Question 4
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The document discusses the target audience for a media product. It suggests that the film would receive a 15 rating from the British Board of Film Classification due to intense scenes and language. It also provides a link to the BBFC website on film ratings. The ideal audience is described as someone like Chris Daniels - a 21-year-old London student who enjoys action films like Mission Impossible.
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Question 5 evaluation media
The document discusses the target audience for a post-apocalyptic film opening. The audience would be males ages 18-44 based on research of similar films rated 15+ that attracted mostly males under 18 but were watched by males 18-29. The film opening would appeal to this audience through its serious narrative, slow pace, and two male protagonists for viewers to relate to. A British independent film company is producing it, so it would likely be shown in independent cinemas to a British audience.
Q4 evaluation
The document discusses the potential audience for a media product. It analyzes that the film would likely receive a 15 certificate from the BBFC based on similar films. Two potential audience members are described: Jerome, a 16-year-old who enjoys football, rap/hip-hop music, and films like Kidulthood; and Paige, an 18-year-old who watches shows like Skins and listens to rap/hip-hop, and likes films like Shank. The document also analyzes the film according to Maslow's hierarchy of needs, noting it does not fulfill physiological needs but provides meaningfulness and hope at a self-actualization level.
Production plan
This document outlines a production plan for a rock music magazine. It discusses choosing a model dressed in stereotypical rock attire for the front cover to indicate the genre. It lists several cover lines and sections for the regular and featured contents, including articles on new artists, reviews, interviews and more. Images for the contents page will feature artists interviewed in double page spreads, such as a planned interview discussing a band's inspiration, goals and recommendations.
Pitch
Dawn and Billy have chosen to create a music video for the song "Just One Yesterday" by Fall Out Boy. They chose this pop punk song because they both like the genre and band. Their video will take inspiration from Bastille's "Pompeii" video in its themes of escape and apocalypse. Their fictional band is called Royal Outcast and has a style similar to bands like Panic! At The Disco and My Chemical Romance. Their target audience is teens and young adults who like alternative music. Their potential video idea follows a man surviving alone in a post-apocalyptic world who later finds a group including a woman he knew.
BBFC
The British Board of Film Classification (BBFC) is a non-governmental organization that was established in 1912 to classify and censor films shown in the UK. The BBFC uses rating symbols like U, PG, 12A, 15, and 18 to provide guidance on the age appropriateness of films' content. Case studies describe how the BBFC classified specific films like Jurassic Park, Fight Club, and the first film rated 12A, Batman. The rating system and case studies demonstrate how the BBFC evaluates films' content and themes to determine the appropriate age rating.
Question7
We decided to create a film noir media product. We researched various aspects of film noir including genre conventions, history, initial ideas, institutions, audience, title sequences, pitches, call sheets, and storyboards. Specifically, we analyzed the opening title sequence of "Sin City" and watched classic films noirs like "The Big Combo" and "Kiss Kiss Bang Bang" to better understand genre conventions and institutions. We found the target audience for film noirs includes art fans and aspiring filmmakers who appreciate the artistic style and cinematography. This research helped provide background and inspiration to create our own film noir media product.
Punk rock audience profile (word)
The document discusses various styles and accessories commonly associated with punk rock fans, including:
1) Vans shoes, especially checkered ones, are very popular in the punk rock scene.
2) Brightly colored jeans like red ones help punk rock fans stand out from the crowd and show their support for the genre.
3) Studded bracelets, stripy gloves, and band t-shirts and hoodies worn frequently demonstrate a fan's interest in and support of punk rock bands and music.
4) Punk rock fans often have distinctive hairstyles like mohawks and dye their hair bright colors further signaling their affiliation with the punk subculture.
Question 4
This document outlines the target audience for a media product. It aims the product at 15-35 year old males living in urban areas of the UK, primarily white people from a range of socioeconomic backgrounds. The target audience was identified through audience research, but the document notes that broader focus groups including more ages and genders could have provided a more effective audience profile.
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Question 5 evaluation media
The document discusses the target audience for a post-apocalyptic film opening. The audience would be males ages 18-44 based on research of similar films rated 15+ that attracted mostly males under 18 but were watched by males 18-29. The film opening would appeal to this audience through its serious narrative, slow pace, and two male protagonists for viewers to relate to. A British independent film company is producing it, so it would likely be shown in independent cinemas to a British audience.
Q4 evaluation
The document discusses the potential audience for a media product. It analyzes that the film would likely receive a 15 certificate from the BBFC based on similar films. Two potential audience members are described: Jerome, a 16-year-old who enjoys football, rap/hip-hop music, and films like Kidulthood; and Paige, an 18-year-old who watches shows like Skins and listens to rap/hip-hop, and likes films like Shank. The document also analyzes the film according to Maslow's hierarchy of needs, noting it does not fulfill physiological needs but provides meaningfulness and hope at a self-actualization level.
Production plan
This document outlines a production plan for a rock music magazine. It discusses choosing a model dressed in stereotypical rock attire for the front cover to indicate the genre. It lists several cover lines and sections for the regular and featured contents, including articles on new artists, reviews, interviews and more. Images for the contents page will feature artists interviewed in double page spreads, such as a planned interview discussing a band's inspiration, goals and recommendations.
Pitch
Dawn and Billy have chosen to create a music video for the song "Just One Yesterday" by Fall Out Boy. They chose this pop punk song because they both like the genre and band. Their video will take inspiration from Bastille's "Pompeii" video in its themes of escape and apocalypse. Their fictional band is called Royal Outcast and has a style similar to bands like Panic! At The Disco and My Chemical Romance. Their target audience is teens and young adults who like alternative music. Their potential video idea follows a man surviving alone in a post-apocalyptic world who later finds a group including a woman he knew.
BBFC
The British Board of Film Classification (BBFC) is a non-governmental organization that was established in 1912 to classify and censor films shown in the UK. The BBFC uses rating symbols like U, PG, 12A, 15, and 18 to provide guidance on the age appropriateness of films' content. Case studies describe how the BBFC classified specific films like Jurassic Park, Fight Club, and the first film rated 12A, Batman. The rating system and case studies demonstrate how the BBFC evaluates films' content and themes to determine the appropriate age rating.
Question7
We decided to create a film noir media product. We researched various aspects of film noir including genre conventions, history, initial ideas, institutions, audience, title sequences, pitches, call sheets, and storyboards. Specifically, we analyzed the opening title sequence of "Sin City" and watched classic films noirs like "The Big Combo" and "Kiss Kiss Bang Bang" to better understand genre conventions and institutions. We found the target audience for film noirs includes art fans and aspiring filmmakers who appreciate the artistic style and cinematography. This research helped provide background and inspiration to create our own film noir media product.
Punk rock audience profile (word)
The document discusses various styles and accessories commonly associated with punk rock fans, including:
1) Vans shoes, especially checkered ones, are very popular in the punk rock scene.
2) Brightly colored jeans like red ones help punk rock fans stand out from the crowd and show their support for the genre.
3) Studded bracelets, stripy gloves, and band t-shirts and hoodies worn frequently demonstrate a fan's interest in and support of punk rock bands and music.
4) Punk rock fans often have distinctive hairstyles like mohawks and dye their hair bright colors further signaling their affiliation with the punk subculture.
Question 4
This document outlines the target audience for a media product. It aims the product at 15-35 year old males living in urban areas of the UK, primarily white people from a range of socioeconomic backgrounds. The target audience was identified through audience research, but the document notes that broader focus groups including more ages and genders could have provided a more effective audience profile.
Media
Vertigo Films would be a suitable distributor for the group's low-budget romantic comedy film targeted at women aged 15-30. Vertigo Films specializes in independently produced British films and has successfully distributed over 35 films across various genres since being founded in 2002. They are known for supporting new filmmakers and helped the low-budget British film "Monsters" earn 10 times its production budget through distribution in cinemas and early release on DVD. Alternative distribution strategies like releasing on BBC 3's online platform or through social media could also help reach the film's target demographic. Proper distribution is key to a film's success.
Revision Task 2
The document discusses strategies used by films appealing to both national and global audiences. The Hobbit uses CGI and its status as a prequel to appeal worldwide, while also employing famous British actors to attract UK viewers. The World's End is technically an American film since its British producer was bought by a US conglomerate, but it uses a British cast and setting to appeal to local audiences. 3D films have become more popular globally but the author finds 3D unappealing since they did not grow up with it.
The boat that rocked
The Boat That Rocked was a 2009 British comedy film about a pirate radio station broadcasting rock music to the UK in the 1960s. Its production practices, like its confusing script and excessive length, hurt its success and it only made a small profit. Its distribution strategies also influenced its success. It was mainly marketed to British audiences but did not fully utilize social media or create an interactive fan presence online, limiting its reach. While the distributor Working Title is usually successful with British films, the minimal marketing for this film held it back from greater success.
Production plan
This document outlines a production plan for a rock music magazine. It includes details about dressing a model on the front cover in stereotypical rock attire and shooting them in a mid-shot pose addressing the camera. It lists potential cover lines and sections for the contents page including regular content like editor's letters, reviews, and interviews as well as featured articles on topics like possible Oasis reunions and album reviews. Images for the contents page will depict artists interviewed in the magazine and a double page spread will focus on one of these interviews discussing the band's inspirations and future goals.
Anatomy of Cult Films
This document discusses what defines a "cult film" and raises questions about how to categorize films as cult films. It notes that cult films usually have a highly devoted, specific fanbase that explores topics outside the mainstream and steps outside standard narrative or technical conventions. However, having a small fanbase alone does not make a film cult. The document also questions whether cult status is permanent, how to define a cult fanbase or mainstream, if cult can describe directors, and if cult films are becoming less common. It asks the assistant to help judge if example films from lists are truly cult films.
Defining british film
The document discusses what defines a British film and provides examples. It examines the criteria such as production companies, directors, actors and cultural content. Two films are analyzed:
1) The Theory of Everything (2014) directed by British director James Marsh, produced by British company Working Titles, starring British actors and set in the UK. It qualifies as British and earned $31.9 million in the UK.
2) Gravity (2013) challenges the definition as it stars American actors but was filmed/produced in the UK. Though directed by a Mexican and starring Americans, its UK production values make it British. It earned £47 million in the UK.
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The document analyzes a questionnaire about the movie "The Descent" and provides an audience profile. The questionnaire responses showed that most respondents would not recommend the movie to friends. This was likely because the respondents were not horror movie fans or because they took the questionnaire in school where they may not have paid full attention. The document then discusses how understanding a target audience's demographics allows businesses to analyze the relationship between the audience and a product to identify lifestyle factors. It provides an audience profile of a 16-year old male student named Kye Chan 'Allen' Wheeldon who enjoys exercising, gaming, sports and has a comfortable lifestyle and spending power.
Questionnaire results
The document summarizes the results of a questionnaire given to 30 people (18 female and 12 male) about music preferences and video settings. The most popular music genres were alternative R&B, R&B, pop, and rock. Locations like bars/clubs were preferred over forests/outdoors. Feedback on a proposed music video concept was positive, with suggestions like incorporating black and white shots and varied camera angles. Respondents also proposed storylines taking place in clubs or involving a protagonist interacting with multiple partners. The research provided insight into audience preferences and new ideas for the video.
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The document discusses the proliferation of content through franchises, sequels, and adaptations. It analyzes two films, Jurassic World and Kingsman: The Secret Service. For Jurassic World, it notes that as a sequel to Jurassic Park from 20 years ago, it could be seen as unoriginal, though it is based on an original story idea. For Kingsman, it states that the film was not part of a franchise or sequel, but was instead an adaptation of a comic book, and therefore maintained some originality as a British independent film.
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Vertigo Films would be a suitable distributor for the group's low-budget romantic comedy film targeted at women aged 15-30. Vertigo Films specializes in independently produced British films and has successfully distributed over 35 films across various genres since being founded in 2002. They are known for supporting new filmmakers and helped the low-budget British film "Monsters" earn 10 times its production budget through distribution in cinemas and early release on DVD. Alternative distribution strategies like releasing on BBC 3's online platform or through social media could also help reach the film's target demographic. Proper distribution is key to a film's success.
Revision Task 2
The document discusses strategies used by films appealing to both national and global audiences. The Hobbit uses CGI and its status as a prequel to appeal worldwide, while also employing famous British actors to attract UK viewers. The World's End is technically an American film since its British producer was bought by a US conglomerate, but it uses a British cast and setting to appeal to local audiences. 3D films have become more popular globally but the author finds 3D unappealing since they did not grow up with it.
The boat that rocked
The Boat That Rocked was a 2009 British comedy film about a pirate radio station broadcasting rock music to the UK in the 1960s. Its production practices, like its confusing script and excessive length, hurt its success and it only made a small profit. Its distribution strategies also influenced its success. It was mainly marketed to British audiences but did not fully utilize social media or create an interactive fan presence online, limiting its reach. While the distributor Working Title is usually successful with British films, the minimal marketing for this film held it back from greater success.
Production plan
This document outlines a production plan for a rock music magazine. It includes details about dressing a model on the front cover in stereotypical rock attire and shooting them in a mid-shot pose addressing the camera. It lists potential cover lines and sections for the contents page including regular content like editor's letters, reviews, and interviews as well as featured articles on topics like possible Oasis reunions and album reviews. Images for the contents page will depict artists interviewed in the magazine and a double page spread will focus on one of these interviews discussing the band's inspirations and future goals.
Anatomy of Cult Films
This document discusses what defines a "cult film" and raises questions about how to categorize films as cult films. It notes that cult films usually have a highly devoted, specific fanbase that explores topics outside the mainstream and steps outside standard narrative or technical conventions. However, having a small fanbase alone does not make a film cult. The document also questions whether cult status is permanent, how to define a cult fanbase or mainstream, if cult can describe directors, and if cult films are becoming less common. It asks the assistant to help judge if example films from lists are truly cult films.
Defining british film
The document discusses what defines a British film and provides examples. It examines the criteria such as production companies, directors, actors and cultural content. Two films are analyzed:
1) The Theory of Everything (2014) directed by British director James Marsh, produced by British company Working Titles, starring British actors and set in the UK. It qualifies as British and earned $31.9 million in the UK.
2) Gravity (2013) challenges the definition as it stars American actors but was filmed/produced in the UK. Though directed by a Mexican and starring Americans, its UK production values make it British. It earned £47 million in the UK.
Questionnaire and Audience Analysis
The document analyzes a questionnaire about the movie "The Descent" and provides an audience profile. The questionnaire responses showed that most respondents would not recommend the movie to friends. This was likely because the respondents were not horror movie fans or because they took the questionnaire in school where they may not have paid full attention. The document then discusses how understanding a target audience's demographics allows businesses to analyze the relationship between the audience and a product to identify lifestyle factors. It provides an audience profile of a 16-year old male student named Kye Chan 'Allen' Wheeldon who enjoys exercising, gaming, sports and has a comfortable lifestyle and spending power.
Questionnaire results
The document summarizes the results of a questionnaire given to 30 people (18 female and 12 male) about music preferences and video settings. The most popular music genres were alternative R&B, R&B, pop, and rock. Locations like bars/clubs were preferred over forests/outdoors. Feedback on a proposed music video concept was positive, with suggestions like incorporating black and white shots and varied camera angles. Respondents also proposed storylines taking place in clubs or involving a protagonist interacting with multiple partners. The research provided insight into audience preferences and new ideas for the video.
Proliferation of content
The document discusses the proliferation of content through franchises, sequels, and adaptations. It analyzes two films, Jurassic World and Kingsman: The Secret Service. For Jurassic World, it notes that as a sequel to Jurassic Park from 20 years ago, it could be seen as unoriginal, though it is based on an original story idea. For Kingsman, it states that the film was not part of a franchise or sequel, but was instead an adaptation of a comic book, and therefore maintained some originality as a British independent film.
Livestream Site Recommendations And Long Tail Example
When searching for bands on Last.fm, the site recommends similar artists both popular and obscure based on genre or record label. This feature helps users discover new bands they may like by searching for one of their favorites, as more well-known bands could lead to recommendations of both equally popular or lesser-known artists within the same genre or on the same record label.
Audience research Scary Movie
Scary Movie was a commercially successful horror comedy film produced by Dimension Films and distributed by The Weinstein Company. It opened at number one at the box office, earning $42 million its opening weekend domestically. In total, it grossed $157 million in the US and $121 million internationally, totaling $278 million worldwide. The film was marketed through both print and digital platforms, including social media, and featured a soundtrack of hip hop and rock music to appeal to its target audience of 15-25 year old males.
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Question4
This document discusses the target audience and rating for a media product. It would likely be rated 15 due to intense scenes and language. Similar action films like Taken that involve kidnapping plots and government agents would appeal to audiences for this film. The target audience is identified as males around 21 years old interested in sports and action movies, like Mission Impossible, living in London.
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OTN UPDATE is the flagship electronic trade newsletter of the Office of Trade Negotiations (OTN). The newsletter provides analyses of international trade policy issues and developments relevant to the Caribbean. It focuses on the OTN's work, trade negotiation topics within its mandate, and related activities. The intention is to provide stakeholders awareness of important trade policy changes affecting the Caribbean.
The document discusses innovation emerging as a new frontier in multilateral trade cooperation at the WTO. It notes that as knowledge and creative economies grow, countries are increasingly concerned with the link between innovation, trade performance, and competitiveness. While intellectual property protection is important, innovation depends on broader factors. The prospects for multilateral trade cooperation expanding beyond reducing barriers toCaricom and employment
CARICOM is the Caribbean Community and Common Market established in 1973 to promote economic cooperation among 15 Caribbean nations and dependencies. Its main functions are to coordinate foreign policy, promote economic development, and form a common market among members. The CSME aims to create a single economic space for the free movement of goods, services, capital and skilled labor within CARICOM. Studies show CARICOM has positively impacted regional employment and education through programs facilitating mobility of Caribbean professionals. The future of CARICOM depends on further strengthening regional integration.
Introduction to Multimedia
Multimedia involves incorporating text, graphics, sound, animation and video into an interactive computer-based experience. It allows for a vicarious learning experience through simultaneous presentation of different media rather than sequential. Multimedia can be categorized into streaming stored audio/video, streaming live audio/video, and real-time interactive audio/video. It provides advantages like deep involvement, multi-sensory learning, and individualization but also disadvantages like potential for cognitive overload, lack of structure without interactivity, and being time consuming to create. Distance learning uses multimedia and technologies like video conferencing, chat rooms, and podcasts for flexibility while physically separated, though it comes with disadvantages like lack of social interaction and not all courses being available online.
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- 1. 4QUESTION Who would be the audience for your media product ?
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