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Renaissance and Reform
The Renaissance

 Renaissance-rebirth
   Turning point between medieval and modern times

   Between 1300-1600

   Revival of Greco-Roman civilization spread from Italy to all
    parts of Western Europe
     Vigorous spirit of inquiry
     Greater accuracy in geography
     Invention of new technologies
       Travel

       Record-keeping
The Reformation

 Marked by movements for moral and religious
  change
 Engaged humanist critics of the Roman Catholic
  Church
 Engaged the lives of individual middle class
  Christians
    Observation of the human being: not as a hero but as a
     creature whose humanity is debased by folly and burdened by
     moral conflict
      Christian piety
      Anti-clericalism
Democratic Impulses in England

 Magna Carta 1215
   Forbade the king to levy taxes against the nobility without
    approval from his royal council (of nobles)
   Trial by jury: asserted primacy of law over the monarch

 Great Council 1265
   Imprisoned Henry III until he agreed to share power with
    nobility
     Middle class representatives invited to participate in the Great
      Council (Parliament)
     Laid foundation for Constitutional Monarchy
The Black Plague in Europe
 ―Ring around the Rosy‖
Timeline

 China: Hubei Province 1334
 Constantinople: 1347
 Genoa, Italy 1348
 Europe: 1348-1351
 England: 1348-50
Advancement of Black Plague
Trade Routes
Transmission of Yersinia Pestis

 Rat fleas
Transmission of Yersinia Pestis
Symptoms

 Fever between 101-105 °F,
 headaches, aching joints, nausea and vomiting, and a
  general feeling of malaise.
 Frist symptoms included swollen lymph glands in
  the neck, armpits and groin. The glands fill with
  puss until they turn black and cause the skin to rot.
Symptoms
Symptoms
Progression
Medieval Doctor’s Protective Gear

 Long robe to protect skin.    This picture is often a
 Gloves or a stick to poke      depiction of ―death‖
  the patient to determine
  where it hurt.
 Hat to protect head.
 Cone filled with medicinal
  (& strong smelling) herbs.
 Glass to cover the eyes.
Biological Warfare: Medieval Style

 Traditional tale: Tartars vs. Genovese
 Tartars dying of plague and losing the battle, strap
  dead plague victims to catapults and fling them
  over the city walls to the Genovese.
 Genovese contract the plague and begin dying
  themselves.
 Genovese escape by means of ships to ports around
  the Mediterranean carrying the plague with them.
Biological Warfare: Medieval Style

 Wrapping the clothing of a plague victim in pretty
  paper and sending it to one’s enemy.
 Of course, the sender usually died as well.
Drawing of Jews Poisoning Wells from 1349
Religion vs. Science

 The Roman Catholic Church taught that sickness was
  brought on by sin.
 Relics, holy water, prayer and penance were
  considered to be means to cure illness.
 The Roman Catholic Church often forbade scientific
  research as witchcraft.
 Use of Cadavers was prohibited and punishable by
  death.
Pieter Bruegel, The Triumph of Death,
                                                         c. 1562




They died by the hundreds, both day and night, and all were thrown in ...
ditches and covered with earth. And as soon as those ditches were filled, more were dug.
And I, Agnolo di Tura ... buried my five children with my own hands ...
And so many died that all believed it was the end of the world.
—The Plague in Siena: An Italian Chronicle
Effect on Europe’s Population

 The low estimate is that the Plague killed 1/3 of Europe’s
  population. The high estimate is that it killed 2/3 of
  Europe’s population.
 Some countries/city states kept better records.
     England’s population dropped from 7 million to 2 million people.
     The population of Florence, Italy (birthplace of the Renaissance)
      dropped from 120,000 to 50,00 between 1348 and 1350.
     There were 60% fewer ―fiscal hearths‖ from which to collect taxes in
      Normandy, Burgundy & Provence (France).
Effect on the Roman Catholic Church

 A shortage of clergy.
 The new clergy demanded more money for their
  parishes.
 The new clergy were either not as well trained or
  not as devoted to Church doctrine.
 England’s clergy were some of the leading figures
  of pre-reformation disputes in the Church: John
  Wycliffe is a leading example of this.
Labor Shortages

 In England more than 40% of the peasant
  population died
 There were not enough peasants to farm the land.
 Peasants were able to command higher wages and
  to move from manor to manor.
 Rise of the Yeoman farmer
    a small farmer who owned up to 100 acres of land
    sold rather than gave his produce to the Lord and to other
     buyers.
General Effects of the Plague

 Cardinal Gasquet, an English Benedictine Monk, noted
  that the plague furthered the rise of the Middle class who
  ―chatter and challenge authority‖.
 Shattered the tri-partate structure of medieval society:
  those who fought, those who prayed and those who worked.
 Set the stage for revolutionary changes in western society:
  Renaissance, Reformation and Revolution.
 The roots of the Holocaust in Germany and Austria
     Nobility used Jews as scapegoats
     Nobility looted Jewish wealth or defaulted on debts to Jewish bankers
     wholesale destruction of ghettos
     Expulsion of Jews from specific countries
Impact of Black Plague on Humanities




                       Hieronymous Bosch,
                       Death and the Miser, 1490
New Realism in Literature

 Giovanni Boccaccio Decameron
   Short stories
   Framework: the Plague
     Realistic
     High spirited
     Prize cleverness, good humor, and sensory pleasures over idealism and
       piety, chivalry and humility
 Christine de Pisan
   First feminist writer
   Supported her children by writing
   Attacked the anti-female tradition of Aristotle and the Church
         ―Epistle to the God of Love‖
 Geoffrey Chaucer
     Wrote in the vernacular
     Canterbury Tales
The Hundred Years War

 Fought between England and France
    1337-1453
    On French soil
    English claim to continental lands and the French throne
      French outnumbered English by 3:1
      English won most of the early battles
    ―Secret‖ weapons of the English
      Foot soldiers
      Longbows: more accurate and quick than the crossbow
      Gunpowder
        Introduced to Europe by Muslims who acquired gunpowder from
         the Chinese
        Fired by artillery
English Longbow over 6 feet long
English Defeat in the Hundred Years War

 Joan of Arc
    17 year old female peasant
    Wore men’s clothing
    Heard voices of Christian Saints
    Led French victory at Battle of Orleans
    Burned at the stake by English for heresy
      Heresy was her support for coronation of a rival monarch
      Most of evidence surrounded why she wore men’s clothing
      ―If I am not, may God put me there and if I am may God so keep me.‖

 English could not support physical and financial burdens
 of maintaining army on French soil
    Withdrew in 1450
Herman Stilke,
Joan of Arc’s Death at the Stake   Statue of Joan of Arc
                                   In Notre Dame Cathedral
Decline of the Church

 The Black Death
 Avignon Papacy (1309-1377)
   Relocation of papacy from Rome to southern France pressured
    by French King Philip IV
     Simony (selling church lands and taxing the clergy)
     Indulgences (purchasing ―leftover grace‖ from the lives of Saints)

 Great Schism (1378-1417)
   College of Cardinals conflict between French and Italian
    interests
       Election of two popes
         Avignon
         Rome
Illuminated Manuscripts




From Tres Riches Heures (Very Precious Hours) ca. 1413-1416
Giotto’s Arena Chapel, Padua Italy
Cappella Scrovegni Padua, Italy




              Chapel commissioned by Enrico Scrovegni as penance
              For making his fortune by usury. Enrico’s father is
              Identified in Dante’s 7th circle of hell.
Giotto (1266-1337)

 Natural lifelike style
   No longer flat images

   Weighty robust figures

   Chiaroscuro: modeling form through gradations of light and
    shade
   Presenting emotion

   Figures neither so lifelike as to be portraits but not idealized
    stereotypes
Giotto, Lamentation of Christ
Music: Arts Nova

 Increased rhythmic complexity
 Isorhythm: close repetition of identical rhythmic
  patterns in different portions of a composition
 Guillaume de Machaut (1300-1377)
    Messe de Notre Dame
    ―One who does not compose according to feelings, falsifies his
     work and his song.‖
    http://www.youtube.com/watch?v=xnkYwe0D5hg&feature=r
     elated
Italian Renaissance

 Florence: most affluent of Rome’s city states
    Double entry bookkeeping
    Maintained contacts with Byzantine and Islamic Empires
    Home to Italy’s wealthiest families
        Florentine gold florin
 Pursuit of money and leisure by merchants and artisans
 Renaissance Italy had more in common with Greece than
 Rome
    Condottieri: mercenary soldiers
    Popes had dual role:
      temporal governors of Papal states
      Leader of the Roman Catholic Church
Government

 Independent city-states in Italy
 Oligarchy of rich merchants—not aristocrats
 100 families dominated political life
 Medici family in Florence
   Merchant princes

   Supported scholarship

   Patronized arts
     Botticelli
     Michelangelo
Renaissance Humanism

 Reflected new attitudes toward Greco-Roman antiquity
   Advocated uncensored study of manuscripts
   Classical texts as a basis for reappraisal of the role of the individual in
    society
   Classics a guide not only for Christian wisdom but also as fulfillment of
    the human potential
   Included more people: merchants, artisans and skilled workers not just
    aristocrats
   Embraced studia humanitas
        Grammar
        Rhetoric
        History
        Poetry
        Moral philosophy
 Saw no conflict between embracing and furthering human
  potential and religious belief
Petrarch (1304-1374)

 Petrarch
   ―Father of humanism‖

   Psychic struggle between love for learning from antiquity and
    Christian piety
         Cicero and Augustine
     Wrote love sonnets to a married Florentine woman Laura de
      Sade
Petrarch
Petrarch Sonnet No. 134
  (translated by Anthony Mortimer)

I find no peace, yet I am not at war
I fear and hope, I burn and freeze;
I rise to heaven, and fall to earth’s floor
Grasping at nothing, the world I seize

She imprisons me, who neither jails nor frees
Nor keeps me for herself, nor slips the noose;
Love does not kill, nor set me free,
Love takes my life, but will not set me loose.

I have not eyes, yet see, no tongue, yet scream;
I long to perish, and seek release;
I hate myself, and love another.

I feed on grief, and in my laughter week;
Both death and life displease me;
Lady, because of you, I suffer.
Ficino (1433-1499)

 Financed by his patron Cosimo de Medici
 Translated all of Plato’s writings from Greek to Latin
 Launched a reappraisal of Plato
   Plato’s Symposium
     Love exalted as divine force
     ―Platonic love‖ attracted the soul to God
     Spiritual love inspired by physical beauty
Ficino




         Bust of Marisilio Ficino
         By Andrra Ferrucci
         In Florence Cathdral
Pico della Mirandola: The Dignity of Man
                          (1463-1494)


 Sought to recover entire history of human thought
   Translated Hebrew, Arabic, Latin and Greek

   Prove all intellectual expression shared same divine purpose &
    design: Unity of all truth
 At 24, challenged the Church to debate 900
  propositions
 Forced to flee Italy on charge of heresy
 Oration on the Dignity of Man (1486) Humanist
  Manifesto
Pico della Mirandola
Castiglione (1478-1529)

 The well-rounded man presented in The Book of the
 Courtier
    Master all skills of medieval warrior
    Physical proficiency of a champion athlete
    Possess the refinements of a humanistic education
      Latin and Greek, vernacular
      Familiar with the classics
      Speak and write well
      Compose verse
      Draw
      Play musical instrument
      Sprezzatura – air of nonchalance
Castiglione




              Portrait of Baldassare
              Castiglione, by Raphael
Movable Type Printing Press

 1450 Johann Gutenberg
   Mainz, Germany

   Perfected movable type printing press
     Major vehicle for spreading humanist writings
     Facilitated rise of popular education
     Enabled readers to form their own opinions
Woodcut from 1568
Nicolo Machiavelli (1469-1527)

 The Prince
   Political treatise

   Outlines strategies by which a rule might gain and maintain
    political power
     Medici family
     Machiavelli hoped for a unified Italy
     Supported a strong ruler as necessary for a strong state
       Argued that to preserve the state a leader must be ruthless

       Argued that ruler must be prepared to sacrifice moral virtue

       The end (a strong state) justifies the means (whatever is
        necessary to preserve the state
Renaissance Architecture

 The Dome
 Brunelleschi
 Alberti
   Defend classical principles of symmetry but use them in new
    ways
   No longer directing gaze upward, fixes view on earth
Florence Cathedral
Pazzi Chapel
Rucellai Palace, Florence
Early Renaissance Painting

 Inspired by antiquity and perception of human eye
 Linear or one point perspective
   How to translate a three dimensional space onto a two
    dimensional surface
       Brunelleschi
         All parallel lines in a given visual field appear to converge at a
          single vanishing point on the horizon
           • Provided a sense of an accurate depiction of the physical world
           • Imposed a fixed relationship in time and space
               Between the image and the eye of the viewer
               Made the viewer the exclusive point of reference in the spatial
                field
               Metaphorically places viewer at the center of the composition
Tommaso Guidi aka Masaccio (Slovenly Tom)
          The Tribute Money (ca. 1425)




Employs both linear and aerial perspective
Sandro Boticelli (1445-1510), Birth of Venus




Employs undulating lines to indicate motion
Donatello (1386-1466), David




First freestanding , life-sized
Nude since antiquity
David

 Gentle contrapositioned stand
 Idealized
 Sensuous composition of a Biblical figure
 Celebrates beauty of the physical world while paying
 homage to the spiritual world
    Rejects view of the body as the source of sin
    Adopts modern Western celebration of the body as a source of
     pleasure
David and Doryphorous
Lorenzo Ghiberti (1378-1455)
     ―Gates of Paradise‖ Florence Baptistry of San Giovanni


 Applied laws of linear perspectives to humanized
  narratives
 Ten Old Testament scenes from the Creation to the
  Reign of Solomon
 East doorway
 Michelangelo called these doors worthy of being the
  ―Gates of Paradise‖
High Renaissance (1490-1520)

 Center shifted from Florence to Rome
 Papal undertaking to restore the ancient city
   Use of indulgences to do so sparked the Protestant
    Reformation
   Pope Julius II commissioned Donato Bramante to rebuild
    Saint Peter’s Cathedral
   Harmonious design
     Tempietto San Pietro
     Andrea Palladio Villa Rontunda
Tempietto San Pietro
Villa Rotunda
Leonardo Da Vinci, Mona Lisa
Leonardo da Vinci, The Last Supper
Renaissance Man

 Da Vinci: human eye was most dependable for
  obtaining true knowledge of nature
 Examined anatomical structures of plants, animals
  and humans
 Examined properties of wind and air
 Drew designs for an armored tank, a flying machine
  and a diving bell
Raphael (1483-1520)

 Commissioned by Pope Julius II to execute a series
  of frescoes for the Pope’s personal library
 Represent 4 domains of human learning
    Theology
    Philosophy
    Law
    Arts
 School of Athens (1509-1511)
Michelangelo (1475-1564)

 Considered himself a sculptor
 Sistine Chapel Ceiling
   Took four years
   Worked from scaffolds 70 feet above the floor
   5760 square feet
     Creation and fall of humankind
     9 principal scenes
     Minimized setting and symbols to maximize figures
       Creation: God and Adam are equal in size and muscular grace
       confront each other like equals
       Adam’s facial expression is only thing that shows God is
        superior
Michelangelo, Jacopino del Conte
David




Marble, 13’ 5‖
Note head and hands are
Out of proportion
to the trunk
Michelangelo, Pieta
Venetian High Renaissance

 Venice: Jewel of Adriatic
   Governed by merchant aristocracy

   Tapestries, jewels, spices from Middle East and Asia



 Art of Venetian High Renaissance emphasized color
  and light
 Oil on canvas rather than frescoes
Tiziano Vecelli aka Titian (1488-1576)
Ottoman Empire

 Ottoman Turks conquered Constantinople in 1453
 1529 Frances I of France negotiated ―Unholy
  Alliance‖ to keep Turks out of Vienna
 Suleiman (1494-1566) created an empire that lasted
  until WWI in the 20th century
Selimiye Mosque (1568-1574) Edime, Turkey

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Renaissance and Reform

  • 2. The Renaissance  Renaissance-rebirth  Turning point between medieval and modern times  Between 1300-1600  Revival of Greco-Roman civilization spread from Italy to all parts of Western Europe  Vigorous spirit of inquiry  Greater accuracy in geography  Invention of new technologies  Travel  Record-keeping
  • 3. The Reformation  Marked by movements for moral and religious change  Engaged humanist critics of the Roman Catholic Church  Engaged the lives of individual middle class Christians  Observation of the human being: not as a hero but as a creature whose humanity is debased by folly and burdened by moral conflict  Christian piety  Anti-clericalism
  • 4. Democratic Impulses in England  Magna Carta 1215  Forbade the king to levy taxes against the nobility without approval from his royal council (of nobles)  Trial by jury: asserted primacy of law over the monarch  Great Council 1265  Imprisoned Henry III until he agreed to share power with nobility  Middle class representatives invited to participate in the Great Council (Parliament)  Laid foundation for Constitutional Monarchy
  • 5. The Black Plague in Europe ―Ring around the Rosy‖
  • 6. Timeline  China: Hubei Province 1334  Constantinople: 1347  Genoa, Italy 1348  Europe: 1348-1351  England: 1348-50
  • 9. Transmission of Yersinia Pestis  Rat fleas
  • 11. Symptoms  Fever between 101-105 °F,  headaches, aching joints, nausea and vomiting, and a general feeling of malaise.  Frist symptoms included swollen lymph glands in the neck, armpits and groin. The glands fill with puss until they turn black and cause the skin to rot.
  • 15. Medieval Doctor’s Protective Gear  Long robe to protect skin.  This picture is often a  Gloves or a stick to poke depiction of ―death‖ the patient to determine where it hurt.  Hat to protect head.  Cone filled with medicinal (& strong smelling) herbs.  Glass to cover the eyes.
  • 16. Biological Warfare: Medieval Style  Traditional tale: Tartars vs. Genovese  Tartars dying of plague and losing the battle, strap dead plague victims to catapults and fling them over the city walls to the Genovese.  Genovese contract the plague and begin dying themselves.  Genovese escape by means of ships to ports around the Mediterranean carrying the plague with them.
  • 17. Biological Warfare: Medieval Style  Wrapping the clothing of a plague victim in pretty paper and sending it to one’s enemy.  Of course, the sender usually died as well.
  • 18. Drawing of Jews Poisoning Wells from 1349
  • 19.
  • 20. Religion vs. Science  The Roman Catholic Church taught that sickness was brought on by sin.  Relics, holy water, prayer and penance were considered to be means to cure illness.  The Roman Catholic Church often forbade scientific research as witchcraft.  Use of Cadavers was prohibited and punishable by death.
  • 21. Pieter Bruegel, The Triumph of Death, c. 1562 They died by the hundreds, both day and night, and all were thrown in ... ditches and covered with earth. And as soon as those ditches were filled, more were dug. And I, Agnolo di Tura ... buried my five children with my own hands ... And so many died that all believed it was the end of the world. —The Plague in Siena: An Italian Chronicle
  • 22. Effect on Europe’s Population  The low estimate is that the Plague killed 1/3 of Europe’s population. The high estimate is that it killed 2/3 of Europe’s population.  Some countries/city states kept better records.  England’s population dropped from 7 million to 2 million people.  The population of Florence, Italy (birthplace of the Renaissance) dropped from 120,000 to 50,00 between 1348 and 1350.  There were 60% fewer ―fiscal hearths‖ from which to collect taxes in Normandy, Burgundy & Provence (France).
  • 23. Effect on the Roman Catholic Church  A shortage of clergy.  The new clergy demanded more money for their parishes.  The new clergy were either not as well trained or not as devoted to Church doctrine.  England’s clergy were some of the leading figures of pre-reformation disputes in the Church: John Wycliffe is a leading example of this.
  • 24. Labor Shortages  In England more than 40% of the peasant population died  There were not enough peasants to farm the land.  Peasants were able to command higher wages and to move from manor to manor.  Rise of the Yeoman farmer  a small farmer who owned up to 100 acres of land  sold rather than gave his produce to the Lord and to other buyers.
  • 25. General Effects of the Plague  Cardinal Gasquet, an English Benedictine Monk, noted that the plague furthered the rise of the Middle class who ―chatter and challenge authority‖.  Shattered the tri-partate structure of medieval society: those who fought, those who prayed and those who worked.  Set the stage for revolutionary changes in western society: Renaissance, Reformation and Revolution.  The roots of the Holocaust in Germany and Austria  Nobility used Jews as scapegoats  Nobility looted Jewish wealth or defaulted on debts to Jewish bankers  wholesale destruction of ghettos  Expulsion of Jews from specific countries
  • 26. Impact of Black Plague on Humanities Hieronymous Bosch, Death and the Miser, 1490
  • 27.
  • 28. New Realism in Literature  Giovanni Boccaccio Decameron  Short stories  Framework: the Plague  Realistic  High spirited  Prize cleverness, good humor, and sensory pleasures over idealism and piety, chivalry and humility  Christine de Pisan  First feminist writer  Supported her children by writing  Attacked the anti-female tradition of Aristotle and the Church  ―Epistle to the God of Love‖  Geoffrey Chaucer  Wrote in the vernacular  Canterbury Tales
  • 29. The Hundred Years War  Fought between England and France  1337-1453  On French soil  English claim to continental lands and the French throne  French outnumbered English by 3:1  English won most of the early battles  ―Secret‖ weapons of the English  Foot soldiers  Longbows: more accurate and quick than the crossbow  Gunpowder  Introduced to Europe by Muslims who acquired gunpowder from the Chinese  Fired by artillery
  • 30. English Longbow over 6 feet long
  • 31. English Defeat in the Hundred Years War  Joan of Arc  17 year old female peasant  Wore men’s clothing  Heard voices of Christian Saints  Led French victory at Battle of Orleans  Burned at the stake by English for heresy  Heresy was her support for coronation of a rival monarch  Most of evidence surrounded why she wore men’s clothing  ―If I am not, may God put me there and if I am may God so keep me.‖  English could not support physical and financial burdens of maintaining army on French soil  Withdrew in 1450
  • 32. Herman Stilke, Joan of Arc’s Death at the Stake Statue of Joan of Arc In Notre Dame Cathedral
  • 33. Decline of the Church  The Black Death  Avignon Papacy (1309-1377)  Relocation of papacy from Rome to southern France pressured by French King Philip IV  Simony (selling church lands and taxing the clergy)  Indulgences (purchasing ―leftover grace‖ from the lives of Saints)  Great Schism (1378-1417)  College of Cardinals conflict between French and Italian interests  Election of two popes  Avignon  Rome
  • 34. Illuminated Manuscripts From Tres Riches Heures (Very Precious Hours) ca. 1413-1416
  • 36. Cappella Scrovegni Padua, Italy Chapel commissioned by Enrico Scrovegni as penance For making his fortune by usury. Enrico’s father is Identified in Dante’s 7th circle of hell.
  • 37. Giotto (1266-1337)  Natural lifelike style  No longer flat images  Weighty robust figures  Chiaroscuro: modeling form through gradations of light and shade  Presenting emotion  Figures neither so lifelike as to be portraits but not idealized stereotypes
  • 39. Music: Arts Nova  Increased rhythmic complexity  Isorhythm: close repetition of identical rhythmic patterns in different portions of a composition  Guillaume de Machaut (1300-1377)  Messe de Notre Dame  ―One who does not compose according to feelings, falsifies his work and his song.‖  http://www.youtube.com/watch?v=xnkYwe0D5hg&feature=r elated
  • 40. Italian Renaissance  Florence: most affluent of Rome’s city states  Double entry bookkeeping  Maintained contacts with Byzantine and Islamic Empires  Home to Italy’s wealthiest families  Florentine gold florin  Pursuit of money and leisure by merchants and artisans  Renaissance Italy had more in common with Greece than Rome  Condottieri: mercenary soldiers  Popes had dual role:  temporal governors of Papal states  Leader of the Roman Catholic Church
  • 41. Government  Independent city-states in Italy  Oligarchy of rich merchants—not aristocrats  100 families dominated political life  Medici family in Florence  Merchant princes  Supported scholarship  Patronized arts  Botticelli  Michelangelo
  • 42. Renaissance Humanism  Reflected new attitudes toward Greco-Roman antiquity  Advocated uncensored study of manuscripts  Classical texts as a basis for reappraisal of the role of the individual in society  Classics a guide not only for Christian wisdom but also as fulfillment of the human potential  Included more people: merchants, artisans and skilled workers not just aristocrats  Embraced studia humanitas  Grammar  Rhetoric  History  Poetry  Moral philosophy  Saw no conflict between embracing and furthering human potential and religious belief
  • 43. Petrarch (1304-1374)  Petrarch  ―Father of humanism‖  Psychic struggle between love for learning from antiquity and Christian piety  Cicero and Augustine  Wrote love sonnets to a married Florentine woman Laura de Sade
  • 45. Petrarch Sonnet No. 134 (translated by Anthony Mortimer) I find no peace, yet I am not at war I fear and hope, I burn and freeze; I rise to heaven, and fall to earth’s floor Grasping at nothing, the world I seize She imprisons me, who neither jails nor frees Nor keeps me for herself, nor slips the noose; Love does not kill, nor set me free, Love takes my life, but will not set me loose. I have not eyes, yet see, no tongue, yet scream; I long to perish, and seek release; I hate myself, and love another. I feed on grief, and in my laughter week; Both death and life displease me; Lady, because of you, I suffer.
  • 46. Ficino (1433-1499)  Financed by his patron Cosimo de Medici  Translated all of Plato’s writings from Greek to Latin  Launched a reappraisal of Plato  Plato’s Symposium  Love exalted as divine force  ―Platonic love‖ attracted the soul to God  Spiritual love inspired by physical beauty
  • 47. Ficino Bust of Marisilio Ficino By Andrra Ferrucci In Florence Cathdral
  • 48. Pico della Mirandola: The Dignity of Man (1463-1494)  Sought to recover entire history of human thought  Translated Hebrew, Arabic, Latin and Greek  Prove all intellectual expression shared same divine purpose & design: Unity of all truth  At 24, challenged the Church to debate 900 propositions  Forced to flee Italy on charge of heresy  Oration on the Dignity of Man (1486) Humanist Manifesto
  • 50. Castiglione (1478-1529)  The well-rounded man presented in The Book of the Courtier  Master all skills of medieval warrior  Physical proficiency of a champion athlete  Possess the refinements of a humanistic education  Latin and Greek, vernacular  Familiar with the classics  Speak and write well  Compose verse  Draw  Play musical instrument  Sprezzatura – air of nonchalance
  • 51. Castiglione Portrait of Baldassare Castiglione, by Raphael
  • 52. Movable Type Printing Press  1450 Johann Gutenberg  Mainz, Germany  Perfected movable type printing press  Major vehicle for spreading humanist writings  Facilitated rise of popular education  Enabled readers to form their own opinions
  • 54. Nicolo Machiavelli (1469-1527)  The Prince  Political treatise  Outlines strategies by which a rule might gain and maintain political power  Medici family  Machiavelli hoped for a unified Italy  Supported a strong ruler as necessary for a strong state  Argued that to preserve the state a leader must be ruthless  Argued that ruler must be prepared to sacrifice moral virtue  The end (a strong state) justifies the means (whatever is necessary to preserve the state
  • 55. Renaissance Architecture  The Dome  Brunelleschi  Alberti  Defend classical principles of symmetry but use them in new ways  No longer directing gaze upward, fixes view on earth
  • 59. Early Renaissance Painting  Inspired by antiquity and perception of human eye  Linear or one point perspective  How to translate a three dimensional space onto a two dimensional surface  Brunelleschi  All parallel lines in a given visual field appear to converge at a single vanishing point on the horizon • Provided a sense of an accurate depiction of the physical world • Imposed a fixed relationship in time and space  Between the image and the eye of the viewer  Made the viewer the exclusive point of reference in the spatial field  Metaphorically places viewer at the center of the composition
  • 60. Tommaso Guidi aka Masaccio (Slovenly Tom) The Tribute Money (ca. 1425) Employs both linear and aerial perspective
  • 61. Sandro Boticelli (1445-1510), Birth of Venus Employs undulating lines to indicate motion
  • 62. Donatello (1386-1466), David First freestanding , life-sized Nude since antiquity
  • 63. David  Gentle contrapositioned stand  Idealized  Sensuous composition of a Biblical figure  Celebrates beauty of the physical world while paying homage to the spiritual world  Rejects view of the body as the source of sin  Adopts modern Western celebration of the body as a source of pleasure
  • 65. Lorenzo Ghiberti (1378-1455) ―Gates of Paradise‖ Florence Baptistry of San Giovanni  Applied laws of linear perspectives to humanized narratives  Ten Old Testament scenes from the Creation to the Reign of Solomon  East doorway  Michelangelo called these doors worthy of being the ―Gates of Paradise‖
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  • 71. High Renaissance (1490-1520)  Center shifted from Florence to Rome  Papal undertaking to restore the ancient city  Use of indulgences to do so sparked the Protestant Reformation  Pope Julius II commissioned Donato Bramante to rebuild Saint Peter’s Cathedral  Harmonious design  Tempietto San Pietro  Andrea Palladio Villa Rontunda
  • 74. Leonardo Da Vinci, Mona Lisa
  • 75. Leonardo da Vinci, The Last Supper
  • 76. Renaissance Man  Da Vinci: human eye was most dependable for obtaining true knowledge of nature  Examined anatomical structures of plants, animals and humans  Examined properties of wind and air  Drew designs for an armored tank, a flying machine and a diving bell
  • 77. Raphael (1483-1520)  Commissioned by Pope Julius II to execute a series of frescoes for the Pope’s personal library  Represent 4 domains of human learning  Theology  Philosophy  Law  Arts  School of Athens (1509-1511)
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  • 79. Michelangelo (1475-1564)  Considered himself a sculptor  Sistine Chapel Ceiling  Took four years  Worked from scaffolds 70 feet above the floor  5760 square feet  Creation and fall of humankind  9 principal scenes  Minimized setting and symbols to maximize figures  Creation: God and Adam are equal in size and muscular grace  confront each other like equals  Adam’s facial expression is only thing that shows God is superior
  • 81. David Marble, 13’ 5‖ Note head and hands are Out of proportion to the trunk
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  • 85. Venetian High Renaissance  Venice: Jewel of Adriatic  Governed by merchant aristocracy  Tapestries, jewels, spices from Middle East and Asia  Art of Venetian High Renaissance emphasized color and light  Oil on canvas rather than frescoes
  • 86. Tiziano Vecelli aka Titian (1488-1576)
  • 87. Ottoman Empire  Ottoman Turks conquered Constantinople in 1453  1529 Frances I of France negotiated ―Unholy Alliance‖ to keep Turks out of Vienna  Suleiman (1494-1566) created an empire that lasted until WWI in the 20th century