Revision technology and production
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New media technology refers to digital, computerized, or networked information and communication technologies that emerged in the late 20th century as opposed to older analog methods. Before digital technology, films were shot on film cameras and edited frame by frame using machines like moviolas. Special effects were primitive. Digital cinematography, which records footage onto tape, hard disks, or memory sticks instead of film, has become established as an alternative to 35mm film over the last 10 years, as it is cheaper, more portable, and durable. Many early digitally-shot films like Star Wars Episode II still used 35mm for some scenes. HD video provides higher resolution than normal DV but is still not as clear as 35mm or 70
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This document discusses how new media technology has revolutionized film production in three key areas:
1. Cinematography has shifted from film to digital formats, improving portability and reducing costs.
2. Editing has become digital and non-linear, speeding up the editing process and reducing costs.
3. Special effects now rely on computer-generated imagery, allowing for greater manipulation and realism at lower costs than practical effects.
However, new media technology has also impacted audiences by enabling piracy and changing the experience of watching films.
Developments through film hardware
This document discusses developments in film hardware from 1968 to 2007 that have impacted both audiences and film institutions. It describes technologies like CGI, digital video cameras, the World Wide Web, video on demand, DVDs, Blu-rays, smartphones/tablets, and IMAX that have allowed for easier production and distribution of films, as well as providing audiences more options for accessing media on various devices and platforms. Many of these developments have benefited both audiences, through increased access and variety of content, and institutions, through new methods of advertising, distribution and attracting wider audiences.
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The document discusses implications of new media technologies for the British film industry. It provides examples of how technologies have benefited film production, marketing, and distribution through tools like 3D, viral marketing, and digital distribution. However, it also notes technologies have drawbacks like piracy and declining DVD sales. The document advocates exploring both advantages and disadvantages of new technologies for producers, audiences, and one's own experiences as a consumer.
Digital Technology
Digital technology converts analog signals into binary numeric codes made up of 1s and 0s. It uses bits (binary digits) grouped into bytes to store and transmit digital data. CDs and DVDs store digital data in the form of microscopic pits and bumps on the disc's surface that are read by lasers and interpreted as 1s and 0s. Digital cameras capture light using image sensors composed of photosensitive cells that convert light into electrons and record images as pixel values that are assembled into digital photographs represented as strings of binary code.
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This document provides guidance for students taking the Section A exam on theoretical evaluation of media productions. It outlines the structure of Section A, including a question evaluating skills development from AS to A2 and a question analyzing a production using media concepts. It emphasizes reflecting on progression, using examples and terminology. It prompts students to consider how their use of digital technology developed across their productions, with benefits like increased creativity and distribution options. An example exam question and guidance to plan an essay response is also provided.
Pp11 technology in production
Digital technology has revolutionized film production in three key ways:
1) Digital cameras allow for easier filming and editing compared to traditional film and have become the industry standard.
2) Computer-generated imagery (CGI) has enabled highly realistic special effects that were previously impossible and is used extensively.
3) Non-linear editing on computers has made the editing process faster, cheaper, and more convenient compared to linear film editing.
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Digital cinema uses digital technology to distribute and project motion pictures instead of conventional film projectors. It is commonly shot at resolutions of 2K or 4K using digital cinema cameras and can utilize available light more effectively than film. A key advantage is much lower costs - production on Star Wars spent $16,000 on digital tapes versus $1.8 million for the same amount of film. Common films shot digitally include Cloverfield, Miami Vice, and Collateral.
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This document discusses how new media technology has revolutionized film production in three key areas:
1. Cinematography has shifted from film to digital formats, improving portability and reducing costs.
2. Editing has become digital and non-linear, speeding up the editing process and reducing costs.
3. Special effects now rely on computer-generated imagery, allowing for greater manipulation and realism at lower costs than practical effects.
However, new media technology has also impacted audiences by enabling piracy and changing the experience of watching films.
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This document discusses developments in film hardware from 1968 to 2007 that have impacted both audiences and film institutions. It describes technologies like CGI, digital video cameras, the World Wide Web, video on demand, DVDs, Blu-rays, smartphones/tablets, and IMAX that have allowed for easier production and distribution of films, as well as providing audiences more options for accessing media on various devices and platforms. Many of these developments have benefited both audiences, through increased access and variety of content, and institutions, through new methods of advertising, distribution and attracting wider audiences.
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Digital technology has revolutionized film production in three key ways:
1) Digital cameras allow for easier filming and editing compared to traditional film and have become the industry standard.
2) Computer-generated imagery (CGI) has enabled highly realistic special effects that were previously impossible and is used extensively.
3) Non-linear editing on computers has made the editing process faster, cheaper, and more convenient compared to linear film editing.
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High definition video has progressed significantly over the past few decades, increasing from 144p resolution in the early days to 4K resolution now. HD provides clearer images with more pixels displayed on screens. While HD has advantages like clearer viewing, its only real disadvantage is that older technology may not be able to handle the large number of pixels.
3D video technology has also advanced greatly. Early 3D involved small stereoscopic images but now entire movies are filmed and viewed in 3D. However, 3D viewing requires glasses which some find uncomfortable, and it is mainly used by movie studios to increase profits rather than provide clear benefits to audiences.
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Task 4
The document discusses several topics related to media formats and technologies:
High Definition (HD) refers to the number of pixels that can be displayed on a screen. HD has advanced from 144p to 4K resolution. HD TVs became available in the 1980s-1990s and provided clearer images than standard definition.
3D video creates the illusion of depth by displaying slightly different images to each eye. 3D films date back to the 1950s but really took off with blockbusters like Avatar. 3D TV was popular briefly but declined as viewers found glasses irritating.
Digital video represents moving images with encoded data rather than physical film. It provides clearer quality and easier editing than analog. The first digit
Task 4
The document discusses the history and advantages/disadvantages of digital video, video on demand, 3D technology, high definition, and the internet as they relate to film. Digital video records directly onto a hard drive rather than using physical film. Video on demand systems allow users to watch content when they choose rather than at a scheduled time. 3D films provide an immersive experience for viewers but can cause eye strain. High definition provides better image quality but requires more bandwidth. The internet has revolutionized film distribution through streaming services and social media promotion, but also enables illegal piracy.
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DigitalCinemaReport_2001
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- High definition video provided substantially higher image resolution and quality than standard definition, boosting the film industry. However, HD required expensive new equipment and was initially only available on certain TV models and cable/satellite packages.
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High definition video has progressed significantly over the past few decades, increasing from 144p resolution in the early days to 4K resolution now. HD provides clearer images with more pixels displayed on screens. While HD has advantages like clearer viewing, its only real disadvantage is that older technology may not be able to handle the large number of pixels.
3D video technology has also advanced greatly. Early 3D involved small stereoscopic images but now entire movies are filmed and viewed in 3D. However, 3D viewing requires glasses which some find uncomfortable, and it is mainly used by movie studios to increase profits rather than provide clear benefits to audiences.
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Task 4
The document discusses several topics related to media formats and technologies:
High Definition (HD) refers to the number of pixels that can be displayed on a screen. HD has advanced from 144p to 4K resolution. HD TVs became available in the 1980s-1990s and provided clearer images than standard definition.
3D video creates the illusion of depth by displaying slightly different images to each eye. 3D films date back to the 1950s but really took off with blockbusters like Avatar. 3D TV was popular briefly but declined as viewers found glasses irritating.
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The document discusses the history and advantages/disadvantages of digital video, video on demand, 3D technology, high definition, and the internet as they relate to film. Digital video records directly onto a hard drive rather than using physical film. Video on demand systems allow users to watch content when they choose rather than at a scheduled time. 3D films provide an immersive experience for viewers but can cause eye strain. High definition provides better image quality but requires more bandwidth. The internet has revolutionized film distribution through streaming services and social media promotion, but also enables illegal piracy.
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The document discusses the history and advantages/disadvantages of digital video, video on demand, 3D technology, high definition, and the internet as they relate to film. Digital video records directly onto a hard drive rather than using physical film. Video on demand systems allow users to watch content when they choose rather than at a scheduled time. 3D films provide an immersive experience for viewers but can cause eye strain. High definition provides better image quality but requires more bandwidth. The internet has revolutionized film distribution through streaming services and social media promotion, but also enables illegal piracy.
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The last slideshow that we were asked to create wanted us to explain and illustrate the technologies that are available for TV and film producers, and how they have evolved over recent decades. The technologies that we included were Digital Video, High Definition, 3D, the Internet and on-demand.
Task 4 Updated
Digital videos are a representation of moving visual images encoded as digital data, allowing for easier editing and distribution compared to analog videos recorded on film reels. High definition refers to the number of pixels in a video image, with higher definitions like 4K allowing for clearer images. 3D videos add depth perception by processing two slightly different images for the left and right eyes. The internet has changed media promotion through online marketing and distribution, though piracy remains a disadvantage. On-demand services allow viewers to watch TV and movies whenever they want through streaming or downloads.
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The document discusses the impact of new technologies on media industries and audiences. For media industries, new technologies have improved quality through HD and 3D formats while cutting costs through more efficient editing and use of computer animation. However, better quality has also enabled increased piracy which hurts profits. For audiences, new technologies have provided more access through various devices and services like Netflix, but have also made piracy easier.
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This document provides an overview of digital cinema technology. It defines digital cinema as the digital electronic distribution and display of theatrical films or live content in theaters. Currently, most theaters use Texas Instruments digital light processing projectors at a resolution of 1024x1280 pixels. The technology is still evolving to provide higher quality than 35mm film. Digital cinema allows alternative content distribution through satellite or networks and offers benefits like reduced costs, but major investment is required for theater conversion. The creative community embraces new tools but still sees room for improved image quality.
Task 4 media ben nikon new man
Nikon discussed digital video, noting that it allows for editing not possible with analog video. Ben discussed the internet and how it allows on-demand viewing and easier distribution of content. Nikon and Ben both discussed the pros and cons of the internet, including how it enables piracy but also new models of premium content online.
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Digital technology has significantly impacted the film industry. New technologies like digital cameras and computers have made film production cheaper and easier, while also allowing for improved special effects. However, digital films are sometimes disliked by audiences and illegal downloading cuts into industry profits. The document discusses these pros and cons of digital technology, and provides examples of how specific films like The Fault in Our Stars and The Riot Club utilized different digital techniques and distribution methods.
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Digital Cinema ppt Teklemariam.pptx
This document provides an overview of digital cinema. It begins with an introduction explaining how films were traditionally shot on analog film and converted to digital for editing before being converted back to analog for projection. The document then covers the history of digital cinema projection from 1999 to present. It defines digital cinema as the electronic transmission and delivery of films to theaters where the image is stored digitally and projected digitally. It lists the advantages of digital cinema such as improved video and audio quality, easier scheduling and distribution, and the components involved like fiber optics, satellite transmission, and projectors. The document discusses digital cinema configuration and applications in theaters and broadcasting. It concludes with thanks.
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The document discusses the history and development of the digital camera industry from the 1980s to present. It outlines the transition from film to digital cameras, with Kodak credited as inventing the first digital camera in 1991. It then discusses major camera companies like Canon, Sony, Nikon, Ricoh, and Casio and their contributions to early digital cameras. The document also notes threats from camera phones and opportunities for camera companies to develop higher resolution professional cameras and partner with mobile phone companies.
Medium Format Photography in decline
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1) Digital cameras allow users to take many more photos since they do not use film and have memory to store thousands of photos.
2) Photos taken with digital cameras can be viewed immediately on the camera's display without needing to print them.
3) Digital cameras allow users to connect directly to computers, making sharing and editing photos easier.
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Digital technologies are fundamentally changing the film industry from production to distribution to exhibition. Films themselves are being transformed as they are increasingly being shot in digital formats rather than film. Technologies like 3D and IMAX are also reshaping theatrical exhibition. At the same time, new platforms like DVDs, Blu-Rays, streaming, and online piracy are challenging traditional models of distribution and consumption. This technological evolution is both opening new opportunities for the film industry and posing new threats around piracy and windowing of content across platforms.
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The document evaluates a film trailer produced by the group. It discusses how new media technologies like a high-definition camera, Apple computers, Final Cut Pro video editing software, and YouTube were used at different stages of production. It also analyzes how the trailer's poster and magazine subsidiary texts relate effectively to the main product. Finally, it examines how the trailer uses and develops conventions of real media products through its opening logo, voiceover titles, establishing shots, and climactic green screen scenes.
Task 4
The document discusses several topics related to digital video and media technologies:
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- High definition video provided substantially higher image resolution and quality than standard definition, boosting the film industry. However, HD required expensive new equipment and was initially only available on certain TV models and cable/satellite packages.
- The internet allows global sharing and distribution of all types of media content. While enabling new services, it also facilitated piracy, leading some companies to offer premium content through subscription services. Streaming platforms
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Reccie Brick Lane en Londres para tomar fotos. La calle está llena de tiendas y restaurantes étnicos y atrae a muchos turistas. Planeo pasar el día explorando la zona y capturando imágenes que capturen la diversidad y la cultura del área.
He Wasn't There Lyric Analysis
The song lyrics describe a relationship where the singer's partner was often absent and let her down, but she remained committed to him. Over time, despite his faults and mistakes, she learned to be strong on her own and their bond grew stronger so that now she is glad she stayed with him. The lyrics express how through both the good and bad, her partner taught her life lessons and their love for each other remains.
The Defiance (band) presentation - (Shobnam/Aidan/Raagavi/Daniel)
Shobnam, Daniel, Aidan and Raagavi are the names of four individuals mentioned in the document. No other context or details are provided about these individuals or what they may have in common. The document simply lists four names but provides no other information.
Sam Evaluation question 2
This document analyzes the representation of social groups in the characters presented in a film sequence. It describes the characteristics of the two agents, protagonist, and conventional protagonist in action sci-fi movies. It notes that the Asian agent breaks conventions by being Indian, and discusses how the sequence lacks female characters but includes a positive portrayal of the Indian agent, though he is ultimately killed by the white protagonist. The document also examines decisions made in casting and the implications for representations of gender, race and British-Asian culture.
How does your media product represent particular social groups
The document analyzes the representation of social groups in the author's short film sequence. It describes the characters as two white male agents, one Asian male agent, and one white male protagonist. It notes that the protagonist and agents fit conventional representations in action/sci-fi films but that the inclusion of an Indian agent breaks from the genre's lack of Asian representation. The document also discusses how gender and race are portrayed, with an all-male cast engaging in stereotypically masculine behaviors and the Indian character ultimately being killed by the white protagonist.
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The Defiance (band) presentation - (Shobnam/Aidan/Raagavi/Daniel)
The Defiance (band) presentation - (Shobnam/Aidan/Raagavi/Daniel)
How does your media product represent particular social groups
How does your media product represent particular social groups
Revision technology and production
- 1. Section B exam prep Film Production and technology
- 3. OLD MEDIA TECHNOLOGY? Before the introduction of digital technology all films were shot on film cameras like this one. The film would be recorded onto big reels of 8mm, 16mm or 35mm film. Once the filming was completed, it would be editing on a machine like this one (a moviola). The editor would literally have to cut and paste the film together frame by frame. Special effects were primitive and had to be created by the props department. They often looked very unrealistic, barely representing reality.
- 4. CAMERA – DIGITAL CINEMATOGRAPHY Digital cinematography has only established itself as an alternative to 35mm in the last 10 years. Instead of recording to film the footage can be recorded onto tape, hard disk or memory stick – as long as the camera is digital. It is cheaper, more portable and more durable than 35mm. The first major Hollywood film to be recorded entirely digitally was Star Wars Episode II in 2002. Since then films such as Sin City and Superman Returns have used this technology. Many films are still shot on 35mm and then digitised in post-production so they can be edited digitally. Many directors prefer the look and feel of 35mm. Digital productions can be graded to look like 35mm but many directors do not value this process.