Horror villains upload
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Horror villains are designed to appear evil through various techniques. Makeup is often used to make them look dreary with dark colors, fake blood, and facial alterations. Costumes also help indicate a villain, like a hooded figure seeming threatening. Props contribute to the villainous appearance, such as scary contact lenses, knives, fake blood, and teeth for vampires. Lighting and setting play a role by placing villains in dark, gloomy locations instead of sunny beaches. Gender stereotypes have evolved from portraying men as strong leaders and women as vulnerable objects to showing both as capable of heroism or villainy.
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There are three main types of film posters: teaser posters, main posters, and character posters. Teaser posters contain basic information like the stars and release date to intrigue audiences without revealing much about the plot. Main posters provide more details about the production, stars, and distributors. Character posters focus on highlighting one or more of the main actors, especially if they are a major selling point. Consistency across different marketing materials like posters and trailers is important for building familiarity and recognition with audiences.
Film poster presentation
The movie poster depicts a man facing the camera with a look of fear in his eyes, suggesting something is terrifying him. There is a contrast between the clarity of the man's face and the blurred distortion of a woman's face behind him. Dull colors and fogginess create a tense, mysterious atmosphere that reflects the intended scary and eerie mood of the supernatural film. The poster uses the actress's name and a cryptic tagline to promote and generate interest in the ghost-related story.
What are the conventions of the superhero genre
Superheroes typically have superpowers that they use to fight crime and protect people from supervillains like the Joker for Batman. They usually have a secret identity with a costume and name to prevent their friends and family from being targeted. Common conventions include having extraordinary abilities and technology, being reluctant to kill, having a hidden base, and gaining their powers from a tragic past event or accident. They also typically have weaknesses like Kryptonite for Superman.
Muslim Cinema
Muslim Cinema is the third presentation in the series about Muslims and Film. It covers the history and state of Cinema in Turkey, Egypt, Iran, Pakistan, and Sub-Saharan Africa as well as those films made by or about Muslims in other countries.
Mise en-scene presentation
The document discusses the key elements of mise-en-scene - a French term meaning "what is put into the scene" - that filmmakers can use to influence the audience and provide context. It describes the five main elements of mise-en-scene as setting and props, costuming/makeup, facial expressions and body language, lighting and color, and cinematography including camera shots and angles. The document provides examples of how these elements can be analyzed and what inferences can be made about characters and the narrative from them.
Introduction to Superhero Movies
Here are some key features of Superhero movies:
- They feature protagonists with extraordinary abilities (super-strength, flight, etc.) or advanced technology who use their powers to fight crime and protect humanity.
- There is typically a conflict between the Superhero and a villain who also has superhuman abilities and uses them for their own gain or to cause harm.
- Action, special effects, and big budget spectacle are important elements as the heroes battle the villains.
- Origin stories are often told to explain how the heroes acquired their powers and what motivates them to become champions for justice.
- Well-known conventions include secret identities, romantic subplots, battles in metropolitan cities, and the heroes
Generic Conventions of a Film Poster
A slideshow to show the generic conventions of a film poster and also go into detail about the generic conventions of a horror film poster.
Film posters power point
The document discusses key questions to consider when analyzing film posters, including the main colors, symbols, figures, intended audience, and persuasive techniques used. It also covers different types of posters like teaser and main posters. When analyzing a specific poster, one should look at clues about the narrative, genre, characters, written text like taglines, and how colors and layout are used to provide meaning and attract the intended audience.
Conventions of a film poster
The document outlines several conventions of film posters, including: displaying an eye-catching focal image that draws the audience in; featuring the title in a large, attention-grabbing font; clearly defining the genre; attracting the largest possible audience; indicating the release date; and including information about directors and production companies.
Codes and conventions of film posters
This document analyzes film poster conventions such as written language, typography, photographs, lighting, camera angles, and color schemes. It provides examples of how each convention is used symbolically in different posters to convey information about the genre and themes of the films being advertised. Key details like character icons, quotes, actor names, and lighting/photographic choices are deliberately selected to entice audiences and communicate what the films are about.
Superhero Revision - Codes and Conventions
This document provides revision materials for an exam on superhero films. It includes sample exam questions, terms for analysing film techniques, and conventions of the superhero genre. Question 1 asks students to analyse editing in a film clip, how it conveys emotion. Question 2 asks students to identify a convention in a clip and relate it to another superhero film. The document provides examples and defines common conventions like settings, character archetypes, and narratives involving good vs evil.
Analsysing film posters
The document provides guidance on analyzing film posters and trailers. It includes questions to consider like the use of color, symbols, images, target audience and genre. It discusses how posters are designed to promote films through techniques that attract attention and promise pleasures. Production details and effectiveness of the poster should also be evaluated.
Codes and conventions
The document discusses the codes and conventions (C&C) of superhero films. It defines C&C as the detailed rules and expectations of the genre. It then lists some common C&C elements: settings are often American cities where crime occurs; themes involve public issues affecting everyone and private issues affecting main characters; characters usually include a heroic protagonist, villain, damsel/victim, and general public; props involve significant recognizable items central to the plot; narratives follow a basic good vs evil structure and often start with the hero's origin story; and style builds a specific look and feel to link to source comics or franchise.
Codes and conventions of drama
This document outlines some typical codes and conventions of teen drama films, including:
- Dull lighting and close-ups are commonly used in mise-en-scene.
- Props like alcohol, drugs, guns and knives are frequently featured.
- Main characters usually focus on a central troubled teen, their love interest, and an antagonist.
- Gritty settings like council estates, flats, and schools are portrayed.
- Costumes show worn, torn clothing.
- Examples of influential teen dramas are listed, along with typical actors in the genre.
- Trailers often narrate a disrupted equilibrium that the main character must resolve.
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Killer in horror
The document discusses common conventions and representations in horror films. It outlines several character archetypes including the female victim, non-believer, hero/protagonist, hysterical character, villain/antagonist, and false hero. It also describes common elements of setting, costume, makeup, props, and lighting used to portray villains. Additionally, it notes historical gender stereotypes in horror and how more recent films have challenged traditional conventions.
Costume
The document discusses costume and props in films and how they relate to different genres. It compares the genres of horror and sci-fi. In horror films, villains typically wear dark, concealing costumes in black, grey or red to connote danger and mystery. Props like masks are also used to hide identities. In sci-fi films, hero costumes are often smart suits and ties to portray professionals, while villains may be aliens dressed differently through special effects to contrast with heroes. The document examines examples from films like Scream and Men in Black.
Mise-En-Scene
- Settings in horror movie trailers typically feature large, old, isolated houses that enable paranormal activity and leave characters vulnerable.
- Common props include mysterious objects like dolls or books, as well as computers and technology that enable psychological horrors and online stalking.
- Costumes often have a vintage appearance to seem eerie, or feature rips and blood to indicate danger and violence. Dark colors suggest sinister characters while light ones imply innocence.
- Lighting is usually very dark to heighten fear of the unknown and unseen threats, only briefly illuminating characters' terrified facial expressions.
- Body language and facial expressions conventionally show characters as tortured, shocked, desperate, and alarmed to attract audiences with the sc
Evaluation of horror trailer
The document provides an in-depth analysis of a horror film trailer. It summarizes the ways the trailer uses conventions of the horror genre and real media products. It discusses the shots, editing techniques, sound, characters, and themes used to conform to genre expectations. The analysis also applies several film theories to further explain the techniques used, including establishing equilibrium, building tension through disequilibrium, and leaving the audience with unanswered questions through an "enigma code." Overall, the document demonstrates how the trailer effectively utilizes common horror conventions and film theories to immerse and unsettle the audience.
Evaluation of horror trailer
The document provides an in-depth analysis of how a student media group's horror film trailer effectively uses conventions of the genre and filmmaking techniques to immerse and engage the audience. It begins with establishing shots that set the scene and introduces characters. Techniques like jump cuts, lighting, camera angles, and sound design are used to build tension, mystery, and a sense that something is wrong. The trailer challenges expectations by subverting some gender conventions while emphasizing the villain's strength and mental illness. Overall, the analysis demonstrates how the trailer draws in viewers through the strategic use of formal elements and established horror conventions.
Evaluation question one
The document discusses how the film challenges conventions of the horror genre. It does not follow the "final girl" trope to make the story less predictable. Females are still included in the friend group to add variety. Research was conducted on the conventions of horror films, including settings, lighting, camera shots, narratives, costumes, and sound design. The film aims to be psychologically terrifying by questioning if the antagonist is human or supernatural. It incorporates elements of slasher films but seeks to avoid stereotypical characters.
Question 1
The document discusses similarities and differences between the filmmakers' horror sequence and other films in the genre. It notes that the opening sequence uses POV camera angles similarly to The Blair Witch Project to create realism and fear. The sequence also takes place in the woods, uses a dark filter, and features a villain whose face is obscured - all conventions seen in The Blair Witch Project and Alien. However, the film focuses more on gender stereotypes than religious themes seen in The Exorcist. It keeps to conventions like isolated settings and the early death of innocent characters, but avoids including a promiscuous character or weapons typically seen in horror films to create a more realistic and gritty sequence.
Horror genre conventions
AS level media coursework. This explains the types of mise en scene, sound, cinematography, editing and narrative in horror films. As well as some information on the sub-genres of horror.
Thriller evaluation
Our thriller's title is "Skate" which appeals more to our target audience of 15-20 year olds than our original title. The film uses conventions like revenge and mystery as themes. It also challenges conventions by having a female character hit a boy with a car. Flashbacks are used to imply there is a reason for the girl's behavior and create mystery around the memory stick. The cliffhanger ending leaves the audience wondering who the driver is.
Evaluation question 3: How does your media product represent particular socia...
Evaluation question 3: How does your media product represent particular socia...charlottefensomchenderit
The document discusses how the media product Tracks of Damnation represents social groups through its use of character stereotypes and archetypes. The antagonist is portrayed as wearing all black clothing and wielding an axe, supporting villain stereotypes. The secondary character Ton wears typical teenage clothing like a hoodie and baseball cap. Locations like the garage and woodland area are used because they fit horror film conventions. Props like fake blood are included to make the axe killing seem realistic without being too graphic. The film aims to incorporate archetypes but also subvert some expectations to intrigue audiences.An Analysis of Edward Scissorshands’ Title Sequence
The document provides an in-depth analysis of the title sequence of the film Edward Scissorhands. It summarizes that the sequence uses shots of snow, a soft classical song, and gloomy locations to set a fantastical yet darker tone for the younger audience. It also reveals clues about Edward's character through symbolic shots, like showing him as a creation from a mechanical experiment who was left unfinished after the inventor's death. The analysis of the title sequence aims to understand how it introduces the film's narrative and represents the characters.
Conventions11
The document discusses several conventions of horror films including:
- Costumes and makeup that make characters seem paranormal or conceal their identity.
- Isolated and dark locations that leave characters vulnerable with few options for help.
- Camera techniques like point-of-view shots and handheld cameras that make the audience feel closer to the action and create an unsettling experience.
- Common themes of religion, ideology, and gender roles with female victims and supernatural or cult storylines that play on fears.
- Narrative structures like Propp's hero/villain theory and nonlinear plots that leave the resolution uncertain.
Key conventions
The document discusses several key elements that are commonly found in horror films, including settings, narrative structures, character archetypes, and technical elements. Typical horror film settings include run-down houses, ghost towns, and dark alleyways. The narratives often feature heroic protagonists trying to stop threats and leave room for sequels. Character types include final girls, sex appeal victims, irritating characters, and unlikely heroes. Technical elements that build suspense include camera angles, sound design, editing, and lighting. Common themes in horror include good vs evil, the supernatural, madness, and revenge.
Mise en- scene Analysis
Props like old cameras, photos, and boxes are commonly used in horror films to connect past events to the present and create ominous foreshadowing. Costumes are typically everyday outfits to make victims seem relatable, while antagonists have disturbing makeup to appear inhuman. Low lighting is favored to generate tension, with characters using flashlights or in night vision to see threats lurking in the shadows. Common settings include isolated houses and underground areas to trap characters and fuel the unknown. Dramatic facial expressions and body language show characters experiencing visible terror, making audiences feel uneasy and invested in their safety.
Fmp research
The document analyzes audience demographics for horror movies based on data from the British Film Institute (BFI). It finds that the target age group for horror is 15-24, as this group prefers more mature genres like horror. It also finds that horror audiences are split evenly between males and females, though males prefer action elements more. Additionally, the lower middle class demographic (C1) is most relevant for horror overall.
Costume ideas
The document provides details on costume ideas for characters in a horror film trailer, including a demon, ghost, and two little girls. For the demon, long hollow tubes will be worn on the arms to make them appear inhumanly long, and gloves with knives taped on will be at the ends to look like sharp claws. Inspiration comes from Freddy Krueger's nails. The ghost will wear old, bloodstained formal clothing and have a sack over its face with rope at the neck. One protagonist will dress plainly in a shirt and jeans while the other, a young woman, will dress more quirkily.
Horror genre research
The document discusses elements of horror genre films. It begins by stating that the film genre is psychological horror. It then provides examples of shots and angles commonly used in horror films to create tension, including close-ups, tracking shots, and point-of-view shots. Typical horror film characters are described, such as the final girl, the non-believer who is often the first killed, and the evil antagonist. Elements of mise-en-scene that contribute to the horror genre are also outlined, such as haunted house settings, mask props, and costumes indicating otherworldly characters.
Research into location and mise-en-scene in a thriller films
The document discusses key elements of mise-en-scene that are commonly used in thriller films to create tension and suspense. It describes how costumes are used to distinguish protagonists from villains, with protagonists wearing lighter, natural clothing to appear innocent while villains wear darker colors. It also discusses how lighting, location, props like knives and guns, and character positioning can be manipulated to unsettle audiences and highlight power dynamics between characters.
Research into location and mise-en-scene
The document discusses how location and mise-en-scene contribute to creating tension and suspense in thriller films. Regarding location, isolated and abandoned places like warehouses, haunted houses, graveyards, and forests are commonly used as they place characters in a vulnerable position. Costumes also play a role, with protagonists typically wearing lighter, normal clothes to seem relatable, while villains wear darker colors. Props like guns and knives are incorporated to highlight conflict and danger, instilling fear in the audience through their ability to end life.
Horror film key conventions
The document discusses several key elements that are commonly used in horror and thriller films to set the atmosphere and engage audiences, including iconic settings, character archetypes, visual styles, audio techniques, and common themes. Settings such as run-down houses or isolated places help set the mood, while character tropes include protagonists, victims, and antagonists. Elements like dark colors, lighting, weapons and masks are frequently used for visuals, and diegetic and non-diegetic sounds build suspense. Common themes revolve around good vs. evil, the supernatural, madness, and revenge.
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Evaluation question 3: How does your media product represent particular socia...
Evaluation question 3: How does your media product represent particular socia...
An Analysis of Edward Scissorshands’ Title Sequence
An Analysis of Edward Scissorshands’ Title Sequence
Research into location and mise-en-scene in a thriller films
Research into location and mise-en-scene in a thriller films
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WotH typeface experiments
The document discusses experiments with different typefaces and font styles for titles and text in a game. It evaluates different designs for main titles, selection screens, and secondary titles based on how well the fonts convey vibes, emphasize certain words, draw the eye, and fill space on the screen. The author decides thicker fonts for main titles and a bold font with extra spacing works best for selection screens. A design with smaller "of the" text and capitalized "horizon" is chosen for the secondary title to emphasize those words while adding color to the "new game" option makes the title screen feel more like a game.
Typography
The document describes experiments with designing a game title called "Waters of the Horizon" where different text effects were tried. The first experiment involved increasing the size of "Waters" and placing the remaining text below it. Later, the opacity of the text was decreased to blend it with the ocean background. Different colors were also tested for "Horizon" before duplicating the layer and adding a blur effect, which was liked. Additional glow effects were then applied to "Horizon" by adjusting settings to subtly make the text stand out without being overextended.
Colour experiments
I experimented with color correction effects in After Effects like Tint, Curves, and Color Balance to modify layers and create the illusion of changing time of day and weather for a composition. Applying these effects to top and bottom layers allowed editing of color levels for each respectively. My favorite result emitted a dark tone and I plan to use it for further experimentation in a game title sequence.
Attracting the Target Audience
The document provides information about the rating and content of a film, noting that it has received a 15 certificate due to some violent imagery and strong language. It also summarizes interviews conducted with 3 people about the film, finding that the effects attracted the target teenage and young adult audience. Finally, it states that the filmmaker has put the movie on YouTube to get feedback and raise awareness, and viewers can check the comments below for feedback.
Evaluation technology compressed
The document describes the technologies and software the author learned to use while constructing a film project. They learned how to operate a digital camera, transfer footage to a computer, edit using Adobe Premiere Pro and After Effects, author DVD menus in Encore, find free audio online, upload videos and presentations, and create a blog to share their work. Overall, the author found the practical experience taught them about many technologies and resources for filmmaking that were previously unknown to them.
Evalution - challenging forms and conventions compressed
The document analyzes the conventions used in horror films and how the author's short film "The Birth of a Nightmare" both challenges and adheres to these conventions. It discusses the film's use of camera shots, lighting, sound, visual effects, props and setting to create tension while also presenting some unique elements not commonly seen in horror openings. Overall, the author believes the film challenges conventions through its storyline, shots and effects but is still similar to horror films in its limited lighting, sense of character vulnerability and isolated setting.
Evalution challenging forms and conventions compressed
The document discusses how the film "The Birth of a Nightmare" challenges horror conventions while also adhering to some conventions. It does so through its unique storyline and location, lack of typical props, and creative camera shots and visual effects. Overall the film aims to create an unsettling atmosphere and leave the audience with questions through an original approach, rather than relying on common horror tropes of violence and makeup. While the lighting, set location, and character vulnerability are similar to other horror films, the film challenges conventions through its early introduction of plot twists and visual effects.
Props & costume
The document discusses the sole prop used in a film - a clock. The clock establishes the time as 12:03 at night, contrasting with the film's title "A Birth of a Nightmare". The clock allows the audience to understand the time of day and will be the first thing seen in the film from the main character Ryan's point of view. Only one prop, the clock, is used to create an empty atmosphere showing the main character is alone.
Shotlist
This shot list summarizes 14 shots across 3 scenes. Scene 1 establishes Ryan's surroundings and that he may be being watched. Scene 2 shows Ryan looking in a mirror with bugs crawling on his face, again implying he is being watched. Scene 3 shows Ryan fainting and waking up with a warped face, intended to scare the audience. The shots utilize a variety of angles, effects, and editing to build an unsettling atmosphere and leave the audience with unanswered questions about Ryan and what is happening to him.
Location shoot
Our chosen location was a flat in Kingswood that consisted of a living room, bedroom, kitchen and bathroom and provided decent lighting. The flat felt fitting for our storyboard and held potential for different shot types to create a horror atmosphere.
Questionnaire upload
The document summarizes responses from a questionnaire given to 20 participants about their preferences for horror films. Most respondents indicated they enjoy horror films. They expect to see 2-4 main characters introduced in the first two minutes and titles lasting around 30 seconds. Both male and female respondents anticipated violence and deaths in horror films. Location preferences included mansions, forests, and isolated towns to set an atmospheric tone.
Questionnaire upload
The document contains responses from various individuals to questions about their preferences for horror films. Most respondents indicated they enjoy suspense, shocks or jumps in horror films. Many preferred psychological horrors over violent horrors. Common favorite settings included abandoned buildings, forests, and mansions. Most thought 2-5 main characters should be introduced in the first two minutes and titles sequences should last 20-60 seconds.
Horror actors
The document discusses 5 famous actors known for their work in horror films. Robert Englund is famous for A Nightmare on Elm Street and Freddy's Nightmares. Leigh Whannell is known for Saw and other films. Jack Nicholson is remembered for The Shining, Wolf, and Batman. Sarah Michelle Gellar starred in The Grudge films and Scream 2. Milla Jovovich is known for Resident Evil and won awards for her horror roles.
Questionnaire upload
This document summarizes interviews with 5 people about their preferences for horror films. Most said they enjoy horror films and expect elements like suspense, mystery, shocks and a dark atmosphere. All watch R-rated films. Their preferred locations included mansions, villages, forests and cities. Opinions varied on whether they prefer psychological or violent horrors and how many main characters should be introduced early.
Inital ideas
We considered making a romance film but felt we lacked the actors and ability to portray romance well. We also felt a comedy would be difficult due to our limited skills and lack of actors. Instead, we decided a film set in a house would be simpler to produce with the resources we have.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
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The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
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