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A risk assessment was conducted for a drama studio project. Three main hazards were identified: darkness and lack of vision posing a trip hazard; cables on the floor also being a trip hazard; and the tripod legs being a trip hazard. Measures taken to address these included filming in the center of the room, tying and taping cables to the floor, and positioning the camera away from actors. Additional actions identified were making torches accessible and ensuring all involved were aware of hazards. Thalia Barrett, Bobbie Brader, and Rebecca Watson were assigned responsibility for specific additional actions and the overall risk assessment was given a red, amber, and green rating respectively for each identified hazard.
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Risk assessment template Reporter three
The risk assessment identifies trip hazards from tripods and cables on set that could cause injury, with measures taken such as pointing out tripod legs and neatly taping down cables. Moving traffic filming near a road also presents a risk, which will be mitigated by filming away from the road and having someone monitor road crossings. The document provides details on the location, date, identified hazards and risks, severity ratings, preventative measures taken, number of people at risk, additional required actions, and responsibilities.
Risk assessment template car park
High, Medium, and Unlikely are identified as the likelihood of occurrence for hazards at the Car Park Risk-A number 5 site. Thalia Barrett is responsible for a risk assessment of the site at De Aston School, with assistants Bobbie Brader and Rebecca Watson. Cables have been taped down to prevent trip hazards, tripod legs have been pointed out, and filming will take place in an area with few parked cars to avoid obstacles. Additional measures such as colored tape and warnings to cast are in place, and responsibilities for actions are assigned.
Risk assessment Reporter one
A risk assessment was conducted for a film shoot in the Green Screen Room at De Aston School on 07/12/15. Hazards identified included cables, a tripod, and a table leg that could pose trip hazards. Measures taken to prevent injury included neatly securing cables to the floor with bright tape, pointing out the tripod legs to cast and crew, and pulling a table forward during shots. Responsible parties were assigned to each hazard identified. The overall risks were determined to be adequately addressed and given a green "G" rating.
Risk assessment Park
The risk assessment document summarizes potential hazards identified on a film set and measures taken to prevent injury. It identifies tripods, makeup glue, mole hills, cigarettes, and traffic as hazards. Measures to address tripod trips, glue eye contact, actors being aware of mole hills, controlling cigarettes, and supervising road crossing are described. Additional actions like colored tape, eye closing, and smoke direction are recommended. Responsible parties for actions are assigned.
Risk assessment template pram scene
Darkness and trip hazards pose a high risk of injury during filming. Cables and the tripod also present trip hazards if not properly secured. Filming will take place in the center of the room away from obstacles, cables have been neatly taped down, and all crew have been notified of hazards. Additional torches are available and all crew are aware of hazards to prevent any potential injuries during filming. Thalia Barrett, Bobbie Brader, and Rebecca Watson are responsible for addressing hazards.
Risk assessment template Reporter four
The risk assessment identifies trip hazards from cables, a tripod, and a table leg at the Green Screen 2 location of the Immunity project shoot at De Aston School. Cables have been neatly tied and taped to the floor, the tripod legs have been pointed out to all staff, and the table has been pulled further away to prevent collisions. Four people are at risk from the cables. No additional measures are needed, and Thalia Barrett, Bobbie Brader, and Rebecca Watson are responsible for the identified hazards. All risks have been assessed as having a low likelihood of occurring.
Risk assessment Reporter two
The risk assessment identifies three potential hazards - cables, tripods, and wet surfaces - at an outdoor event at De Aston School. The cables have been taped down, tripod legs have been pointed out to all staff and crew, and wet surface risks have been communicated. Four people are at risk from each hazard. No additional measures are required and responsibilities are assigned to prevent injuries. The overall risks have been assessed as low.
Risk Assessment (8)
High Street Risk-A number 8 project conducted a risk assessment on 07/12/15 at the Market Rasen location. Hazards identified included trip hazards from tripods and cables that were addressed by pointing them out, applying brightly colored tape, and neatly securing cables. Moving traffic was also a risk but filming would take place away from roads. Additional measures included supervising any road crossings. Rebecca Watson, Bobbie Brader, and Thalia Barrett were responsible for existing and additional measures respectively.
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Risk assessment template Reporter three
The risk assessment identifies trip hazards from tripods and cables on set that could cause injury, with measures taken such as pointing out tripod legs and neatly taping down cables. Moving traffic filming near a road also presents a risk, which will be mitigated by filming away from the road and having someone monitor road crossings. The document provides details on the location, date, identified hazards and risks, severity ratings, preventative measures taken, number of people at risk, additional required actions, and responsibilities.
Risk assessment template car park
High, Medium, and Unlikely are identified as the likelihood of occurrence for hazards at the Car Park Risk-A number 5 site. Thalia Barrett is responsible for a risk assessment of the site at De Aston School, with assistants Bobbie Brader and Rebecca Watson. Cables have been taped down to prevent trip hazards, tripod legs have been pointed out, and filming will take place in an area with few parked cars to avoid obstacles. Additional measures such as colored tape and warnings to cast are in place, and responsibilities for actions are assigned.
Risk assessment Reporter one
A risk assessment was conducted for a film shoot in the Green Screen Room at De Aston School on 07/12/15. Hazards identified included cables, a tripod, and a table leg that could pose trip hazards. Measures taken to prevent injury included neatly securing cables to the floor with bright tape, pointing out the tripod legs to cast and crew, and pulling a table forward during shots. Responsible parties were assigned to each hazard identified. The overall risks were determined to be adequately addressed and given a green "G" rating.
Risk assessment Park
The risk assessment document summarizes potential hazards identified on a film set and measures taken to prevent injury. It identifies tripods, makeup glue, mole hills, cigarettes, and traffic as hazards. Measures to address tripod trips, glue eye contact, actors being aware of mole hills, controlling cigarettes, and supervising road crossing are described. Additional actions like colored tape, eye closing, and smoke direction are recommended. Responsible parties for actions are assigned.
Risk assessment template pram scene
Darkness and trip hazards pose a high risk of injury during filming. Cables and the tripod also present trip hazards if not properly secured. Filming will take place in the center of the room away from obstacles, cables have been neatly taped down, and all crew have been notified of hazards. Additional torches are available and all crew are aware of hazards to prevent any potential injuries during filming. Thalia Barrett, Bobbie Brader, and Rebecca Watson are responsible for addressing hazards.
Risk assessment template Reporter four
The risk assessment identifies trip hazards from cables, a tripod, and a table leg at the Green Screen 2 location of the Immunity project shoot at De Aston School. Cables have been neatly tied and taped to the floor, the tripod legs have been pointed out to all staff, and the table has been pulled further away to prevent collisions. Four people are at risk from the cables. No additional measures are needed, and Thalia Barrett, Bobbie Brader, and Rebecca Watson are responsible for the identified hazards. All risks have been assessed as having a low likelihood of occurring.
Risk assessment Reporter two
The risk assessment identifies three potential hazards - cables, tripods, and wet surfaces - at an outdoor event at De Aston School. The cables have been taped down, tripod legs have been pointed out to all staff and crew, and wet surface risks have been communicated. Four people are at risk from each hazard. No additional measures are required and responsibilities are assigned to prevent injuries. The overall risks have been assessed as low.
Risk Assessment (8)
High Street Risk-A number 8 project conducted a risk assessment on 07/12/15 at the Market Rasen location. Hazards identified included trip hazards from tripods and cables that were addressed by pointing them out, applying brightly colored tape, and neatly securing cables. Moving traffic was also a risk but filming would take place away from roads. Additional measures included supervising any road crossings. Rebecca Watson, Bobbie Brader, and Thalia Barrett were responsible for existing and additional measures respectively.
Risk Assessment (3)
The document summarizes a risk assessment for a film shoot taking place in the Green Screen Room at De Aston School. It identifies potential trip hazards from cables, a tripod, and a table leg. Measures taken to prevent injuries include neatly securing cables to the floor with bright tape, pointing out the tripod legs to cast and crew, and pulling a table forward. Rebecca Watson is responsible for the tripod, Thalia Barrett for the table, and Bobbie Brader oversees the risk assessment. All identified risks currently have control measures in place and are rated as green on the risk assessment grid.
Risk Assessment (4)
The document summarizes a risk assessment for an outdoor school event. It identifies potential trip hazards from cables, a tripod, and wet surfaces. Measures taken to address the hazards include neatly securing cables to the floor with bright tape, informing cast and crew about the tripod legs, and noting that wet surfaces could pose a risk if it rains. The individuals responsible for each identified risk are also listed.
Risk Assessment (6)
This risk assessment document identifies hazards for a filming project taking place at De Aston School. The hazards identified include darkness causing lack of vision, cables being a trip hazard, and the tripod legs being a trip hazard. Measures taken to prevent injuries include filming in the center of a well-lit room, neatly securing cables to the floor with bright tape, and marking the tripod legs with bright tape. Additional precautions include having torches available and ensuring all crew are aware of hazards. Thalia Barrett, Bobbie Brader, and Rebecca Watson are responsible for specific preventative actions and oversight of hazards.
Risk Assessment (5)
This risk assessment document identifies potential hazards for a film shoot in a school car park. Three hazards are identified: cables creating a trip hazard, the tripod legs posing a trip hazard, and parked cars being obstacles. Measures taken to address the hazards include neatly securing cables to the floor with bright tape, informing cast and crew about the tripod legs, and filming in an area with few parked cars. The document assigns responsibilities for additional required measures to three people and rates the overall risk as green for each identified hazard.
Risk Assessment (1)
This risk assessment document summarizes potential hazards for a film shoot in the Green Screen Room. It identifies trip hazards from cables, a tripod, and a table leg that could cause injuries. Measures taken to address these hazards include tying and taping cables to the floor, pointing out the tripod legs to cast and crew, and pulling a table forward. The individuals responsible for these safety measures are identified along with the low risk of injury.
Risk Assessment (7)
This risk assessment document identifies hazards, potential injuries, prevention measures, and additional actions needed for a drama studio project. Three key hazards are identified: darkness and lack of vision posing a trip hazard; cables being a trip hazard; and a tripod also being a trip hazard. Prevention measures taken include keeping the room clear and filming in the center to avoid obstacles, tying and taping cables to the floor and pointing them out, and pointing out the tripod legs and placing the camera away from actors. Additional measures include having torches accessible and making cast and crew aware of hazards. Responsible parties are identified for additional required actions.
Risk Assessment (2)
The risk assessment document identifies potential hazards for a film shoot at a school park. It lists trip hazards from a camera tripod and uneven ground, the risk of eye irritation from makeup glue, and burn hazards from cigarettes. Measures have been taken to point out the tripod legs, apply tissue around actors' eyes during makeup application, identify uneven ground, and contain cigarettes to a separate area. Additional actions like blowing smoke away from actors are noted. Responsible parties like Rebecca Watson, Bobbie Brader and Thalia Barrett are assigned to various risks and actions.
Risk Assessments
The document summarizes risk assessments for various filming locations. It identifies potential hazards such as cables, tripods, table legs, traffic, darkness and more. For each hazard, it evaluates the potential injuries, severity, preventative measures taken, number of people at risk and individuals responsible for ongoing safety. Cables and tripods have been tied up or pointed out at most locations. Filming will avoid traffic and parked cars where possible. Overall safety responsibilities are distributed among the project members.
Short Film Questionnaire
This short film questionnaire asks respondents for their gender and age, whether they watch short films, and what attracts them to or interests them in short films, including possible genres and places of viewing. It is conducted by Lucy, Eman, Katie and Hamza for an unknown purpose and thanks participants for their time.
Short film questionnaire
This short film questionnaire asks respondents for their gender and age, whether they watch short films, and what attracts them to or interests them in short films, including possible genres and where they would watch them. It is conducted by Lucy, Eman, Katie and Hamza for an unknown purpose and thanks participants for their time.
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Questionnaire results
The document summarizes the results of a questionnaire about preferences for thriller movies. Based on the responses, someone being killed was selected as the most common plot for a thriller by 30% of respondents. 50% thought thrillers should be rated 15 by the BBFC. Knives were the preferred prop according to 50% of respondents. 40% thought thrillers should be set at sunset. Nyctophobia was considered the best name for a thriller by 20% of respondents. Forests and abandoned houses tied for the most preferred thriller locations at 35% each. A sci-fi thriller was the preferred hybrid genre at 35%.
Risk assessment template media
Here we have assessed the different areas that we have been working in and considering the risks that could happen within that area and how we will attempt to prevent them.
Art of Communication
The document discusses three rules and tests that determine whether a new movie will be a box office hit or flop:
1. The "Back of the Ticket" test - Can the movie's story be summarized in a single engaging sentence? Successful movies like Titanic and Lagaan pass this test.
2. The "TRRING" test - Does the movie include identifiable events and emotions that audiences can relate to? Movies like Lage Raho Munna Bhai pass this test by resonating with audiences.
3. The "By/For" test - Is the movie made primarily for the creator or for the audience? Box office hits are usually made with the audience in mind rather than
Evaluation Q4
This document provides demographic information and a persona profile to help identify the target audience for a media product. The demographic data shows that the largest audiences for adventure and thriller genres are males aged 15-24, 25-34, and females aged 25-34 from middle-class backgrounds. The persona profile describes 25-year-old Ted, an outdoor adventure tour guide who enjoys extreme sports, socializing with friends, and films featuring adventurous characters similar to himself.
Evaluation 3) what kind of media institution
According to feedback, the film could be distributed by Universal due to its cliffhanger ending, use of props like guns suggesting violence, and following conventions of the action-adventure genre requiring a later time slot. The group agreed as the film has cinematic camera angles, enhanced sound effects that would benefit from a cinema's quality sound system, and a 12/15+ rating allowing for a broader audience.
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Instrumen evaluasi pendidikan karakter Tarakanita memberikan penilaian terhadap siswa SMA dalam tiga nilai karakter yaitu syukur, tabah, dan ugahari. Penilaian dilakukan melalui 12 pertanyaan untuk nilai syukur, 8 pertanyaan untuk nilai tabah, dan 10 pertanyaan untuk nilai ugahari yang menilai partisipasi siswa dalam berdoa, menghadapi tantangan, dan memanfaatkan waktu secara optimal.
3Q09 Results Presentation
The document provides a summary of Tegma's 3rd quarter 2009 financial results. Key points include:
- Tegma reported revenue growth of 4.1% and EBITDAR growth of 14% compared to 3Q08.
- The automotive sector saw revenue increase 5.6% and EBITDAR growth of 20% due to higher vehicle transport volumes and distances.
- Other sectors reported revenue growth of 9.4% for the first nine months but a decline in EBITDAR of 14.8% due to lower services revenue.
- Net income was relatively flat increasing 0.8% compared to 3Q08.
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O documento descreve a cidade de Acapulco no México, localizada no estado de Guerrero. Acapulco é um importante destino turístico mundial com 673.479 habitantes e área de 1.881 km2. O documento detalha pontos turísticos como Pedras La Quebrada e Forte de San Diego, além de cultura, economia baseada no turismo e comércio, culinária e curiosidades históricas sobre a cidade.
2016 физ-хим.методы граница
Физико-химические методы исследования в медицине и биологии: Учебное пособие / Медицинский университет Реавиз. Москва, Издательство «Граница», 2016. 120 с.
Данное учебное пособие написано в соответствии с содержанием Государственных образо-вательных стандартов и программой дисциплины “Физико-химические методы анализа” по специальности “Медицина”, направлению и программой большого практикума (раздел “Физикохимические методы анализа”), который выполняется студентами по специальности “Биология”.
В нем изложены основы физико-химических методов анализа. Рассмотрены условия и области применения методов, их достоинства и недостатки, ограничения, перспективы развития и другие особенности и характеристики.
В конце каждой главы дано описание практических работ, приведены контрольные вопросы.
Предназначено для студентов-медиков, биологов, химиков, аспирантов, научных работников и учителей школ.
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Risk Assessment (3)
The document summarizes a risk assessment for a film shoot taking place in the Green Screen Room at De Aston School. It identifies potential trip hazards from cables, a tripod, and a table leg. Measures taken to prevent injuries include neatly securing cables to the floor with bright tape, pointing out the tripod legs to cast and crew, and pulling a table forward. Rebecca Watson is responsible for the tripod, Thalia Barrett for the table, and Bobbie Brader oversees the risk assessment. All identified risks currently have control measures in place and are rated as green on the risk assessment grid.
Risk Assessment (4)
The document summarizes a risk assessment for an outdoor school event. It identifies potential trip hazards from cables, a tripod, and wet surfaces. Measures taken to address the hazards include neatly securing cables to the floor with bright tape, informing cast and crew about the tripod legs, and noting that wet surfaces could pose a risk if it rains. The individuals responsible for each identified risk are also listed.
Risk Assessment (6)
This risk assessment document identifies hazards for a filming project taking place at De Aston School. The hazards identified include darkness causing lack of vision, cables being a trip hazard, and the tripod legs being a trip hazard. Measures taken to prevent injuries include filming in the center of a well-lit room, neatly securing cables to the floor with bright tape, and marking the tripod legs with bright tape. Additional precautions include having torches available and ensuring all crew are aware of hazards. Thalia Barrett, Bobbie Brader, and Rebecca Watson are responsible for specific preventative actions and oversight of hazards.
Risk Assessment (5)
This risk assessment document identifies potential hazards for a film shoot in a school car park. Three hazards are identified: cables creating a trip hazard, the tripod legs posing a trip hazard, and parked cars being obstacles. Measures taken to address the hazards include neatly securing cables to the floor with bright tape, informing cast and crew about the tripod legs, and filming in an area with few parked cars. The document assigns responsibilities for additional required measures to three people and rates the overall risk as green for each identified hazard.
Risk Assessment (1)
This risk assessment document summarizes potential hazards for a film shoot in the Green Screen Room. It identifies trip hazards from cables, a tripod, and a table leg that could cause injuries. Measures taken to address these hazards include tying and taping cables to the floor, pointing out the tripod legs to cast and crew, and pulling a table forward. The individuals responsible for these safety measures are identified along with the low risk of injury.
Risk Assessment (7)
This risk assessment document identifies hazards, potential injuries, prevention measures, and additional actions needed for a drama studio project. Three key hazards are identified: darkness and lack of vision posing a trip hazard; cables being a trip hazard; and a tripod also being a trip hazard. Prevention measures taken include keeping the room clear and filming in the center to avoid obstacles, tying and taping cables to the floor and pointing them out, and pointing out the tripod legs and placing the camera away from actors. Additional measures include having torches accessible and making cast and crew aware of hazards. Responsible parties are identified for additional required actions.
Risk Assessment (2)
The risk assessment document identifies potential hazards for a film shoot at a school park. It lists trip hazards from a camera tripod and uneven ground, the risk of eye irritation from makeup glue, and burn hazards from cigarettes. Measures have been taken to point out the tripod legs, apply tissue around actors' eyes during makeup application, identify uneven ground, and contain cigarettes to a separate area. Additional actions like blowing smoke away from actors are noted. Responsible parties like Rebecca Watson, Bobbie Brader and Thalia Barrett are assigned to various risks and actions.
Risk Assessments
The document summarizes risk assessments for various filming locations. It identifies potential hazards such as cables, tripods, table legs, traffic, darkness and more. For each hazard, it evaluates the potential injuries, severity, preventative measures taken, number of people at risk and individuals responsible for ongoing safety. Cables and tripods have been tied up or pointed out at most locations. Filming will avoid traffic and parked cars where possible. Overall safety responsibilities are distributed among the project members.
Short Film Questionnaire
This short film questionnaire asks respondents for their gender and age, whether they watch short films, and what attracts them to or interests them in short films, including possible genres and places of viewing. It is conducted by Lucy, Eman, Katie and Hamza for an unknown purpose and thanks participants for their time.
Short film questionnaire
This short film questionnaire asks respondents for their gender and age, whether they watch short films, and what attracts them to or interests them in short films, including possible genres and where they would watch them. It is conducted by Lucy, Eman, Katie and Hamza for an unknown purpose and thanks participants for their time.
Janea cali presentation
The document discusses and reviews three movies: The Vow, The Twilight Saga: Breaking Dawn - Part 1, and Pirates of the Caribbean: On Stranger Tides. For each movie, it provides a brief description and rating, as well as notes on the movie's rating from critics. It notes that The Vow is a heartwarming romantic story, Breaking Dawn continues the Twilight love story, and Pirates of the Caribbean is a fun and adventurous pirate adventure. The document also includes trailers and critic reviews for each film.
Questionnaire results
The document summarizes the results of a questionnaire about preferences for thriller movies. Based on the responses, someone being killed was selected as the most common plot for a thriller by 30% of respondents. 50% thought thrillers should be rated 15 by the BBFC. Knives were the preferred prop according to 50% of respondents. 40% thought thrillers should be set at sunset. Nyctophobia was considered the best name for a thriller by 20% of respondents. Forests and abandoned houses tied for the most preferred thriller locations at 35% each. A sci-fi thriller was the preferred hybrid genre at 35%.
Risk assessment template media
Here we have assessed the different areas that we have been working in and considering the risks that could happen within that area and how we will attempt to prevent them.
Art of Communication
The document discusses three rules and tests that determine whether a new movie will be a box office hit or flop:
1. The "Back of the Ticket" test - Can the movie's story be summarized in a single engaging sentence? Successful movies like Titanic and Lagaan pass this test.
2. The "TRRING" test - Does the movie include identifiable events and emotions that audiences can relate to? Movies like Lage Raho Munna Bhai pass this test by resonating with audiences.
3. The "By/For" test - Is the movie made primarily for the creator or for the audience? Box office hits are usually made with the audience in mind rather than
Evaluation Q4
This document provides demographic information and a persona profile to help identify the target audience for a media product. The demographic data shows that the largest audiences for adventure and thriller genres are males aged 15-24, 25-34, and females aged 25-34 from middle-class backgrounds. The persona profile describes 25-year-old Ted, an outdoor adventure tour guide who enjoys extreme sports, socializing with friends, and films featuring adventurous characters similar to himself.
Evaluation 3) what kind of media institution
According to feedback, the film could be distributed by Universal due to its cliffhanger ending, use of props like guns suggesting violence, and following conventions of the action-adventure genre requiring a later time slot. The group agreed as the film has cinematic camera angles, enhanced sound effects that would benefit from a cinema's quality sound system, and a 12/15+ rating allowing for a broader audience.
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Instrumen evaluasi pendidikan karakter Tarakanita memberikan penilaian terhadap siswa SMA dalam tiga nilai karakter yaitu syukur, tabah, dan ugahari. Penilaian dilakukan melalui 12 pertanyaan untuk nilai syukur, 8 pertanyaan untuk nilai tabah, dan 10 pertanyaan untuk nilai ugahari yang menilai partisipasi siswa dalam berdoa, menghadapi tantangan, dan memanfaatkan waktu secara optimal.
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The document provides a summary of Tegma's 3rd quarter 2009 financial results. Key points include:
- Tegma reported revenue growth of 4.1% and EBITDAR growth of 14% compared to 3Q08.
- The automotive sector saw revenue increase 5.6% and EBITDAR growth of 20% due to higher vehicle transport volumes and distances.
- Other sectors reported revenue growth of 9.4% for the first nine months but a decline in EBITDAR of 14.8% due to lower services revenue.
- Net income was relatively flat increasing 0.8% compared to 3Q08.
Andalucia
Andalucía ofrece playas, hoteles y una costa tropical para visitar, así como museos. La región cuenta con varios lugares para visitar e incluye recomendaciones de que vale la pena visitar Andalucía.
Trabalho de geografia - Acapulco
O documento descreve a cidade de Acapulco no México, localizada no estado de Guerrero. Acapulco é um importante destino turístico mundial com 673.479 habitantes e área de 1.881 km2. O documento detalha pontos turísticos como Pedras La Quebrada e Forte de San Diego, além de cultura, economia baseada no turismo e comércio, culinária e curiosidades históricas sobre a cidade.
2016 физ-хим.методы граница
Физико-химические методы исследования в медицине и биологии: Учебное пособие / Медицинский университет Реавиз. Москва, Издательство «Граница», 2016. 120 с.
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В нем изложены основы физико-химических методов анализа. Рассмотрены условия и области применения методов, их достоинства и недостатки, ограничения, перспективы развития и другие особенности и характеристики.
В конце каждой главы дано описание практических работ, приведены контрольные вопросы.
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Evaluation question three
This document discusses strategies for distributing a zombie film media product. It notes that major film studios like 20th Century Fox, Disney, Warner Bros., Paramount, Universal and Sony usually distribute their own films. For zombie films specifically, distributors like United Artists and Rogue Pictures have been used. The document suggests Paramount Pictures would be a good choice since they successfully distributed the zombie film World War Z. A major distributor is recommended over an independent one to reach a broader audience. While some low-budget horror films like The Blair Witch Project found success, the document argues zombie films require larger budgets to seem convincing given the genre involves unnatural beings. It's proposed the film would be shown in multiplex theaters and advertised
Evaluation question five
The document describes research conducted to understand the target audience for a zombie film project. Surveys asked about demographics and preferences regarding zombie film elements. Respondents preferred strong female leads, a variety of character ages/types, and realistic rather than comedic zombie behaviors. The filmmakers incorporated these elements into their story and characters. They cast actors matching the target middle-class audience to increase relatability. The opening uses titles, settings, genres, and film techniques to attract attention and intrigue viewers about the plot and characters.
Storyboard
The document discusses the storyboard for the opening of a film about a virus outbreak. It describes each shot in detail, including camera angles, lighting, sounds, and how they advance the plot and build tension. Multiple shots show reporters discussing the escalating crisis. Later shots introduce the main characters and depict the virus's effects and victims' fear. The storyboard utilizes various techniques to generate a realistic atmosphere and leave viewers wanting more through a cliffhanger ending.
Evaluation question two
This document discusses how the media piece represents various social groups. It begins by defining what a social group is and listing common characteristics of social groups, such as reciprocal relations, common goals/interests, sense of unity, group norms/expectations, and similar/controlled behaviors.
It then discusses how the media piece explored age, gender, social class, sexuality and ethnicity. For gender, it represents females more than males and uses costume and lighting to portray females as strong and independent compared to inferior males. For age, it includes a range of ages to be realistic but mainly teenagers to fit some stereotypes, portraying them negatively through behavior and lighting. It also includes a 12-year-old actress as a zombie to
Evaluation question five
The document discusses research conducted to understand the target audience for a zombie film project. Surveys asked about demographics and preferences regarding zombie film elements. Respondents preferred strong female leads, a variety of character ages/types, and realistic zombie behaviors. This feedback informed the film's concepts, storyboard, and casting of a range of character types. Generic zombie film elements like gore and action scenes were included to attract audiences, while ambiguity around settings aimed for escapism and intrigue. The film's marketing strategy focused on platforms like YouTube to reach a wide audience.
Storyboard
Our storyboard includes images, camera shots, sounds, dialogue and focus techniques to visualize how our film opening will be laid out. We created a draft storyboard first to analyze the techniques we intend to use and see if they work well. The final storyboard incorporated changes like using 4 reporters instead of more and adding jump cuts and fades between scenes to improve the flow. The storyboard provides direction for both us and the actors to clearly understand how each scene will be filmed.
Evaluation question three
This document discusses potential film distributors for a zombie film called "Immunity". It analyzes that while no single studio specializes in zombie films, Universal has experience distributing comedy-zombie hybrids like "Shaun of the Dead". A major distributor would be best to reach a mainstream audience over 35 years old without limiting the film's potential profits or viewers. Of the major studios, Paramount would be the preferred choice since they have successfully distributed straight zombie films like "World War Z" without hybrid elements. Advertising primarily on YouTube would leverage its global popularity and make the trailer easily accessible.
Evaluation question two
The document analyzes how different social groups are represented in a media product. It discusses how gender, age, ethnicity, social class, location, and sexuality are portrayed. For gender, it represents females in a more positive light through costume and lighting choices. It includes a range of ages but mostly younger people, and one scene challenges stereotypes by having a young female as a threatening zombie. Only one character is black, portrayed as a zombie to demonstrate that anyone can be infected. Social class and location are represented ambiguously in some scenes. Sexuality of one character is not explicitly defined to avoid negative portrayals. Overall, the media product aims to diversify representations of social groups in contrasting ways to create a range of characters
Question four evaluation
This document discusses the target audience and classification for a zombie film. The primary target audience is males over 35 from a middle-class background, as they tend to enjoy the genre conventions like strong male leads. The secondary target audience is females under 35 who are also middle-class, as parents may find escapism in the genre. Research on the zombie genre helped determine it spans horror, disaster and thriller, appealing to a wide age range. The film will likely be rated 15 for its moderate violence and horror elements. It will be released in large cinemas to reach a mainstream audience. An interview with a 57-year-old male teacher provided insights into the psychographics of the target audience.
Target audience interviews
The document summarizes interviews conducted to understand audience preferences for zombie film openings. Key findings include: interviewees wanting more realistic zombies of varying ages/health and faster-paced zombies; a desire for strong independent female leads rather than weak/dependent roles; and the importance of building tension and suspense in openings to engage audiences. Interviewees generally agreed that hybridizing zombie films with other genres like comedy can enhance enjoyment if done well.
Organization
The document is an email from Thalia Barrett providing details for an upcoming film shoot, including:
- Shooting dates and locations for scenes taking place between November 30th and December 8th. Locations include art parks, pubs, and churches.
- A cast list assigning roles like reporters, zombies, teenagers, and characters April and Vicki.
- Suggested equipment and clothing for different roles, such as old clothes for zombies and smart suits for reporters.
- Confirmation that makeup and props will be provided on location and filming will last 20-60 minutes.
Uk film council
The document discusses genres that could be used in a film opening to appeal to different audiences. It finds that the zombie genre incorporates elements of horror, disaster, and thriller genres. This means the film could appeal to an audience over 16 years old. Combining these three genres could reach 113% of the population interested in hybrid genres. However, zombies are considered a niche sub-genre, so specific data on audience preferences is not available. Preferences are linked to demographics, with the primary audience as males over 35 and females under 35. Including elements from different genres could create a successful opening, but disaster films have lower ratings in Britain so that genre requires careful use.
Bbfc introduction
The British Board of Film Classification (BBFC) is a non-governmental organization founded in 1912 that is responsible for classifying and censoring films shown in the UK. The BBFC considers factors like discrimination, drugs, horror, imitable behavior, language, nudity, sex, themes, and violence when determining what age group a film is appropriate for. They assign ratings from U through 18R. For the film "Immunity," the document's author concluded a 15 rating was appropriate due to its mild use of horror, violence, and themes of death and terror, without containing discrimination, drugs, nudity, or inappropriate language.
Shot list
This shot list contains 17 shots for the film project "Immunity" that show news reports on zombies, a zombie attacking a baby from its point of view, zombies attacking a salon, zombie children attacking in a park from different angles, two girls playing together with their hair as zombies try to break into their home, and a split screen shot of one sister turning into a zombie while the other remains unaffected. The list ends with title and credits shots.
Shooting schedule
This document provides a shooting schedule for a film called "Immunity" over 5 shoot days from August to December. It lists the scenes, locations, dates, time periods, characters and props for each shoot. Scenes include girls playing with hair while zombies bang on a door, reporters doing green screen interviews in a studio, and outdoor reporting and zombie scenes at a high street, church and outdoors with a pram.
Job roles
The document outlines specific job roles for members of a film production group. The director will oversee the filming and ensure props, settings and actors are used correctly. The camera operator will set up and operate the camera equipment and transfer clips to a computer for editing. The sound and editing role will add sound effects and combine video clips to create a cohesive opening. As producer, the director will organize the script, storyboard, shooting list, schedule and locations to coordinate the production.
Storyboard
The document is a storyboard for the opening of a film about a zombie virus outbreak. It provides details on the camera shots, lighting, sounds, and other cinematic techniques used in each scene. The storyboard establishes tension and confusion by introducing reporters discussing the spread of the virus. It then shows the virus's effects and builds fear by including shots from the perspective of victims. The opening concludes by introducing the main characters, two sisters, and leaving the audience on a cliffhanger by fading to the title as a zombie attacks their door.
Script
This document is a script for a zombie film titled "Immunity". It describes 10 scenes showing the outbreak of a zombie epidemic across England. Reporters document the events as zombies overrun public places and attack survivors. Two sisters, April and Vicki, shelter inside as zombies surround their home. April appears immune to the zombie infection, as Vicki's face is seen flickering between normal and a zombie state, indicating she may have been infected. The script ends on a cliffhanger as the sisters await an uncertain fate inside their home.
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Risk assessment Sisters
- 1. Risk Assessment Likelihood of occurrence: High, Medium, Unlikely Site Name Drama Studio 2 Risk-A number 8 Project Immunity Name Thalia Barrett Location De Aston School Assistants Bobbie Brader, Rebecca Watson Date Assessed 07/12/15
- 2. Likelihood of occurrence: High, Medium, Unlikely What hazards have been identified? What are the potential injuries or damage? Severity (1, 2 or 3) What measures have been taken to prevent injury or damage? Number of people at risk What additional measures or actions are required? Who is responsible for action? R A G Darkness + Lack of Vision Trip Hazard Room will be clear and filming will commence in the centre of the room to avoid any contact with trip hazard obstacles. 5 Torches will be easily accessible so that if a hazard does occur it enables us to respond as quickly as possible. Thalia Barrett A Cables Trip Hazard The cables have been neatly tied up with a cable tie and then taped to the floor with a bright coloured tape to ensure that the cables are out of the way and also to ensure that the actor can see where they are stepping. These have also been pointed out to everyone. 5 The cables have been tied up and taped to the floor with a brightly coloured tape. We also made sure the actors were aware of these. Bobbie Brader G Tripod Trip Hazard The legs of the tripod have been pointed out to all cast and crew to ensure that nobody trips over them. Also, we have placed the camera quite a bit away from the actor so that they aren’t in too much danger. 5 The cast and crew have been made aware of the legs of the tripod. Rebecca Watson G