Quark screenshots show the editing of a contents page. The screenshots provide a visual demonstration of how to edit a contents page in Quark. They give an overview of the process without many details.
The documentary profiles Joel Tron, a man heavily modified through body piercings and tattoos. It begins by focusing on Joel's shocking appearance without context, potentially eliciting judgment from viewers. However, as Joel discusses his life and motivations for modifying his body as a form of self-expression and art, viewers begin to see him as a complex person rather than just his abnormal appearance. Through creative camerawork and editing that mirrors Joel's unconventionality, the film provides insight into Joel's worldview and happiness with his heavily modified identity by the end.
The document summarizes audience feedback from questionnaires about a documentary. The feedback showed that the documentary was rated highly for being informative, entertaining, and having good technical quality, as it received mostly 4s or 5s out of 5 in those categories. The feedback was more mixed for how eye-catching and how well it obeyed typical documentary conventions the documentary was, as different parts of the audience found different sections more or less interesting or conventional. The creator thinks asking other media students for feedback would provide more detailed and constructive criticism.
The document contains Photoshop screenshots showing editing of a cover page. Screenshots from Photoshop were included that demonstrate edits made to a cover page design. The screenshots give a view into the photo editing process used for a cover page layout.
The documentary title "BBC: Behind the Scenes" was consistently displayed across the documentary's opening titles, newspaper advertisement, and radio advertisement to clearly link the three media products. The same person provided the voiceover for the documentary and radio advertisement. The radio advertisement also included clips from interviews in the documentary. The campaign slogan "See what its like to sit on the sofa" was used on the newspaper advertisement and in the radio advertisement. While the radio advertisement briefly explained what the documentary was about, all of the media provided the same key information about the documentary title, broadcast channel, and time.
The document summarizes the steps taken to design a magazine cover in Photoshop. The designer cut out an image using the magic wand tool, chose complementary colors for the cover lines and title, positioned the main cover line in the center above the image, and added smaller cover lines and other details like the publication date, edition number, and barcode. The final cover included only 4 colors, spread out the cover lines without overlapping the image, and used formatting like drop shadows and boxes to make elements like the title and featured lines stand out.
Our documentary follows the typical conventions of real media products by including archive footage and a voiceover narration. When filming interviews, we considered the mise-en-scene and framed the shots using the rule of thirds. However, some shots broke conventions by having the subject look out of frame. We included basic graphics with a font similar to BBC products to inform viewers of titles and names. The documentary also followed a linear structure over its short runtime.
This document summarizes the responses to a documentary questionnaire given to 30 people. It shows that comedies are the most popular TV genre while documentaries are less so. Most people watch TV in the evenings and BBC1 is one of the most watched channels, indicating an audience for a BBC documentary. Two-thirds of respondents expressed interest in a documentary about the BBC. Susannah Reid and Bill Turnbull emerged as the most popular news presenters.
The documentary examines the marketing of musician Meatloaf and how celebrities can influence audiences. It uses a non-linear structure and interviews Meatloaf as well as others in the music industry. A variety of camera techniques, editing styles, archive footage, and graphics are employed to keep the documentary interesting while exploring the themes of marketing and audience manipulation in the music world.
The documentary profiles Joel Tron, a man heavily modified through body piercings and tattoos. It begins by focusing on Joel's shocking appearance without context, potentially eliciting judgment from viewers. However, as Joel discusses his life and motivations for modifying his body as a form of self-expression and art, viewers begin to see him as a complex person rather than just his abnormal appearance. Through creative camerawork and editing that mirrors Joel's unconventionality, the film provides insight into Joel's worldview and happiness with his heavily modified identity by the end.
The document summarizes audience feedback from questionnaires about a documentary. The feedback showed that the documentary was rated highly for being informative, entertaining, and having good technical quality, as it received mostly 4s or 5s out of 5 in those categories. The feedback was more mixed for how eye-catching and how well it obeyed typical documentary conventions the documentary was, as different parts of the audience found different sections more or less interesting or conventional. The creator thinks asking other media students for feedback would provide more detailed and constructive criticism.
The document contains Photoshop screenshots showing editing of a cover page. Screenshots from Photoshop were included that demonstrate edits made to a cover page design. The screenshots give a view into the photo editing process used for a cover page layout.
The documentary title "BBC: Behind the Scenes" was consistently displayed across the documentary's opening titles, newspaper advertisement, and radio advertisement to clearly link the three media products. The same person provided the voiceover for the documentary and radio advertisement. The radio advertisement also included clips from interviews in the documentary. The campaign slogan "See what its like to sit on the sofa" was used on the newspaper advertisement and in the radio advertisement. While the radio advertisement briefly explained what the documentary was about, all of the media provided the same key information about the documentary title, broadcast channel, and time.
The document summarizes the steps taken to design a magazine cover in Photoshop. The designer cut out an image using the magic wand tool, chose complementary colors for the cover lines and title, positioned the main cover line in the center above the image, and added smaller cover lines and other details like the publication date, edition number, and barcode. The final cover included only 4 colors, spread out the cover lines without overlapping the image, and used formatting like drop shadows and boxes to make elements like the title and featured lines stand out.
Our documentary follows the typical conventions of real media products by including archive footage and a voiceover narration. When filming interviews, we considered the mise-en-scene and framed the shots using the rule of thirds. However, some shots broke conventions by having the subject look out of frame. We included basic graphics with a font similar to BBC products to inform viewers of titles and names. The documentary also followed a linear structure over its short runtime.
This document summarizes the responses to a documentary questionnaire given to 30 people. It shows that comedies are the most popular TV genre while documentaries are less so. Most people watch TV in the evenings and BBC1 is one of the most watched channels, indicating an audience for a BBC documentary. Two-thirds of respondents expressed interest in a documentary about the BBC. Susannah Reid and Bill Turnbull emerged as the most popular news presenters.
The documentary examines the marketing of musician Meatloaf and how celebrities can influence audiences. It uses a non-linear structure and interviews Meatloaf as well as others in the music industry. A variety of camera techniques, editing styles, archive footage, and graphics are employed to keep the documentary interesting while exploring the themes of marketing and audience manipulation in the music world.
The documentary summarizes the making of the film Jaws, focusing on the challenges faced during production. Interviews with the cast and crew discuss how the film started as a novel and became a blockbuster, changing Hollywood. Problems included technical issues creating the mechanical shark prop and an actress breaking a rib during filming. Despite difficulties, the documentary shows how the film was ultimately a massive success despite initial doubts during production.
Vibe Magazine is a music and entertainment magazine founded in 1993 that features R&B and hip-hop artists. It publishes every other month and costs $3.99. Q Magazine focuses on modern rock music and has been publishing monthly since 1986 for £3.75. Both magazines use only a few colors on the cover and contents page for visual appeal. The covers catch readers' eyes with large mastheads and eye-catching cover models. Contents pages list articles in columns with images and minimal text. Double page spreads feature large central images relating to the article alongside columns of text.
The photographer Beth Whitehead has scheduled a photo shoot on November 20th from 11:15am to 12:15pm. The shoot is for the cover of Beat magazine and will feature an upcoming young black rap artist. The shoot will take place at location PA16 with the meeting point being Wicked Cafe. The subject will wear a snapback, gilet, jacket, t-shirt, jeans and Vans and have short hair. Beth Whitehead will bring a Canon 1100D and be assisted by Florence Walker.
This documentary will provide a behind-the-scenes look at the BBC by interviewing staff from presenters to catering at the BBC's Media City facility in Salford Quays. Primary research will involve arranging interviews with Susanna Reid, Bill Turnbull and other staff, and determining filming locations and logistics. Secondary research will cover the history of the BBC's move to Salford, staffing levels and costs, viewership data, and equipment expenses. The narrative will be non-linear and consist of interviews, news reports, cutaway shots, music, and actual footage. Required resources include a video camera, transportation, and interview questions.
The document discusses various technologies the student learned about through constructing their product. They used a computer to upload photos, a USB lead, and card reader. With a digital SLR camera, they learned shutter speed settings for different shoots and lighting setups. Quark was used to create pages with guides, columns, and drop caps. Photoshop taught photo editing, selection tools, and front cover design. Blogging involved posting slides and images. A mobile phone and camera captured concert photos for assignments.
Vibe Magazine focuses on R&B and hip-hop music artists and entertainers. The front cover features a large masthead and eye-catching colors, with a medium shot of the cover model making eye contact. Inside, articles use minimal colors and relevant images, with column writing and page numbers. Double page spreads have large central images of artists and pull quotes in bold text.
Q Magazine reviews modern rock music across genres and ages. The front cover has a large masthead and eye contact from the cover model without text over their face. Inside, images link to main articles, with column writing, page numbers, and subheadings separating categories of reviews. Double page spreads feature large central images of artists and drop
The documentary "Picturing Punk" focuses on photographer Bob Gruen and charts his journey through the 1970s-1980s music scene. It includes interviews with artists like Blondie and Iggy Pop about the themes of photography, rock music, and fashion during that era. The documentary has a linear narrative structure told from Gruen's perspective. It utilizes archive photos and footage as well as talking head interviews with a shallow depth of field. The mise-en-scene considers the clothing and lighting used during the interviews to represent the personalities of the artists. Non-diegetic music plays in the background to accompany the dialogue.
This document provides details on a planned documentary about behind the scenes at the BBC. It will film interviews at the BBC's flagship building in Media City, Salford Quays. The documentary aims to interview presenters like Susanna Reid and Bill Turnbull, as well as camera operators, editors, and catering and security staff. It will have a non-linear narrative structure made up of interviews and footage. Resources needed include a video camera, transportation, and interview questions. The target audience is ages 25 and up.
The document appears to be a collection of 15 appendices summarizing various topics. Each appendix includes an introduction to the topic, some key details, and a conclusion. The topics covered include the history of cell phones, dreams, cars, fast food restaurants, pets, vampires, video games, noise pollution, computers, reasons students cheat, a journey to New York City, and a first day at a new college and new job.
Codes and conventions of newspaper advertisementsbethwhitehead95
Newspaper advertisements have specific codes and conventions - they must be A4 landscape format, include a dominant image to convey meaning, use a witty slogan to explain the image, and provide scheduling details like day, date and time in colored text with the channel logo prominently displayed.
TV schedules are broken into 3 segments: daytime, primetime, and watershed. Daytime shows target unemployed people, late shifts workers, and children. Primetime shows have the largest family audience. Watershed shows after 9pm can contain explicit content suitable for adults and teenagers. The most popular TV genres are soaps, news, and reality shows. Different channels target specific age demographics: BBC One targets a broad audience, BBC Two targets 35-54, ITV families, Channel 4 16-34, and Channel 5 targets 25-35 unlike BBC Two. Channels 4 and 5 import more programs to attract more varied audiences. A watershed is usually 9pm, when explicit content can air. Strategies like pre-
The document discusses the various media technologies used at different stages of creating a documentary project. Adobe Premiere Pro was used to edit video clips, add sound, adjust audio levels, and apply effects. Photoshop was utilized to design a newspaper advertisement. Blogger hosted documents, photos and videos related to the media work. A Sony HD camera and tripod captured quality footage, while a clip mic recorded clear interviews. Tagul created an interactive tag cloud with information. Prezi and PowerPoint/SlideShare helped present research, while YouTube shared the final documentary and provided archive footage.
There are 7 types of documentaries: docusoaps, reality TV, fly on the wall, mixed, self reflective, docudrama, and fully narrated. Docusoaps follow individuals or groups over a long period of time, like Airport or Educating Yorkshire. Reality TV shows real life drama for entertainment and information. Fly on the wall documentaries film subjects unaware they are being filmed. Mixed documentaries use interviews, footage, and narration to tell a story. Self reflective documentaries have subjects acknowledge the camera directly. Docudramas reconstruct past events. Fully narrated documentaries have narration throughout to explain the footage.
The document outlines conventions for radio trailers, including using a 30-40 second length, voiceovers that narrate the program and ask thought-provoking questions, and including clips from the program and dynamic editing. It also notes voiceovers usually get louder in the middle and fade out at the end, and that trailers typically include the time, date, channel and a strap line to identify the program for listeners.
The BBC moved 850 staff from London to Salford in 2011 at a cost of £11 million to cover relocation expenses. Staff were given financial incentives worth 10% of their salary to encourage relocation. While the BBC claimed benefits like improved productions and reputation from the move, it was criticized for excessive relocation payments like £150,000 to buy a £1 million home. The National Audit Office also said the BBC's recording of exceptions for higher payments was inadequate. The BBC spent £2 million on flights between Manchester and London in the first two years after the move.
The documentary uses a mixture of conventions including archive footage, interviews, and voiceovers. It focuses on the themes of PlayStation gaming and how Lara Croft became a virtual sex icon. The narrative has a single storyline that is non-linear and closed. Camera work includes rule of thirds framing in interviews and handheld shots to engage viewers. Chroma key is used to edit footage into interviews. Sound includes a voiceover and gaming music. Frequent cutting is used in editing along with fast motion. Archive material such as gaming footage and advertisements is featured. Graphics are simple and fit for purpose.
The documentary examines the themes of religion, youth, and influence through the story of three girls who killed a nun. It has a voiceover narration and uses a linear structure to tell the story from beginning to end, including the investigation and conclusion. Various camera techniques were used, including talking head interviews following the rule of thirds. Religious symbols were featured as a binary opposition to examine the theme of religion. Sound effects like church bells were incorporated alongside translations of Italian interviews. Archive materials such as police reports and newspapers were also included with narration.
The documentary summarizes the making of the film Jaws, focusing on the challenges faced during production. Interviews with the cast and crew discuss how the film started as a book and became hugely successful, changing Hollywood. Problems included technical issues creating the mechanical shark prop and an actress breaking a rib during filming. Despite difficulties, the documentary shows how the film was ultimately a massive success despite initial doubts during production.
This document outlines various types of footage and sound used in documentaries. The main footage is roll footage which contains interviews that should follow rules of composition. B-roll footage includes supplemental shots like locations, actions, and close-ups. Archive footage comes from external sources like YouTube and depicts past events. Still images are used similarly to b-roll but without motion. Voiceover narration involves spoken commentary over footage or images, while non-diegetic music matches the emotional tone of scenes. Other conventions include introductions, titles, talking heads, structure, reconstruction, and various interview and graphic techniques.
This document provides details for a mixed documentary about behind the scenes at the BBC, including interviews with presenters Susana Reid and Bill Turnbull as well as camera, editing, and other staff. The documentary will film at BBC's Media City building in Salford Quays and include archived news reports and music from bands like The 1975. It will have a non-linear narrative structure composed of interviews and archive footage. Content will include interviews, news reports, stylized shots, and music, and resource requirements are one video camera, transportation, and scripted interview questions.
The documentary will provide a behind-the-scenes look at the BBC through interviews with presenters like Susana Reid and Bill Turnbull along with other staff filmed at the BBC's Media City building in Salford Quays. Archive news footage and music from bands like The 1975 will accompany the interviews to give viewers insight into the people and process behind BBC programming. The narrative will use a non-linear structure to compile different interviews and materials without a single story.
The documentary summarizes the making of the film Jaws, focusing on the challenges faced during production. Interviews with the cast and crew discuss how the film started as a novel and became a blockbuster, changing Hollywood. Problems included technical issues creating the mechanical shark prop and an actress breaking a rib during filming. Despite difficulties, the documentary shows how the film was ultimately a massive success despite initial doubts during production.
Vibe Magazine is a music and entertainment magazine founded in 1993 that features R&B and hip-hop artists. It publishes every other month and costs $3.99. Q Magazine focuses on modern rock music and has been publishing monthly since 1986 for £3.75. Both magazines use only a few colors on the cover and contents page for visual appeal. The covers catch readers' eyes with large mastheads and eye-catching cover models. Contents pages list articles in columns with images and minimal text. Double page spreads feature large central images relating to the article alongside columns of text.
The photographer Beth Whitehead has scheduled a photo shoot on November 20th from 11:15am to 12:15pm. The shoot is for the cover of Beat magazine and will feature an upcoming young black rap artist. The shoot will take place at location PA16 with the meeting point being Wicked Cafe. The subject will wear a snapback, gilet, jacket, t-shirt, jeans and Vans and have short hair. Beth Whitehead will bring a Canon 1100D and be assisted by Florence Walker.
This documentary will provide a behind-the-scenes look at the BBC by interviewing staff from presenters to catering at the BBC's Media City facility in Salford Quays. Primary research will involve arranging interviews with Susanna Reid, Bill Turnbull and other staff, and determining filming locations and logistics. Secondary research will cover the history of the BBC's move to Salford, staffing levels and costs, viewership data, and equipment expenses. The narrative will be non-linear and consist of interviews, news reports, cutaway shots, music, and actual footage. Required resources include a video camera, transportation, and interview questions.
The document discusses various technologies the student learned about through constructing their product. They used a computer to upload photos, a USB lead, and card reader. With a digital SLR camera, they learned shutter speed settings for different shoots and lighting setups. Quark was used to create pages with guides, columns, and drop caps. Photoshop taught photo editing, selection tools, and front cover design. Blogging involved posting slides and images. A mobile phone and camera captured concert photos for assignments.
Vibe Magazine focuses on R&B and hip-hop music artists and entertainers. The front cover features a large masthead and eye-catching colors, with a medium shot of the cover model making eye contact. Inside, articles use minimal colors and relevant images, with column writing and page numbers. Double page spreads have large central images of artists and pull quotes in bold text.
Q Magazine reviews modern rock music across genres and ages. The front cover has a large masthead and eye contact from the cover model without text over their face. Inside, images link to main articles, with column writing, page numbers, and subheadings separating categories of reviews. Double page spreads feature large central images of artists and drop
The documentary "Picturing Punk" focuses on photographer Bob Gruen and charts his journey through the 1970s-1980s music scene. It includes interviews with artists like Blondie and Iggy Pop about the themes of photography, rock music, and fashion during that era. The documentary has a linear narrative structure told from Gruen's perspective. It utilizes archive photos and footage as well as talking head interviews with a shallow depth of field. The mise-en-scene considers the clothing and lighting used during the interviews to represent the personalities of the artists. Non-diegetic music plays in the background to accompany the dialogue.
This document provides details on a planned documentary about behind the scenes at the BBC. It will film interviews at the BBC's flagship building in Media City, Salford Quays. The documentary aims to interview presenters like Susanna Reid and Bill Turnbull, as well as camera operators, editors, and catering and security staff. It will have a non-linear narrative structure made up of interviews and footage. Resources needed include a video camera, transportation, and interview questions. The target audience is ages 25 and up.
The document appears to be a collection of 15 appendices summarizing various topics. Each appendix includes an introduction to the topic, some key details, and a conclusion. The topics covered include the history of cell phones, dreams, cars, fast food restaurants, pets, vampires, video games, noise pollution, computers, reasons students cheat, a journey to New York City, and a first day at a new college and new job.
Codes and conventions of newspaper advertisementsbethwhitehead95
Newspaper advertisements have specific codes and conventions - they must be A4 landscape format, include a dominant image to convey meaning, use a witty slogan to explain the image, and provide scheduling details like day, date and time in colored text with the channel logo prominently displayed.
TV schedules are broken into 3 segments: daytime, primetime, and watershed. Daytime shows target unemployed people, late shifts workers, and children. Primetime shows have the largest family audience. Watershed shows after 9pm can contain explicit content suitable for adults and teenagers. The most popular TV genres are soaps, news, and reality shows. Different channels target specific age demographics: BBC One targets a broad audience, BBC Two targets 35-54, ITV families, Channel 4 16-34, and Channel 5 targets 25-35 unlike BBC Two. Channels 4 and 5 import more programs to attract more varied audiences. A watershed is usually 9pm, when explicit content can air. Strategies like pre-
The document discusses the various media technologies used at different stages of creating a documentary project. Adobe Premiere Pro was used to edit video clips, add sound, adjust audio levels, and apply effects. Photoshop was utilized to design a newspaper advertisement. Blogger hosted documents, photos and videos related to the media work. A Sony HD camera and tripod captured quality footage, while a clip mic recorded clear interviews. Tagul created an interactive tag cloud with information. Prezi and PowerPoint/SlideShare helped present research, while YouTube shared the final documentary and provided archive footage.
There are 7 types of documentaries: docusoaps, reality TV, fly on the wall, mixed, self reflective, docudrama, and fully narrated. Docusoaps follow individuals or groups over a long period of time, like Airport or Educating Yorkshire. Reality TV shows real life drama for entertainment and information. Fly on the wall documentaries film subjects unaware they are being filmed. Mixed documentaries use interviews, footage, and narration to tell a story. Self reflective documentaries have subjects acknowledge the camera directly. Docudramas reconstruct past events. Fully narrated documentaries have narration throughout to explain the footage.
The document outlines conventions for radio trailers, including using a 30-40 second length, voiceovers that narrate the program and ask thought-provoking questions, and including clips from the program and dynamic editing. It also notes voiceovers usually get louder in the middle and fade out at the end, and that trailers typically include the time, date, channel and a strap line to identify the program for listeners.
The BBC moved 850 staff from London to Salford in 2011 at a cost of £11 million to cover relocation expenses. Staff were given financial incentives worth 10% of their salary to encourage relocation. While the BBC claimed benefits like improved productions and reputation from the move, it was criticized for excessive relocation payments like £150,000 to buy a £1 million home. The National Audit Office also said the BBC's recording of exceptions for higher payments was inadequate. The BBC spent £2 million on flights between Manchester and London in the first two years after the move.
The documentary uses a mixture of conventions including archive footage, interviews, and voiceovers. It focuses on the themes of PlayStation gaming and how Lara Croft became a virtual sex icon. The narrative has a single storyline that is non-linear and closed. Camera work includes rule of thirds framing in interviews and handheld shots to engage viewers. Chroma key is used to edit footage into interviews. Sound includes a voiceover and gaming music. Frequent cutting is used in editing along with fast motion. Archive material such as gaming footage and advertisements is featured. Graphics are simple and fit for purpose.
The documentary examines the themes of religion, youth, and influence through the story of three girls who killed a nun. It has a voiceover narration and uses a linear structure to tell the story from beginning to end, including the investigation and conclusion. Various camera techniques were used, including talking head interviews following the rule of thirds. Religious symbols were featured as a binary opposition to examine the theme of religion. Sound effects like church bells were incorporated alongside translations of Italian interviews. Archive materials such as police reports and newspapers were also included with narration.
The documentary summarizes the making of the film Jaws, focusing on the challenges faced during production. Interviews with the cast and crew discuss how the film started as a book and became hugely successful, changing Hollywood. Problems included technical issues creating the mechanical shark prop and an actress breaking a rib during filming. Despite difficulties, the documentary shows how the film was ultimately a massive success despite initial doubts during production.
This document outlines various types of footage and sound used in documentaries. The main footage is roll footage which contains interviews that should follow rules of composition. B-roll footage includes supplemental shots like locations, actions, and close-ups. Archive footage comes from external sources like YouTube and depicts past events. Still images are used similarly to b-roll but without motion. Voiceover narration involves spoken commentary over footage or images, while non-diegetic music matches the emotional tone of scenes. Other conventions include introductions, titles, talking heads, structure, reconstruction, and various interview and graphic techniques.
This document provides details for a mixed documentary about behind the scenes at the BBC, including interviews with presenters Susana Reid and Bill Turnbull as well as camera, editing, and other staff. The documentary will film at BBC's Media City building in Salford Quays and include archived news reports and music from bands like The 1975. It will have a non-linear narrative structure composed of interviews and archive footage. Content will include interviews, news reports, stylized shots, and music, and resource requirements are one video camera, transportation, and scripted interview questions.
The documentary will provide a behind-the-scenes look at the BBC through interviews with presenters like Susana Reid and Bill Turnbull along with other staff filmed at the BBC's Media City building in Salford Quays. Archive news footage and music from bands like The 1975 will accompany the interviews to give viewers insight into the people and process behind BBC programming. The narrative will use a non-linear structure to compile different interviews and materials without a single story.
The document describes the process of laying out and designing a magazine contents page in Quark. It discusses drawing a grey box for the background to match the cover, using the same black title font and adding a drop shadow. It also describes splitting the contents into three columns with boxed subtitles, using larger page numbers, adding a red box and outline to images, and including an editor's note about the design choices.