Question two representation
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The document discusses the representation of social groups, specifically working class men, within horror films. It defines the working class as people who perform low-wage, unskilled labor jobs. It describes representing the working class man in a horror film as more dominant by placing him on the left side of the frame and notes that male antagonists in horrors are often more aggressive. Additionally, the working class man is depicted as independent and not family-oriented by portraying him alone. The document also discusses stereotypical portrayals of antagonists in horror films as dirty, scruffy "hunters" dressed in dark, dingy clothing compared to protagonists.
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Character research
The document summarizes and analyzes the characters in the horror film "Annabelle". It discusses two main characters: Mia, the female victim who is stereotypically portrayed as blonde, mid-aged, wearing blue clothes and minimal makeup; and John Gordon, the male hero who is portrayed as having short hair, being mid-aged, and wearing normal work clothes. It notes that these character traits and portrayals align with common stereotypes seen in other horror films for victims and heroes.
Action adventure revision pt2
Here are some suggestions for famous action adventure film stars to research:
- Arnold Schwarzenegger
- Sylvester Stallone
- Bruce Willis
- Dwayne "The Rock" Johnson
- Tom Cruise
- Chris Hemsworth
- Angelina Jolie
- Scarlett Johansson
- Gal Gadot
- Keanu Reeves
When researching, consider analyzing the types of roles they typically play, box office performance of their films to gauge their importance to a film's success, and which star might be suitable for your hypothetical action adventure film concept based on intended audience and genre conventions.
Character research
The document discusses character archetypes in the horror film "Annabelle". It analyzes the female victim character Mia, noting her blonde hair, mid-age, blue clothing and minimal makeup align with stereotypes. It also examines the male hero character John Gordon, pointing out his short hair, mid-age and normal work clothes fit stereotypical representations of heroes in the horror genre. The purpose is to research these character types to inform the design of characters for a trailer in the style of a recent horror film.
Casting list for the film Diary Entries
The document provides a casting list and equipment list for an opening film sequence. Zaynah Aslam will play the main antagonist W, who must have certain physical characteristics to fit the psychological horror genre. Bilal Aslam will play the main victim J, who is manipulated by W. The equipment needed is minimal as filming will take place at Zaynah's house, including a video camera, costumes, tripod, iPad, makeup kit, and editing software.
Horror film conventions
This document discusses common codes and conventions found in horror films, including stereotypical character types, common settings, costumes, plot lines, props, and the important role of music in setting atmosphere and building suspense. It provides examples of iconic elements that have been frequently used in well-known horror movies.
Horror villains upload
Horror villains are designed to appear evil through various techniques. Makeup is often used to make them look dreary with dark colors, fake blood, and facial alterations. Costumes also help indicate a villain, like a hooded figure seeming threatening. Props contribute to the villainous appearance, such as scary contact lenses, knives, fake blood, and teeth for vampires. Lighting and setting play a role by placing villains in dark, gloomy locations instead of sunny beaches. Gender stereotypes have evolved from portraying men as strong leaders and women as vulnerable objects to showing both as capable of heroism or villainy.
Representations
This document discusses representations in spy thriller films and genres. It provides examples of common character types seen in spy thrillers, such as protagonists, antagonists, damsels in distress, criminals, and assassins. It also examines stereotypes associated with certain characters, such as protagonists and antagonists typically being portrayed by white male actors. Additionally, the document outlines Carol J. Clover's "Final Girl" theory regarding the lone female character confronting the villain in horror films.
Horror film conventions
This document discusses common codes and conventions used in horror films, including stereotypical character types, common settings, costume design choices, repeated plot lines, memorable props, and the important role of music in setting atmosphere and building suspense. Some examples provided are the vulnerable female victim, abandoned buildings as settings, the changing design of Pennywise's clown costume between films, the trope of finding disturbing footage, and iconic horror film props like the TV from Poltergeist.
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Character research
The document summarizes and analyzes the characters in the horror film "Annabelle". It discusses two main characters: Mia, the female victim who is stereotypically portrayed as blonde, mid-aged, wearing blue clothes and minimal makeup; and John Gordon, the male hero who is portrayed as having short hair, being mid-aged, and wearing normal work clothes. It notes that these character traits and portrayals align with common stereotypes seen in other horror films for victims and heroes.
Action adventure revision pt2
Here are some suggestions for famous action adventure film stars to research:
- Arnold Schwarzenegger
- Sylvester Stallone
- Bruce Willis
- Dwayne "The Rock" Johnson
- Tom Cruise
- Chris Hemsworth
- Angelina Jolie
- Scarlett Johansson
- Gal Gadot
- Keanu Reeves
When researching, consider analyzing the types of roles they typically play, box office performance of their films to gauge their importance to a film's success, and which star might be suitable for your hypothetical action adventure film concept based on intended audience and genre conventions.
Character research
The document discusses character archetypes in the horror film "Annabelle". It analyzes the female victim character Mia, noting her blonde hair, mid-age, blue clothing and minimal makeup align with stereotypes. It also examines the male hero character John Gordon, pointing out his short hair, mid-age and normal work clothes fit stereotypical representations of heroes in the horror genre. The purpose is to research these character types to inform the design of characters for a trailer in the style of a recent horror film.
Casting list for the film Diary Entries
The document provides a casting list and equipment list for an opening film sequence. Zaynah Aslam will play the main antagonist W, who must have certain physical characteristics to fit the psychological horror genre. Bilal Aslam will play the main victim J, who is manipulated by W. The equipment needed is minimal as filming will take place at Zaynah's house, including a video camera, costumes, tripod, iPad, makeup kit, and editing software.
Horror film conventions
This document discusses common codes and conventions found in horror films, including stereotypical character types, common settings, costumes, plot lines, props, and the important role of music in setting atmosphere and building suspense. It provides examples of iconic elements that have been frequently used in well-known horror movies.
Horror villains upload
Horror villains are designed to appear evil through various techniques. Makeup is often used to make them look dreary with dark colors, fake blood, and facial alterations. Costumes also help indicate a villain, like a hooded figure seeming threatening. Props contribute to the villainous appearance, such as scary contact lenses, knives, fake blood, and teeth for vampires. Lighting and setting play a role by placing villains in dark, gloomy locations instead of sunny beaches. Gender stereotypes have evolved from portraying men as strong leaders and women as vulnerable objects to showing both as capable of heroism or villainy.
Representations
This document discusses representations in spy thriller films and genres. It provides examples of common character types seen in spy thrillers, such as protagonists, antagonists, damsels in distress, criminals, and assassins. It also examines stereotypes associated with certain characters, such as protagonists and antagonists typically being portrayed by white male actors. Additionally, the document outlines Carol J. Clover's "Final Girl" theory regarding the lone female character confronting the villain in horror films.
Horror film conventions
This document discusses common codes and conventions used in horror films, including stereotypical character types, common settings, costume design choices, repeated plot lines, memorable props, and the important role of music in setting atmosphere and building suspense. Some examples provided are the vulnerable female victim, abandoned buildings as settings, the changing design of Pennywise's clown costume between films, the trope of finding disturbing footage, and iconic horror film props like the TV from Poltergeist.
Costumehairmakeup
The protagonists will wear casual, stylish clothing and have casual, normal hairstyles for teenagers. Their makeup will be subtle and not obvious or provocative. In contrast, the antagonist will wear old-fashioned, classy clothes and have an old-style, classy hairstyle to seem stuck in the past. Examples are provided of costumes, hairstyles, and makeup to inspire the designs for the protagonists and antagonist.
Propp's Character Theory
Vladimir Propp analyzed folk tales and identified 8 main character types that help move the narrative forward. These include the hero, villain, donor, dispatcher, false hero, helper, princess/prize, and her father. Propp argued we should view characters by their narrative function rather than as real people. The document then discusses how some of these character types, such as the hero, villain, donor, and helper, apply to the horror genre and film The Conjuring specifically.
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This document discusses various concepts related to meaning, theory, and symbolism. It provides definitions and examples of denotation and connotation for different words. It also analyzes images, trailers, and stereotypes, discussing the implied meanings and symbolism. Iconography for different genres is outlined. Narrative structures like linear and non-linear are defined and film examples are given. Finally, a clip is analyzed for its use of lighting, colors and silhouettes to imply meaning.
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The document discusses planning details for a horror/slasher film project, including considerations for hair, makeup, costumes, props, and locations. For the three girl characters, their appearance would start tidy but become dirtier and bloodier throughout as they are dragged and tortured. The male murderer would have short, greasy hair and wear a gas mask and dirty boiler suit to conceal his identity. A variety of weapons and tools are proposed as props. The story was designed around an accessible, derelict location found beforehand.
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Vladimir Propp studied Russian fairytales and identified that there are typically 8 main character types that appear: the dispatcher, the helper, the princess/prize, the villain, the father, the donor, the false hero, and the hero. When applying Propp's theory to a short video with only two characters, some of these roles can still map to the characters but not all are needed - the male character takes on the role of the hero who tries to help the female character overcome her depression represented as the villain.
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The document provides information about an upcoming exam on the action adventure genre, including the time allotted, tasks that will be covered, and conventions of the genre that students need to understand. It discusses common elements of action adventure films like settings, narratives, characters, and icons. Students are asked to analyze film posters and clips to identify action and adventure elements. They also discuss representation of masculinity and how the role of women, such as the "princess" character, has changed in the genre.
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There are few women in action adventure films and those that do appear are often seen wearing tight, revealing clothing to emphasize their sexuality. Additionally, these films sometimes portray women in stereotypical gender roles like cooking in the kitchen. In contrast, there are many more male roles in the genre due to its tradition of featuring muscular men with egos who get into fist fights while wearing clothes that highlight their physique.
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There are few women in action adventure films and those that do appear are often seen wearing tight, revealing clothing in a sensual manner. Additionally, these films sometimes portray sexist tropes, such as giving female protagonists hideouts in domestic areas like the kitchen while males have theirs in more adventurous locations. In contrast, there are many more male roles in the genre following a tradition where leading men often star in action films. These characters tend to be muscular and demonstrate tempers or egos, though there are exceptions.
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1) The document describes the character profiles for a student film project that aims to follow the codes and conventions of slasher films.
2) Five actors were cast to portray the typical slasher film character archetypes - the villain, final girl, promiscuous girl, jock, and benefactor teacher.
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Propp's character theory outlines seven character archetypes that commonly appear in folktales and fairy tales. The hero is a male protagonist who restores normality by defeating the villain and winning the love of the heroine. The villain causes disruption and threatens the heroine. The dispatcher sends the hero on a quest to restore order, often as a test for the heroine's father. The donor gives the hero a gift to aid the quest. The helper supports the hero. The heroine is typically passive and in need of rescue. The false hero deceives by appearing to help the hero.
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Costumehairmakeup
The protagonists will wear casual, stylish clothing and have casual, normal hairstyles for teenagers. Their makeup will be subtle and not obvious or provocative. In contrast, the antagonist will wear old-fashioned, classy clothes and have an old-style, classy hairstyle to seem stuck in the past. Examples are provided of costumes, hairstyles, and makeup to inspire the designs for the protagonists and antagonist.
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Vladimir Propp analyzed folk tales and identified 8 main character types that help move the narrative forward. These include the hero, villain, donor, dispatcher, false hero, helper, princess/prize, and her father. Propp argued we should view characters by their narrative function rather than as real people. The document then discusses how some of these character types, such as the hero, villain, donor, and helper, apply to the horror genre and film The Conjuring specifically.
GCSE Media Action Adventure Lesson 7 - Representation
Action adventure films have traditionally relied on stereotypical representations of gender and ethnicity. Men are typically portrayed as powerful heroes who women are attracted to, while women often play supporting roles as damsels in distress. Villains are commonly foreigners or people of color. However, more recent films have begun to feature stronger female leads and more diverse heroes of different ethnicities, helping to move away from some of these stereotypes.
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This document discusses various concepts related to meaning, theory, and symbolism. It provides definitions and examples of denotation and connotation for different words. It also analyzes images, trailers, and stereotypes, discussing the implied meanings and symbolism. Iconography for different genres is outlined. Narrative structures like linear and non-linear are defined and film examples are given. Finally, a clip is analyzed for its use of lighting, colors and silhouettes to imply meaning.
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The document discusses planning details for a horror/slasher film project, including considerations for hair, makeup, costumes, props, and locations. For the three girl characters, their appearance would start tidy but become dirtier and bloodier throughout as they are dragged and tortured. The male murderer would have short, greasy hair and wear a gas mask and dirty boiler suit to conceal his identity. A variety of weapons and tools are proposed as props. The story was designed around an accessible, derelict location found beforehand.
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Vladimir Propp studied Russian fairytales and identified that there are typically 8 main character types that appear: the dispatcher, the helper, the princess/prize, the villain, the father, the donor, the false hero, and the hero. When applying Propp's theory to a short video with only two characters, some of these roles can still map to the characters but not all are needed - the male character takes on the role of the hero who tries to help the female character overcome her depression represented as the villain.
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The document provides information about an upcoming exam on the action adventure genre, including the time allotted, tasks that will be covered, and conventions of the genre that students need to understand. It discusses common elements of action adventure films like settings, narratives, characters, and icons. Students are asked to analyze film posters and clips to identify action and adventure elements. They also discuss representation of masculinity and how the role of women, such as the "princess" character, has changed in the genre.
Mood board
There are few women in action adventure films and those that do appear are often seen wearing tight, revealing clothing to emphasize their sexuality. Additionally, these films sometimes portray women in stereotypical gender roles like cooking in the kitchen. In contrast, there are many more male roles in the genre due to its tradition of featuring muscular men with egos who get into fist fights while wearing clothes that highlight their physique.
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The accompanying PowerPoint presentation for my MPCA paper on fat actors and actresses in romantic comedies.
Mood board
There are few women in action adventure films and those that do appear are often seen wearing tight, revealing clothing in a sensual manner. Additionally, these films sometimes portray sexist tropes, such as giving female protagonists hideouts in domestic areas like the kitchen while males have theirs in more adventurous locations. In contrast, there are many more male roles in the genre following a tradition where leading men often star in action films. These characters tend to be muscular and demonstrate tempers or egos, though there are exceptions.
Character profiles
1) The document describes the character profiles for a student film project that aims to follow the codes and conventions of slasher films.
2) Five actors were cast to portray the typical slasher film character archetypes - the villain, final girl, promiscuous girl, jock, and benefactor teacher.
3) Brief descriptions are provided for each character and how the actors were chosen to fit the roles, with considerations for their appearances and abilities to portray the character traits.
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The document discusses common tropes and iconography found in horror films. It notes that some villains wear blood-soaked outfits to emphasize their evil nature, while others dress in everyday clothing to blend in. Female characters are sometimes portrayed stereotypically, and teen films often involve a promiscuous girl and friend group. Cinematography like low angles, tracking shots, and close-ups are used to build tension. Common plot devices involve religion, children, or being based on true events. Settings typically take place in isolated or abandoned areas like forests or old houses where unnatural things often occur. Characters usually consist of a group of friends who are killed off, a surviving hero, and an evil force that
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Propp's character theory outlines seven character archetypes that commonly appear in folktales and fairy tales. The hero is a male protagonist who restores normality by defeating the villain and winning the love of the heroine. The villain causes disruption and threatens the heroine. The dispatcher sends the hero on a quest to restore order, often as a test for the heroine's father. The donor gives the hero a gift to aid the quest. The helper supports the hero. The heroine is typically passive and in need of rescue. The false hero deceives by appearing to help the hero.
Costume, Hair and Makeup
The document discusses costumes, hair, and makeup for a crime genre film. It will take a modern approach focusing on street gangsters, drawing inspiration from rappers and the movie "4 Brothers". Most main characters will have their hair covered by hats to achieve authenticity and portray them as frequently wearing hats. A variety of hats like curved brim, flat cap, beanie, and snapback will be used to distinguish the characters and represent their personalities. Clothing will commonly include hoodies, jackets, and casual wear like t-shirts and bomber jackets to fit the street gangster theme.
Representation of men in action films
This document discusses the stereotypical representation of men in action movies from the 1970s to the 2000s. It focuses on how male heroes are typically portrayed as strong, powerful, sexually attractive, independent, and lone heroes. It analyzes how the representation of male action heroes has changed over the decades, from the 1970s portrayals in films like Dirty Harry and The French Connection, to the blockbuster films of the 1980s like Die Hard and Rambo, through to the varied portrayals in the 1990s and 2000s films like The Matrix, Gone in 60 Seconds, and The Dark Knight.
Vladimir Propp
Vladimir Propp analyzed over 100 folk and fairy tales and identified common character types and their narrative functions. He found that most tales included characters like the hero, villain, princess, dispatcher, donor, and helper. Propp's theory influenced filmmaking by providing a structure for successful narratives. The document then provides examples of how Propp's character types apply to the Harry Potter and the Chamber of Secrets film and the original story "Memories Collide".
Costume, hair, and makeup
The document discusses costumes, hair, and makeup for characters in an action movie. It plans to use modern, exclusive clothing to create high-class protagonists and antagonists, taking inspiration from films like "Men in Black" and "The Matrix." The protagonist will wear a black suit in the opening, while the antagonist wears red to signal their roles to audiences. The protagonist's hair will start scruffy but become gelled, while the antagonist's hair is unchanged to show he cares only about success, not appearance.
Actors
Niall Armstrong will play Charles, the main victim who has been tortured and held captive for multiple days. He will look weak, rough, and have a large build to make the antagonist seem more intimidating for capturing someone larger. Niall has experience in performing arts and a scruffy beard to portray a beaten character.
Bradley Smith will play the main antagonist, a serial killer businessman who enjoys watching his victims suffer. He has schizophrenia and switches between a sadistic and ordinary personality. Bradley has a smaller, stockier build and past acting experience that makes him suitable for the role. His face and voice are not obviously menacing, making it surprising that he tortures and murders people.
Abril, Angelinn Meryl V. (Types of Character in Literature)
This document discusses different types of characters in literature. It begins by defining four types of protagonists: the hero, anti-hero, tragic hero, and caricature. Examples and descriptions are provided for each. Six types of antagonists are also defined: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. The document then discusses six types of supporting characters: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it covers two types of character development - the flat character and round character. Examples are given throughout to illustrate each concept.
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The document discusses the representation of social groups, specifically working class men, within horror films. It defines the working class as people who perform low-wage, unskilled labor jobs. It describes representing the working class man in a horror film as more dominant by placing him on the left side of the frame and notes that male antagonists in horrors tend to be more aggressive. Additionally, the working class man is depicted as independent and not family-oriented. The document also notes that male characters in horrors are generally not portrayed as sexual objects in the way female characters are.
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The document discusses character archetypes in different thriller subgenres. In psychological thrillers, the main character is typically mentally unstable and searching for truth or identity. They are accompanied by a helper character who may have ulterior motives. A penny-dropper character holds knowledge that reveals secrets and resolutions. Crime thrillers feature powerful gangster bosses and their disposable underlings. Action thrillers center around a heroic, charming male lead and their beautiful female interest.
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This document discusses the conventions of various horror sub-genres, including slasher, possession, psychological, and gothic. For slashers, it outlines conventions like the male antagonist appearing tall and wearing a mask and dark clothing. Common weapons include axes and chainsaws. Settings involve isolated forests and lakes. The narrative follows teens facing a killer. The "final girl" survives using intelligence while the "sacrificial lamb" dies for being promiscuous. Possession films feature levitation and use of religious texts during exorcisms. Psychological horrors twist the protagonist's character. Gothic genres take place in run-down mansions and castles and feature pale characters like vampires and zombies. The document concludes by discussing
AS MEDIA - Q2
The document discusses how gender, age, and sexuality are represented in the media product. The main character follows stereotypes as the dominant male lead, while the female secretary is shot from above, lowering her status. However, she subverts expectations by not showing interest in the male. While initially stereotypical as strong, the male later runs away instead of facing danger. The older character is atypical as the villain rather than offering advice. He is able-bodied, subverting stereotypes of disability in old age. The male lead is a stereotypical straight, white, masculine man.
Question two
Katie Jackson and Michael Shelton are portrayed as stereotypical characters for the thriller genre through their use of stereotypes, costumes, makeup, and props. Katie, the female protagonist, is portrayed as vulnerable and weak through her blonde hair, minimal makeup, and use of a dog prop. Michael, the male antagonist, is portrayed as mysterious and strange through his use of a hat and dark clothing. Overall, the characters conform to stereotypes about gender roles expected in the thriller genre.
Question 2
Representation in media often follows stereotypes. In thrillers:
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- Female characters are usually portrayed as vulnerable and relying on men for help, rather than furthering the plot.
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The analyzed media portrayal challenges some conventions by showing an independent female character who escapes danger rather than being helpless, though the representation of the male assassin reinforces physical intimidation stereotypes. Overall the representations provide both positive
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This document outlines conventions of various horror sub-genres including slasher, possession, psychological, and gothic. It discusses common elements like the male antagonist in slasher films typically wearing dark clothing and wielding memorable weapons. Possession films often involve levitation and use of religious objects during exorcisms. Psychological horrors frequently employ plot twists and flashbacks. Gothic settings typically feature run-down mansions and castles with Victorian interiors lit by candles.
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This document outlines conventions of various horror sub-genres including slasher, possession, psychological, and gothic. It discusses typical elements like male antagonists in dark costumes who use memorable weapons in isolated settings (slasher), possessions stemming from household objects and using religious texts in exorcisms (possession), protagonists becoming increasingly twisted over time with narrative twists (psychological), and run-down mansions and castles with Victorian interiors as eerie settings along with pale antagonists (gothic).
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The document discusses the genre and codes/conventions of horror films. It analyzes the film "Psychosis" and categorizes it as a psychological horror and madness/paranoia film. It outlines typical elements of horror films like isolated settings, costumes/makeup to depict blood or possession, and weapons as props. Codes and conventions covered include shots, angles, characters, and sound effects used to build suspense and tension.
Evaluation 2
This document discusses representations of characters in thrillers and how they relate to social groups. It analyzes the protagonist, antagonist, and victim characters in terms of gender, age, class, race, and sexuality stereotypes. The victim character in the thriller is discussed as a young, attractive black woman who challenges stereotypes of female sexuality and race. The antagonist is left intentionally vague but dressed in stereotypical dark clothing for psychotic male characters. Representations are seen as beneficial for audiences to understand stereotypes but also have room for challenging expectations.
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This document discusses how the media product represents different social groups. It represents the upper/middle classes through the protagonist's speech and intelligence. It aims to appeal to all classes by keeping the protagonist's wardrobe simple. While the protagonist is white, the product does not focus on any particular race and challenges stereotypes by having white European villains rather than stereotypical villains. It reinforces the stereotype that young people are stronger by having the 20-year-old protagonist outsmart and defeat older villains. The product confirms stereotypes that men are stronger by not including any female criminals or henchmen, giving it a masculine feel. It portrays the protagonist and heterosexuality in a traditional way.
Question 2
The document discusses how various social groups are represented in the filmmaker's media product. Male roles are typically portrayed as either heroes or villains, with the villain in this case portrayed as physically strong but emotionally detached to justify his crimes. The two female leads are presented as weaker and in need of rescue. All characters are young white British individuals to fit thriller film conventions. Ages are also used to stereotypical ends, with teenagers depicted as mischievous and the older villain as stronger.
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This document analyzes how the media product represents various social groups through its characters. The protagonist's representation is somewhat stereotypical while the antagonist challenges conventions by being a young female of color rather than an old white male. Both main characters are female teenagers, challenging stereotypes of heroes and villains. The protagonist has fair skin and blue eyes like typical heroes but is tall with brown hair. The antagonist wears dark makeup in contrast to expectations of attractive female leads. Together they promote messages of female strength and independence.
Question 2
The document discusses how various social groups are represented in the filmmaker's media product. Male roles are portrayed as either heroes or villains, with the villain in this case representing stereotypes like physical strength and lack of emotion. The two female protagonists are portrayed as weaker and in need of rescue, adhering to common thriller tropes. All characters are white to follow conventions of the thriller genre, though including more diversity could have portrayed modern society. The young adult target audience is reflected in the main characters' same age group to facilitate identification and relation.
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This document discusses how the characters in the author's film represent teenagers and gender. For the teenage characters, Jake fits some stereotypes as a typical nervous protagonist but is represented as a victim rather than hero. Lizzie counters stereotypes as her behavior and clothing resemble "creepy girls" in horror films. Regarding gender, the film countertypes the norm by portraying the female character Lizzie as dominant and the male character Jake as vulnerable.
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The document discusses how different social groups are commonly represented in slasher films. It notes that teenagers, especially girls, often feature prominently. There are usually stereotypical characters like a dominant male who dies first, a "loved up" couple, and a weak female survivor. Male characters are generally portrayed as more confident but also ignorant. Social roles are established through techniques like camera work, sound, editing, and costume to convey traits like vulnerability, weakness, and dominance. The document concludes by outlining how two naive teenage boys will be portrayed in a project, with one overconfident boy leading to danger and his friend adopting the survivor role despite usually being female.
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In the document, it discusses stereotypes related to gender, age, race, and ethnicity that are commonly portrayed in thriller films. It then provides examples of how the student film "The Witness" addressed and avoided some of these stereotypes. Specifically, it notes that "The Witness" included both male and female protagonists and detectives, used actors of various ethnicities in major roles, cast the youngest looking actor as the victim but oldest looking as the villain, and generally tried to avoid typical stereotypes found in many thriller films.
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The document discusses how various social groups are represented in thriller films. It notes that females are often portrayed as damsels in distress requiring male rescue, though some films subvert this by showing powerful female survivors. It analyzes the portrayal of gender in the described film opening. It also discusses how thrillers often depict males as both protagonists and antagonists. Ethnic minorities are frequently represented as threats or criminals. Disabilities are sometimes used to increase victim vulnerability in thrillers. The film opening in the document does not include physical disabilities so as not to challenge thriller conventions.
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The document discusses representations of social groups in a media product. It states that young women are represented as weak and fearful characters in order to emphasize the power and control of male characters. Shots are framed with female characters lower than males to portray them as less significant. It also notes that blonde hair and blue eyes are used as stereotypical traits for vulnerable female victims in horror films. The male killer is portrayed as strong, powerful, mysterious and emotionless through shots looking down on female victims and his unaffected demeanor during attacks.
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Question two representation
- 1. Question two: How did you represent social groups?
- 2. Men Working class Within horror films Youth
- 3. How would you define them? Definition of working class: People who work for low wages including unskilled labourers. Often wearing hard steel capped boots and a hard hat.
- 4. I have represented the working class man as more dominant by placing him on the left of the frame.In horrors if a man is the monstrous character he is often more aggressive. An example of this is the ‘final girl’ in Eden Lake is eventually defeated by two male, working class antagonists. They are also represented as being independent and not much of a family man by him being on his own. Men, especially in horrors are seen as much less of a sexual object than women. This is shown by the way my antagonist is covered up in scruffy clothes and has not been made to look attractive.
- 5. The darker, scruffier hair takes the character away from the stereotypical ‘blonde hair blue eyed’ protagonist. Antagonists in horrors are often portrayed as the ‘hunter’, which makes them dirty and impure, connoted by the way my character is dressed in dark, dingy clothing. However in comparison, the scene whereby my antagonist is seen running panicked, shows that the gender that is usually the ‘hero’ type is scared, which disrupts normality. Helping to fit my character into the genre without taking away the stereotypes that I was trying to represent.
- 6. The darker, scruffier hair takes the character away from the stereotypical ‘blonde hair blue eyed’ protagonist. Antagonists in horrors are often portrayed as the ‘hunter’, which makes them dirty and impure, connoted by the way my character is dressed in dark, dingy clothing. However in comparison, the scene whereby my antagonist is seen running panicked, shows that the gender that is usually the ‘hero’ type is scared, which disrupts normality. Helping to fit my character into the genre without taking away the stereotypes that I was trying to represent.