Regional identity
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This document discusses regional identity in film and television through examples from the shows Skins and Sherlock. For Skins, the rural setting and strong southern accents of the characters help establish their regional identity. A character from Oxford stands out as an outsider. The character Alo conforms to stereotypes of people from southern Britain through his farming lifestyle and clothing. Sherlock, set in urban London, features characters that speak with southern English accents and wear sophisticated suits and coats, establishing their identity as urban residents of London.
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Regional identity
The document discusses how regional identity is portrayed in television shows through elements like accents, settings, costumes and props. It provides examples from the shows Skins and Sherlock. In Skins, the rural characters have strong southern accents which identifies them as locals, while an outsider character speaks differently. Costumes also reflect stereotypes, like a farm boy dressed in wool and plaid. Sherlock is set in urban London, and the posh accents and sophisticated suits and coats of the characters portray them as urban professionals.
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The document discusses regional identity in the UK and stereotypes associated with different regions. It provides stereotypes for Northerners, Southerners, Scots, Welsh, Scousers, Geordies, Mancs, Brummies, Londoners, Essex and Yorkshire. Key theorists discussed include Higson and Anderson who note the role of media and cultural means in constructing regional identities. Higson also discusses how stereotypes are used as shorthand but can shape outward perceptions if they become widely recognized. Examples of TV shows like EastEnders, Shameless, Trainspotting and Doc Martin are given that potentially reinforce regional stereotypes through various production elements.
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This document discusses regional and national identity in the United Kingdom. It provides stereotypes of people from different regions based on their costumes, dialects, mannerisms and class or status. These stereotypes are meant to help understand how characters from these regions might be portrayed. The document also discusses key theorists on identity formation and how media can construct images that influence perceptions of regional and national identity.
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Regional identity
The document discusses how regional identity is portrayed in television shows through elements like accents, settings, costumes and props. It provides examples from the shows Skins and Sherlock. In Skins, the rural characters have strong southern accents which identifies them as locals, while an outsider character speaks differently. Costumes also reflect stereotypes, like a farm boy dressed in wool and plaid. Sherlock is set in urban London, and the posh accents and sophisticated suits and coats of the characters portray them as urban professionals.
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The document discusses regional identity in the UK and stereotypes associated with different regions. It provides stereotypes for Northerners, Southerners, Scots, Welsh, Scousers, Geordies, Mancs, Brummies, Londoners, Essex and Yorkshire. Key theorists discussed include Higson and Anderson who note the role of media and cultural means in constructing regional identities. Higson also discusses how stereotypes are used as shorthand but can shape outward perceptions if they become widely recognized. Examples of TV shows like EastEnders, Shameless, Trainspotting and Doc Martin are given that potentially reinforce regional stereotypes through various production elements.
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This paper discusses Aime Cesaire's postcolonial adaptation of Shakespeare's The Tempest titled A Tempest. The student analyzes some of the major differences between the two works, noting that Cesaire portrays Caliban as a stronger rebel who uses abusive language against Prospero. While Shakespeare's play ends in order, Cesaire does not follow any order and has Caliban singing of freedom even after the others leave the island. The paper also examines how The Tempest has been defined as a postcolonial play that depicts issues of colonialism and cultural hybridity.
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This document provides an analysis of the opening title sequence of the 2009 film Sherlock Holmes. It summarizes that the names of characters are presented in a Victorian style alongside freeze frame drawings of the actors. The production company is listed as Village Roadshow Pictures. The mise-en-scene establishes the period setting through costumes, dark lighting, and tea stained colors. Hard cuts and a soundtrack of strings help set the pace and period. Character portraits shown the protagonists in tailored suits contrasted with grittier clothing worn by antagonists.
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1) The document provides biographical information about Alexander Pope and context about his poem "The Rape of the Lock".
2) It summarizes the plot of "The Rape of the Lock", including how a lock of Belinda's hair is cut by a Baron during a card game.
3) It analyzes several dramatic scenes and elements in the poem, such as Belinda's dream, the supernatural spirits protecting her, and the ending where the lock rises to the sky.
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This document describes how regional identity is represented in characters from various TV dramas set in different parts of the UK. It provides examples of characters from Scottish, Irish, English, London, Essex, northern English, Liverpool, Newcastle, and Yorkshire dramas. For each character, it lists attributes like dialogue/dialect, location/setting, costume, class, and describes how their regional identity can be identified through stereotypical traits like accents, professions, attitudes, and styles of dress.
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The document discusses regional identity in the UK through analyzing stereotypes of different regions. It provides stereotypes for Northerners, Southerners, Essex, Scottish, Welsh, Scousers, Geordies, Yorkshire, Mancs, Brummies, and Londoners related to dialogue, costumes, makeup, class, and more. It then asks the reader to think about how television programs and films set in different locations reinforce these stereotypes through aspects like location, costumes, dialogue, and more. Examples given include EastEnders set in London, Shameless set on a housing estate, and Trainspotting set in Scotland.
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Regional identity is rooted in the region where one lives and includes factors like accents, location, clothing, and pastimes. The document then profiles stereotypes associated with people from several British regions, such as Scousers from Liverpool being associated with terrace houses, tracksuits, and causing trouble; Scottish people wearing kilts and drinking beer; Geordies from Newcastle being thought of as fake due to a reality TV show; and Cockney accents being linked to London. It concludes by briefly mentioning stereotypes for people from regions like Essex, Birmingham, Wales, Ireland, and the South West of England.
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Regional identity
This document discusses regional stereotypes in Britain. It describes stereotypes of "chavs" from cities in England as poor, violent and poorly dressed, while "snobs" are seen as rich and refined. Scottish stereotypes include being aggressive, drunk and poor. Irish stereotypes similarly portray them as aggressive and drunk. The Welsh are stereotyped as rural farmers or workers who are sometimes portrayed as stupid. Londoners are stereotyped as rough, alcoholic football fans living in council estates. Overall, the document outlines common stereotypes associated with different regions in Britain.
Regional identity
The document discusses regional stereotypes within the UK, including that English people are seen as racist beer drinkers who love football, Scottish people have red hair and hate the English while drinking whiskey, Welsh people are boring and hang out with sheep, and Irish people are religious farmers and dancers who live in the countryside. It also outlines stereotypes associated with regions such as northern England being poorer and working-class, southern England being richer and posher, London having both wealthy and criminal populations, Essex residents being glamorous but stupid, and people from Yorkshire being traditional rural farmers. Examples of these stereotypes in TV shows are provided.
Tumblr blog research task - regional identity
This document outlines stereotypical representations of various regional identities in the UK, including Northerners, Southerners, Scousers, Geordies, Mancs, Brummies, Scottish, Welsh, and Irish. For each group, stereotypes are provided relating to dialogue/dialect, clothing, location/setting, class/status, and other factors. Overall, the document establishes common stereotypes around regional accents, styles of dress, socioeconomic backgrounds, and personality traits in order to analyze how representations may conform to or challenge expectations.
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This document discusses regional stereotypes portrayed in various TV shows and media. It provides examples of stereotypes for regions like Essex, the North, Wales, Newcastle, and Baltimore. For Essex, the stereotype is portrayed as unfaithful "lads" and rude, over-dressed girls. In the North, kids are shown as rebellious with untidy uniforms. Welsh stereotypes involve a lot of drinking, revealing clothes, and fighting. Geordie Shore portrays stereotypes of Newcastle residents competing to hook up and using excessive swearing. The Wire challenges stereotypes of Baltimore residents by showing characters playing chess in addition to drug deals. Overall, the document examines common stereotypes across British regions and how
Regional identity
The document discusses regional stereotypes within the UK, including that English people are seen as racist beer drinkers who love football, Scottish people have red hair and hate the English, Welsh people hang out with sheep in the countryside, Irish people live on farms and are religious drinkers, Northerners are poorer and less cultured than Southerners, Londoners are either posh or poor/criminal, and people from Essex, Manchester, Liverpool, Newcastle, Yorkshire each have their own stereotypes portrayed in various TV shows. Examples of stereotypes in TV dramas are given for each region.
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This document contains information about codes and conventions used in British soap operas. It discusses several key elements:
1) Storylines in soap operas typically focus on realistic domestic themes and personal relationships that viewers can relate to. Episodes usually end on a cliffhanger.
2) Characters are defined by social stereotypes like class, gender, and personality archetypes. Locations also embrace regional stereotypes.
3) While storylines are grounded in realism, deaths and crimes are exaggerated for drama. Episodes air multiple times a week and follow continuous long-term story arcs.
4) The document examines how the student used, developed, and challenged these conventions in their own media production
Regional identity
Regional identity refers to the area where someone comes from and can be defined by their country, region, or street. It is often associated with stereotypes like northern English people being hardworking but relaxed versus posh southern English. Regional identity can be defined by factors like accent, intelligence, appearance, clothing, and family. Media sometimes ignores regional identity but usually focuses on stereotypical regional characteristics like a Liverpool accent. The TV show Gavin and Stacy explores the regional identities and cultures of Essex and Wales through the relationship between the title characters. Regional identity is often observed through the interaction between groups from different regions.
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Regional identity refers to the part of the United Kingdom someone is from, whether a general area like north or south, a country like England or Scotland, or a specific town. There are many stereotypes of different regions widely portrayed in television. The Scots are often depicted as tight-fisted, proud of their heritage, and enjoying whiskey. Londoners are sometimes shown as either posh and wealthy or poor and criminal. Cockneys are associated with rhyming slang and working class backgrounds. Regional identities portrayed in media do not always present a fully accurate or unbiased view of people from different areas of the UK.
Evaluation q1 pp1
The document discusses codes and conventions used in soap operas and scripted reality television shows. It provides examples of how codes like unrealistic storylines, stereotypical characters, and exaggerated poses are used in shows like The Only Way is Essex. It then explains how the student developed on these conventions for their media product by further exaggerating traits like tanning and fashion choices to create a parody that challenged conventions through humor.
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American fantasy soap operas typically feature wealthy upper class characters who are portrayed as physically flawless and living extravagant lifestyles. The characters reside in large mansions, wear expensive clothing and accessories, and are involved in high-profile careers or family businesses. Common storylines revolve around schemes, affairs, fights over money and property, and family disputes within a capitalist society driven by profit and revenge.
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This document discusses regional identity stereotypes for Welsh, Scottish, Irish, and London characters in TV shows.
For Welsh characters, it notes they challenge stereotypes of always being outside by being shown in clubs and bars, but also fit the stereotype through sheep jokes. Scottish characters challenge stereotypes through normal clothing but accent identifies them as Scottish, and one follows the alcoholic stereotype. Irish characters in soaps sometimes follow stereotypes as alcoholics. London characters reinforce stereotypes through accents and one having a "geezer" look, while another is depicted as tacky and rough with heavy makeup.
Regional Identity
The document discusses regional and national identity in the UK. It provides stereotypes for different regions, including Northerners, Southerners, Scousers, Geordies, etc. It examines characteristics like dialects, costumes, class/status. It also discusses how TV and film help construct identities through stereotypes, setting, characters. Key theorists like Higson and Anderson are summarized, who argue that media plays a role in imagining communities and identities within a nation or region.
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This document describes how regional identity is represented in characters from various TV dramas set in different parts of the UK. It provides examples of characters from Scottish, Irish, English, London, Essex, northern English, Liverpool, Newcastle, and Yorkshire dramas. For each character, it lists attributes like dialogue/dialect, location/setting, costume, class, and describes how their regional identity can be identified through stereotypical traits like accents, professions, attitudes, and styles of dress.
Regional identity
The document discusses regional identity in the UK through analyzing stereotypes of different regions. It provides stereotypes for Northerners, Southerners, Essex, Scottish, Welsh, Scousers, Geordies, Yorkshire, Mancs, Brummies, and Londoners related to dialogue, costumes, makeup, class, and more. It then asks the reader to think about how television programs and films set in different locations reinforce these stereotypes through aspects like location, costumes, dialogue, and more. Examples given include EastEnders set in London, Shameless set on a housing estate, and Trainspotting set in Scotland.
Regional identity stereo types (media)
Regional identity is rooted in the region where one lives and includes factors like accents, location, clothing, and pastimes. The document then profiles stereotypes associated with people from several British regions, such as Scousers from Liverpool being associated with terrace houses, tracksuits, and causing trouble; Scottish people wearing kilts and drinking beer; Geordies from Newcastle being thought of as fake due to a reality TV show; and Cockney accents being linked to London. It concludes by briefly mentioning stereotypes for people from regions like Essex, Birmingham, Wales, Ireland, and the South West of England.
American fantasy drama
American fantasy soap operas portray an exaggerated upper-class lifestyle focused on wealth, property, and appearance. Characters are typically members of the bourgeoisie who own land and businesses and dress in expensive, formal attire. Common storylines involve affairs, blackmail, poisoning, and other dramatic plots motivated by money or revenge within a capitalist society.
Regional identity
This document discusses regional stereotypes in Britain. It describes stereotypes of "chavs" from cities in England as poor, violent and poorly dressed, while "snobs" are seen as rich and refined. Scottish stereotypes include being aggressive, drunk and poor. Irish stereotypes similarly portray them as aggressive and drunk. The Welsh are stereotyped as rural farmers or workers who are sometimes portrayed as stupid. Londoners are stereotyped as rough, alcoholic football fans living in council estates. Overall, the document outlines common stereotypes associated with different regions in Britain.
Regional identity
The document discusses regional stereotypes within the UK, including that English people are seen as racist beer drinkers who love football, Scottish people have red hair and hate the English while drinking whiskey, Welsh people are boring and hang out with sheep, and Irish people are religious farmers and dancers who live in the countryside. It also outlines stereotypes associated with regions such as northern England being poorer and working-class, southern England being richer and posher, London having both wealthy and criminal populations, Essex residents being glamorous but stupid, and people from Yorkshire being traditional rural farmers. Examples of these stereotypes in TV shows are provided.
Tumblr blog research task - regional identity
This document outlines stereotypical representations of various regional identities in the UK, including Northerners, Southerners, Scousers, Geordies, Mancs, Brummies, Scottish, Welsh, and Irish. For each group, stereotypes are provided relating to dialogue/dialect, clothing, location/setting, class/status, and other factors. Overall, the document establishes common stereotypes around regional accents, styles of dress, socioeconomic backgrounds, and personality traits in order to analyze how representations may conform to or challenge expectations.
Regional Identity
This document discusses regional stereotypes portrayed in various TV shows and media. It provides examples of stereotypes for regions like Essex, the North, Wales, Newcastle, and Baltimore. For Essex, the stereotype is portrayed as unfaithful "lads" and rude, over-dressed girls. In the North, kids are shown as rebellious with untidy uniforms. Welsh stereotypes involve a lot of drinking, revealing clothes, and fighting. Geordie Shore portrays stereotypes of Newcastle residents competing to hook up and using excessive swearing. The Wire challenges stereotypes of Baltimore residents by showing characters playing chess in addition to drug deals. Overall, the document examines common stereotypes across British regions and how
Regional identity
The document discusses regional stereotypes within the UK, including that English people are seen as racist beer drinkers who love football, Scottish people have red hair and hate the English, Welsh people hang out with sheep in the countryside, Irish people live on farms and are religious drinkers, Northerners are poorer and less cultured than Southerners, Londoners are either posh or poor/criminal, and people from Essex, Manchester, Liverpool, Newcastle, Yorkshire each have their own stereotypes portrayed in various TV shows. Examples of stereotypes in TV dramas are given for each region.
A2 Media - Question 1 - Con Wood
This document contains information about codes and conventions used in British soap operas. It discusses several key elements:
1) Storylines in soap operas typically focus on realistic domestic themes and personal relationships that viewers can relate to. Episodes usually end on a cliffhanger.
2) Characters are defined by social stereotypes like class, gender, and personality archetypes. Locations also embrace regional stereotypes.
3) While storylines are grounded in realism, deaths and crimes are exaggerated for drama. Episodes air multiple times a week and follow continuous long-term story arcs.
4) The document examines how the student used, developed, and challenged these conventions in their own media production
Regional identity
Regional identity refers to the area where someone comes from and can be defined by their country, region, or street. It is often associated with stereotypes like northern English people being hardworking but relaxed versus posh southern English. Regional identity can be defined by factors like accent, intelligence, appearance, clothing, and family. Media sometimes ignores regional identity but usually focuses on stereotypical regional characteristics like a Liverpool accent. The TV show Gavin and Stacy explores the regional identities and cultures of Essex and Wales through the relationship between the title characters. Regional identity is often observed through the interaction between groups from different regions.
American fantasy drama
American fantasy soap operas typically feature wealthy upper class characters who live extravagant lifestyles. The characters are portrayed as physically flawless with expensive clothing, accessories, and homes that emphasize their wealth and status. Common storylines involve business disputes, romantic affairs, catfights, blackmail, and poisonings as the desirable characters pursue money, land, and appearances.
Representation of regional identity
Regional identity refers to the part of the United Kingdom someone is from, whether a general area like north or south, a country like England or Scotland, or a specific town. There are many stereotypes of different regions widely portrayed in television. The Scots are often depicted as tight-fisted, proud of their heritage, and enjoying whiskey. Londoners are sometimes shown as either posh and wealthy or poor and criminal. Cockneys are associated with rhyming slang and working class backgrounds. Regional identities portrayed in media do not always present a fully accurate or unbiased view of people from different areas of the UK.
Evaluation q1 pp1
The document discusses codes and conventions used in soap operas and scripted reality television shows. It provides examples of how codes like unrealistic storylines, stereotypical characters, and exaggerated poses are used in shows like The Only Way is Essex. It then explains how the student developed on these conventions for their media product by further exaggerating traits like tanning and fashion choices to create a parody that challenged conventions through humor.
Ethnicity in TV Dramas
This document discusses ethnicity and stereotypes in TV dramas. It defines ethnicity as relating to shared culture, behavior, language, religion or appearance. Stereotypes based on ethnicity, like certain attributes relating to nationality or skin tone, are often portrayed in media and can promote racism. To analyze how dramas portray ethnicity, one can look for characters that break or enhance common stereotypes of a group, and examine how knowledge or power is distributed among characters of different ethnicities. The document uses scenes from the TV drama "Hotel Babylon" to deconstruct how stereotypes relating to ethnicity are both portrayed and subverted.
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American fantasy soap operas typically feature wealthy upper class characters who are portrayed as physically flawless. The characters live extravagant lifestyles in big houses and wear expensive clothing and accessories to highlight their wealth and high social status. Common storylines involve business disputes, romantic affairs, schemes, and catfights between characters as they pursue money and revenge.
American fantasy drama
American fantasy soap operas typically feature wealthy upper class characters who are portrayed as physically flawless and living extravagant lifestyles. The characters reside in large mansions, wear expensive clothing and accessories, and are involved in high-profile careers or family businesses. Common storylines revolve around schemes, affairs, fights over money and property, and family disputes within a capitalist society driven by profit and revenge.
Scripted Reality Presentation
Scripted reality shows feature real people placed in pre-planned situations by producers for entertainment. Examples include The Only Way is Essex and Made in Chelsea. These shows depict stereotypical lifestyles of affluence through locations, clothing, vehicles and more to create escapism for young audiences. Common storylines involve relationships, drama and lifestyle portrayals. Camera work and lighting aim to feel realistic while emphasizing beauty and setting the scene.
Regional identity in TV Drama's
This document discusses regional identity stereotypes for Welsh, Scottish, Irish, and London characters in TV shows.
For Welsh characters, it notes they challenge stereotypes of always being outside by being shown in clubs and bars, but also fit the stereotype through sheep jokes. Scottish characters challenge stereotypes through normal clothing but accent identifies them as Scottish, and one follows the alcoholic stereotype. Irish characters in soaps sometimes follow stereotypes as alcoholics. London characters reinforce stereotypes through accents and one having a "geezer" look, while another is depicted as tacky and rough with heavy makeup.
Regional Identity
The document discusses regional and national identity in the UK. It provides stereotypes for different regions, including Northerners, Southerners, Scousers, Geordies, etc. It examines characteristics like dialects, costumes, class/status. It also discusses how TV and film help construct identities through stereotypes, setting, characters. Key theorists like Higson and Anderson are summarized, who argue that media plays a role in imagining communities and identities within a nation or region.
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www.StokeNewingtonHistory.com
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Regional identity
- 1. Regional Identity Shannon and Amelia
- 2. Regional Identity • Regional identity is identifying a persons identity which is rooted not only in the setting of the film but also in speech, costumes, etc. and in the region they live in. • Setting, accents, dialogue, props, make-up, class of characters, costumes.
- 3. Skins - Rural • The majority of the characters have the same southern accent making it easy to determine their regional identity. • Characters who are from a different region are clearly presented as different. When it comes to Skins, Franky who moves from Oxford, is clearly shown to be an outsider from the moment she appears in the series, especially when compared to the other characters. • https://www.youtube.com/watch?v=T0rMZZHC294
- 4. Alo • The character Alo lives on a farm, which relates to the common stereotype surrounding people from the southern region of Britain. • Him and his family all have strong Bristol accents and comply with the common conception of living in this part of the country. • This includes their costumes, heavily wool clothing and plaid shirts. He normally appears to be quite dirty due to the conditions he lives in. This helps to strengthen his stereotype.
- 5. Sherlock - Urban • The majority of the characters in this series have a Sothern English, receive pronunciation. This is relatively posh and is shown throughout this series. • Sherlock is set in Hertfordshire, Camden and Covent Garden, it is mainly filmed in different places in London. • They also have a specific costume of sophisticated looks, such as suits and long coats. • https://www.youtube.com/watch?v=JP5Dr63TbSU
- 6. Sherlock • Sherlock wears a shirts, tailored trousers, long coats and a scarf. This makes him come across as sophisticated and also very serious. • Sherlock also dresses perfectly, just like a stereotypical English man. He is also shown as pretty and nicely groomed to show how he has a sophisticated appearance. • His main character wardrobe consists of suits and especially long coats, to symbolize how important he is. When people see a long coat they instantly assume they are important.