Design is Leadership
      Patrick Gibson
Problem

Designers promote and amplify a client's
message without accountability for the affect
it has or is supposed to have. Under this cover
of impunity, designers function subserviently,
valued more for their specialized skill sets than
creative thinking.
Hypothesis
By claiming ownership of the objectives behind
their work, designers can become leaders who
demonstrably impact business and society.
With the responsibility and authority of a
stakeholder, the opportunity exists for designers
to create powerful, measurable systems that
pursue explicit goals of profound consequence.
Creative References
      David Plouffe
      Chief Campaign Manager for Barack Obama’s 2008
      presidential campaign

      "The story of Mr. Obama’s journey to the pinnacle of
      American politics is the story of a campaign that was,
      even in the view of many rivals, almost flawless. Mr.
      Plouffe [was] known for his mathematic invocation of
      data in making decisions. When Mr. Obama decided to
      run for the presidency, Mr. Plouffe and a half-dozen
      staff members began plotting out a strategy."

      — Adam Nagourney, Jim Rutenberg and Jeff Zeleny,
      The New York Times
      http://www.nytimes.com/2008/11/05/us/politics/05recon.html
Creative References
      Dave Eggers
      Graphic designer, author, screenwriter, founder of
      McSweeney’s independent publishing house, and co-founder
      of 826 Valencia and 826 National

      “The clear entrepreneurial spirit of Eggers has led him
      in other directions in addition to McSweeney’s and his
      own writing. He co-founded a non-profit tutoring,
      writing and publishing centre for under-18s [called] 826
      Valencia, [which] has spread to seven sister centers
      around the US, and inspired similar ventures in Ireland
      and the UK. “

      — Lance Knobel, Eye Magazine
      http://www.eyemagazine.com/feature.php?id=185&fid=857
Valorized Designer

"What we need in the next century are
independently-minded, creative, constructive
designers who are not just 'capitalist lackeys,'
ideologues,' or 'technical whiz-kids.'"
— Nigel Whiteley
Valorized Designer


Indeed, tomorrow's designer must be a creator
of not just graphic artifacts and ephemera, but
of entire new endeavors that use such artifacts
to accomplish a mission.
Content Outline
I. The Problem
A. Brief history of the professional
designer's roles
B. The "Flakey Creative" reputation
C. Outsourcing design
D. Paul Rand and Enron
Content Outline
II. The Hypothesis / Answer
A. An evolution of the profession
B. Correlations between design and leadership
C. Aspects of leadership
D. Changing behavior
E. Political / organizational barriers
Content Outline

III. Results / Possibilities
A. The growing importance of design in a
complex society/economy
B. What a world led by designers looks like
Sources

• Sources may include interviews, TED
  lectures, Fast Company, Wired, Good, Chip
  and Dan Heath’s Switch and Made to Stick,
  and Philip Kotler’s On Marketing

Presentation v5

  • 1.
    Design is Leadership Patrick Gibson
  • 2.
    Problem Designers promote andamplify a client's message without accountability for the affect it has or is supposed to have. Under this cover of impunity, designers function subserviently, valued more for their specialized skill sets than creative thinking.
  • 3.
    Hypothesis By claiming ownershipof the objectives behind their work, designers can become leaders who demonstrably impact business and society. With the responsibility and authority of a stakeholder, the opportunity exists for designers to create powerful, measurable systems that pursue explicit goals of profound consequence.
  • 4.
    Creative References David Plouffe Chief Campaign Manager for Barack Obama’s 2008 presidential campaign "The story of Mr. Obama’s journey to the pinnacle of American politics is the story of a campaign that was, even in the view of many rivals, almost flawless. Mr. Plouffe [was] known for his mathematic invocation of data in making decisions. When Mr. Obama decided to run for the presidency, Mr. Plouffe and a half-dozen staff members began plotting out a strategy." — Adam Nagourney, Jim Rutenberg and Jeff Zeleny, The New York Times http://www.nytimes.com/2008/11/05/us/politics/05recon.html
  • 5.
    Creative References Dave Eggers Graphic designer, author, screenwriter, founder of McSweeney’s independent publishing house, and co-founder of 826 Valencia and 826 National “The clear entrepreneurial spirit of Eggers has led him in other directions in addition to McSweeney’s and his own writing. He co-founded a non-profit tutoring, writing and publishing centre for under-18s [called] 826 Valencia, [which] has spread to seven sister centers around the US, and inspired similar ventures in Ireland and the UK. “ — Lance Knobel, Eye Magazine http://www.eyemagazine.com/feature.php?id=185&fid=857
  • 6.
    Valorized Designer "What weneed in the next century are independently-minded, creative, constructive designers who are not just 'capitalist lackeys,' ideologues,' or 'technical whiz-kids.'" — Nigel Whiteley
  • 7.
    Valorized Designer Indeed, tomorrow'sdesigner must be a creator of not just graphic artifacts and ephemera, but of entire new endeavors that use such artifacts to accomplish a mission.
  • 8.
    Content Outline I. TheProblem A. Brief history of the professional designer's roles B. The "Flakey Creative" reputation C. Outsourcing design D. Paul Rand and Enron
  • 9.
    Content Outline II. TheHypothesis / Answer A. An evolution of the profession B. Correlations between design and leadership C. Aspects of leadership D. Changing behavior E. Political / organizational barriers
  • 10.
    Content Outline III. Results/ Possibilities A. The growing importance of design in a complex society/economy B. What a world led by designers looks like
  • 11.
    Sources • Sources mayinclude interviews, TED lectures, Fast Company, Wired, Good, Chip and Dan Heath’s Switch and Made to Stick, and Philip Kotler’s On Marketing

Editor's Notes