Reality TV unit1 introduction to (EMC)
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Introduction to reality TV powerpoint going through main sub genres with clips and youtube links - EMC
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Reality tv show
Contestants are split into teams and must work together to escape a maze-like library by finding clues and completing challenges. They may encounter characters like maids and librarians who can help or hinder them. The teams must set up camp at night to rest. The show will air for an hour or more on ITV, a British channel known for popular reality shows.
Intro To Reality TV
Reality TV is a genre of television programming that presents unscripted situations featuring ordinary people rather than actors. It can be defined as unscripted television that follows real people and events. Common conventions of reality TV include featuring real people instead of actors, situations that are largely unscripted though sometimes set up, and a high level of editing. Reality TV has several subgenres including docusoaps that follow people's lives, lifestyle programs focused on self-improvement, social experiments that set up situations to observe people, reality talent competitions, and reality games involving popularity contests.
Docusoaps
This document discusses the genre of docusoaps, which combine elements of documentaries and soap operas. Docusoaps follow groups of real people in their daily lives and personal/professional situations, with some aspects being scripted for entertainment purposes. While docusoaps provide a window into other people's lives and can be relatable, they are also seen as exploitative and of questionable truthfulness due to editing and production techniques that manipulate reality. The docusoap genre has grown rapidly in popularity but is also controversial due to these blurring of factual accuracy.
Does my bum look big in this edit
Lifestyle television programs have proliferated since the 1990s, focusing on topics like home improvement, cooking, fashion, and self-improvement. These shows promote norms of consumption, gender, and bodies. They can be understood through the concepts of governmentality and the panopticon, representing a form of power that shapes individuals' behaviors and identities through surveillance and the promotion of experts. Their rise is linked to broader cultural shifts around home ownership, women's roles, and changing leisure practices in late 20th century Britain.
Mac201 are you for real
This document discusses the rise of reality television and questions the relationship between reality TV and depictions of real life. It explores how reality TV has become a staple genre and examines criticisms that it panders to low tastes. While some shows claim to provide a window into real worlds, the document notes that all representations are subjective and reality is always constructed. It also analyzes how reality TV has shifted from social experimentation to focusing on performance and drama for entertainment. Examples like Big Brother and Wife Swap are discussed in terms of their simulations of social realities and ethical implications.
interdependent studios research
The document discusses Netflix's role in producing and distributing original content for both film and television. It lists several Netflix original films and directors. It also notes that Netflix distributes content from various production companies. The document then profiles Netflix's target audience as being younger, affluent adults who are trendsetters. It states that Netflix users have young children and families at home. Finally, it lists various genres of content available on Netflix.
Mac201 politics and class in benefits street
1. The document discusses the portrayal of welfare recipients in the British reality TV show Benefits Street. It analyzes how the show fits into wider trends of growing social inequality and neoliberal policies that blame the poor.
2. Politicians and media often evoke myths about welfare recipients not working for generations to justify punitive welfare policies. Reality shows like Benefits Street depict the poor in a way that fosters public judgment of them.
3. Academics argue this environment is politically constructed by elites to reinforce their policies, while obscuring structural factors behind issues like poverty and unemployment.
TUTORIAL S
Este documento proporciona una guía sobre cómo usar la plataforma SlideShare para compartir presentaciones en línea. Explica los pasos para crear una cuenta, personalizar la configuración de privacidad y contenido, y cargar presentaciones desde el ordenador o la nube. También cubre cómo compartir las presentaciones en otras redes sociales y blogs.
Recommended
Reality tv show
Contestants are split into teams and must work together to escape a maze-like library by finding clues and completing challenges. They may encounter characters like maids and librarians who can help or hinder them. The teams must set up camp at night to rest. The show will air for an hour or more on ITV, a British channel known for popular reality shows.
Intro To Reality TV
Reality TV is a genre of television programming that presents unscripted situations featuring ordinary people rather than actors. It can be defined as unscripted television that follows real people and events. Common conventions of reality TV include featuring real people instead of actors, situations that are largely unscripted though sometimes set up, and a high level of editing. Reality TV has several subgenres including docusoaps that follow people's lives, lifestyle programs focused on self-improvement, social experiments that set up situations to observe people, reality talent competitions, and reality games involving popularity contests.
Docusoaps
This document discusses the genre of docusoaps, which combine elements of documentaries and soap operas. Docusoaps follow groups of real people in their daily lives and personal/professional situations, with some aspects being scripted for entertainment purposes. While docusoaps provide a window into other people's lives and can be relatable, they are also seen as exploitative and of questionable truthfulness due to editing and production techniques that manipulate reality. The docusoap genre has grown rapidly in popularity but is also controversial due to these blurring of factual accuracy.
Does my bum look big in this edit
Lifestyle television programs have proliferated since the 1990s, focusing on topics like home improvement, cooking, fashion, and self-improvement. These shows promote norms of consumption, gender, and bodies. They can be understood through the concepts of governmentality and the panopticon, representing a form of power that shapes individuals' behaviors and identities through surveillance and the promotion of experts. Their rise is linked to broader cultural shifts around home ownership, women's roles, and changing leisure practices in late 20th century Britain.
Mac201 are you for real
This document discusses the rise of reality television and questions the relationship between reality TV and depictions of real life. It explores how reality TV has become a staple genre and examines criticisms that it panders to low tastes. While some shows claim to provide a window into real worlds, the document notes that all representations are subjective and reality is always constructed. It also analyzes how reality TV has shifted from social experimentation to focusing on performance and drama for entertainment. Examples like Big Brother and Wife Swap are discussed in terms of their simulations of social realities and ethical implications.
interdependent studios research
The document discusses Netflix's role in producing and distributing original content for both film and television. It lists several Netflix original films and directors. It also notes that Netflix distributes content from various production companies. The document then profiles Netflix's target audience as being younger, affluent adults who are trendsetters. It states that Netflix users have young children and families at home. Finally, it lists various genres of content available on Netflix.
Mac201 politics and class in benefits street
1. The document discusses the portrayal of welfare recipients in the British reality TV show Benefits Street. It analyzes how the show fits into wider trends of growing social inequality and neoliberal policies that blame the poor.
2. Politicians and media often evoke myths about welfare recipients not working for generations to justify punitive welfare policies. Reality shows like Benefits Street depict the poor in a way that fosters public judgment of them.
3. Academics argue this environment is politically constructed by elites to reinforce their policies, while obscuring structural factors behind issues like poverty and unemployment.
TUTORIAL S
Este documento proporciona una guía sobre cómo usar la plataforma SlideShare para compartir presentaciones en línea. Explica los pasos para crear una cuenta, personalizar la configuración de privacidad y contenido, y cargar presentaciones desde el ordenador o la nube. También cubre cómo compartir las presentaciones en otras redes sociales y blogs.
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This document discusses electrostatic discharge (ESD) control in electronic assembly. It outlines how static charge is generated through contact and separation of dissimilar materials and the effects this can have, including physical damage, contamination, and automation issues. The key elements of an ESD control program are reviewed, including grounding conductors, eliminating insulators, and using ionizers to neutralize static charge on insulators and isolated conductors. Different types of ionizers are described, and maintenance of ionizers is discussed. The importance of ESD control is increasing as electronic devices become more sensitive.
ESD Basics By Transforming Technologies
Transforming Technologies is a leading provider of electrostatic discharge (ESD) protection solutions for the electronics industry. They offer over 10 years of experience and a wide range of ESD products including personal grounding equipment, ionizers, ESD apparel, and test and measurement devices. Proper ESD control is important to prevent costly damage to electronic components from static electricity, which can occur at voltages as low as 15-30 volts.
ESD PRESENTATION
The document discusses electrostatic discharge (ESD) and provides information on controlling ESD in electronics manufacturing environments. Some key points:
- ESD occurs when a charged object discharges to another object, which can damage electronic components. Static electricity builds up from friction and movement.
- ESD costs the electronics industry millions annually in damaged parts. Despite efforts, ESD still affects production yields and costs.
- Controlling ESD involves designing products to withstand ESD, reducing charge generation, grounding conductive materials to dissipate charges, and neutralizing charges that do occur.
Esd basics
Electrostatic discharge (ESD) occurs when two surfaces contact and separate, leaving one surface with a positive charge and the other with a negative charge. ESD can damage electronic components, even at voltages too low for humans to feel. Proper ESD control includes grounding conductors like people, equipment, and work surfaces; neutralizing insulators with ionizers; and shielding electrostatic sensitive items when outside protected areas. Following ESD safety procedures is important to prevent costly component damage.
Electro Static Discharge Basics
Electrostatic discharge (ESD) refers to the transfer of static electricity between two objects with different electrical potentials. ESD events are common and occur whenever two materials contact and separate, such as walking across a carpet. While people may feel an ESD event at 2000 volts, component damage can occur at voltages as low as 15-30 volts. Proper ESD control programs aim to prevent such damage and include employee training, establishing ESD protected areas, ensuring proper grounding of equipment and personnel, and using ionizers to neutralize static charges that cannot be grounded. ESD can cause both immediate failures as well as latent defects, resulting in significant costs to the electronics industry.
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Reality TV has become extremely popular across many channels and time slots. In a single week in January 2011, 41 different reality TV titles were broadcast on freeview channels alone, with at least 12 airing daily. There are several reasons for the rise and popularity of reality TV genres with broadcasters. First, they are relatively inexpensive to produce compared to scripted programming. Additionally, reality shows can generate long-running series that fill substantial airtime and engage large audiences. This results in increased advertising revenue and opportunities to monetize the shows through product placement, spinoffs, and viewer participation like voting. Finally, some reality show formats provide social value by addressing important issues, which boosts the reputation of the broadcasters.
History of music TV
Reality television shows like The X Factor use various techniques to appear authentic and create a sense of intimacy between audiences and contestants, while still exercising control over the narrative. Producers shape contestant stories and personalities to increase drama and competition. Though audiences feel involved through voting, their role is still passive as they consume a pre-packaged product. The quest to find new music stars engages audiences but also raises questions about the authenticity of reality television genres.
Media and the public Sphere
This document discusses various aspects of media including television, music, and their impact on culture. It explores the history of television and how it has shaped popular culture through content, programming, advertising and industry funding models. Television transformed family life through the proliferation of TV sets in homes. Genres like reality TV emerged and television competes with other forms of media and education. The document also examines popular music like punk, reggae, and hip hop and how they relate to youth culture and social movements.
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This document provides an overview of media and its impact on culture and society. It discusses the history of television and how it has transformed over time, gaining power through its content, sets, distribution methods, and industry. Television content includes genres like reality TV and is targeted towards demographics. The document also covers popular music genres like punk, reggae, rap and dance music, examining their origins and tensions between being a commercial product versus a form of expression. Overall, the document analyzes how media has become a powerful force that shapes cultures globally.
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This document provides an overview of media and its impact on culture and society. It discusses the history of television and how it has transformed over time, gaining power through its content, sets, distribution methods, and industry. Television content includes genres like reality TV and is targeted towards demographic groups. The document also covers the history and genres of popular music like punk, reggae, rap, and dance music, and how they relate to both grassroots cultural movements and commercial industries. Television and media are analyzed in terms of their economic models, regulation, and effects on audiences and culture.
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This document discusses issues and debates surrounding spectatorship in documentary films. It addresses how documentaries construct reality using codes and conventions, despite not being able to perfectly represent the complexity of real life. Some of the main challenges documentaries face in representing reality discussed are narrative structure, selection of subjects, interpretive frameworks, editing techniques, and the effects of film crews on what they record. The document also examines the various aims documentaries may have, such as to inform, educate, entertain, or document significant events, and how these aims can influence representation of reality.
Fm4 spectatorship booklet
This document discusses issues and debates surrounding spectatorship in documentary films. It addresses how documentaries construct reality using codes and conventions, despite not being able to perfectly represent the complexity of real life. Some of the main challenges documentaries face in representing reality discussed are narrative structure, selection of subjects, interpretive frameworks, editing techniques, and the effects of film crews on what they record. The document also examines the various aims documentaries may have, such as to inform, educate, entertain, or document significant events, and how these aims can influence their representations of reality.
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This document discusses the genre of social realism and targeting audiences for a media product in this genre. Social realism aims to depict everyday life realistically and address issues like relationships and substance abuse. The document examines different distribution platforms and their suitability for a social realism film, concluding that BBC 4 and specialized film magazines would be most appropriate given their focus on arts and educated audiences. Primary research found that social realism films dealing with relationships appealed most to young adults and older viewers.
Evaluation question 4 who would be the audience for your media
This document discusses the genre of social realism and targeting audiences for a media product in this genre. Social realism aims to depict everyday life realistically and address issues like relationships and substance abuse. The document examines different platforms and their suitability for exhibiting a social realism film, including streaming services, TV channels like BBC2 and BBC4, radio stations, and film magazines. BBC4 is identified as an ideal audience because it features arts programming for an educated audience, in line with the sophisticated themes of social realism. Primary research found that young adults and older people relate most to social realism films dealing with relationship issues.
Mass media: TELEVISION
Television was first invented in the 1920s by Scottish inventor John Logie Baird. It became a commercial success in the UK in the late 1920s and early 1930s when the BBC began regular television broadcasts. Baird also pioneered early experiments with color television in the 1930s and 1940s. In the US, the first dramatic television program aired in 1928 and commercial color television was introduced in the 1950s. Television has since grown to become a mass media platform that influences culture and current events while also providing entertainment, education, and a way for advertisers to reach large audiences. However, television can also have negative impacts if overused such as promoting laziness, negatively influencing young minds, and displacing other activities like studying
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The document provides information about the film I, Daniel Blake including its production, distribution, marketing, genre, audience, narrative, and critical and commercial success. It was directed by Ken Loach, stars Dave Johns and Hailey Squires, and focuses on two characters affected by the UK benefits system. The film was marketed through grassroots screenings, social media campaigns, and press coverage of its themes. It was a critical success, winning the Palme d'Or at Cannes, and sparked political debate around welfare reform in the UK.
Soap Operas LM13 1937
In the late 1930s, the rise of consumerism led to more people having leisure time and the ability to purchase radios and other goods. Soap operas emerged on the radio to cater to the new predominant demographic of suburban housewives. Sponsored by soap manufacturers in exchange for advertising, soap operas grew in popularity and complexity, pioneering the modern soap opera format. As television became popular, soap operas transitioned to utilize the new medium while continuing to both reflect and influence societal trends and norms through their stories and characters.
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Television has had a huge impact on American culture and society since the 1940s. It shaped how people think about important issues like race, gender, and class by exposing viewers to different perspectives through various TV shows. In the 1970s, TV programs began being rated by viewers, and more channels were introduced in the 1980s-1990s through cable TV. While TV can educate children about different views, excessive viewing can harm brain development, decrease physical activity, and impact social skills. Overall, television has greatly influenced American culture by manipulating how children's brains develop based on what they see on TV programs.
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The document discusses the evolution of television and film production in the digital era. It analyzes how some directors and writers migrated from cinema to television in the 1990s, allowing for more creative freedom. This led to innovative, high-quality TV series. Audiences also grew to expect extended storytelling across seasons. More recently, the internet has enabled even smaller, independent productions through platforms like YouTube. The document compares two such projects - the ambitious, crowdfunded transmedia project The Cosmonaut, and the Brazilian comedy series Porta dos Fundos. Both leverage audience interactivity and expansion across multiple platforms.
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Esd control-in-electronic-assembly
This document discusses electrostatic discharge (ESD) control in electronic assembly. It outlines how static charge is generated through contact and separation of dissimilar materials and the effects this can have, including physical damage, contamination, and automation issues. The key elements of an ESD control program are reviewed, including grounding conductors, eliminating insulators, and using ionizers to neutralize static charge on insulators and isolated conductors. Different types of ionizers are described, and maintenance of ionizers is discussed. The importance of ESD control is increasing as electronic devices become more sensitive.
ESD Basics By Transforming Technologies
Transforming Technologies is a leading provider of electrostatic discharge (ESD) protection solutions for the electronics industry. They offer over 10 years of experience and a wide range of ESD products including personal grounding equipment, ionizers, ESD apparel, and test and measurement devices. Proper ESD control is important to prevent costly damage to electronic components from static electricity, which can occur at voltages as low as 15-30 volts.
ESD PRESENTATION
The document discusses electrostatic discharge (ESD) and provides information on controlling ESD in electronics manufacturing environments. Some key points:
- ESD occurs when a charged object discharges to another object, which can damage electronic components. Static electricity builds up from friction and movement.
- ESD costs the electronics industry millions annually in damaged parts. Despite efforts, ESD still affects production yields and costs.
- Controlling ESD involves designing products to withstand ESD, reducing charge generation, grounding conductive materials to dissipate charges, and neutralizing charges that do occur.
Esd basics
Electrostatic discharge (ESD) occurs when two surfaces contact and separate, leaving one surface with a positive charge and the other with a negative charge. ESD can damage electronic components, even at voltages too low for humans to feel. Proper ESD control includes grounding conductors like people, equipment, and work surfaces; neutralizing insulators with ionizers; and shielding electrostatic sensitive items when outside protected areas. Following ESD safety procedures is important to prevent costly component damage.
Electro Static Discharge Basics
Electrostatic discharge (ESD) refers to the transfer of static electricity between two objects with different electrical potentials. ESD events are common and occur whenever two materials contact and separate, such as walking across a carpet. While people may feel an ESD event at 2000 volts, component damage can occur at voltages as low as 15-30 volts. Proper ESD control programs aim to prevent such damage and include employee training, establishing ESD protected areas, ensuring proper grounding of equipment and personnel, and using ionizers to neutralize static charges that cannot be grounded. ESD can cause both immediate failures as well as latent defects, resulting in significant costs to the electronics industry.
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Week 2 reality tv institutions
Reality TV has become extremely popular across many channels and time slots. In a single week in January 2011, 41 different reality TV titles were broadcast on freeview channels alone, with at least 12 airing daily. There are several reasons for the rise and popularity of reality TV genres with broadcasters. First, they are relatively inexpensive to produce compared to scripted programming. Additionally, reality shows can generate long-running series that fill substantial airtime and engage large audiences. This results in increased advertising revenue and opportunities to monetize the shows through product placement, spinoffs, and viewer participation like voting. Finally, some reality show formats provide social value by addressing important issues, which boosts the reputation of the broadcasters.
History of music TV
Reality television shows like The X Factor use various techniques to appear authentic and create a sense of intimacy between audiences and contestants, while still exercising control over the narrative. Producers shape contestant stories and personalities to increase drama and competition. Though audiences feel involved through voting, their role is still passive as they consume a pre-packaged product. The quest to find new music stars engages audiences but also raises questions about the authenticity of reality television genres.
Media and the public Sphere
This document discusses various aspects of media including television, music, and their impact on culture. It explores the history of television and how it has shaped popular culture through content, programming, advertising and industry funding models. Television transformed family life through the proliferation of TV sets in homes. Genres like reality TV emerged and television competes with other forms of media and education. The document also examines popular music like punk, reggae, and hip hop and how they relate to youth culture and social movements.
Part 4 media and the public sphere
This document provides an overview of media and its impact on culture and society. It discusses the history of television and how it has transformed over time, gaining power through its content, sets, distribution methods, and industry. Television content includes genres like reality TV and is targeted towards demographics. The document also covers popular music genres like punk, reggae, rap and dance music, examining their origins and tensions between being a commercial product versus a form of expression. Overall, the document analyzes how media has become a powerful force that shapes cultures globally.
Part 4 media and the public sphere
This document provides an overview of media and its impact on culture and society. It discusses the history of television and how it has transformed over time, gaining power through its content, sets, distribution methods, and industry. Television content includes genres like reality TV and is targeted towards demographic groups. The document also covers the history and genres of popular music like punk, reggae, rap, and dance music, and how they relate to both grassroots cultural movements and commercial industries. Television and media are analyzed in terms of their economic models, regulation, and effects on audiences and culture.
Fm4 spectatorship booklet
This document discusses issues and debates surrounding spectatorship in documentary films. It addresses how documentaries construct reality using codes and conventions, despite not being able to perfectly represent the complexity of real life. Some of the main challenges documentaries face in representing reality discussed are narrative structure, selection of subjects, interpretive frameworks, editing techniques, and the effects of film crews on what they record. The document also examines the various aims documentaries may have, such as to inform, educate, entertain, or document significant events, and how these aims can influence representation of reality.
Fm4 spectatorship booklet
This document discusses issues and debates surrounding spectatorship in documentary films. It addresses how documentaries construct reality using codes and conventions, despite not being able to perfectly represent the complexity of real life. Some of the main challenges documentaries face in representing reality discussed are narrative structure, selection of subjects, interpretive frameworks, editing techniques, and the effects of film crews on what they record. The document also examines the various aims documentaries may have, such as to inform, educate, entertain, or document significant events, and how these aims can influence their representations of reality.
Evaluation question 4 who would be the audience for your media
This document discusses the genre of social realism and targeting audiences for a media product in this genre. Social realism aims to depict everyday life realistically and address issues like relationships and substance abuse. The document examines different distribution platforms and their suitability for a social realism film, concluding that BBC 4 and specialized film magazines would be most appropriate given their focus on arts and educated audiences. Primary research found that social realism films dealing with relationships appealed most to young adults and older viewers.
Evaluation question 4 who would be the audience for your media
This document discusses the genre of social realism and targeting audiences for a media product in this genre. Social realism aims to depict everyday life realistically and address issues like relationships and substance abuse. The document examines different platforms and their suitability for exhibiting a social realism film, including streaming services, TV channels like BBC2 and BBC4, radio stations, and film magazines. BBC4 is identified as an ideal audience because it features arts programming for an educated audience, in line with the sophisticated themes of social realism. Primary research found that young adults and older people relate most to social realism films dealing with relationship issues.
Mass media: TELEVISION
Television was first invented in the 1920s by Scottish inventor John Logie Baird. It became a commercial success in the UK in the late 1920s and early 1930s when the BBC began regular television broadcasts. Baird also pioneered early experiments with color television in the 1930s and 1940s. In the US, the first dramatic television program aired in 1928 and commercial color television was introduced in the 1950s. Television has since grown to become a mass media platform that influences culture and current events while also providing entertainment, education, and a way for advertisers to reach large audiences. However, television can also have negative impacts if overused such as promoting laziness, negatively influencing young minds, and displacing other activities like studying
ASY1 C1SB Late Night Woman's Hour
Late Night Women's Hour is a spin-off of the popular BBC Radio 4 program Woman's Hour. It is produced by the BBC and distributed via radio broadcast, podcast, and streaming. The BBC's public purposes include providing impartial news and information, supporting learning, showcasing creative output, reflecting UK communities, and portraying UK culture internationally. Radio 4's remit is to provide intelligent speech programming that informs, educates, and entertains through news, current affairs, and other speech genres. Late Night Women's Hour was launched in 2014 when Woman's Hour was guest edited for a week by prominent women, and it features a panel discussion late at night hosted by Lauren Laverne.
I, Daniel Blake film Case Study
The document provides information about the film I, Daniel Blake including its production, distribution, marketing, genre, audience, narrative, and critical and commercial success. It was directed by Ken Loach, stars Dave Johns and Hailey Squires, and focuses on two characters affected by the UK benefits system. The film was marketed through grassroots screenings, social media campaigns, and press coverage of its themes. It was a critical success, winning the Palme d'Or at Cannes, and sparked political debate around welfare reform in the UK.
Soap Operas LM13 1937
In the late 1930s, the rise of consumerism led to more people having leisure time and the ability to purchase radios and other goods. Soap operas emerged on the radio to cater to the new predominant demographic of suburban housewives. Sponsored by soap manufacturers in exchange for advertising, soap operas grew in popularity and complexity, pioneering the modern soap opera format. As television became popular, soap operas transitioned to utilize the new medium while continuing to both reflect and influence societal trends and norms through their stories and characters.
Television Essay
Television has had a huge impact on American culture and society since the 1940s. It shaped how people think about important issues like race, gender, and class by exposing viewers to different perspectives through various TV shows. In the 1970s, TV programs began being rated by viewers, and more channels were introduced in the 1980s-1990s through cable TV. While TV can educate children about different views, excessive viewing can harm brain development, decrease physical activity, and impact social skills. Overall, television has greatly influenced American culture by manipulating how children's brains develop based on what they see on TV programs.
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Evaluation question 4 who would be the audience for your media
Evaluation question 4 who would be the audience for your media
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Animation proposal PRINGLES exemplar
The document proposes three animation ideas for a class project:
1. A Pringles advertisement where vegetables and spices circle the packet during stop motion animation. A real person would interact, pausing the animation. Sound effects and background music would play.
2. A TV show introduction where a character walks behind a green screen past animated seasonal backgrounds wearing matching clothes.
3. A backpack advertisement where objects slowly come in and out of the bag during pixilation. Different people wearing the bag would be shown.
The group decided on the Pringles idea set to Gangnam Style music. They will use stop motion and pixilation techniques, filming continuous images and importing them into editing software to match the
Question 2
The media product represents a female protagonist who is portrayed as weak, vulnerable, and stereotypically feminine. She is shown washing dishes in the kitchen, suggesting she is a housewife. Her pale makeup and baggy clothes are meant to emphasize her depressed and fragile state of mind. Flashbacks of her daughter in the park establish her role as a mother struggling with grief and guilt over what happened to her child. The settings and her dramatic reactions are intended to convey her social roles and the psychological distress she is experiencing.
Question 2: How does your media product represent particular social groups?
The media product represents a female protagonist who is portrayed as weak and vulnerable in accordance with common horror film tropes. She is shown in stereotypical feminine roles like doing dishes in the kitchen, suggesting she is a housewife. Her pale makeup and casual clothes are meant to emphasize her depressed state of mind. Flashbacks of some past event cause her to scream and breathe heavily, showing her as emotional. The setting of a wealthy home and her relationship to a daughter in the past through photos establish her as a middle-class mother dealing with grief and guilt.
Class act
Two characters, Elizabeth and Britney Anne, from different backgrounds meet on a crowded bus after school. Elizabeth's father cannot pick her up so she takes the bus. At the bus stop, the girls' social differences are visible, as Britney Anne smokes. They argue over the last open seat on the bus. That night, they go through similar routines at home in very different environments, as shown through split screens.
Madihah's Hall of fame presentation
The document analyzes a music video and discusses several elements:
- The narrative, lyrics, and camera movement are closely intertwined throughout the video.
- The theme running through the lyrics and narrative is represented, with the artist seemingly singing for those who have faced hardship.
- The camera movement and editing are synchronized with the music in an interesting way, with handheld shots merging the audience and action.
Powerpoint question 1
The document discusses how the student's media product uses and develops conventions of real thriller/horror genre films. It analyzes elements like character archetypes, typical plot events, narrative structure, credits, music, lighting, pacing and limited dialogue to build suspense. The opening sequence aims to grasp the tone and set up mystery in line with conventions seen in films like "Seven".
Question 2 How does the media product represent particular social groups?
The document discusses how two social groups, age and gender, were represented in a sequence. Young, vulnerable girls were dressed in school uniforms and bathrobes to show their vulnerability and gullible attitudes. A man was dressed as a workman in boots and dirty trousers, though he had no ID, representing that he was an illegal worker.
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Question 2: How does your media product represent particular social groups?
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Question 2 How does the media product represent particular social groups?
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