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Hindustani Classical
2015 –Grand Finale
About our Guru Ji’s
Sri Guru Hanagal Kumar SwamiJi Pandit Puttaraj GavaijiPandit Panchakshari Gavaiji
We are grateful to the above three Gurus who introduced
Hindustani Classical Music to Karnataka
The Person who introduced us Hindustani Classical Music is
Shri Vishwanath H Prasad
About our Guru Ji’s
Pandit Somanath Mardur (born: 1944) is an unassuming musician, whose world has so far been limited to local radio
broadcasts, and concert appearances in, and around, his native Dharwad. His musicianship may have remained unnoticed by
the world outside, had it not been for his son and disciple, Kumar (born: 1982), who is now rated amongst the most promising
vocalists of his generation. Somnath studied under the eminent Kairana maestro, Basavraj Rajguru (died: 1991), and is an “A”
grade artiste on All India Radio. Beyond his formal tutelage, he also admits to a significant influence of the Gwalior-trained
original, Kumar Gandharva.
Pandit Somanath Mardur
Pandit Puttaraj Gawai (Kannada: ಪುಟ್ಟರಾಜ ಗವಾಯಿ) (3 March 1914 – 17 September 2010) was an Indian musician in the
Hindustani classical tradition, a scholar who authored more than 80 books in Kannada, Sanskrit and Hindi, a music teacher and a
social servant. A member of the Gwalior Gharana (school),[1] he is renowned for his ability to play many instruments such as the
veena, the tabla, mridangam, violin etc., as well as for his popular renditions of devotional music (bhajans) vachanas.A famous
vocalist both in Hindustani and Karnataka Music. He is the recipient of the Padma Bhushan, India's third highest civilian honour,
awarded in 2008.[2]
Shivanand Salimath, a disciple of Pandit Mardur, who accompanies him on the harmonium at all his
performances, also teaches harmonium and vocals. Teaching in Rythms since one and half years and received last
year Guru Shreshta Puraskar.
Pandit Puttaraj Gawai
Pandit Puttaraj Gawai
History of Indian Classical Music
Hindustani classical music ([hin̪d̪us̪t̪ɑːn̪i]) is the Hindustani or North Indian style of Indian
classical music. The style is sometimes called North Indian classical music or Shāstriya Sangīt or
Klāsikī Mausīqī. It is a tradition that originated in Vedic ritual chants and has been evolving
since the 12th century CE, in North India and to some extent in Afghanistan, Bangladesh, Sri
Lanka, Nepal and Pakistan. Today, it is one of the two subgenres of Indian classical music, the
other being Carnatic music, the classical tradition of South India.
Types Of Indian Classical Music
Hindustani Vocal Classical Music
The rhythmic organization is based on
rhythmic patterns called tala. The
melodic foundations are called ragas.
One possible classification of ragas is
into "melodic modes" or "parent
scales", known as thaats, under which
most ragas can be classified based on
the notes they use.
Thaats may consist of up to seven scale
degrees, or swara. Hindustani
musicians name these pitches using a
system called Sargam, the equivalent of
the Western movable do solfege:
 Sa (Shadja) = Do
 Re (Rishabh) = Re
 Ga (Gandhar) = Mi
 Ma (Madhyam) = Fa
 Pa (Pancham) = Sol
 Dha (Dhaivat) = La
 Ni (Nishad) = Ti
 Sa (Shadja) = Do
Types of compositions
1. Dhrupad
2. Khyal
3. Tarana
4. Tappa
5. Thumri
6. Ghazal
Gharanas
Gharana Founding Artists Approximate founding date Revived by Approximate revival date
Gwalior Gharana Nathan Pir Baksh,Nathu Khan Mid-16th Century
Agra Gharana Ghagghe Khudabaksh Mid-19th century Faiyaz Khan Early 20th century
Kirana Gharana Nayak Gopal Late 17th century Abdul Karim Khan,Abdul Wahid Khan Early 20th century
Bhendi Bazaar Gharana Chhajju Khan,Nazeer Khan,Khadim Hussain Khan Late 19th century
Jaipur-Atrauli Gharana Alladiya Khan Late 19th century
Patiala Gharana Bade Fateh Ali Khan, Ali Baksh Khan Late 19th century
Rampur-Sahaswan Gharana Inayat Hussain Khan Mid-19th century
Indore Gharana Amir Khan Mid-20th century
Delhi Gharana Qawwaliyas Late 18th century Sangi Khan,Mamman Khan
Jodhpur-Mewati Gharana Ghagghe Nazir Khan Mid-19th century Jasraj Late 20th century
Qawwal Bacche Gharana Saamat bin Ibrahim
Sham Chaurasia Gharana Miyan Chand Khan, Miyan Suraj Khan 16th century Salamat Ali and Nazakat Ali Khan Mid-20th century
The word Gharana means "family". In relation to music, Gharana refers to a family of musicians,
a school of music or a musical lineage connected with the name of a particular person or place.
The characteristic feature of a Gharana is its special style of presentation: the result of the
special and extraordinary creativity and innovation of a highly talented musician. The other
musicians of the Gharana may have their own individual features of presentation, but their
training and conditioning in the distinguishing style of the Gharana is bound to leave indelible
and recognisable stamps on the presentation of the performer
Kirana Gharana
KIRANA GHARANA
This is the most prolific of the Hindustani Khayal Gharana. The origin of Kirana Gharana is by Ustad Abdul Karim Khan (1872 – 1937) is believed to bethe founder of this
Gharana. He was born in Kirana near Kurukshetra and heserved as a musician at the Baroda and the Mysore Courts. His style of singing had a tremendous influence
on the music of western India. The emphasis onelongating the notes and the importance to their melody and resonance is a distinctive feature of this Gharana. The
Kirana style of singing has emphasis onaalap rather than on bandish as seen in the Gwalior Gharana. The mode of singing is sentimental, graceful and full of emotion.
Abdul Karim Khan's most importantdisciple was Pt Sawai Gandharva, who made this style of singing famous in Karnatak and Maharashtra. There are several fine
exponents of this Gharana today,including Pt Bhimsen Joshi, Gangubai Hangal, Kishori Amonkar and Prabha Atre.
Abdul Karim Khan 1872 – 1937
Ganapatbuwa Behere 1890 – 1965
Vahid Khan 1880 - 1949
Sawai Gandharva (Rambhau Kundolkar) 1886 – 1952
Sureshbabu Mane 1902 – 1953
Amir Khan 1912 - 1974
Hirabai Barodekar 1905 – 1989
Gangubai Hangal
Bhimsen Joshi 1922 –
Prabha Atre
Kishori Amonkar
Pt. Puttaraj Gawai'ji
Pt. Somanath Mardur
Pt. Shivanand Salimath
Pt. Kumar Mardur
Kirana Gharana
Maestros of Hindustani Vocal Classical Music
Hindustani Classical Music-Vijaynagar Team
Hindustani Classical Music-Vijaynagar Team
Hindustani Classical
2015 –Grand Finale

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Rhythms Institute-Hindustani Classical Music

  • 2. About our Guru Ji’s Sri Guru Hanagal Kumar SwamiJi Pandit Puttaraj GavaijiPandit Panchakshari Gavaiji We are grateful to the above three Gurus who introduced Hindustani Classical Music to Karnataka
  • 3. The Person who introduced us Hindustani Classical Music is Shri Vishwanath H Prasad
  • 4. About our Guru Ji’s Pandit Somanath Mardur (born: 1944) is an unassuming musician, whose world has so far been limited to local radio broadcasts, and concert appearances in, and around, his native Dharwad. His musicianship may have remained unnoticed by the world outside, had it not been for his son and disciple, Kumar (born: 1982), who is now rated amongst the most promising vocalists of his generation. Somnath studied under the eminent Kairana maestro, Basavraj Rajguru (died: 1991), and is an “A” grade artiste on All India Radio. Beyond his formal tutelage, he also admits to a significant influence of the Gwalior-trained original, Kumar Gandharva. Pandit Somanath Mardur Pandit Puttaraj Gawai (Kannada: ಪುಟ್ಟರಾಜ ಗವಾಯಿ) (3 March 1914 – 17 September 2010) was an Indian musician in the Hindustani classical tradition, a scholar who authored more than 80 books in Kannada, Sanskrit and Hindi, a music teacher and a social servant. A member of the Gwalior Gharana (school),[1] he is renowned for his ability to play many instruments such as the veena, the tabla, mridangam, violin etc., as well as for his popular renditions of devotional music (bhajans) vachanas.A famous vocalist both in Hindustani and Karnataka Music. He is the recipient of the Padma Bhushan, India's third highest civilian honour, awarded in 2008.[2] Shivanand Salimath, a disciple of Pandit Mardur, who accompanies him on the harmonium at all his performances, also teaches harmonium and vocals. Teaching in Rythms since one and half years and received last year Guru Shreshta Puraskar. Pandit Puttaraj Gawai Pandit Puttaraj Gawai
  • 5. History of Indian Classical Music Hindustani classical music ([hin̪d̪us̪t̪ɑːn̪i]) is the Hindustani or North Indian style of Indian classical music. The style is sometimes called North Indian classical music or Shāstriya Sangīt or Klāsikī Mausīqī. It is a tradition that originated in Vedic ritual chants and has been evolving since the 12th century CE, in North India and to some extent in Afghanistan, Bangladesh, Sri Lanka, Nepal and Pakistan. Today, it is one of the two subgenres of Indian classical music, the other being Carnatic music, the classical tradition of South India.
  • 6. Types Of Indian Classical Music
  • 7. Hindustani Vocal Classical Music The rhythmic organization is based on rhythmic patterns called tala. The melodic foundations are called ragas. One possible classification of ragas is into "melodic modes" or "parent scales", known as thaats, under which most ragas can be classified based on the notes they use. Thaats may consist of up to seven scale degrees, or swara. Hindustani musicians name these pitches using a system called Sargam, the equivalent of the Western movable do solfege:  Sa (Shadja) = Do  Re (Rishabh) = Re  Ga (Gandhar) = Mi  Ma (Madhyam) = Fa  Pa (Pancham) = Sol  Dha (Dhaivat) = La  Ni (Nishad) = Ti  Sa (Shadja) = Do Types of compositions 1. Dhrupad 2. Khyal 3. Tarana 4. Tappa 5. Thumri 6. Ghazal
  • 8. Gharanas Gharana Founding Artists Approximate founding date Revived by Approximate revival date Gwalior Gharana Nathan Pir Baksh,Nathu Khan Mid-16th Century Agra Gharana Ghagghe Khudabaksh Mid-19th century Faiyaz Khan Early 20th century Kirana Gharana Nayak Gopal Late 17th century Abdul Karim Khan,Abdul Wahid Khan Early 20th century Bhendi Bazaar Gharana Chhajju Khan,Nazeer Khan,Khadim Hussain Khan Late 19th century Jaipur-Atrauli Gharana Alladiya Khan Late 19th century Patiala Gharana Bade Fateh Ali Khan, Ali Baksh Khan Late 19th century Rampur-Sahaswan Gharana Inayat Hussain Khan Mid-19th century Indore Gharana Amir Khan Mid-20th century Delhi Gharana Qawwaliyas Late 18th century Sangi Khan,Mamman Khan Jodhpur-Mewati Gharana Ghagghe Nazir Khan Mid-19th century Jasraj Late 20th century Qawwal Bacche Gharana Saamat bin Ibrahim Sham Chaurasia Gharana Miyan Chand Khan, Miyan Suraj Khan 16th century Salamat Ali and Nazakat Ali Khan Mid-20th century The word Gharana means "family". In relation to music, Gharana refers to a family of musicians, a school of music or a musical lineage connected with the name of a particular person or place. The characteristic feature of a Gharana is its special style of presentation: the result of the special and extraordinary creativity and innovation of a highly talented musician. The other musicians of the Gharana may have their own individual features of presentation, but their training and conditioning in the distinguishing style of the Gharana is bound to leave indelible and recognisable stamps on the presentation of the performer
  • 9. Kirana Gharana KIRANA GHARANA This is the most prolific of the Hindustani Khayal Gharana. The origin of Kirana Gharana is by Ustad Abdul Karim Khan (1872 – 1937) is believed to bethe founder of this Gharana. He was born in Kirana near Kurukshetra and heserved as a musician at the Baroda and the Mysore Courts. His style of singing had a tremendous influence on the music of western India. The emphasis onelongating the notes and the importance to their melody and resonance is a distinctive feature of this Gharana. The Kirana style of singing has emphasis onaalap rather than on bandish as seen in the Gwalior Gharana. The mode of singing is sentimental, graceful and full of emotion. Abdul Karim Khan's most importantdisciple was Pt Sawai Gandharva, who made this style of singing famous in Karnatak and Maharashtra. There are several fine exponents of this Gharana today,including Pt Bhimsen Joshi, Gangubai Hangal, Kishori Amonkar and Prabha Atre. Abdul Karim Khan 1872 – 1937 Ganapatbuwa Behere 1890 – 1965 Vahid Khan 1880 - 1949 Sawai Gandharva (Rambhau Kundolkar) 1886 – 1952 Sureshbabu Mane 1902 – 1953 Amir Khan 1912 - 1974 Hirabai Barodekar 1905 – 1989 Gangubai Hangal Bhimsen Joshi 1922 – Prabha Atre Kishori Amonkar Pt. Puttaraj Gawai'ji Pt. Somanath Mardur Pt. Shivanand Salimath Pt. Kumar Mardur Kirana Gharana
  • 10. Maestros of Hindustani Vocal Classical Music