Production experiments (5)
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The document describes the process of designing a magazine cover for a fishing magazine. The designer found an image of a man holding a fish to use as the cover. They added design elements like colored bars, a barcode, books, and fishing rods. Text was also added using similar colors and fonts to an existing magazine. In reflection, the designer plans to use similar fonts, real pictures, color schemes, and layouts as existing magazines for their final fishing magazine product.
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3. production experiments Visual
The document describes how the author recreated elements of a magazine cover for an assignment by finding similar images and fonts and using shape and text tools to replicate the original design. This included layering shapes to recreate a banner, coloring a font to match the original, and using the eraser tool and shapes behind text. For the final product, the author plans to include bright colors and varied fonts to attract readers, as well as angled subtitles on the front cover.
3. fmp production experiments
The document describes the process of several experiments conducted by the author. The first experiment involved designing a katana sword, where the author researched katana styles and drew a design in Sketchbook Pro featuring a serrated blade. The second experiment was designing a futuristic gun with a small universe chamber that increases the fire rate using gravity. The third experiment was designing a character where the author added details like creases and shading in Sketch on iOS to make the drawing appear 3D. The author reflects that elements from the sword, gun, and character experiments will be incorporated into a final graphic novel or trailer project.
Opie Evaluation
The document describes the tools used to create an "Opie Self Portrait", including the magnetic lasso tool to select parts of the body, pencil tool to add details and fill gaps, eraser to clean up mistakes, and paint bucket and color picker tools to fill areas and select colors. It notes the magnetic lasso tool was tricky to use and occasionally left gaps or locked onto the wrong area. The self portrait turned out well overall, though more detail could be added to the shirt next time, such as folds and creases.
Option 2 slide show
This document provides instructions for a tracing art project using common household items. Students are encouraged to trace the outlines of various objects like silverware, shoes, or bottle caps onto paper or cardboard and then color the tracings using crayons, markers, or colored pencils. The document shows two example projects where the artist overlapped traced outlines or arranged them in a thoughtful design. Students are invited to email pictures of their completed projects to the teacher.
Buildingmyheader
I found a font suited for an "Indie" magazine, erased the background and filled the letters to separate them from the black background. I then divided the font into individual squares using the line tool and filled different boxes with different colors to create my finished magazine header.
Fmp proposal
Abigail Long proposes creating a 6-page fanzine or pamphlet explaining how to summon demons in a comedic way. She will focus on visual design, humor, and references appealing to teenagers. To evaluate her work, Abigail will publish it online, conduct feedback questionnaires, and keep notes on revisions. Her goal is to improve her skills in visual design, writing, and receiving constructive criticism.
Fmp proposal
The student proposes creating a 6-page fanzine or pamphlet explaining how to summon demons in a comedic way. It will be split into sections with modern humor, pop culture references, and a blend of dark and informational aesthetics. Research will explore demon summoning depictions in media, memes, and fanzines for layout inspiration. Feedback will come from publishing online and surveying peers. The project aims to improve the student's visual skills, editing, humor writing, and ability to incorporate feedback into future work.
Context presentation
This document provides biographies of several people and notable websites that could provide inspiration for horror or supernatural-themed creative works. It describes Michael Schur as a TV producer and writer known for shows like The Office, Parks and Recreation, Brooklyn Nine-Nine, and The Good Place. John Mulaney is summarized as a stand-up comedian, actor, and writer known for his work on SNL and his stand-up specials. R.L. Stine is noted as a prolific children's horror author known for the Goosebumps series. Notable websites described include the SCP Foundation wiki for horror stories, Creepypasta for viral horror stories, and Welcome to Night Vale, a surreal
Recommended
3. production experiments Visual
The document describes how the author recreated elements of a magazine cover for an assignment by finding similar images and fonts and using shape and text tools to replicate the original design. This included layering shapes to recreate a banner, coloring a font to match the original, and using the eraser tool and shapes behind text. For the final product, the author plans to include bright colors and varied fonts to attract readers, as well as angled subtitles on the front cover.
3. fmp production experiments
The document describes the process of several experiments conducted by the author. The first experiment involved designing a katana sword, where the author researched katana styles and drew a design in Sketchbook Pro featuring a serrated blade. The second experiment was designing a futuristic gun with a small universe chamber that increases the fire rate using gravity. The third experiment was designing a character where the author added details like creases and shading in Sketch on iOS to make the drawing appear 3D. The author reflects that elements from the sword, gun, and character experiments will be incorporated into a final graphic novel or trailer project.
Opie Evaluation
The document describes the tools used to create an "Opie Self Portrait", including the magnetic lasso tool to select parts of the body, pencil tool to add details and fill gaps, eraser to clean up mistakes, and paint bucket and color picker tools to fill areas and select colors. It notes the magnetic lasso tool was tricky to use and occasionally left gaps or locked onto the wrong area. The self portrait turned out well overall, though more detail could be added to the shirt next time, such as folds and creases.
Option 2 slide show
This document provides instructions for a tracing art project using common household items. Students are encouraged to trace the outlines of various objects like silverware, shoes, or bottle caps onto paper or cardboard and then color the tracings using crayons, markers, or colored pencils. The document shows two example projects where the artist overlapped traced outlines or arranged them in a thoughtful design. Students are invited to email pictures of their completed projects to the teacher.
Buildingmyheader
I found a font suited for an "Indie" magazine, erased the background and filled the letters to separate them from the black background. I then divided the font into individual squares using the line tool and filled different boxes with different colors to create my finished magazine header.
Fmp proposal
Abigail Long proposes creating a 6-page fanzine or pamphlet explaining how to summon demons in a comedic way. She will focus on visual design, humor, and references appealing to teenagers. To evaluate her work, Abigail will publish it online, conduct feedback questionnaires, and keep notes on revisions. Her goal is to improve her skills in visual design, writing, and receiving constructive criticism.
Fmp proposal
The student proposes creating a 6-page fanzine or pamphlet explaining how to summon demons in a comedic way. It will be split into sections with modern humor, pop culture references, and a blend of dark and informational aesthetics. Research will explore demon summoning depictions in media, memes, and fanzines for layout inspiration. Feedback will come from publishing online and surveying peers. The project aims to improve the student's visual skills, editing, humor writing, and ability to incorporate feedback into future work.
Context presentation
This document provides biographies of several people and notable websites that could provide inspiration for horror or supernatural-themed creative works. It describes Michael Schur as a TV producer and writer known for shows like The Office, Parks and Recreation, Brooklyn Nine-Nine, and The Good Place. John Mulaney is summarized as a stand-up comedian, actor, and writer known for his work on SNL and his stand-up specials. R.L. Stine is noted as a prolific children's horror author known for the Goosebumps series. Notable websites described include the SCP Foundation wiki for horror stories, Creepypasta for viral horror stories, and Welcome to Night Vale, a surreal
Fmp pre proposal(1)
The document outlines a proposed fanzine project called "Informational fanzine on how to summon demons correctly, told in a comedic way." The creator enjoys writing and comedy and wants to combine those interests with their passion for the supernatural. They see this as a fun project that allows them to develop their writing and comedy skills while exploring supernatural creatures. The proposed tone is a dark comedy intended to be enjoyed rather than taken too seriously. Influences include TV shows, books, and comedians that blend the supernatural and comedy. The goal is for audiences to have fun rather than take the work too seriously.
Audio lecture
The document is a script for an audio horror story about a man named Jason who starts hearing strange whispers and ringing in his ears. During a therapy session, he recounts how the noises seemed to compel him to violently kill his wife Emma and her friend Dave. The therapist tries to get Jason to explain what the voices were saying to him and what led to the murders, but Jason is unable or unwilling to provide those details.
Audio lecture
Here is an evaluation of your audio drama project:
Research:
- Strengths: Gaining background knowledge on audio drama conventions and sound design techniques.
- Weaknesses: Could have explored a wider variety of examples for more inspiration.
- Improvements: Spending more time actively listening and analyzing different audio dramas.
Planning:
- Strengths: Developing a script and plan helped structure the project.
- Weaknesses: Sticking rigidly to plans can limit flexibility.
- Improvements: Allowing some room to deviate from plans if better ideas emerge.
Time Management:
- Strengths: Creating a schedule helped manage workload.
- We
3. research(2) (1)
Here are 10 pixelated redraws of the early additional drawings with colour and lighting effects for potential creatures in the video game:
1. A light blue manta ray-like creature with lights on its back that sticks to higher waters and isn't dangerous.
2. A see-through sea anemone-like creature with its inside glowing that floats close to the surface and isn't dangerous.
3. A slightly see-through jellyfish-like creature with lights on its head that resides deep in the ocean and is dangerous.
4. A creature inspired by eels and whales with lights across its whole body and tail that lurks deep in the ocean and is highly dangerous.
5. A see
3. research(2) (1)
Here are 10 pixelated redraws of the early additional drawings with colour and lighting effects for potential creatures in the video game:
1. A light blue manta ray-like creature with lights on its back that sticks to higher waters and isn't dangerous.
2. A see-through sea anemone-like creature with its inside glowing that floats close to the surface and isn't dangerous.
3. A slightly see-through jellyfish-like creature with lights on its head that resides deep in the ocean and is dangerous.
4. A creature inspired by eels and whales with lights across its whole body and tail that lurks deep in the ocean and is highly dangerous.
5. A see
Screen-Shots
The document contains screenshots from the process of designing and animating a jellyfish animation. There are screenshots of designs for the middle fish, coral designs, crystals, bubbles, and frames outlining the jellyfish animation. Additional screenshots show details for coloring and shading the jellyfish as well as designs for the background elements like rock walls and coral placements.
4.%20 pre production(1)
The document outlines pre-production planning for an underwater video game, including concept drawings of 10 fictional ocean creatures inspired by real-life animals, intended for a teenage male audience. Potential issues and solutions are considered relating to equipment, health and safety, and contingencies. A proposed 6 week production schedule is also included.
5.%20 evaluation(1)
The document provides an evaluation of Abigail Long's work on a sea-themed video game project. It summarizes their research, planning, time management, technical and aesthetic qualities of the project, as well as feedback from peers. The evaluation identifies strengths such as thorough research and planning. It also notes weaknesses like not being detailed enough in the plan and that the loading screen was too long. Peer feedback agreed the loading screen was too long and suggested adding more context and improving the music. Abigail agrees with some feedback but defends their art style choice.
3. research(2) (1)
- The target audience of males aged 18-35 is still relevant but could be expanded. Gaming demographics are becoming more balanced between genders.
- Mobile gaming is more popular than PC gaming, but the pixel art style may appeal more to PC gamers. Ensuring the game looks and sounds interesting will be important for attracting players.
- PC gaming remains more popular than esports viewing. Focusing a game for PC over mobile may appeal more to the target demographic.
- Shooter games remain very popular, so including shooter elements could help engage the target audience. However, the game needs its own unique identity
Fmp proposal (updated)
This proposal outlines a student's video game creation project called "Ocean's Glow". The game will be a side-scrolling game taking place in the ocean, with the player controlling a fish character. Different aquatic environments and creatures will be designed and animated. Research will include real and mythical sea life to inform the designs. The project will be evaluated through self-reflection and comparison to other games. A schedule is provided with tasks like character design, animation, and editing planned over 9 weeks.
FMP Initial Thoughts
The document discusses plans for a potential video game project focused on exploration in the ocean. The key points are:
- The project is envisioned as a short, simplistic and relaxing exploration game set in the ocean that both males and females could enjoy.
- While featuring primarily blue color schemes, the game aims to target male players aged 18-45 who enjoy exciting and interesting games.
- The creator is passionate about pixel art and fascinated by ocean life, hoping to translate majestic sea animals into pixelated figures.
- To set a mood of mystery given darker colors, various lighting effects and changing colors will be used to signify progress through different levels.
- Choosing an ocean exploration
FMP Audit March 2018
The document provides details about a proposed pixel art video game project focused on graphics over gameplay. The game would be a side-scrolling game featuring a fish protagonist that swims through progressively detailed ocean levels. The art style would be pixelated but with more detailed characters. The applicant enjoys character design and was inspired by the fish designs and level design of Subnautica as well as the art style and mysterious story of Inside.
Level 3 Initial Plans FMP
The mood board is inspiring the game project by providing ideas for fish designs and color schemes. Real and imaginary fish in the mood board are influencing lighting techniques and color palettes. Key influences on the project include the unique fish designs and alien planet setting of Subnautica, the atmospheric lighting and perspective of Inside, and the unique deep sea creature designs and color schemes in the underwater horror game Soma.
7. evaluation
The document provides an evaluation of Abigail Long's work on a pixel art project. It summarizes their strengths and weaknesses in research, planning, time management, technical qualities, aural qualities, aesthetic qualities, and audience appeal. Key strengths included existing pixel art skills and knowing the desired style. Weaknesses included a lack of extensive research, not allocating enough time for animation, and issues that arose in translating designs to the final animated work. With more planning, research, time management and polishing, the project could have been improved.
6. production reflection
The document provides a detailed production reflection from an artist named Abi Long. They began by establishing a color scheme and sketching rough designs for two supernatural creatures - a deer-like creature and a rabbit-like creature. Abi then worked on animations, room designs, puzzles, a song, character close-ups, and a main room to complete assets for a horror game. They reflected on strengths and areas for improvement in their pixel art and character designs. Due to time constraints, some additional planned rooms and assets had to be cut from the final project.
5. pre production
This document provides details for the pre-production of a game project, including the target audience, style references, planned gameplay elements, and contingency planning. The target audience is ages 18-21, with both female and male gamers identified as the demographic. Style references given include dark backgrounds/shadows, skin tones for characters, and bright colors for clothing. Planned elements include background art, creature designs, character designs, sound effects to be found or recorded, and background music to be created. Contingency plans address issues like not finishing the game, losing work, being unable to find sounds online, and falling behind on writing. Health and safety precautions are also outlined.
4. proposal
The project is a horror puzzle game called "The Mountain's Edge Hotel" aimed at 16-22 year olds of both genders. The main character is a female whose girlfriend has been taken hostage in the run-down hotel. To rescue her, the player must solve puzzles of increasing difficulty across 5 hotel rooms, encountering creatures along the way. The game will utilize the author's pixel art and animation skills developed through past projects and practice. Research into horror and puzzle game design will inform the atmosphere, puzzles, and mechanics. Evaluation will involve self-reflection, peer feedback, and testing with the target audience to improve the work and support future career development.
3. research (1)
The document analyzes trailers and gameplay for existing video games including Portal 2, Little Nightmares, Tetris, and Heartbound. It notes several common design features across the products: characters are brighter than darkened backgrounds to make them easily visible, there is a noticeable difference or contrast, and the games provide detailed backgrounds to show players their location. The research indicates these elements will be included in the author's own work, specifically bright character design, color differences, and detailed backgrounds.
2. initial plans
Abigail Long is excited to work on her pixel art project and has been practicing the skill over the last year. She created a mind map and mood board to plan the project. The mood board features dark colors and a somber, entrapped atmosphere that will influence her characters and setting to similarly make the player feel trapped. Her schedule outlines research, proposal, planning, production, and evaluation over 5 weeks, and she plans to reference 7 video games and other sources in her project work.
1. production experiments
The document describes the process of creating an animation experiment. The artist used various tools in their art program, including the pencil, filler, and opacity tools to create outlines, add details, and shade layers. They animated a simple character sprite with 8 poses and added background, objects, glow effects, and numbers. Finally, they used the animation timeline to animate the video. In their reflection, the artist indicates they will include detailed backgrounds, unique objects, and a simplistic character animation in their final product.
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More Related Content
More from Abigail Long
Fmp pre proposal(1)
The document outlines a proposed fanzine project called "Informational fanzine on how to summon demons correctly, told in a comedic way." The creator enjoys writing and comedy and wants to combine those interests with their passion for the supernatural. They see this as a fun project that allows them to develop their writing and comedy skills while exploring supernatural creatures. The proposed tone is a dark comedy intended to be enjoyed rather than taken too seriously. Influences include TV shows, books, and comedians that blend the supernatural and comedy. The goal is for audiences to have fun rather than take the work too seriously.
Audio lecture
The document is a script for an audio horror story about a man named Jason who starts hearing strange whispers and ringing in his ears. During a therapy session, he recounts how the noises seemed to compel him to violently kill his wife Emma and her friend Dave. The therapist tries to get Jason to explain what the voices were saying to him and what led to the murders, but Jason is unable or unwilling to provide those details.
Audio lecture
Here is an evaluation of your audio drama project:
Research:
- Strengths: Gaining background knowledge on audio drama conventions and sound design techniques.
- Weaknesses: Could have explored a wider variety of examples for more inspiration.
- Improvements: Spending more time actively listening and analyzing different audio dramas.
Planning:
- Strengths: Developing a script and plan helped structure the project.
- Weaknesses: Sticking rigidly to plans can limit flexibility.
- Improvements: Allowing some room to deviate from plans if better ideas emerge.
Time Management:
- Strengths: Creating a schedule helped manage workload.
- We
3. research(2) (1)
Here are 10 pixelated redraws of the early additional drawings with colour and lighting effects for potential creatures in the video game:
1. A light blue manta ray-like creature with lights on its back that sticks to higher waters and isn't dangerous.
2. A see-through sea anemone-like creature with its inside glowing that floats close to the surface and isn't dangerous.
3. A slightly see-through jellyfish-like creature with lights on its head that resides deep in the ocean and is dangerous.
4. A creature inspired by eels and whales with lights across its whole body and tail that lurks deep in the ocean and is highly dangerous.
5. A see
3. research(2) (1)
Here are 10 pixelated redraws of the early additional drawings with colour and lighting effects for potential creatures in the video game:
1. A light blue manta ray-like creature with lights on its back that sticks to higher waters and isn't dangerous.
2. A see-through sea anemone-like creature with its inside glowing that floats close to the surface and isn't dangerous.
3. A slightly see-through jellyfish-like creature with lights on its head that resides deep in the ocean and is dangerous.
4. A creature inspired by eels and whales with lights across its whole body and tail that lurks deep in the ocean and is highly dangerous.
5. A see
Screen-Shots
The document contains screenshots from the process of designing and animating a jellyfish animation. There are screenshots of designs for the middle fish, coral designs, crystals, bubbles, and frames outlining the jellyfish animation. Additional screenshots show details for coloring and shading the jellyfish as well as designs for the background elements like rock walls and coral placements.
4.%20 pre production(1)
The document outlines pre-production planning for an underwater video game, including concept drawings of 10 fictional ocean creatures inspired by real-life animals, intended for a teenage male audience. Potential issues and solutions are considered relating to equipment, health and safety, and contingencies. A proposed 6 week production schedule is also included.
5.%20 evaluation(1)
The document provides an evaluation of Abigail Long's work on a sea-themed video game project. It summarizes their research, planning, time management, technical and aesthetic qualities of the project, as well as feedback from peers. The evaluation identifies strengths such as thorough research and planning. It also notes weaknesses like not being detailed enough in the plan and that the loading screen was too long. Peer feedback agreed the loading screen was too long and suggested adding more context and improving the music. Abigail agrees with some feedback but defends their art style choice.
3. research(2) (1)
- The target audience of males aged 18-35 is still relevant but could be expanded. Gaming demographics are becoming more balanced between genders.
- Mobile gaming is more popular than PC gaming, but the pixel art style may appeal more to PC gamers. Ensuring the game looks and sounds interesting will be important for attracting players.
- PC gaming remains more popular than esports viewing. Focusing a game for PC over mobile may appeal more to the target demographic.
- Shooter games remain very popular, so including shooter elements could help engage the target audience. However, the game needs its own unique identity
Fmp proposal (updated)
This proposal outlines a student's video game creation project called "Ocean's Glow". The game will be a side-scrolling game taking place in the ocean, with the player controlling a fish character. Different aquatic environments and creatures will be designed and animated. Research will include real and mythical sea life to inform the designs. The project will be evaluated through self-reflection and comparison to other games. A schedule is provided with tasks like character design, animation, and editing planned over 9 weeks.
FMP Initial Thoughts
The document discusses plans for a potential video game project focused on exploration in the ocean. The key points are:
- The project is envisioned as a short, simplistic and relaxing exploration game set in the ocean that both males and females could enjoy.
- While featuring primarily blue color schemes, the game aims to target male players aged 18-45 who enjoy exciting and interesting games.
- The creator is passionate about pixel art and fascinated by ocean life, hoping to translate majestic sea animals into pixelated figures.
- To set a mood of mystery given darker colors, various lighting effects and changing colors will be used to signify progress through different levels.
- Choosing an ocean exploration
FMP Audit March 2018
The document provides details about a proposed pixel art video game project focused on graphics over gameplay. The game would be a side-scrolling game featuring a fish protagonist that swims through progressively detailed ocean levels. The art style would be pixelated but with more detailed characters. The applicant enjoys character design and was inspired by the fish designs and level design of Subnautica as well as the art style and mysterious story of Inside.
Level 3 Initial Plans FMP
The mood board is inspiring the game project by providing ideas for fish designs and color schemes. Real and imaginary fish in the mood board are influencing lighting techniques and color palettes. Key influences on the project include the unique fish designs and alien planet setting of Subnautica, the atmospheric lighting and perspective of Inside, and the unique deep sea creature designs and color schemes in the underwater horror game Soma.
7. evaluation
The document provides an evaluation of Abigail Long's work on a pixel art project. It summarizes their strengths and weaknesses in research, planning, time management, technical qualities, aural qualities, aesthetic qualities, and audience appeal. Key strengths included existing pixel art skills and knowing the desired style. Weaknesses included a lack of extensive research, not allocating enough time for animation, and issues that arose in translating designs to the final animated work. With more planning, research, time management and polishing, the project could have been improved.
6. production reflection
The document provides a detailed production reflection from an artist named Abi Long. They began by establishing a color scheme and sketching rough designs for two supernatural creatures - a deer-like creature and a rabbit-like creature. Abi then worked on animations, room designs, puzzles, a song, character close-ups, and a main room to complete assets for a horror game. They reflected on strengths and areas for improvement in their pixel art and character designs. Due to time constraints, some additional planned rooms and assets had to be cut from the final project.
5. pre production
This document provides details for the pre-production of a game project, including the target audience, style references, planned gameplay elements, and contingency planning. The target audience is ages 18-21, with both female and male gamers identified as the demographic. Style references given include dark backgrounds/shadows, skin tones for characters, and bright colors for clothing. Planned elements include background art, creature designs, character designs, sound effects to be found or recorded, and background music to be created. Contingency plans address issues like not finishing the game, losing work, being unable to find sounds online, and falling behind on writing. Health and safety precautions are also outlined.
4. proposal
The project is a horror puzzle game called "The Mountain's Edge Hotel" aimed at 16-22 year olds of both genders. The main character is a female whose girlfriend has been taken hostage in the run-down hotel. To rescue her, the player must solve puzzles of increasing difficulty across 5 hotel rooms, encountering creatures along the way. The game will utilize the author's pixel art and animation skills developed through past projects and practice. Research into horror and puzzle game design will inform the atmosphere, puzzles, and mechanics. Evaluation will involve self-reflection, peer feedback, and testing with the target audience to improve the work and support future career development.
3. research (1)
The document analyzes trailers and gameplay for existing video games including Portal 2, Little Nightmares, Tetris, and Heartbound. It notes several common design features across the products: characters are brighter than darkened backgrounds to make them easily visible, there is a noticeable difference or contrast, and the games provide detailed backgrounds to show players their location. The research indicates these elements will be included in the author's own work, specifically bright character design, color differences, and detailed backgrounds.
2. initial plans
Abigail Long is excited to work on her pixel art project and has been practicing the skill over the last year. She created a mind map and mood board to plan the project. The mood board features dark colors and a somber, entrapped atmosphere that will influence her characters and setting to similarly make the player feel trapped. Her schedule outlines research, proposal, planning, production, and evaluation over 5 weeks, and she plans to reference 7 video games and other sources in her project work.
1. production experiments
The document describes the process of creating an animation experiment. The artist used various tools in their art program, including the pencil, filler, and opacity tools to create outlines, add details, and shade layers. They animated a simple character sprite with 8 poses and added background, objects, glow effects, and numbers. Finally, they used the animation timeline to animate the video. In their reflection, the artist indicates they will include detailed backgrounds, unique objects, and a simplistic character animation in their final product.
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Production experiments (5)
- 2. ProcessThe first thing I did was find a magazine that I could continue looking back on it for ideas I then found an image of a man holding a fish, which I used as the cover. I found different coloured bars online and used them to design the layout I then added a barcode, (bottom right) some fishing books (top left) and some fishing rods. (bottom left) Using the text from the first magazine, I created similar dialogue using similar colours.
- 3. Reflection • What elements of your experiments will you include in your final product? I’ll probably use similar fonts to already existing magazines and use real pictures for a more realistic feel to it. I’ll use similar colour schemes as the topic of choice and I may use a similar layout.
Editor's Notes
- Discuss the tools and processes used in your experiments