Prop List
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The document is a prop list for a media production group called Merland Rise, listing group members Keir Speirs, Feargus Bracken, and Bethany Vaughan. It details the props gathered by each group member, including a gun, phone, glass, and drink gathered by Bethany Vaughan for a pub scene, and costumes for characters Maximillian, Shannon, and James. It also lists equipment like a boom pole for lighting and extras for the pub interior scene.
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Prop list
The document is a prop list for a media production group called Merland Rise, listing group members Keir Speirs, Feargus Bracken, and Bethany Vaughan. It details the props gathered by each group member, including a gun, phone, glass, and drink gathered by Bethany Vaughan for a pub scene, and costumes for characters Maximillian, Shannon, and James gathered by Feargus Bracken, Bethany Vaughan, and Keir Speirs respectively. An equipment item of a boom pole for lighting is also listed under Feargus Bracken, along with other props of a sports bag gathered by Keir Speirs and a picture of Shannon gathered by Bethany Vaughan
Production log
This document contains planning and research materials for a media studies assignment to create a trailer for a new soap opera. It includes:
1. The aims and objectives of the assignment, which is to create a 45 second to 1 minute 30 second trailer for a new soap opera.
2. Research on existing soap operas like EastEnders and Coronation Street to identify codes and conventions of the genre. This includes analyzing promotional trailers and episodes.
3. Planning documents like production schedules, roles of the director and producer, and research on broadcasting institutions.
The document demonstrates thorough planning and research on soap opera genres and conventions to inform the creation of an original trailer that will appeal to both male and female
Magazine mind map new
This document outlines the planning and research for a magazine front cover about soap operas. It discusses the history of TV magazines, ideas for the magazine's masthead, main headline, images, strapline, price, promotions, social media presence, and the software that will be used to design the cover. Research was conducted on existing magazines for inspiration and conventions that could be incorporated into the new publication. Photoshop will be used to design the cover and incorporate photos, text, and stylistic elements.
Prop List
This document is a prop list for a media production called "The Avenue" created by students Dayle Latham, Nikita Kanda, and Harriet O'Toole. It assigns the gathering of props like cigarettes, glasses, coats, makeup, knives, dresses, and balloons to the group members for their project.
Locations & Pictures
This document outlines three potential filming locations for a student media project:
1) Beth's house in West Ewell, which would be used to film an establishing shot of the main characters receiving a shocking text message.
2) Outside Beth's house, where the antagonist would be seen cocking a gun outside the window.
3) A local pub, where establishing shots of the community would be filmed, as well as a confrontation scene between the main character and antagonist. Permission would need to be obtained to film at both the house and pub. The pub was chosen to represent community, while the house aims to make the characters more relatable.
Magazine textual analysis task
This document analyzes conventions used on the covers of soap opera magazines. It discusses elements like the masthead, main image, web address, headlines, cover lines, and strapline. Specific magazines analyzed include "What's on TV" and "Inside Soap". Elements the author intends to replicate for their own magazine cover include prominent images, eye-catching headlines in central positions, and bold mastheads and strap lines to brand the magazine and stand out to readers.
Script
This document contains a script for a television production titled "Surrey Downs". It includes 24 scenes with descriptions of characters, camera shots, angles, and soundtrack details. The script opens with scenic shots of Surrey Downs and a pub, then introduces the character Dwane getting ready in front of a mirror with blood on his hands. Subsequent scenes depict a couple on a sofa and a man watching them as a knife falls on the floor. Later scenes show characters on their phone receiving a message from "Abbie" and include the text "Who killed Abbie?" at the end.
Locations & pictures
The document discusses three key locations for shooting a soap opera-style trailer:
1) The Jockey pub in an urban area, which will be the central meeting place and establish the working class setting. Extreme close-ups of the pub name will set an ironic tone.
2) Harriet's house in Lower Sunbury, where establishing shots from different angles can show the distance between Harriet and her new boyfriend as they get ready separately.
3) The streets of Lower Sunbury, where tracking and foot shots can capture the new boyfriend and blonde character walking together, establishing their relationship. Additional shots from within a moving car are also planned.
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Prop list
The document is a prop list for a media production group called Merland Rise, listing group members Keir Speirs, Feargus Bracken, and Bethany Vaughan. It details the props gathered by each group member, including a gun, phone, glass, and drink gathered by Bethany Vaughan for a pub scene, and costumes for characters Maximillian, Shannon, and James gathered by Feargus Bracken, Bethany Vaughan, and Keir Speirs respectively. An equipment item of a boom pole for lighting is also listed under Feargus Bracken, along with other props of a sports bag gathered by Keir Speirs and a picture of Shannon gathered by Bethany Vaughan
Production log
This document contains planning and research materials for a media studies assignment to create a trailer for a new soap opera. It includes:
1. The aims and objectives of the assignment, which is to create a 45 second to 1 minute 30 second trailer for a new soap opera.
2. Research on existing soap operas like EastEnders and Coronation Street to identify codes and conventions of the genre. This includes analyzing promotional trailers and episodes.
3. Planning documents like production schedules, roles of the director and producer, and research on broadcasting institutions.
The document demonstrates thorough planning and research on soap opera genres and conventions to inform the creation of an original trailer that will appeal to both male and female
Magazine mind map new
This document outlines the planning and research for a magazine front cover about soap operas. It discusses the history of TV magazines, ideas for the magazine's masthead, main headline, images, strapline, price, promotions, social media presence, and the software that will be used to design the cover. Research was conducted on existing magazines for inspiration and conventions that could be incorporated into the new publication. Photoshop will be used to design the cover and incorporate photos, text, and stylistic elements.
Prop List
This document is a prop list for a media production called "The Avenue" created by students Dayle Latham, Nikita Kanda, and Harriet O'Toole. It assigns the gathering of props like cigarettes, glasses, coats, makeup, knives, dresses, and balloons to the group members for their project.
Locations & Pictures
This document outlines three potential filming locations for a student media project:
1) Beth's house in West Ewell, which would be used to film an establishing shot of the main characters receiving a shocking text message.
2) Outside Beth's house, where the antagonist would be seen cocking a gun outside the window.
3) A local pub, where establishing shots of the community would be filmed, as well as a confrontation scene between the main character and antagonist. Permission would need to be obtained to film at both the house and pub. The pub was chosen to represent community, while the house aims to make the characters more relatable.
Magazine textual analysis task
This document analyzes conventions used on the covers of soap opera magazines. It discusses elements like the masthead, main image, web address, headlines, cover lines, and strapline. Specific magazines analyzed include "What's on TV" and "Inside Soap". Elements the author intends to replicate for their own magazine cover include prominent images, eye-catching headlines in central positions, and bold mastheads and strap lines to brand the magazine and stand out to readers.
Script
This document contains a script for a television production titled "Surrey Downs". It includes 24 scenes with descriptions of characters, camera shots, angles, and soundtrack details. The script opens with scenic shots of Surrey Downs and a pub, then introduces the character Dwane getting ready in front of a mirror with blood on his hands. Subsequent scenes depict a couple on a sofa and a man watching them as a knife falls on the floor. Later scenes show characters on their phone receiving a message from "Abbie" and include the text "Who killed Abbie?" at the end.
Locations & pictures
The document discusses three key locations for shooting a soap opera-style trailer:
1) The Jockey pub in an urban area, which will be the central meeting place and establish the working class setting. Extreme close-ups of the pub name will set an ironic tone.
2) Harriet's house in Lower Sunbury, where establishing shots from different angles can show the distance between Harriet and her new boyfriend as they get ready separately.
3) The streets of Lower Sunbury, where tracking and foot shots can capture the new boyfriend and blonde character walking together, establishing their relationship. Additional shots from within a moving car are also planned.
Magazine mind map
1) The document provides details on the planning and research for a TV magazine front cover project, including inspiration from the magazine Inside Soap.
2) Key aspects that will be included are masthead ideas, headline ideas, needed images, language style, price, puff promotion, and social media synergy.
3) Additional steps include purchasing Inside Soap, taking original photos with permission, choosing fonts and colors, and using Adobe Photoshop to create the cover.
Poster Textual Analysis
The document analyzes several soap opera posters and identifies techniques they use to attract audiences. It discusses how the EastEnders poster uses dark colors and ambiguous language like "Change" and "Forever" to suggest impending doom. The Hollyoaks poster also uses threatening language around "change" to hype dramatic storylines fans enjoy. An analyzed wedding cake image for another soap conveys a sense of shock and betrayal through its composition. Social media integration, logos indicating where to watch, and moody visual filters are also highlighted as effective audience-building devices.
Storyboard
This storyboard contains 24 shots detailing scenes from the first episode of a new soap opera called "Surrey Downs". The shots establish the rural pub setting, find a body covered by a sheet, show a man putting on makeup and discovering his hands covered in blood, depict an interaction between a couple later joined by another person, and end with a woman reading a text about a character named Abbie's death. The storyboard uses camera angles, soundtrack cues, character details and timing to outline the key plot points and visuals for the episode's opening scenes.
L3 l4 -textual analysis of 2 soap opera trailers
The document provides an analysis of two soap opera trailers:
1) A Coronation Street trailer that uses upbeat music, establishing shots of the setting, and contrasts between happy and emergency service scenes to set up an impending disaster.
2) An EastEnders trailer styled as a western shootout between Kat and Alfie, using their costumes, gun sound effects, and shots of the working class setting and market to represent the conflict and drama between the characters.
The analysis evaluates strengths of both trailers, noting they effectively use music, setting, sounds, and lighting to represent characters and mood, build tension, and relate to working class audiences.
Permission for pub template
The students from St. Andrew's Catholic School are requesting permission to film on November 5th at The Eight Bells Public House in Ewell, Surrey for their A Level media studies coursework. They plan to film in the bar area before opening hours to cause minimal disruption. The footage would be used in a fictional soap opera trailer for educational purposes only. The students promise their actors will behave professionally and not disturb the public or location.
The script
This document provides a 19 scene script summary for a film production titled "The Avenue". It lists the group members and their roles, and then outlines the action that occurs in each scene through shots of the main characters and locations. The scenes establish characters, relationships, and a dystopian setting before showing flashbacks and building tension as one of the main characters, Dayle, arrives at a party where the other characters are.
Production log
This document contains a production log for a candidate completing an Advanced Portfolio in Media Studies. It includes details of the planned soap opera trailer such as research conducted on soap opera codes and conventions, a textual analysis of existing soaps, and a production schedule. The candidate's brief is to create a 45 second to 1 minute 30 second trailer for a new soap opera on BBC Three that will appeal to both male and female audiences. Research included analyzing Coronation Street and Hollyoaks trailers and understanding how to promote content across multiple platforms. The production log demonstrates planning and research was conducted as required for the assessment objectives.
Harriet O'Toole - Textual Analysis
This document contains an analysis of two soap opera trailers by a media studies student. For trailer one, from EastEnders, the student notes the use of dialogue to indicate disagreement, and music to build tension. Settings like the Queen Vic pub are analyzed. For trailer two, from Hollyoaks, there is no dialogue but upbeat music and messy settings to depict rebellious teens. Technical elements like close-ups, eyeline matches, and camera movements are examined. The student concludes they would incorporate music, shots establishing relationships, and colors/actions implying conflict if creating their own soap opera trailer.
Nikita kanda textual analysis
This document contains an analysis of two soap opera trailers by a student named Nikita Kanda. The first trailer is for Eastenders and features the Jackson family returning to Albert Square. The analysis examines the verbal codes of the soundtrack linking to the family, and the non-verbal codes of lighting, setting, and character expressions. The second trailer is for Coronation Street and focuses on Shelly's wedding to Charlie. The analysis explores the ominous verbal codes of the soundtrack and dialogue, and the non-verbal codes of lighting, setting, costumes and character expressions that build tension around the wedding. The evaluation compares strengths between the trailers and aspects the student would repeat or exploit in their own work.
Ancillary product poster - analysis task new
This document analyzes soap opera marketing posters. It discusses how images, taglines, and social media integration are used to hint at dramatic plot developments and intrigue audiences. Images often feature characters in danger or conflict to suggest turmoil without revealing specifics. Taglines connote that something bad has happened or will be revealed. Including social media tags allows audiences to discuss theories online. The institution logo and channel information promote the brand and let viewers know where to watch. Overall, the posters leave audiences guessing through subtle cues in order to drive interest and viewership.
New l3 - l4 -textual analysis of 2 soap opera trailers - template
This document contains an analysis of two trailers for soap opera television shows. For the first Coronation Street trailer, the analysis notes the contrast between the happy soundtrack and scenes of emergency services, leaving the audience wondering what will happen. Character costumes and lighting are also examined. The second EastEnders trailer is described as having a scary soundtrack over deserted street scenes, establishing one character as threatening through angles, lighting and expressions. The analysis concludes by highlighting strengths of each trailer that could be repeated, such as the contrasting tones between scenes.
Meeting notes rotation fixed
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Shot list
This document provides a shot list for a student film production taking place on October 23rd, 2013 at St. Paul's Catholic College. It includes the cast, crew meeting time and location. It then lists 18 shots with descriptions of the camera position, shot type, and details of the camera movement and action for each shot. The shots involve various indoor and outdoor locations and follow characters at a pub, train station, street, and inside a car.
The script
This document provides a 19 scene script summary for a film production titled "The Avenue". It lists the group members and their roles, and then outlines the action that occurs in each scene through shots of the main characters and locations. The scenes establish characters, relationships, and a dystopian setting before showing flashbacks and building tension as one of the main characters, Dayle, arrives at a party where the other characters are.
Surrey county council letter of permission to film
This document is a permission letter from Surrey County Council granting St Paul's Catholic College permission to film on public highways in Sunbury-on-Thames, Surrey between October 22-23, 2013. The letter specifies the locations, times and dates approved for filming. It also lists additional terms and conditions for filming including requirements for traffic and pedestrian safety, public liability insurance, compliance with health and safety regulations, and returning the areas to their normal condition after filming.
Storyboard template
The storyboard establishes the setting of a pub where the main female protagonist slaps a male antagonist who was harassing her. It then shows the antagonist's angry reaction and others in the pub reacting in shock. Later scenes show the protagonist receiving threatening text messages from the antagonist. She becomes frightened and is comforted by her love interest while seeing the antagonist watching from outside. The storyboard ends with the antagonist holding a gun while looking menacingly at the camera.
How does your media product represent particular social groups?
The document summarizes the ways in which the magazine "PUNKED" represents the punk/rock genre and social groups through its visual imagery and content. Some key aspects included using younger models aged 18-25 to attract a younger audience, portraying the "bad boy" personality through aloof facial expressions and rebellious styles, and featuring modern hairstyles and fashion popular with younger punk/rock bands. The magazine aims to represent current trends within the genre while appealing to middle-class audiences.
Question 2
The document discusses how the media product, a magazine called PUNKED, represents the social group of punk/rock music fans. It does this through the imagery used, which features bands posing in ways that suggest rebellious and tough personalities stereotypical of the genre. Younger models than typical were used to attract a slightly younger audience. Fashion and hairstyles in the images also represent current trends within the younger punk/rock fan demographic. Photography techniques like mid shots highlight instruments to represent the musician profession. Clothing worn conforms to typical punk styles but appears high quality to attract a wider, middle class audience.
Font Styles
Bethany Vaughan evaluated several fonts for the masthead of her music magazine aimed at teenagers and young adults. She considered fonts such as "Colleged", "CAUTION", "Broken Glass", "Skratch Punk", and ultimately selected "BREAK IT" due to its easy readability, realistic shattered effect that conveyed rebelliousness, and similarity to the successful magazine KERRANG! which inspired her desired tone and style.
Storyboard
The storyboard establishes the setting of a pub where the main female protagonist slaps a male antagonist who was harassing her. It then shows the antagonist's angry reaction and others in the pub reacting in shock. Later scenes show the protagonist receiving threatening text messages from the antagonist. Her love interest comforts her as she becomes worried about being stalked. The storyboard ends with the antagonist outside the pub at night holding a gun.
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Magazine mind map
1) The document provides details on the planning and research for a TV magazine front cover project, including inspiration from the magazine Inside Soap.
2) Key aspects that will be included are masthead ideas, headline ideas, needed images, language style, price, puff promotion, and social media synergy.
3) Additional steps include purchasing Inside Soap, taking original photos with permission, choosing fonts and colors, and using Adobe Photoshop to create the cover.
Poster Textual Analysis
The document analyzes several soap opera posters and identifies techniques they use to attract audiences. It discusses how the EastEnders poster uses dark colors and ambiguous language like "Change" and "Forever" to suggest impending doom. The Hollyoaks poster also uses threatening language around "change" to hype dramatic storylines fans enjoy. An analyzed wedding cake image for another soap conveys a sense of shock and betrayal through its composition. Social media integration, logos indicating where to watch, and moody visual filters are also highlighted as effective audience-building devices.
Storyboard
This storyboard contains 24 shots detailing scenes from the first episode of a new soap opera called "Surrey Downs". The shots establish the rural pub setting, find a body covered by a sheet, show a man putting on makeup and discovering his hands covered in blood, depict an interaction between a couple later joined by another person, and end with a woman reading a text about a character named Abbie's death. The storyboard uses camera angles, soundtrack cues, character details and timing to outline the key plot points and visuals for the episode's opening scenes.
L3 l4 -textual analysis of 2 soap opera trailers
The document provides an analysis of two soap opera trailers:
1) A Coronation Street trailer that uses upbeat music, establishing shots of the setting, and contrasts between happy and emergency service scenes to set up an impending disaster.
2) An EastEnders trailer styled as a western shootout between Kat and Alfie, using their costumes, gun sound effects, and shots of the working class setting and market to represent the conflict and drama between the characters.
The analysis evaluates strengths of both trailers, noting they effectively use music, setting, sounds, and lighting to represent characters and mood, build tension, and relate to working class audiences.
Permission for pub template
The students from St. Andrew's Catholic School are requesting permission to film on November 5th at The Eight Bells Public House in Ewell, Surrey for their A Level media studies coursework. They plan to film in the bar area before opening hours to cause minimal disruption. The footage would be used in a fictional soap opera trailer for educational purposes only. The students promise their actors will behave professionally and not disturb the public or location.
The script
This document provides a 19 scene script summary for a film production titled "The Avenue". It lists the group members and their roles, and then outlines the action that occurs in each scene through shots of the main characters and locations. The scenes establish characters, relationships, and a dystopian setting before showing flashbacks and building tension as one of the main characters, Dayle, arrives at a party where the other characters are.
Production log
This document contains a production log for a candidate completing an Advanced Portfolio in Media Studies. It includes details of the planned soap opera trailer such as research conducted on soap opera codes and conventions, a textual analysis of existing soaps, and a production schedule. The candidate's brief is to create a 45 second to 1 minute 30 second trailer for a new soap opera on BBC Three that will appeal to both male and female audiences. Research included analyzing Coronation Street and Hollyoaks trailers and understanding how to promote content across multiple platforms. The production log demonstrates planning and research was conducted as required for the assessment objectives.
Harriet O'Toole - Textual Analysis
This document contains an analysis of two soap opera trailers by a media studies student. For trailer one, from EastEnders, the student notes the use of dialogue to indicate disagreement, and music to build tension. Settings like the Queen Vic pub are analyzed. For trailer two, from Hollyoaks, there is no dialogue but upbeat music and messy settings to depict rebellious teens. Technical elements like close-ups, eyeline matches, and camera movements are examined. The student concludes they would incorporate music, shots establishing relationships, and colors/actions implying conflict if creating their own soap opera trailer.
Nikita kanda textual analysis
This document contains an analysis of two soap opera trailers by a student named Nikita Kanda. The first trailer is for Eastenders and features the Jackson family returning to Albert Square. The analysis examines the verbal codes of the soundtrack linking to the family, and the non-verbal codes of lighting, setting, and character expressions. The second trailer is for Coronation Street and focuses on Shelly's wedding to Charlie. The analysis explores the ominous verbal codes of the soundtrack and dialogue, and the non-verbal codes of lighting, setting, costumes and character expressions that build tension around the wedding. The evaluation compares strengths between the trailers and aspects the student would repeat or exploit in their own work.
Ancillary product poster - analysis task new
This document analyzes soap opera marketing posters. It discusses how images, taglines, and social media integration are used to hint at dramatic plot developments and intrigue audiences. Images often feature characters in danger or conflict to suggest turmoil without revealing specifics. Taglines connote that something bad has happened or will be revealed. Including social media tags allows audiences to discuss theories online. The institution logo and channel information promote the brand and let viewers know where to watch. Overall, the posters leave audiences guessing through subtle cues in order to drive interest and viewership.
New l3 - l4 -textual analysis of 2 soap opera trailers - template
This document contains an analysis of two trailers for soap opera television shows. For the first Coronation Street trailer, the analysis notes the contrast between the happy soundtrack and scenes of emergency services, leaving the audience wondering what will happen. Character costumes and lighting are also examined. The second EastEnders trailer is described as having a scary soundtrack over deserted street scenes, establishing one character as threatening through angles, lighting and expressions. The analysis concludes by highlighting strengths of each trailer that could be repeated, such as the contrasting tones between scenes.
Meeting notes rotation fixed
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Shot list
This document provides a shot list for a student film production taking place on October 23rd, 2013 at St. Paul's Catholic College. It includes the cast, crew meeting time and location. It then lists 18 shots with descriptions of the camera position, shot type, and details of the camera movement and action for each shot. The shots involve various indoor and outdoor locations and follow characters at a pub, train station, street, and inside a car.
The script
This document provides a 19 scene script summary for a film production titled "The Avenue". It lists the group members and their roles, and then outlines the action that occurs in each scene through shots of the main characters and locations. The scenes establish characters, relationships, and a dystopian setting before showing flashbacks and building tension as one of the main characters, Dayle, arrives at a party where the other characters are.
Surrey county council letter of permission to film
This document is a permission letter from Surrey County Council granting St Paul's Catholic College permission to film on public highways in Sunbury-on-Thames, Surrey between October 22-23, 2013. The letter specifies the locations, times and dates approved for filming. It also lists additional terms and conditions for filming including requirements for traffic and pedestrian safety, public liability insurance, compliance with health and safety regulations, and returning the areas to their normal condition after filming.
Storyboard template
The storyboard establishes the setting of a pub where the main female protagonist slaps a male antagonist who was harassing her. It then shows the antagonist's angry reaction and others in the pub reacting in shock. Later scenes show the protagonist receiving threatening text messages from the antagonist. She becomes frightened and is comforted by her love interest while seeing the antagonist watching from outside. The storyboard ends with the antagonist holding a gun while looking menacingly at the camera.
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New l3 - l4 -textual analysis of 2 soap opera trailers - template
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Surrey county council letter of permission to film
Surrey county council letter of permission to film
More from bethanyvaughan
How does your media product represent particular social groups?
The document summarizes the ways in which the magazine "PUNKED" represents the punk/rock genre and social groups through its visual imagery and content. Some key aspects included using younger models aged 18-25 to attract a younger audience, portraying the "bad boy" personality through aloof facial expressions and rebellious styles, and featuring modern hairstyles and fashion popular with younger punk/rock bands. The magazine aims to represent current trends within the genre while appealing to middle-class audiences.
Question 2
The document discusses how the media product, a magazine called PUNKED, represents the social group of punk/rock music fans. It does this through the imagery used, which features bands posing in ways that suggest rebellious and tough personalities stereotypical of the genre. Younger models than typical were used to attract a slightly younger audience. Fashion and hairstyles in the images also represent current trends within the younger punk/rock fan demographic. Photography techniques like mid shots highlight instruments to represent the musician profession. Clothing worn conforms to typical punk styles but appears high quality to attract a wider, middle class audience.
Font Styles
Bethany Vaughan evaluated several fonts for the masthead of her music magazine aimed at teenagers and young adults. She considered fonts such as "Colleged", "CAUTION", "Broken Glass", "Skratch Punk", and ultimately selected "BREAK IT" due to its easy readability, realistic shattered effect that conveyed rebelliousness, and similarity to the successful magazine KERRANG! which inspired her desired tone and style.
Storyboard
The storyboard establishes the setting of a pub where the main female protagonist slaps a male antagonist who was harassing her. It then shows the antagonist's angry reaction and others in the pub reacting in shock. Later scenes show the protagonist receiving threatening text messages from the antagonist. Her love interest comforts her as she becomes worried about being stalked. The storyboard ends with the antagonist outside the pub at night holding a gun.
Magazine Textual Analysis
The document analyzes the front cover of a soap opera magazine. It summarizes the use of design elements like colors, images, headlines and text to attract readers and sensationalize stories. Key techniques identified include the use of bright colors, outlines, exclamation points, puffs and secondary images to make elements bold and eye-catching. Captions and headlines use language and punctuation to dramatize events and intrigue readers. The cover aims to create an entertaining yet consistent brand and attract an audience interested in gossip and drama.
Magazine Idea Development
This document is a mind map and research for a TV magazine front cover created by a student named Bethany Vaughan. It discusses inspiration from existing TV magazines, the target audience, ideas for magazine elements like the masthead, headlines, images and pricing. It covers conventions from analyzed magazines and concludes that the student needs to purchase sample magazines, arrange photography elements, and use Photoshop to design the magazine cover.
Script
This document contains the script for scenes 1-21 of a television production titled "Merland Rise". It provides details of each scene including characters, camera shots, dialogue, background music and sounds, and a brief description of the action in each scene. The script depicts an antagonistic interaction between characters Maximillian and Shannon in a pub and subsequent threatening texts and stalking behavior from Maximillian towards Shannon.
Photography Plan
The document outlines a photo shoot plan for a punk magazine. It will feature 17-18 year olds styled to look like punk band members, using props and clothing like skinny jeans and bandannas to convey the punk genre. Photos will include mid and full shots to show clothing, body language, and attitude. High key lighting and Photoshop will be used. Inspiration photos show rebellious, cool styles the photographer aims to achieve. Friends will model, styled with typical punk fashion, hair, and makeup. Photos will take place in a well-lit corridor against a white wall for quality natural light.
Production Plan
The document outlines the magazine production process for 'KERRANG' magazine. It begins with setting a publication date, usually the first Saturday of the month. This is followed by acquiring content through in-house writers and freelancers. The content is then sub-edited for accuracy and layout is designed on desktop publishing software. Proofreading occurs before filing to the printer. The printer prints and the magazine is distributed to retailers and readers. Producing a weekly magazine like 'KERRANG' requires working far in advance to research and acquire timely content that will appeal to their target young adult audience.
Prop list
Bethany Vaughan is creating a prop list for a punk magazine photoshoot. The list includes costumes of typical punk clothing that will reinforce the magazine's punk genre. It also notes the need to include pictures of both men and women to appeal to different genders, and that hair and skin will be styled to make the models look attractive and the magazine look professional. The equipment includes a Canon EOS 600D to take high quality photos that could be enlarged, along with a tripod. Headphones will also be used as a prop around a band member's neck to portray their rebelliousness and love of music.
Contents & DPS Analysis
This document analyzes the contents page and double page spread (DPS) of the magazine KERRANG!. It discusses the layout, design elements, and stylistic choices that appeal to readers and reinforce the magazine's rebellious brand identity. The large images, distressed fonts, and bold color scheme catch the eye of potential buyers. Subheadings help readers easily navigate to content of interest while maintaining an organized structure. Quotes and images are used to grab attention and encourage reading on. Overall, the technical design choices and codes work together to create an aesthetically pleasing yet edgy style befitting the genre of rock music covered in the magazine.
Questionnaire Evaluation
This document summarizes the results of a questionnaire about magazine preferences. It shows that most respondents were women aged 16-24. Music magazines were the most popular magazine type. The most appealing elements to include in a magazine were free MP3 downloads, top songs lists, and images of musicians. Based on the results, the author will create a punk music magazine with these elements, including free downloads and competitions in the cover lines to attract readers.
Mind Map
The document provides ideas for developing a magazine focused on punk music, including potential masthead names like "Smashed" and "Punked". It suggests colour schemes like black, white, and red. It also discusses establishing a consistent brand identity across social media, websites, and a house style. Potential straplines are proposed such as "In new music we trust" and "What you really want to hear". Story ideas include exclusive band interviews, competitions, reviews, and music news.
Mind Map
This document contains ideas for developing a magazine focused on punk music. It discusses potential masthead names, color scheme options including black, white, and red or black and red. It also covers establishing a consistent brand identity through social media handles, web addresses, and house style. Additionally, it proposes straplines like "In new music we trust" and "What you really want to hear" to position the magazine as promoting new artists rather than mainstream ones. Finally, it lists potential story ideas such as exclusive band interviews, competitions, reviews, and music news.
Mood Board
Bethany Vaughan created a mood board for a rock/punk pop music magazine. The mood board includes photos of bands and artists from those genres to attract teen and adult readers who identify with the musicians. It also features covers of mainstream music magazines targeted toward rock and punk pop fans that convey a rebellious attitude fitting for the genre. The magazine cover images provided inspiration for the style, colors, and front cover conventions for Bethany's proposed magazine.
Survey Monkey Evaluation
Bethany Vaughan conducted a survey to help design a new music magazine. Most respondents were young females who did not frequently buy magazines. Popular magazine types included gossip and music magazines published every 2 weeks or monthly. The survey found that alternative music was most popular. Respondents enjoyed exclusive interviews, free items, competitions and reviews. This information will help Vaughan design a fortnightly magazine focused on alternative artists that includes popular features like cover lines about top songs to attract a young female audience.
Audience Profile
The target audience for the punk rock magazine is people of all genders aged 14-25. This age group is associated with rebellion and the magazine will feature pop-punk and punk rock bands to appeal to younger and older readers within this demographic. The socio-economic needs of the target audience will mainly be students and unemployed people in the lower E economic group who will not have much disposable income, so the magazine price must reflect this. According to uses and gratifications theory, readers will identify with the cover stars and buy the magazine to learn more about bands they already like. The consistent brand identity will also provide a sense of reliability to the target audience as 'survivors' seeking entertainment according to Maslow's hierarchy of
Permission for Filming
The students from St. Andrew's Catholic School are requesting permission to film scenes for their A-Level media studies fictional soap opera trailer at The Eight Bells Public House in Ewell Village. They would film in the bar area before opening time on November 5th to minimize disruption. The letter stresses that the filming would be for educational purposes only and that the students will behave professionally and not disturb the location or any patrons. Contact information for their teacher, Mr. N Crafts, is provided if the pub needs to discuss the request further.
Timeline and Ideas
1) The document outlines the initial planning for a student film project titled "Merland Rise".
2) It includes a list of possible actors and actresses to play the roles of the creep, love interest, and main girl.
3) Locations that are suggested include one of the students' houses, a cafe, pub, or streets nearby.
4) Music ideas and notes on the plot are provided, involving a girl slapping a future stalker who later sends her creepy texts.
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Prop List
- 1. St. Andrew’s Catholic School Unit G324: Advanced Portfolio in Media Prop List Name of Production: Merland Rise Group Members (Full names): Keir Speirs Feargus Bracken Bethany Vaughan Prop Gathered by (Name of Group Member) Gun Feargus Phone Keir Glass (Pub Scene) Beth Drink Beth Make-up Feargus Maximillian costume - Black Feargus Jeans and marvel shirt and black jacket Shannon costume - Leggings and top Beth James costume – Jeans and a shirt Keir Boom Pole – Lighting ( For emergency , if need to film in dark) Feargus Sports bag Keir Picture of shannon Beth
- 2. Extras Extras for the pub interior – other group members.