA
PATIYALA SLWAR
CHOLI KURTA FRONT
BACK

87. FRONT
BACK
TOP UPPER GARMENT
KURTA WITH EMBROIDERY

88. DRAPING

89. Draping Is A Method In Which Fabric Is
Directly Drape On A Dress From According To
Our Design Easy And Fast Only With Pins .
The Fabric May Be Conform To The Basic
Shape Of The Form Or Be Arranged
Artistically In Fold , Gathers , Pleats , Design .
Draping For Fashion Designer Is A Process Of
Positioning And Pining Fabric On Dress From
To Develop The Structure Of A Garment
Design .Draping Is A Simplest And Easiest
Way For Dress Form
So At Dezyne E'cole College We Have
Learned Various Dart Manipulation , Single
Double, Clusters And Even Had A Group
Activity Within Which Have Experienced
Vortex And Origami .
DRAPING

90. WAIST DART
FRONT VIEW
BACK VIEW
SIDE VIEW

91. BACK VIEW
SIDE VIEW
FRONT VIEW
MID SHOULDER PRINCESS LINE

92. BACK VIEW
SIDE VIEWFRONT VIEW
SKIRT BLOCK

93. SIDE VIEW
FRONT VIEW
PARELLEL DART

94. SIDE VIEW
FRONT VIEW
WAIST DART

95. BACK VIEW
SIDE VIEWFRONT VIEW
BODICE BLOCK

96. ORIGAMI VORTEX

97. CASE STUDY
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98. CLIENT BOARD
Make A Slwar Kameez For 30 – 32 Years Old
Lecturer In Engineering College Using Any
Surface Design Technique .
MY CLIENT
Client - Female
NAME - XYZ
Age - 32 Years
Profession -- Lecturer In Engineering College
City - Delhi
Height - 5.6’’
Complexion - Fair
.

101. UPPER
GARMENT

102. MOOD BOARD

103. GRAY COLOR
BLACK COLOR
NEUTRAL COLOR SCHEME
C : 0
M: 0
Y : 0
K : 100
C : 0
M: 0
Y : 0
K : 100

104. TYPES OF FABRIC

105. ACCESSORIES

106. MATERIAL BOARD

107. IDEA GENERATION

108. DESIGN DEVELOPMENT AND ELEMENTS AND
PRINCIPLE OF DESIGN
ELEMENTS
LINE
PRINCIPLES
REPETITION
[ MID SHOULDER
PRINCESS LINE ]

109. SPECIFICATION SHEET OF FINAL DESIGN
BLACK COLOR
GREY COLOR
MID SHOULDER
PRINCESS LINE
SIZE – 34’’
LENGTH JACKET = WAIST
SLEEVES = PLAIN SLEEVES
LOWER GARMENTS =
STYLE =
OFFICIAL GARMENT

110. BODICE BLOCK
MID SHOULDER PRINCESS LINE
JACKET
FRONT
FRONT
BACK
12 SCALE DRAFT OF DESIGN ON COREL
BAC
K
BACK
COLLAR
SIZE =34”
FRONT
CUT -2
PIECE
CUT -2
PIECE
CUT -2
PIECE
CHURIDAR

111. BODICE BLOCK
MID SHOULDER PRINCESS LINE
JACKET
FRONT
FRONT
BACK
12 SCALE DRAFT OF DESIGN ON COREL
BAC
K
BACK
COLLAR
SIZE =34”
FRONT
CUT -2
PIECE
CUT -2
PIECE
CUT -2
PIECE
CHURIDAR

112. COLLAGE OF PICTURES WHILE MAKING THE
CREATIONS

113. ALL VIEW
TUCKS
FRONT VIEW
SIDE VIEW
BACK VIEW

114. FINAL DESIGN WITHACCESSORIES