Risk assessment
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The document discusses a risk assessment that the production group will need to conduct for their filming. A risk assessment identifies potential hazards during filming and ways to minimize risks. It aims to make the film crew as safe as possible. Doing a risk assessment beforehand creates a safer environment and prevents injuries that could hinder filming. The risk assessment results will be organized in a table.
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Risk assessment
For their production group, the document discusses how conducting a risk assessment is required by law to identify potential hazards during filming and minimize risks. It will consider hazards like slipping or equipment issues and place results in a table. The goal is to make the film crew as safe as possible and avoid injuries that could hinder production. The risk assessment should be completed before filming begins.
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This document provides a risk assessment matrix for hazards on a field trip. It rates probability of an event occurring from 1 (remote) to 5 (almost certain). It rates consequences from 1 (negligible) to 5 (catastrophic). Risk is classified as high (12+), medium (7-11) or low (6 or less). Several hazards are identified and control measures are proposed to lower probability and reduce risk, such as securing equipment, using caution signs and following safety procedures.
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Tripping hazards like wires on the floor can cause trips and falls that result in injury, especially in small rooms with less space to avoid obstacles. It is important to keep the workspace tidy and watch your steps if the room remains hazardous. Spilled liquids in a small radio room with expensive electrical equipment could damage equipment if a trip or fall occurs. No liquids should be brought into the room and everything should be drunk outside to prevent water contact. Equipment could be damaged if an untrained amateur uses the radio equipment incorrectly. Basic training or supervision by an experienced person is needed before entering the radio room to prevent misuse.
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The document discusses potential risks and preventative measures for three different photo shoots: a poster, magazine, and trailer. Some common risks addressed across all three shoots include bright lights causing headaches, tripping over props, and low lighting on set. Suggested preventions are to limit time models spend in bright lights, clearly store props away from walking areas, and ensure lighting is adequate for safety. Maintaining an organized, clearly lit set can help prevent injuries for all involved.
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This risk assessment form summarizes the risks involved in the Grimm Production film shoot. It lists the production details, team members, locations, and potential hazards. The hazards identified include tripping over equipment wires, weather conditions causing illness, risks from using the kitchen stove and electrical appliances, injury from stunt scenes involving struggling on a surgery table, muscle strains from lifting equipment, and equipment falling over onto people. Control measures are outlined to mitigate each risk, such as taping wires down, dressing appropriately for weather, being careful with the stove, padding areas around the surgery table, lifting properly, and placing unused equipment out of the way. The overall risk level is reduced for each hazard once the control measures are implemented.
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This document identifies several potential risks associated with filming and suggests ways to reduce each risk. It lists risks from using a toaster, having water and electrical equipment near each other in the bathroom, an overhead camera falling on an actor, moving or lifting furniture, cutting oneself with a butter knife, and general trips and spills on set. For each risk, it provides a suggested likelihood rating on a scale of 1 to 10 and describes actions crew can take to minimize the risk, such as securing equipment, lifting properly, and being generally cautious. In conclusion, it asserts that with care, this should be a very low risk filming event where little can go wrong.
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This film production risk assessment document identifies electrical equipment and trip hazards as potential risks across scenes 1-10. It rates the risk of electrical equipment as high due to the lack of protection from contact with water. Trip hazards are rated as moderate since there are currently no measures to make them visible. The document recommends taping electrical wires to the floor securely and using brightly colored tape to mark any tripping hazards to further reduce risks.
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This document outlines a risk assessment for filming a music video in a park. It lists potential hazards and assigns probabilities, consequences, and risk levels to each hazard. Hazards addressed include equipment being stolen, an actor falling into a pond, tripping over uneven ground, injury from hot lights, encountering unexpected items in the park, wet ground from rain, rain damaging equipment, rushing to film and damage equipment, and issues during transportation. Control measures are proposed to lower the probability and risk level for each hazard, such as ensuring safe conditions and careful handling of equipment.
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Risk assessment
For their production group, the document discusses how conducting a risk assessment is required by law to identify potential hazards during filming and minimize risks. It will consider hazards like slipping or equipment issues and place results in a table. The goal is to make the film crew as safe as possible and avoid injuries that could hinder production. The risk assessment should be completed before filming begins.
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This document provides a risk assessment matrix for hazards on a field trip. It rates probability of an event occurring from 1 (remote) to 5 (almost certain). It rates consequences from 1 (negligible) to 5 (catastrophic). Risk is classified as high (12+), medium (7-11) or low (6 or less). Several hazards are identified and control measures are proposed to lower probability and reduce risk, such as securing equipment, using caution signs and following safety procedures.
Risk asssessment unit 21
Tripping hazards like wires on the floor can cause trips and falls that result in injury, especially in small rooms with less space to avoid obstacles. It is important to keep the workspace tidy and watch your steps if the room remains hazardous. Spilled liquids in a small radio room with expensive electrical equipment could damage equipment if a trip or fall occurs. No liquids should be brought into the room and everything should be drunk outside to prevent water contact. Equipment could be damaged if an untrained amateur uses the radio equipment incorrectly. Basic training or supervision by an experienced person is needed before entering the radio room to prevent misuse.
Risk assessment
The document discusses potential risks and preventative measures for three different photo shoots: a poster, magazine, and trailer. Some common risks addressed across all three shoots include bright lights causing headaches, tripping over props, and low lighting on set. Suggested preventions are to limit time models spend in bright lights, clearly store props away from walking areas, and ensure lighting is adequate for safety. Maintaining an organized, clearly lit set can help prevent injuries for all involved.
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This risk assessment form summarizes the risks involved in the Grimm Production film shoot. It lists the production details, team members, locations, and potential hazards. The hazards identified include tripping over equipment wires, weather conditions causing illness, risks from using the kitchen stove and electrical appliances, injury from stunt scenes involving struggling on a surgery table, muscle strains from lifting equipment, and equipment falling over onto people. Control measures are outlined to mitigate each risk, such as taping wires down, dressing appropriately for weather, being careful with the stove, padding areas around the surgery table, lifting properly, and placing unused equipment out of the way. The overall risk level is reduced for each hazard once the control measures are implemented.
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This document identifies several potential risks associated with filming and suggests ways to reduce each risk. It lists risks from using a toaster, having water and electrical equipment near each other in the bathroom, an overhead camera falling on an actor, moving or lifting furniture, cutting oneself with a butter knife, and general trips and spills on set. For each risk, it provides a suggested likelihood rating on a scale of 1 to 10 and describes actions crew can take to minimize the risk, such as securing equipment, lifting properly, and being generally cautious. In conclusion, it asserts that with care, this should be a very low risk filming event where little can go wrong.
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This film production risk assessment document identifies electrical equipment and trip hazards as potential risks across scenes 1-10. It rates the risk of electrical equipment as high due to the lack of protection from contact with water. Trip hazards are rated as moderate since there are currently no measures to make them visible. The document recommends taping electrical wires to the floor securely and using brightly colored tape to mark any tripping hazards to further reduce risks.
Risk assessment
This document outlines a risk assessment for filming a music video in a park. It lists potential hazards and assigns probabilities, consequences, and risk levels to each hazard. Hazards addressed include equipment being stolen, an actor falling into a pond, tripping over uneven ground, injury from hot lights, encountering unexpected items in the park, wet ground from rain, rain damaging equipment, rushing to film and damage equipment, and issues during transportation. Control measures are proposed to lower the probability and risk level for each hazard, such as ensuring safe conditions and careful handling of equipment.
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This risk assessment document for Project Love identifies several hazards for the film shoot and assigns a risk rating and control solutions for each. The key hazards include tripping over wires, a tripod falling over and hitting someone, fire from charging the camera near flammable objects, electrocution or water damage from filming in wet conditions, stress from not sharing tasks equally, and backache from one person carrying all equipment. Controls proposed are tidying wires, securing the tripod, charging away from flammables, filming only in dry conditions, dividing tasks among the team, and sharing equipment carrying duties.
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This document identifies potential hazards on a film set and measures to control them. It lists hazards such as tripping over wires or chair legs, VR headsets being too tight, throwing remotes, dehydration, bright lights, and sunglasses poking eyes. For each hazard, it indicates who is at risk, the chance of injury, and control measures that have been completed to reduce the risks, such as keeping wires out of the way, loosening VR straps, throwing remotes on soft surfaces away from people, ensuring hydration, warning about bright lights, being aware of filming space, and handling sunglasses safely.
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This risk assessment document is for a photography project taking place on February 1st, 2012 at City of Westminster College in London. The project involves filming light effects and dripping water. Several potential hazards are identified including water, lasers/bright lights, confined spaces, working at heights, and electricity. For each hazard, mitigation actions are described such as moving electrical equipment away from water, communicating to prevent accidents, and taking turns in confined spaces. The overall risk level is assessed as medium and Delwyn Lamptey is responsible for safety on the project.
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Filming activities were assessed for various risks including weather, proximity to roads, electrical equipment, cluttered locations, restricted areas, and night filming. The highest risks were from stormy weather and filming close to busy roads. Control measures for these included checking weather reports, having shelter available, and avoiding roads when filming. Medium risks involved loose wires and restricted areas, which could be mitigated by keeping wires secure and obtaining permission to film. Low risks such as cluttered locations and night filming required advance scouting and use of lighting equipment.
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The document outlines a risk assessment process involving 5 levels of probability and consequence for potential hazards. It assigns a risk level of high, medium, or low based on the probability and consequence scores. An example risk assessment is then shown for various hazards involving filming equipment, actors' safety, and weather-related risks. Control measures are suggested to lower the probability and risk level for each hazard.
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This risk assessment document summarizes the hazards, risks, and safety precautions for a photography production filming fast shutter speeds with drips and light graffiti at the City of Westminster College TV studio on February 1st, 2012. Potential hazards identified include lasers/bright lights, water, electricity, and confined spaces. Required actions include ensuring light sources don't blind anyone, keeping electric equipment away from water, and managing cables to avoid falls. Precautions like health and safety training and appointing a person responsible for safety will be implemented. With the listed precautions, the overall risk is assessed to be low.
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This risk assessment form is for a production called "Unsettled Organisation" taking place from February 21-22, 2020. It involves a chase scene and a fight scene with a fake knife. Locations include a hot house. Hazards identified include slippery surfaces, manual handling, hot environment, trip hazards, and lack of communication. Control measures to minimize risks include ensuring careful movement, spreading out workloads, providing breaks and water, clearing paths, and maintaining communication. With these controls, most risks are negligible and very unlikely to occur.
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The document outlines risks associated with recording an advertisement at the RSR studio and plans to mitigate those risks. It identifies tripping over cables and potential electrocution from technology as hazards. To address these, the group will coil cables neatly and prohibit liquids in the studio. All members will monitor for risks starting from entry and ongoing, contacting the listed individuals if issues occur.
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This risk assessment document outlines hazards for filming scenes in Hannah's house. In the kitchen, sharp objects pose a risk rated 4/5, and should be put away safely. In the living room, electricity poses a risk rated 4/5 if wires are spilled on, and wiring for lighting poses a risk rated 3/5 if not tucked away properly. The bedroom is identified as a confined space posing a risk rated 3/5, and no more than 3 people should be in there at once.
Risk assessment
This risk assessment document identifies 4 potential risks for a filming project: slip/trip falls rated as low risk if surfaces are kept dry; overcrowding rated low if distance is maintained from public; traffic rated medium risk and requires safe driving between locations and not interrupting traffic flow; and weather rated low but could damage equipment so an umbrella or rescheduling is recommended. Precautions are provided for each risk.
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1) This risk assessment is for a photography production filming drips and light graffiti at City of Westminster College on February 1st, 2012.
2) Potential hazards identified include water, night shooting, lasers/bright lights, confined spaces, and manual handling.
3) Precautions proposed include communicating risks to classmates, organizing shooting in smaller groups, and asking for help with lifting equipment. The risk is assessed as medium.
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Crew members and cast filming outdoors face several risks including slipping on mud or slippery paths, limited visibility in fog, and falling branches in windy conditions. Controls are already in place such as not running with equipment, walking slowly on wet paths, and avoiding filming in very windy conditions. Further actions are identified like staying off mud, using torches in fog, filming when paths are dry, and not standing under trees for long periods in high winds to reduce risks to a low or moderate level.
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The document provides safety guidelines for filming, including having water nearby if burning paper, keeping equipment out of the public's way, filming at less busy times, checking the weather forecast to avoid rain damaging equipment, and having shelter nearby in case of rain. It also mentions having a phone accessible to call emergency services if needed and not obstructing the public.
Risk Assessment Task Sheet
Loose cables outdoors during filming could trip people, so tape down cables and watch for slippery surfaces. Long periods editing on screens may cause eyestrain and headaches, so take turns, stay hydrated, and take breaks. When traveling to locations, help each other carry heavy equipment and ensure a responsible driver to prevent crashes from drowsiness. Heavy machinery could cause injuries if dropped, so be careful handling equipment and get help lifting anything too heavy to avoid muscle strains.
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This risk assessment document identifies hazards, those at risk, existing controls, and risk level for a production. It lists hazards such as electricity, knives, and ropes used as props, and broken glass, and notes the cast and crew are at risk. Existing controls keep most risks low, though proper lighting is needed for ropes.
Risk assessment
this shows where we will be shooting and the risks in the area, including photos and floor plans
Risk assessment
The document discusses a risk assessment that the production group will need to conduct for their filming. A risk assessment identifies potential hazards during filming and ways to minimize risks. It aims to make the film crew as safe as possible and prevent injuries that could hinder filming. The risk assessment should be done before filming begins and document all identified hazards and risks in an organized table. This will help create a safer environment for the crew to work in.
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Over the last decade, the UK broadcasting industry remained relatively stable, with overall revenues driven primarily by growth in subscription services. Advertising revenues declined due to economic factors and lower TV airtime prices. Transactional revenues from DVDs were flat as higher initial sales were offset by lower prices and volumes over time. The BBC's funding from license fees increased due to rate hikes but made up a smaller portion of overall revenues as subscriptions grew.
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This risk assessment document for Project Love identifies several hazards for the film shoot and assigns a risk rating and control solutions for each. The key hazards include tripping over wires, a tripod falling over and hitting someone, fire from charging the camera near flammable objects, electrocution or water damage from filming in wet conditions, stress from not sharing tasks equally, and backache from one person carrying all equipment. Controls proposed are tidying wires, securing the tripod, charging away from flammables, filming only in dry conditions, dividing tasks among the team, and sharing equipment carrying duties.
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This document identifies potential hazards on a film set and measures to control them. It lists hazards such as tripping over wires or chair legs, VR headsets being too tight, throwing remotes, dehydration, bright lights, and sunglasses poking eyes. For each hazard, it indicates who is at risk, the chance of injury, and control measures that have been completed to reduce the risks, such as keeping wires out of the way, loosening VR straps, throwing remotes on soft surfaces away from people, ensuring hydration, warning about bright lights, being aware of filming space, and handling sunglasses safely.
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Filming activities were assessed for various risks including weather, proximity to roads, electrical equipment, cluttered locations, restricted areas, and night filming. The highest risks were from stormy weather and filming close to busy roads. Control measures for these included checking weather reports, having shelter available, and avoiding roads when filming. Medium risks involved loose wires and restricted areas, which could be mitigated by keeping wires secure and obtaining permission to film. Low risks such as cluttered locations and night filming required advance scouting and use of lighting equipment.
Risk assessment
The document outlines a risk assessment process involving 5 levels of probability and consequence for potential hazards. It assigns a risk level of high, medium, or low based on the probability and consequence scores. An example risk assessment is then shown for various hazards involving filming equipment, actors' safety, and weather-related risks. Control measures are suggested to lower the probability and risk level for each hazard.
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This risk assessment document summarizes the hazards, risks, and safety precautions for a photography production filming fast shutter speeds with drips and light graffiti at the City of Westminster College TV studio on February 1st, 2012. Potential hazards identified include lasers/bright lights, water, electricity, and confined spaces. Required actions include ensuring light sources don't blind anyone, keeping electric equipment away from water, and managing cables to avoid falls. Precautions like health and safety training and appointing a person responsible for safety will be implemented. With the listed precautions, the overall risk is assessed to be low.
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This risk assessment form is for a production called "Unsettled Organisation" taking place from February 21-22, 2020. It involves a chase scene and a fight scene with a fake knife. Locations include a hot house. Hazards identified include slippery surfaces, manual handling, hot environment, trip hazards, and lack of communication. Control measures to minimize risks include ensuring careful movement, spreading out workloads, providing breaks and water, clearing paths, and maintaining communication. With these controls, most risks are negligible and very unlikely to occur.
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The document outlines risks associated with recording an advertisement at the RSR studio and plans to mitigate those risks. It identifies tripping over cables and potential electrocution from technology as hazards. To address these, the group will coil cables neatly and prohibit liquids in the studio. All members will monitor for risks starting from entry and ongoing, contacting the listed individuals if issues occur.
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This risk assessment document outlines hazards for filming scenes in Hannah's house. In the kitchen, sharp objects pose a risk rated 4/5, and should be put away safely. In the living room, electricity poses a risk rated 4/5 if wires are spilled on, and wiring for lighting poses a risk rated 3/5 if not tucked away properly. The bedroom is identified as a confined space posing a risk rated 3/5, and no more than 3 people should be in there at once.
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This risk assessment document identifies 4 potential risks for a filming project: slip/trip falls rated as low risk if surfaces are kept dry; overcrowding rated low if distance is maintained from public; traffic rated medium risk and requires safe driving between locations and not interrupting traffic flow; and weather rated low but could damage equipment so an umbrella or rescheduling is recommended. Precautions are provided for each risk.
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1) This risk assessment is for a photography production filming drips and light graffiti at City of Westminster College on February 1st, 2012.
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The document outlines potential hazards, risks, and methods for controlling risks during a photo shoot. It identifies risks such as sunlight in models' eyes, passing cars, dangerous objects on set, and burns from cigarettes. For each risk, it proposes actions like waiting for better lighting, checking for traffic, removing unwanted objects, and ensuring cigarettes won't burn skin or ignite other materials. The photographer should record risk control findings and continually review and revise safety procedures.
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The document provides safety guidelines for filming, including having water nearby if burning paper, keeping equipment out of the public's way, filming at less busy times, checking the weather forecast to avoid rain damaging equipment, and having shelter nearby in case of rain. It also mentions having a phone accessible to call emergency services if needed and not obstructing the public.
Risk Assessment Task Sheet
Loose cables outdoors during filming could trip people, so tape down cables and watch for slippery surfaces. Long periods editing on screens may cause eyestrain and headaches, so take turns, stay hydrated, and take breaks. When traveling to locations, help each other carry heavy equipment and ensure a responsible driver to prevent crashes from drowsiness. Heavy machinery could cause injuries if dropped, so be careful handling equipment and get help lifting anything too heavy to avoid muscle strains.
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This risk assessment document identifies hazards, those at risk, existing controls, and risk level for a production. It lists hazards such as electricity, knives, and ropes used as props, and broken glass, and notes the cast and crew are at risk. Existing controls keep most risks low, though proper lighting is needed for ropes.
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Risk assessment
The document discusses a risk assessment that the production group will need to conduct for their filming. A risk assessment identifies potential hazards during filming and ways to minimize risks. It aims to make the film crew as safe as possible. Doing a risk assessment beforehand allows the group to have a safer filming environment and avoid injuries that could hinder production. The risk assessment results will be organized in a table for easy reference.
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this shows the risks of where we will be shooting a floor plan of the location and photos from the area.
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The document discusses a risk assessment that the production group will need to conduct for their filming. A risk assessment identifies potential hazards during filming and ways to minimize risks. It aims to make the film crew as safe as possible. Doing a risk assessment beforehand creates a safer environment and prevents injuries that could hinder filming. The risk assessment results will be organized in a table.
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The main hazards identified include sharp objects, electric shock from wires, tripping hazards while editing, assault while filming in the medical center, and litter while filming exterior scenes. Control measures to mitigate the risks include provision of first aid, clearing hazards, planning and rehearsals. With controls in place, most risks are reduced to trivial or low levels. Locations involve school rooms, a medical center and park. The assessment is signed off by the assessor and authorizer.
Film production risk_assessment_2_ig2_
This document contains risk assessments for various film production scenes. It identifies potential hazards such as tripping hazards in bedrooms, bad weather outdoors, bus overcrowding, electrical hazards in classrooms, slipping hazards in kitchens, and hazards near trains. It rates each risk from 1-5 and provides actions to mitigate the risks such as cleaning up, moving hot objects, driving carefully, keeping electrical equipment dry, and putting away sharp or hot items. The assessments were done by Beth, Georgia and Hannah to plan their film shoots safely.
Film Production Risk Assessment Form
This document provides a template for conducting a risk assessment for a film production. It includes an example risk assessment of hazards like hot sand and an uncontrolled dog. The template includes tables to assess risk based on likelihood and consequences, and an action plan template to address risks rated high or extreme. Contact information for emergencies and essential personnel involved in the production is also to be documented.
MEDIPhotography shoot risk assessment form
This document provides a risk assessment template for photography shoots. It lists several potential hazards to consider such as dropping equipment in water, people tripping over equipment, handling glass lenses carefully, and staying away from dangerous animals. For each hazard, the template evaluates who may be harmed, what property may be damaged, existing controls, risk level, and any further actions needed based on the risk level. The goal is to identify risks and take appropriate actions to protect crew, equipment and the public.
Photography shoot risk assessment form
This risk assessment document provides a template for identifying potential hazards during a photography shoot and assigning a risk level. It involves considering hazards, who or what may be harmed, existing controls, and determining a risk level. Further actions may then be identified depending on the risk level. The document lists some example hazards that could be encountered during different scenes of a shoot along with potential harms, controls, risk levels, and further actions.
Indoor Risk Assessment
This risk assessment summarizes potential hazards for a film production at Harrop Fold High School. Small risks were identified, such as wires posing a low risk if taped to the floor and confined spaces posing a low risk if few people are in rooms at a time. Electrical equipment was deemed a moderate risk and will be monitored to avoid overuse. The assessment aims to ensure filming is safe by outlining hazards and controls already in place, as well as further actions needed like using yellow tape by wires.
Risk assessment[1]
This risk assessment evaluates hazards for filming at Harrop Fold High School in Manchester. It identifies potential risks like wires, electrical equipment, and confined spaces. Controls are in place like taping wires down, monitoring equipment use, and limiting people in small spaces. The assessment rates risks as low for wires and confined spaces due to controls, and moderate for electrical equipment. Further actions like using yellow tape and taking equipment breaks are recommended to improve safety.
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Riskassessmentforlearnerstofillinphotography 120312065345-phpapp01
Riskassessmentforlearnerstofillinphotography 120312065345-phpapp01
Riskassessmentforlearnerstofillinphotography 120312065345-phpapp01
Riskassessmentforlearnerstofillinphotography 120312065345-phpapp01
Riskassessmentforlearnerstofillinphotography 120312065345-phpapp01
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Risk assessment
- 1. Risk Assessment For my group’s production, we will be required by law to do a risk assessment. This is where we will consider all the potential hazards we could face while producing the clip, such as slipping on a wet surface, and how we can minimize the risk of that hazard. All our results will be placed into a smart and orderly table. The aim of the risk assessment is to make every crewmember as safe as possible while filming. It would be very hindering if we were in the middle of filming and to suddenly get a casualty. So doing a risk assessment makes it a safer environment to be shooting in for the crew, but it makes it better for the group as a whole as we wont have to deal with any wounded crewmembers instead of spending that time filming and producing. This risk assessment should be done before filming.
- 2. Hazard list while at vending machine Hazards’ Level of risk Actions to reduce New risk level risk Crewmember Medium/ low Keep shoes on and Low could slip on wet check the surface floor. or area before filming. Tripping over Medium Watch where Low cables cables are and by keeping cables in one area. Lamps over Medium Turn lights off Low heating and when not being someone burning used and don’t them selves touch the bulbs Liquids being spilt Medium/ low Keeping all liquids Low whist filming on in one area away equipment from electrics. None of our stuff Medium/ high Knowing where Medium blocking any exits people come in or people from and where damaging our the exits are. equipments. Lay out of area
- 3. Hazard list while in black box Hazards Level of risk Actions to New risk level reduce risk Dark Medium/ high Knowing where Medium environment not the lights are being able to see. and a route to get there Liquids being Medium/ high Keeping all Low spilt whist filming liquids in one on equipment and area away from fire starting electrics. Lay out of area