Question 1
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This document provides character analyses for the three main characters - Kyra, Lilly, and Rhiannon - in the gritty thriller film "Cyberbully". It examines the meaning and connotations of their names, describes their costumes and any props, and compares their behaviors and personalities to characters in other well-known films to show how they develop or challenge conventions of the thriller genre. The analyses find that while some character elements are generic, others subvert expectations through unconventional costume choices and ambiguity about their roles as protagonists or antagonists in the story.
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The representation of gender within the horror film
The document discusses the representation of gender in horror films, noting that initially females are often portrayed in traditional stereotypical roles but that these roles are sometimes subverted by the end of the films. It explores how the "male gaze" objectifies women through camera techniques but that in some cases, like The Shining, this is undermined. While most films initially follow stereotypical gender ratios and roles, by the end some allow females to behave in less typical ways once normality has broken down.
Halloween notes
This document provides an analysis of the 1978 horror film Halloween directed by John Carpenter. It summarizes that Halloween was notable as one of the first "babysitter horror" films focusing on teenage babysitters being stalked by an escaped mental patient. The film was commercially successful, helping establish the slasher film genre. An analysis of scenes from the film discusses how the obscured and masked killer Michael Myers creates unease in viewers and how the final girl heroine Laurie is portrayed as more masculine than her victims to explain why she survives. The popularity of slasher films is attributed to appealing to societal fears while requiring minimal deviation from profitable formulaic plotlines.
Conventions of Slasher Films
1) The document discusses common tropes and elements in slasher films, including the "final girl" who is typically innocent and virginal.
2) It explores Freud's ideas about the Oedipus complex and how disruptions during childhood transitions can impact mental health.
3) Key characters in slasher films include the masked killer whose masculinity is stripped at the end, a group of friends who help the final girl, and an ineffective authoritative figure while common locations are suburban neighborhoods, woods, and abandoned places.
Question 1
The document discusses how the film uses conventions of other horror films to tell the story of a shy, lonely girl. It draws influences from films like Carrie and Black Swan to show the girl's transformation from innocent to evil. The title sequence introduces ambiguity and hints at two sides to her personality. The film targets a female audience by focusing on the girl's struggles to overcome her traumatic past.
The representations of gender in horror films essay
In horror films, representations of gender are often more complex than in other media. Women may be portrayed as both extremely weak and as strong "final girls" who survive until the end. While women are sometimes sexualized, horror films also allow women to be active protagonists who save the day. The final girl is often presented as more masculine or virginal compared to other female characters. Horror films provide some female role models and allow for more varied portrayals of gender than other forms of media.
The final girl
The document discusses the "final girl theory" developed by Carol Clover. The final girl is the last character left alive at the end of a slasher film who confronts the killer. She is typically an intelligent, curious, and vigilant character who moves the narrative forward. According to Clover, final girls sometimes have unisex names and occasionally share a history with the killer. While some have criticized the theory as predictable, Clover argued it subverted the typical sexualized representation of women in horror films by positioning the audience to identify with the surviving female character rather than the killer.
2. How does your media product represent particular social groups? - Final
The document discusses how the media product portrays different social groups through the dress and characteristics of the murderer and victim.
For the murderer, he is dressed in business-like clothes implying he is of a higher social class, reflecting the profile of Jack the Ripper who he is based on. This portrays the victim as an adult and plays into stereotypes of men being stronger and more violent.
The victim wears generic running clothes, not revealing much about her background or status. Female victims are often portrayed as weak, vulnerable targets for male serial killers, reflecting real cases like Jack the Ripper and Ed Gein that only targeted women.
While the murderer's gender and strength fit common stereotypes for serial
Question 2: ‘How does your media product represent particular social groups?’
The document discusses how the media product represents social groups through its characters. It notes that the female protagonist Joan is portrayed as powerful and in control over the male hostage, contrasting common media portrayals of women as victims. It also aims to represent diversity through the inclusion of characters from different ethnicities and nationalities, such as Joan who is Jamaican and an ally named Dimitri who is Russian. The document argues this more positive representation of gender and inclusion of diversity will be well received by audiences.
Recommended
The representation of gender within the horror film
The document discusses the representation of gender in horror films, noting that initially females are often portrayed in traditional stereotypical roles but that these roles are sometimes subverted by the end of the films. It explores how the "male gaze" objectifies women through camera techniques but that in some cases, like The Shining, this is undermined. While most films initially follow stereotypical gender ratios and roles, by the end some allow females to behave in less typical ways once normality has broken down.
Halloween notes
This document provides an analysis of the 1978 horror film Halloween directed by John Carpenter. It summarizes that Halloween was notable as one of the first "babysitter horror" films focusing on teenage babysitters being stalked by an escaped mental patient. The film was commercially successful, helping establish the slasher film genre. An analysis of scenes from the film discusses how the obscured and masked killer Michael Myers creates unease in viewers and how the final girl heroine Laurie is portrayed as more masculine than her victims to explain why she survives. The popularity of slasher films is attributed to appealing to societal fears while requiring minimal deviation from profitable formulaic plotlines.
Conventions of Slasher Films
1) The document discusses common tropes and elements in slasher films, including the "final girl" who is typically innocent and virginal.
2) It explores Freud's ideas about the Oedipus complex and how disruptions during childhood transitions can impact mental health.
3) Key characters in slasher films include the masked killer whose masculinity is stripped at the end, a group of friends who help the final girl, and an ineffective authoritative figure while common locations are suburban neighborhoods, woods, and abandoned places.
Question 1
The document discusses how the film uses conventions of other horror films to tell the story of a shy, lonely girl. It draws influences from films like Carrie and Black Swan to show the girl's transformation from innocent to evil. The title sequence introduces ambiguity and hints at two sides to her personality. The film targets a female audience by focusing on the girl's struggles to overcome her traumatic past.
The representations of gender in horror films essay
In horror films, representations of gender are often more complex than in other media. Women may be portrayed as both extremely weak and as strong "final girls" who survive until the end. While women are sometimes sexualized, horror films also allow women to be active protagonists who save the day. The final girl is often presented as more masculine or virginal compared to other female characters. Horror films provide some female role models and allow for more varied portrayals of gender than other forms of media.
The final girl
The document discusses the "final girl theory" developed by Carol Clover. The final girl is the last character left alive at the end of a slasher film who confronts the killer. She is typically an intelligent, curious, and vigilant character who moves the narrative forward. According to Clover, final girls sometimes have unisex names and occasionally share a history with the killer. While some have criticized the theory as predictable, Clover argued it subverted the typical sexualized representation of women in horror films by positioning the audience to identify with the surviving female character rather than the killer.
2. How does your media product represent particular social groups? - Final
The document discusses how the media product portrays different social groups through the dress and characteristics of the murderer and victim.
For the murderer, he is dressed in business-like clothes implying he is of a higher social class, reflecting the profile of Jack the Ripper who he is based on. This portrays the victim as an adult and plays into stereotypes of men being stronger and more violent.
The victim wears generic running clothes, not revealing much about her background or status. Female victims are often portrayed as weak, vulnerable targets for male serial killers, reflecting real cases like Jack the Ripper and Ed Gein that only targeted women.
While the murderer's gender and strength fit common stereotypes for serial
Question 2: ‘How does your media product represent particular social groups?’
The document discusses how the media product represents social groups through its characters. It notes that the female protagonist Joan is portrayed as powerful and in control over the male hostage, contrasting common media portrayals of women as victims. It also aims to represent diversity through the inclusion of characters from different ethnicities and nationalities, such as Joan who is Jamaican and an ally named Dimitri who is Russian. The document argues this more positive representation of gender and inclusion of diversity will be well received by audiences.
How does your media product represent particular social?
This document summarizes the representations of characters in a thriller film project. It describes the stalker character as similar to Patrick Bateman from American Psycho, in that he is a mentally ill male who targets women. The victim is a 16-year-old student living alone who is vulnerable due to her isolated environment and tight clothing, similar to Marion Crane in Psycho. These character representations follow common thriller tropes and stereotypes to appeal to the target youth audience.
Character profiles
The document provides character profiles for the main characters in a horror film:
Charlie is described as the "final girl" who is not overtly feminine and survives through her smart and sensible nature. Michael is the villain, inspired by films like "Peeping Tom" and "Scream" who stalks and films his victims. Sophie is the promiscuous first character to die, who is feminine and ditsy. Henry is the jock who tries to seem brave but isn't very smart and also meets an early death. Mr. Sharp is the benefactor teacher who tries to protect the students after discovering an essay detailing Sophie's murder.
Conventions of a chick flick
Chick-flicks are films that focus on love and relationships, designed to appeal mainly to women. While films targeting women have existed since the early days of cinema, the term "chick flick" refers specifically to emotionally heavy or relationship-based movies, often released around Valentine's Day. Some early examples include 1950s melodramas and 1961's Breakfast at Tiffany's, but the genre became more popular with 1980s teen dramas directed by John Hughes. Modern chick flicks frequently adapt stories like Cinderella or draw from popular novels and classics. They tend to feature upbeat pop music in most scenes and slower, sadder music during emotional moments.
Brooklyn precinto 99
The 99th Precinct welcomes a new strict commander, Captain Raymond Holt, unlike the previous captain. This causes dismay for talented but carefree Detective Jake Peralta but satisfaction for Detective Amy Santiago. Holt gets to know his detectives, including the dedicated but emotionally unstable Sergeant Terry Jeffords. Meanwhile, committed but not physically gifted Detective Charles Boyle wants to ask the tough Detective Rosa Diaz on a date but needs help from the sarcastic administrator Gina Linetti and Jake Peralta.
Pr3 critical responses to media products
This document provides a summary and analysis of the narratives of three films: Leon (1994), Lucy (2014), and Pulp Fiction (1994). It summarizes the key elements of each film's narrative structure, including the exposition, inciting incident, rising action, climax, falling action, and denouement. It also analyzes aspects of each film like representation, symbolism, and genre conventions. For Pulp Fiction specifically, it discusses Quentin Tarantino's use of a nonlinear narrative and postmodern narrative techniques.
Actor Planning
Rook is a new recruit to the gang who is initially portrayed as the protagonist but becomes the antagonist. He is composed but shows intensity. No backstory is given for mystery.
Charles "Chaplin" Trump does not speak much due to a past injury and communicates through actions. He wears a flat cap which relates to his silent character and British background.
Perry "Peri" is wild, maniacal, and has a short temper. He takes pills to calm down. His nickname refers to hot sauce and his background involves family abuse or chili consumption. He wears a beanie like tough characters.
Tiny Tyrone is a failed rapper who hustles and knows life's harsh realities
Evaluation:Q2
This document discusses how different groups are represented in a student film thriller. It notes that the film features both a female victim and hero/villain to show women can be vulnerable or dominant. All the cast are young to represent a lack of wisdom and relate to the target audience. One character has a mental illness, though the film could have shown this sensitivity better. The rural setting isolates one character and follows thriller conventions. Both main characters are white, which risks the film only appealing to white audiences despite aiming for equality.
2. how does your media product represent particular social groups?
The media product portrays several social groups:
- Females are usually shown as emotional and passive but one takes control in an aggressive way, challenging stereotypes. However, a male later asserts dominance over her.
- Males are commonly depicted as aggressive and dominant, which is shown through characters' actions. However, the female regains control by manipulating and getting her way.
- Youths are portrayed as aggressive through their interactions. A teenage girl with purple hair subverts expectations of blonde victims, portraying her as a rebel among her peers.
Task 2 how does your product represent particular social groups?
The film represents Evelyn, a middle class white teenage girl, as the possessed protagonist in a supernatural thriller. This challenges conventions by having a female in this role rather than a protected male. Evelyn's appearance and body language are inspired by Carrie White from the film Carrie, showing vulnerability through closed posture. Fast-paced editing, inspired by other supernatural thrillers popular with 15-24 year olds, maintains attention and pace throughout the opening sequence against more traditional slow openings. Sound uses layers of diegetic voices and non-diegetic effects like church bells to create an eerie tone similar to Arlington Road. Close-up camera work and character movement keep the sequence mysterious and the audience anticipating what's next.
Fight Club - Genre and Character List
The document discusses the genre and characters of the movie Fight Club. It argues that the genre is best described as a psychological drama thriller, as it is too slow-paced and dark to be solely action, romance, or comedy. The main character, known only as The Narrator or Jack, suffers from insomnia and finds relief by crying at various support groups. There he meets Bob and Marla. Later, he meets Tyler Durden, who turns his world upside down by establishing an underground fighting ring in the basement of bars. Over time, Tyler's role in the story is revealed to be a figment of Jack's imagination, as Tyler represents a side of Jack's personality. Marla and Bob play important supporting
Final girl
The document discusses the concept of the "final girl" in slasher films. It notes that final girls typically have asexual names, are brunette virgins who are book-smart and socially awkward. They often take on maternal roles like babysitting. In contrast, victims in slasher films tend to be sexually active. The final girl represents conformity to patriarchal femininity and usually survives through her adherence to traditional gender norms. Her survival allows her to enact violence against the male killer using phallic weapons in a symbolic castration.
Representation of women in horror essay
This document discusses the representation of women in horror films from the 1950s to present day. It analyzes several key theories on this topic. The male gaze theory from the 1970s suggests that films are told from the perspective of a heterosexual male viewer and portray women as objects. Analyzing films from the 1970s supports this theory. The 1980s saw women often depicted as submissive and domestic. Jeremy Tunstall's 1983 theory found women portrayed as consumers and mothers. While Poltergeist from 1985 reflects some aspects of this, the main female fights back, challenging the theory. Carol Clover's 1992 "final girl" theory proposed the audience identifies with the last surviving female, challenging male gaze. Her theory is reflected in
2.how does your media product represent particular social
The document discusses representations of social groups, particularly gender, in horror movies and the author's own media product. It notes that males are typically portrayed heroically or villainously while females are usually victims or "final girls." It then analyzes the representations in its opening sequence, finding that one female character conforms to tropes as a vulnerable victim while the other subverts expectations as the aggressive villain. While intending to challenge norms, the narrative remains centered on resolving conflict between the male and female exes. It concludes by acknowledging other excluded social groups.
Evaluation question 2
The document discusses how various social groups are represented in the media product. It focuses on representations of gender, including stereotypical portrayals of women as victims, psychos, and femme fatales in the opening. The opening also subverts expectations by showing the male character as a victim rather than a hero. Representations of age, race, and disability are also briefly touched on. The characters in the opening are all white and no disabled characters are shown.
Stock characters
Stock characters in horror films fall into several categories:
The jock is typically the arrogant athlete who dates the popular girl. The popular girl is spoiled and mean to others. The wanderer often gets killed first by wandering away from the group. The pervert flirts heavily and gets killed for their promiscuity. Pandora seems innocent but is often the plot twist killer. The final girl is the smartest who must outwit the killer to be the last survivor.
Characters _SA
Robert McCall is portrayed as a mysterious hero in The Equalizer who aims to restore peace in Boston from violent Russian mobsters. He sees a young vulnerable girl being abused and feels compelled to take down the gang. As a former hit-man, he is determined to leave that life behind. He builds a connection with the girl, encouraging her that she can change her lifestyle. At his store, he courageously fights back when it is robbed, returning all stolen goods. His casual clothing contrasts with the girl's revealing outfits and wigs, showing her vulnerability and search for identity. The hybrid genres of action, crime and thriller will appeal to fans of those styles.
Question 2
The document summarizes the representation of three characters - Li, Rosaline, and Boris - in a media product. Li is portrayed as a able-bodied male who is seen running worriedly through a wooded area. Rosaline is portrayed as a able-bodied female who maintains strength and will during an interrogation, going against the stereotype of a female companion needing rescue. Boris has the most lines, allowing insight into his character as a dominant male who asserts control over Rosaline through violence when he realizes he has lost control of the situation.
Question 4 Updated
The target audience for this media product is 16-18 year olds. This age group was chosen because the main characters are also 16-18, allowing them to relate to and empathize with the characters. Both male and female teenagers are targeted by including both male and female characters portrayed equally. While most of the actors and characters are white British, the film's themes of mystery and thriller would still appeal to a diverse British audience. The target audience is interested in popular youth culture, going to the cinema, and exploring modern anxieties through thriller films.
Question 4 draft
The target audience for this media product is 16-18 year olds. This age group can relate to and empathize with the teenage main characters. Having creators and characters of the same age means there is a deep understanding of this demographic. Both male and female teenagers are targeted by including identifiable characters of both genders portrayed equally. While the characters are white British, the film's themes of mystery and thriller would appeal to a wide British audience. Prior knowledge of film genres and youth culture references help audiences engage with the film's intertextuality.
From Final Girl to Action Hero
From Final Girl to Action Hero: Women and the Modern Slasher Film
MA Film and The Moving Image, Final Dissertation
Question 5
The document discusses how the film addressed its audience through the use of close-ups on a character's eye, similar to Psycho, creating tension. It also leaves the ending ambiguous with a cliffhanger to encourage viewers to watch the rest of the film to find out what happens. While aspects like cyberbullying would be familiar to the audience, the unexpected vengeance storyline makes it more appealing and stands out within the thriller genre.
Media Thriller Planning
This document discusses planning and location scouting for a media thriller project. It describes initial ideas including a party scene where a girl gets abducted in the woods. Their final idea involved scouting locations in Norwich, including an abandoned church, a bridge, and an underpass. It provides character profiles for the three main characters - Harriet, Charley, and Chloe - describing their costumes, names, and traits. It also lists some shot types they experimented with such as POV, extreme close-ups, tilt shots, and high angle shots.
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What's hot
How does your media product represent particular social?
This document summarizes the representations of characters in a thriller film project. It describes the stalker character as similar to Patrick Bateman from American Psycho, in that he is a mentally ill male who targets women. The victim is a 16-year-old student living alone who is vulnerable due to her isolated environment and tight clothing, similar to Marion Crane in Psycho. These character representations follow common thriller tropes and stereotypes to appeal to the target youth audience.
Character profiles
The document provides character profiles for the main characters in a horror film:
Charlie is described as the "final girl" who is not overtly feminine and survives through her smart and sensible nature. Michael is the villain, inspired by films like "Peeping Tom" and "Scream" who stalks and films his victims. Sophie is the promiscuous first character to die, who is feminine and ditsy. Henry is the jock who tries to seem brave but isn't very smart and also meets an early death. Mr. Sharp is the benefactor teacher who tries to protect the students after discovering an essay detailing Sophie's murder.
Conventions of a chick flick
Chick-flicks are films that focus on love and relationships, designed to appeal mainly to women. While films targeting women have existed since the early days of cinema, the term "chick flick" refers specifically to emotionally heavy or relationship-based movies, often released around Valentine's Day. Some early examples include 1950s melodramas and 1961's Breakfast at Tiffany's, but the genre became more popular with 1980s teen dramas directed by John Hughes. Modern chick flicks frequently adapt stories like Cinderella or draw from popular novels and classics. They tend to feature upbeat pop music in most scenes and slower, sadder music during emotional moments.
Brooklyn precinto 99
The 99th Precinct welcomes a new strict commander, Captain Raymond Holt, unlike the previous captain. This causes dismay for talented but carefree Detective Jake Peralta but satisfaction for Detective Amy Santiago. Holt gets to know his detectives, including the dedicated but emotionally unstable Sergeant Terry Jeffords. Meanwhile, committed but not physically gifted Detective Charles Boyle wants to ask the tough Detective Rosa Diaz on a date but needs help from the sarcastic administrator Gina Linetti and Jake Peralta.
Pr3 critical responses to media products
This document provides a summary and analysis of the narratives of three films: Leon (1994), Lucy (2014), and Pulp Fiction (1994). It summarizes the key elements of each film's narrative structure, including the exposition, inciting incident, rising action, climax, falling action, and denouement. It also analyzes aspects of each film like representation, symbolism, and genre conventions. For Pulp Fiction specifically, it discusses Quentin Tarantino's use of a nonlinear narrative and postmodern narrative techniques.
Actor Planning
Rook is a new recruit to the gang who is initially portrayed as the protagonist but becomes the antagonist. He is composed but shows intensity. No backstory is given for mystery.
Charles "Chaplin" Trump does not speak much due to a past injury and communicates through actions. He wears a flat cap which relates to his silent character and British background.
Perry "Peri" is wild, maniacal, and has a short temper. He takes pills to calm down. His nickname refers to hot sauce and his background involves family abuse or chili consumption. He wears a beanie like tough characters.
Tiny Tyrone is a failed rapper who hustles and knows life's harsh realities
Evaluation:Q2
This document discusses how different groups are represented in a student film thriller. It notes that the film features both a female victim and hero/villain to show women can be vulnerable or dominant. All the cast are young to represent a lack of wisdom and relate to the target audience. One character has a mental illness, though the film could have shown this sensitivity better. The rural setting isolates one character and follows thriller conventions. Both main characters are white, which risks the film only appealing to white audiences despite aiming for equality.
2. how does your media product represent particular social groups?
The media product portrays several social groups:
- Females are usually shown as emotional and passive but one takes control in an aggressive way, challenging stereotypes. However, a male later asserts dominance over her.
- Males are commonly depicted as aggressive and dominant, which is shown through characters' actions. However, the female regains control by manipulating and getting her way.
- Youths are portrayed as aggressive through their interactions. A teenage girl with purple hair subverts expectations of blonde victims, portraying her as a rebel among her peers.
Task 2 how does your product represent particular social groups?
The film represents Evelyn, a middle class white teenage girl, as the possessed protagonist in a supernatural thriller. This challenges conventions by having a female in this role rather than a protected male. Evelyn's appearance and body language are inspired by Carrie White from the film Carrie, showing vulnerability through closed posture. Fast-paced editing, inspired by other supernatural thrillers popular with 15-24 year olds, maintains attention and pace throughout the opening sequence against more traditional slow openings. Sound uses layers of diegetic voices and non-diegetic effects like church bells to create an eerie tone similar to Arlington Road. Close-up camera work and character movement keep the sequence mysterious and the audience anticipating what's next.
Fight Club - Genre and Character List
The document discusses the genre and characters of the movie Fight Club. It argues that the genre is best described as a psychological drama thriller, as it is too slow-paced and dark to be solely action, romance, or comedy. The main character, known only as The Narrator or Jack, suffers from insomnia and finds relief by crying at various support groups. There he meets Bob and Marla. Later, he meets Tyler Durden, who turns his world upside down by establishing an underground fighting ring in the basement of bars. Over time, Tyler's role in the story is revealed to be a figment of Jack's imagination, as Tyler represents a side of Jack's personality. Marla and Bob play important supporting
Final girl
The document discusses the concept of the "final girl" in slasher films. It notes that final girls typically have asexual names, are brunette virgins who are book-smart and socially awkward. They often take on maternal roles like babysitting. In contrast, victims in slasher films tend to be sexually active. The final girl represents conformity to patriarchal femininity and usually survives through her adherence to traditional gender norms. Her survival allows her to enact violence against the male killer using phallic weapons in a symbolic castration.
Representation of women in horror essay
This document discusses the representation of women in horror films from the 1950s to present day. It analyzes several key theories on this topic. The male gaze theory from the 1970s suggests that films are told from the perspective of a heterosexual male viewer and portray women as objects. Analyzing films from the 1970s supports this theory. The 1980s saw women often depicted as submissive and domestic. Jeremy Tunstall's 1983 theory found women portrayed as consumers and mothers. While Poltergeist from 1985 reflects some aspects of this, the main female fights back, challenging the theory. Carol Clover's 1992 "final girl" theory proposed the audience identifies with the last surviving female, challenging male gaze. Her theory is reflected in
2.how does your media product represent particular social
The document discusses representations of social groups, particularly gender, in horror movies and the author's own media product. It notes that males are typically portrayed heroically or villainously while females are usually victims or "final girls." It then analyzes the representations in its opening sequence, finding that one female character conforms to tropes as a vulnerable victim while the other subverts expectations as the aggressive villain. While intending to challenge norms, the narrative remains centered on resolving conflict between the male and female exes. It concludes by acknowledging other excluded social groups.
Evaluation question 2
The document discusses how various social groups are represented in the media product. It focuses on representations of gender, including stereotypical portrayals of women as victims, psychos, and femme fatales in the opening. The opening also subverts expectations by showing the male character as a victim rather than a hero. Representations of age, race, and disability are also briefly touched on. The characters in the opening are all white and no disabled characters are shown.
Stock characters
Stock characters in horror films fall into several categories:
The jock is typically the arrogant athlete who dates the popular girl. The popular girl is spoiled and mean to others. The wanderer often gets killed first by wandering away from the group. The pervert flirts heavily and gets killed for their promiscuity. Pandora seems innocent but is often the plot twist killer. The final girl is the smartest who must outwit the killer to be the last survivor.
Characters _SA
Robert McCall is portrayed as a mysterious hero in The Equalizer who aims to restore peace in Boston from violent Russian mobsters. He sees a young vulnerable girl being abused and feels compelled to take down the gang. As a former hit-man, he is determined to leave that life behind. He builds a connection with the girl, encouraging her that she can change her lifestyle. At his store, he courageously fights back when it is robbed, returning all stolen goods. His casual clothing contrasts with the girl's revealing outfits and wigs, showing her vulnerability and search for identity. The hybrid genres of action, crime and thriller will appeal to fans of those styles.
Question 2
The document summarizes the representation of three characters - Li, Rosaline, and Boris - in a media product. Li is portrayed as a able-bodied male who is seen running worriedly through a wooded area. Rosaline is portrayed as a able-bodied female who maintains strength and will during an interrogation, going against the stereotype of a female companion needing rescue. Boris has the most lines, allowing insight into his character as a dominant male who asserts control over Rosaline through violence when he realizes he has lost control of the situation.
Question 4 Updated
The target audience for this media product is 16-18 year olds. This age group was chosen because the main characters are also 16-18, allowing them to relate to and empathize with the characters. Both male and female teenagers are targeted by including both male and female characters portrayed equally. While most of the actors and characters are white British, the film's themes of mystery and thriller would still appeal to a diverse British audience. The target audience is interested in popular youth culture, going to the cinema, and exploring modern anxieties through thriller films.
Question 4 draft
The target audience for this media product is 16-18 year olds. This age group can relate to and empathize with the teenage main characters. Having creators and characters of the same age means there is a deep understanding of this demographic. Both male and female teenagers are targeted by including identifiable characters of both genders portrayed equally. While the characters are white British, the film's themes of mystery and thriller would appeal to a wide British audience. Prior knowledge of film genres and youth culture references help audiences engage with the film's intertextuality.
From Final Girl to Action Hero
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MA Film and The Moving Image, Final Dissertation
What's hot (20)
How does your media product represent particular social?
How does your media product represent particular social?
2. how does your media product represent particular social groups?
2. how does your media product represent particular social groups?
Task 2 how does your product represent particular social groups?
Task 2 how does your product represent particular social groups?
2.how does your media product represent particular social
2.how does your media product represent particular social
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Question 5
The document discusses how the film addressed its audience through the use of close-ups on a character's eye, similar to Psycho, creating tension. It also leaves the ending ambiguous with a cliffhanger to encourage viewers to watch the rest of the film to find out what happens. While aspects like cyberbullying would be familiar to the audience, the unexpected vengeance storyline makes it more appealing and stands out within the thriller genre.
Media Thriller Planning
This document discusses planning and location scouting for a media thriller project. It describes initial ideas including a party scene where a girl gets abducted in the woods. Their final idea involved scouting locations in Norwich, including an abandoned church, a bridge, and an underpass. It provides character profiles for the three main characters - Harriet, Charley, and Chloe - describing their costumes, names, and traits. It also lists some shot types they experimented with such as POV, extreme close-ups, tilt shots, and high angle shots.
Question 3
The document discusses potential distribution options for a new media product. It suggests that a major studio like Universal would be suitable due to their wide appeal and experience distributing mainstream hits. It also argues that multiplex cinemas like VUE or ODEON would be more likely to exhibit the film than independent cinemas, as the film targets a younger male audience with its genre and multiplexes offer lower ticket prices. Digital distribution through social media marketing, online video platforms, and film-on-demand services is also presented as an effective strategy for reaching the target 16-19 year old demographic.
Question 6
The document discusses technologies used during various stages of a coursework project. Word documents, Prezi, and PowerPoint were used for writing and distributing work due to their mind map layouts. Scanned storyboards and screenshots were embedded in blogs to provide visual elements. Facebook messaging allowed for quick and efficient group communication. Websites like YouTube and IMDB were used for research, and a digital Canon camera captured footage during shooting due to its easy settings. Editing involved using black and white for flashbacks and adjusting color levels to convey character themes.
Question 4
The target audience for the media product Cyberbully would be primarily white British females between the ages of 16-20 who consume media through online streaming services like Netflix. This audience engages heavily with social media and can relate to the isolated characters in the film. Similar films this audience enjoys are those depicting violence like Kill Bill and Pulp Fiction as well as British shows that portray reckless teenage behavior like Skins and This Is England.
Question 7
1) Planning improved from the preliminary task to the final product. For the preliminary, the first idea was chosen without much thought, but for the final film factors like time management and feasibility were considered.
2) Research is important, but it was lacking for both the preliminary and final tasks. More research could have led to a better developed final thriller.
3) Filming skills improved from preliminary to final. Wider knowledge of techniques like shot types and lighting were applied, making shots more sophisticated in the final product.
Question 2
The document discusses the representation of social groups in the media product. It represents females exclusively through the characters of Kyra, Lilly, and Rhiannon. Kyra and Lilly can be seen as stereotypical emotional females, with Kyra killing out of revenge and Lilly letting emotions lead her to suicide. Rhiannon is a manipulative, controlling woman. The product only includes female characters and does not represent males. The characters are also all white British, representing ethnicity stereotypically. It explores how youth can be influenced by media to act on emotions like anger through revenge, and depicts bullying as something that just happens.
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Similar to Question 1
Social groups, film noir
1) The document analyzes the character of Gerald Lloyd and how he fits the archetype of the "troubled male lead" in film noir.
2) Gerald is portrayed as an anti-hero private detective who gets embroiled in a case he does not want to be part of.
3) The femme fatale Lola Odell seduces and manipulates Gerald, following film noir conventions of the dominant woman.
Evaluation...finish
The document discusses the representation of social groups in a media product. It represents females through three stereotypical characters - the main character Kyra is emotional and kills out of revenge, Lilly is also emotional and lets her emotions lead her to suicide, and Rhiannon is manipulative and controlling, causing Lilly to kill herself. The product only includes female characters. It could be seen as either feminist or portraying women as overemotional. Kyra is similar to a character from American Horror Story who kills her husband after finding an affair. The characters are all white British. The film shows how harsh words can deeply hurt youth and some may react in extreme ways, like Kyra's revenge killing, or how bullying is
Character profiles
Theodore Kaplin is a hardened 40-year-old detective and war veteran for the LAPD who has become cynical over the years. He believes in justice but sees much corruption. He is pushing himself to solve a string of brutal murders in LA while battling alcoholism. A vigilante called "Dahlia" also seeks justice, but through extreme violence. Little is known about him except he has military training and detective skills. He is mistakenly believed to be the real "Dahlia Killer." The real killer's motives may be linked to the drug Euphoria formerly produced by the shadowy Elysian Company, which is still circulating illegally and fueling crime. Elizabeth Short was the real victim of the
Evaluation
The document discusses how the author's thriller represents certain social groups through its characters and plot. The main characters, a married couple named Jack and Lilly, conform to stereotypical gender roles - Jack is portrayed as dominant and secretive, hiding his real job as a hitman, while Lilly is innocent and naive, unaware of her husband's double life. These decisions were meant to give the audience what they wanted based on surveys. The thriller also suggests that older people are more likely victims, and that the villain will be a younger man portrayed in a dangerous light.
Question Two
This document discusses the representation of social groups in a media clip. It represents Laura as the stereotypical weak female but also challenges stereotypes by showing her bravery. The chaser, initially intended to be male, is an anti-stereotypical powerful female character. The clip portrays Laura as middle class through her nice clothes and electronics while the chaser, shown to have little, represents the working class.
Evaluation 2.docx
The document discusses the author's thriller film and its representation of social groups. The film aims to attract a target audience of middle-class couples in their 20s who can relate to the main characters. It is rated 15+ due to scenes of violence and crude language depicting a hitman's murders. The author represents the male character as dominant and secretive and the female character as innocent and naive, following stereotypical views. These decisions were meant to give the audience what they wanted based on surveys to increase the film's popularity.
Evaluation Question Two
The document discusses the representation of social groups in the author's thriller film. It aims to portray a young middle-class couple to relate to its target 15-25 year old audience. Scenes of violence include a hitman murdering victims and involve violent language. The man is depicted as dominant and secretive, sticking to stereotypes, while the woman is innocent and naive. These decisions aimed to give the audience what stereotypical portrayals they preferred based on surveys. Older generations are more likely victims while younger men are more likely villains. The film portrays women stereotypically through the wife's roles and naivety. Actors were chosen partly due to availability to fit the main character roles. A
Evaluation Question Two
The document discusses the author's thriller film and its representation of social groups. The film aims to attract a target audience of middle-class couples in their 20s who can relate to the main characters. It is rated 15+ due to scenes of violence and crude language depicting a hitman's murders. The author represents the male character as dominant and secretive and the female character as innocent and naive, following stereotypical views. These decisions were meant to give the audience what they wanted based on surveys to increase the film's popularity.
G321 Evaluation Questions 1
The student's media product challenges conventions of 1950s thrillers in its portrayal of the female character Eve. Eve defies expectations by attempting to educate herself with a book and wearing a shorter, tighter skirt. Her movements show she is cautious but seeks to escape the dominance of the male character Frank. Frank represents power through his suit and aggressive movements. Props like Eve's pearls and Frank's lighter and gun conform to thriller conventions but their meanings are made ambiguous. The lighting and inclusion of diegetic sound make the setting feel relatable rather than dark like typical thrillers. Camera angles initially show Frank's power but later suggest Eve may challenge it, representing her deviation from familiar female archetypes.
Analysis of hannibal tv show season 1 episode1-aperitif
Will Graham is introduced as the protagonist who helps FBI agent Jack Crawford solve murders. Hannibal Lecter is initially portrayed as a helpful psychologist but is later revealed to be a psychopathic cannibal. The villain is Garrett Jacob Hobbs, who murders young women. Will confronts and shoots Hobbs, saving his daughter Abigail. Hannibal's true nature remains unknown to the other characters but not the audience. The episode establishes key characters and themes while moving through the stages of equilibrium, disruption, and resolution in the narrative.
Gwl3 essay [7346]
The document provides an analysis of the film Silence of the Lambs, discussing its narrative structure, characters, themes, and representation of gender. It analyzes the film's linear narrative structure and application of thriller genre conventions. It describes the main characters and their roles based on Vladimir Propp's character theory. It also discusses how the film subverts typical negative representations of women in media by portraying the strong female protagonist Clarice Starling.
Representational Response For Underhand: Gender
This document discusses representations of gender in neo-noir films and media. It notes that in most genres, women are portrayed as weak and domestic, while men are powerful. However, in neo-noir, women are often depicted as "femme fatales" who manipulate men and use their sexuality to get what they want, while men are shown as mysterious and lust-driven. The document then analyzes how the film trailer, poster, and cover for a student project represent and conform to these neo-noir gender stereotypes through costumes, lighting, framing, and other elements.
Once upon a time in america
Once Upon a Time in America is a 1984 crime epic directed by Sergio Leone. It follows the lives of Jewish youths in 1920s New York who rise to prominence in the mob. The film establishes several thriller conventions through its characters and locations. It introduces the protagonist Noodles as an antihero who commits crimes while remaining the focus of the story. It also features Eve as the archetypal femme fatale, whose lavish lifestyle foreshadows her doomed fate. Key sets like the elevator shaft and Eve's bedroom utilize lighting, camera angles, and symbolism to create an atmosphere of mystery, danger, and the inability to escape impending threats. These elements establish the film as fitting within the noir thriller genre
Question 2
The document discusses how social groups are represented in the student film "Sole Retribution". It describes choosing a young, innocent female victim named Erin Wolfe to make her seem more vulnerable. The villain, dressed in dark clothing and a hoodie, is intended to appear intimidating and powerful over the victim. Stereotypes of thriller victims and villains informed the characters' traits and behaviors. Inspiration was drawn from characters in other films to design the victim and villain roles.
Evaluation 2
This document discusses how different social groups could potentially be represented in a thriller media product. Women could be represented as weak and reliant on men, or alternatively as strong and powerful. Men are initially represented ambiguously as either the one who imprisoned the protagonist or released her out of kindness. Teenagers/young adults may be seen as troublemakers or powerless victims of circumstances beyond their control. The document notes there are clues the protagonist is working class, such as her clothing and language, though the setting of a suburban house suggests she could also be middle class.
Film pitch for thriller film titles project
Maria's father suddenly passes away, leaving her to continue his work investigating unsolved cases. She opens a file on a young girl named Lilith who claimed to see mysterious figures. Maria and her friends travel to where Lilith lived and find her diary, photos, and drawings. They learn Lilith is Maria's half-sister. After her friends disrespect Lilith's possessions, Lilith's spirit begins appearing to Maria and her friends, trying to break a curse.
Representation of Black Swan
A presentation on representation theory connected with the film Black Swan; including theory regarding Levi-Strauss, Propp, McRobbie and Mulvey.
How does our media product represent a particular
This document analyzes how the media product represents social groups such as women and men. It argues that women are represented negatively as overly emotional and mentally unstable. The main character and her niece are shown to have mental health issues stemming from their childhood. Men are represented as cold, emotionless problem-solvers who see mentally ill women as routine cases. However, the document also notes that these representations were not intentional, as the goal was to portray a type of mental illness, not send messages about gender. Choosing a female lead helped use childish props and costumes to link to Alice in Wonderland.
Similar to Question 1 (18)
Analysis of hannibal tv show season 1 episode1-aperitif
Analysis of hannibal tv show season 1 episode1-aperitif
More from Charley Easter
How have you used media language in your
Within the music video, the filmmaker used three main locations - two parks and a house. The parks provided interesting shots and fit with the indie rock genre. Shots at "The Maze" represented problems in the couple's relationship. At the house, shots differed between memory and reality, with color corrections making it seem cold and angry to reflect the relationship. Costumes contrasted the characters and changed meaning over time. A variety of camera angles were used in a handheld, indie rock style. Editing was simple and non-linear to fit the genre. Both diegetic and non-diegetic sounds were included.
Question 1 b&c
This document discusses how the author's music video and accompanying digipak used and challenged conventions of the indie rock genre.
The author followed some conventions such as including a narrative with characters, but challenged others such as not including any band performance. The digipak used minimalist artwork and simple colors as is common, but did not include photos which is a split convention. Symbolic rather than literal connections were made between the digipak and video to seem more modern. Feedback showed those familiar with the genre better understood the references connecting the two pieces. The digipak drew influence from other designs that discussed modern disconnect and resembled medicine packages.
Digipak case study
The digipaks for Halsey's albums Room 93 and Badlands appeal to her target audience through their aesthetics and additional content. The Room 93 digipak contains a booklet discussing each song's producer and writer. Badlands' color scheme and themes are inspired by films. Overall, the albums present Halsey as nostalgic and motivational, appealing to fans seeking self-esteem through her lyrics about self-love. Her early fans were highly engaged online, discussing her music on social media with dedicated accounts.
Digipak Initial ideas
The document discusses initial ideas for a digipak album cover. It proposes using a simple single image design inspired by other album covers in the same genre. Handwritten or cursive fonts are suggested to make the cover look more homemade and urban. Specific ideas include merging the album and band names into a photograph of a milk bottle or water bottle label, or a black and white photograph with white lines. The genre is best represented by simple designs using black, white, bright pastel, or primary colors.
Print production mood board
The document summarizes key aspects and conventions found in album cover designs across several alternative rock albums. It notes that most covers use simple, dark color palettes prominently featuring black and white. Text and imagery on the covers is also typically simple, focusing on a single object or element. Back covers then mirror the front visually and list the album's songs. Overall, the designs establish conventions for the genre through their understated and moody aesthetic that matches the lyrical themes of heartbreak.
Strengths weaknesses
This document provides timestamps and notes for shots in a film scene. It outlines shots from establishing shots of characters to close-ups of hands and hair, with notes on cut synchronization and needing to show the breakdown and building back up of a relationship. Areas identified for improvement include how to film the relationship breakdown and trimming a spinning shot.
Shot types table
The document provides a timeline of shots taken during the filming of a project. It includes over 50 entries describing the time, shot type, characters or actions filmed, and location over a period from 00:00 to 03:39. The majority of shots involve the characters Nicola and Luke and are filmed in Earlham Park or a bedroom, with some shots in a kitchen as well. The shots include close-ups, mid shots, long shots, and pans of the characters talking, walking, sitting on a bench, arguing in bed, and more.
Fatlip
The song "Fatlip" by Sum 41 references youth subcultures and rebellion against conformity. The lyrics describe storming parties and not following rules as a kid. It references heavy metal bands Iron Maiden and Judas Priest. The song expresses not wanting to waste time fitting into society and never falling in line or becoming a victim of conformity. Scholars Hebdige and Maffesoli view subcultures as using style and consumption of cultural elements as a form of symbolic resistance against dominant social norms through appropriating meaning from mainstream culture.
Inspiration
This document discusses various music videos and films that have inspired the author's own music video concept. It describes aspects taken from videos such as the use of handheld camera in "R U Mine?" by Arctic Monkeys, the incorporation of band members in "Basket Case" by Green Day, and the black and white filter and one continuous shot in "Control". Films mentioned include the comic book theme and zoomed shots in Scott Pilgrim vs. The World and the black and white filter and dreamlike shot of the main character in Control. The author aims to incorporate opening sequences, subtitled names, close-up instrument shots, and the idea of the music not starting until a key action from these inspirational works.
Moodboard
This document discusses various media that inspired the creator's music video concept. It describes aspects of music videos for Arctic Monkeys' "R U Mine?", Green Day's "Basket Case", and The Black Keys' "Tighten Up" that influenced the creator's aesthetic choices around camerawork, filters, and editing. Scenes from the films "Scott Pilgrim vs The World" and "Control" also provided inspiration for incorporating comic book elements, close instrument shots, and one continuous shot. The creator aims to borrow visual styles while adapting them to suit their story-based video concept.
Moodboard
This document discusses the artistic inspirations for a music video project. It summarizes several music videos and films that influenced the creator's concepts and shooting style. The Arctic Monkeys' "R U Mine?" video inspired the use of handheld camerawork and a quirky performance aspect. Scenes from "Scott Pilgrim vs The World" provided ideas for comic book-style subtitles and close instrument shots. The black and white cinematography and one-shot style of "Control" were also influential. Green Day's "Basket Case" inspired the addition of filters and dreamlike crossfades. Finally, the children and soft focus of The Black Keys' "Tighten Up" informed the planned introduction. Overall, the
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快速办理(napier毕业证书)英国龙比亚大学毕业证在读证明一模一样
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本公司拥有海外各大学样板无数，能完美还原。
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【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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一比一原版(WashU文凭证书)圣路易斯华盛顿大学毕业证如何办理
一模一样【微信：176555708】【(WashU文凭证书)圣路易斯华盛顿大学毕业证成绩单Offer】【微信：176555708】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Implementing ELDs or Electronic Logging Devices is slowly but surely becoming the norm in fleet management. Why? Well, integrating ELDs and associated connected vehicle solutions like fleet tracking devices lets businesses and their in-house fleet managers reap several benefits. Check out the post below to learn more.
一比一原版(Columbia文凭证书)哥伦比亚大学毕业证如何办理
一模一样【微信：176555708】【(Columbia文凭证书)哥伦比亚大学毕业证成绩单Offer】【微信：176555708】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
Catalytic Converter theft prevention - NYC.pptx
Understanding Catalytic Converter Theft:
What is a Catalytic Converter?: Learn about the function of catalytic converters in vehicles and why they are targeted by thieves.
Why are They Stolen?: Discover the valuable metals inside catalytic converters (such as platinum, palladium, and rhodium) that make them attractive to criminals.
Steps to Prevent Catalytic Converter Theft:
Parking Strategies: Tips on where and how to park your vehicle to reduce the risk of theft, such as parking in well-lit areas or secure garages.
Protective Devices: Overview of various anti-theft devices available, including catalytic converter locks, shields, and alarms.
Etching and Marking: The benefits of etching your vehicle’s VIN on the catalytic converter or using a catalytic converter marking kit to make it traceable and less appealing to thieves.
Surveillance and Monitoring: Recommendations for using security cameras and motion-sensor lights to deter thieves.
Statistics and Insights:
Theft Rates by Borough: Analysis of data to determine which borough in NYC experiences the highest rate of catalytic converter thefts.
Recent Trends: Current trends and patterns in catalytic converter thefts to help you stay aware of emerging hotspots and tactics used by thieves.
Benefits of This Presentation:
Awareness: Increase your awareness about catalytic converter theft and its impact on vehicle owners.
Practical Tips: Gain actionable insights and tips to effectively prevent catalytic converter theft.
Local Insights: Understand the specific risks in different NYC boroughs, helping you take targeted preventive measures.
This presentation aims to equip you with the knowledge and tools needed to protect your vehicle from catalytic converter theft, ensuring you are prepared and proactive in safeguarding your property.
AadiShakti Projects ( Asp Cranes ) Raipur
Welcome to ASP Cranes, your trusted partner for crane solutions in Raipur, Chhattisgarh! With years of experience and a commitment to excellence, we offer a comprehensive range of crane services tailored to meet your lifting and material handling needs.
At ASP Cranes, we understand the importance of reliable and efficient crane operations in various industries, from construction and manufacturing to logistics and infrastructure development. That's why we strive to deliver top-notch solutions that enhance productivity, safety, and cost-effectiveness for our clients.
Our services include:
Crane Rental: Whether you need a crawler crane for heavy lifting or a hydraulic crane for versatile operations, we have a diverse fleet of well-maintained cranes available for rent. Our rental options are flexible and can be customized to suit your project requirements.
Crane Sales: Looking to invest in a crane for your business? We offer a wide selection of new and used cranes from leading manufacturers, ensuring you find the perfect equipment to match your needs and budget.
Crane Maintenance and Repair: To ensure optimal performance and safety, regular maintenance and timely repairs are essential for cranes. Our team of skilled technicians provides comprehensive maintenance and repair services to keep your equipment running smoothly and minimize downtime.
Crane Operator Training: Proper training is crucial for safe and efficient crane operation. We offer specialized training programs conducted by certified instructors to equip operators with the skills and knowledge they need to handle cranes effectively.
Custom Solutions: We understand that every project is unique, which is why we offer custom crane solutions tailored to your specific requirements. Whether you need modifications, attachments, or specialized equipment, we can design and implement solutions that meet your needs.
At ASP Cranes, customer satisfaction is our top priority. We are dedicated to delivering reliable, cost-effective, and innovative crane solutions that exceed expectations. Contact us today to learn more about our services and how we can support your project in Raipur, Chhattisgarh, and beyond. Let ASP Cranes be your trusted partner for all your crane needs!
EV Charging at Multifamily Properties by Kevin Donnelly
Kevin Donnelly gave this presentation at the Forth Addressing The Challenges of Charging at Multi-Family Housing webinar on June 11, 2024.
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Question 1
- 1. QUESTION 1 In what ways does your media product use, develop or challenge forms and conventions of real media products?
- 2. Thriller Fact File Name – Cyberbully Genre – GrittyThriller Characters – Kyra Blake:Charley Easter Rhiannon Erwin: Harriet Spalding LillyAlbert: Chloe Herbert Editor – Charley Easter and Harriet Spalding Chloe Herbert and Chloe Forkes Filming – Chloe Forkes, Charley Easter and Chloe Herbert
- 3. Characters – Kyra Blake The name Kyra connotes light, this could have been seen as a contradiction to her character as she may have been seen as the antagonist within the film. However, others may agree with this connotation due to her killing for good. The costume chosen for Kyra was to symbolize the confusion between whether she was a pro or antagonist.The choice of costume was unconventional to the genre as in most thrillers the female character is hyper sexualized in her costume as well as her attitude, where as Kyra was a polar opposite to that and was more of a tom boy who was misunderstood within her actions. However, her behavior could be seen as generic due to the typical female stereotype of being over emotional. She had no props which carried on the mystery of her character as it was unknown what she did to Rhiannon.
- 4. Characters – Lilly Albert The name Lilly connotes innocence, purity and beauty.This can be seen from the character of Lilly even if she is only dead due to the obvious battle she has had to face from the bullying she has received. Lilly’s behavior could be seen as generic as characters such asThelma inThelma and Louise also killed themselves. Her costume was very simple to show how she was very normal and everyday the use of the purples and whites reinforced her named connotations of purity and beauty. The only props used or Lilly was the phone to show what was said between herself and Rhiannon and then the pills she used to kill herself.
- 5. Characters - Rhiannon Erwin The name Rhiannon means ‘great queen’ which shows how she has a lot of power, this then can be seen from the power she had over Lilly’s life as she was the reason she ended it. Her costume was mostly black other than her scarf to show how she was sly and yet she was trying to cover it up by pretending to be something that she wasn’t. The only props she had was her bag which didn't have any significance to her character although also did add more mystery due to questions that could be asked such as what’s in it? and why does she have it? Rhiannon’s character was very similar to that of Bridget Gregory inThe Last Seduction due to how manipulative she Is as a character and her personality.