Pre title sequences
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James Bond and crime thriller films often begin with a pre-title action sequence, such as a car chase, before ending with the film titles and credits. The filmmakers are considering starting their crime thriller with a pre-credits action scene, like a motorbike chase, before concluding with the title and credits to grab audience attention at the beginning in a similar style to films like Quantum of Solace and Shank.
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Title sequence analysis
This document analyzes the title sequences of three films: The Shining, Se7en, and Reservoir Dogs. It finds that all three films include the studio logo, director, film title, and key or other cast members in their opening credits. The order that most commonly appears is studio logo first, followed by the film title, director, producer, key cast, and other cast. Based on this analysis, the author concludes that their own title sequence should include at least the studio logo, director, film title, and cast members, with that standard order.
Pitch
The document provides details for two short film projects titled "Façade" and "Take Us Back". For Façade, it includes the main characters of Jack, Lewis, and Sam, and describes including the song "Hit the Road Jack" by Ray Charles. Storyboards and a draft script are presented for the first scene. For Take Us Back, the main characters are Stanley and Simon, and one storyboarded scene from the end is described. A script to accompany that scene is also included, along with potential audio tracks to enhance the scene.
Films and cinemas
The document discusses films and cinemas. It describes the many genres of films people can choose from such as westerns, action, comedy, horror, and more. It also discusses actors and their roles in films, from lead roles to cameo appearances. The credits are mentioned as a way for viewers to see who stars in and directs the film. Reviews help provide information on the plot, cinematography, effects, and whether a film may have a sequel.
Keep On Walking Music Video Slideshow
The document provides details about the music video being produced for the song "Keep On Walking" by the band Scouting For Girls. The 3-4 minute video will tell the story of the main singer waiting for his girlfriend to return home through a variety of shots filmed on location. It will include scenes of the singer at home and with band members, looking out the window for his girlfriend, and lip syncing the lyrics while walking in different outfits to show how the situation affects him.
Keep On Walking Music Video Slideshow
The document provides details about the music video being produced for the song "Keep On Walking" by the band Scouting For Girls. The 3-4 minute video will tell the story of the main singer waiting for his girlfriend to return home through a variety of shots filmed on location. It will include scenes of the singer at home and with band members, looking out the window for his girlfriend, and lip syncing the lyrics while walking in different outfits to show how the situation affects him.
Letters Of Permission
We have had to request permission from various people and organizations to film in certain locations and use certain works for our project. This includes requesting permission to film in an office and near a church. We also sent an email to Square Enix requesting permission to use music they own in our opening credits that we will select during editing.
'Fancy' music video analysis
1) The document analyzes the music video for "Fancy" by Iggy Azalea featuring Charlie XCX using genre theorist Lacey's concept of "repertoire of elements".
2) The music video directly copies and parodies the 1995 film "Clueless" through its characters, events, iconography, and technical elements. It recreates memorable scenes and mimics the characters' appearances and mannerisms.
3) By drawing so much from "Clueless", the "Fancy" music video can be seen as both a parody and pastiche that pays homage to the 1990s film and era while also establishing Iggy Azalea as "The New Classic" artist of her
Music presentation.ppt
The document discusses potential music choices for a short film trailer, analyzing four songs. It finds that "Pretty Reckless - You make me wanna die" and the beginning of "Avenged Sevenfold - Nightmare" have the desired slow, eerie openings but may not fit the full length or pacing of the trailer. "Eyes set to kill – Violent Kiss" has appropriate semantics but its opening is too fast. "Paramore – Decode" also starts slowly but does not build up in speed as needed to match the antagonist's actions. In the end, none of the songs are deemed perfect fits for the trailer.
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Title sequence analysis
This document analyzes the title sequences of three films: The Shining, Se7en, and Reservoir Dogs. It finds that all three films include the studio logo, director, film title, and key or other cast members in their opening credits. The order that most commonly appears is studio logo first, followed by the film title, director, producer, key cast, and other cast. Based on this analysis, the author concludes that their own title sequence should include at least the studio logo, director, film title, and cast members, with that standard order.
Pitch
The document provides details for two short film projects titled "Façade" and "Take Us Back". For Façade, it includes the main characters of Jack, Lewis, and Sam, and describes including the song "Hit the Road Jack" by Ray Charles. Storyboards and a draft script are presented for the first scene. For Take Us Back, the main characters are Stanley and Simon, and one storyboarded scene from the end is described. A script to accompany that scene is also included, along with potential audio tracks to enhance the scene.
Films and cinemas
The document discusses films and cinemas. It describes the many genres of films people can choose from such as westerns, action, comedy, horror, and more. It also discusses actors and their roles in films, from lead roles to cameo appearances. The credits are mentioned as a way for viewers to see who stars in and directs the film. Reviews help provide information on the plot, cinematography, effects, and whether a film may have a sequel.
Keep On Walking Music Video Slideshow
The document provides details about the music video being produced for the song "Keep On Walking" by the band Scouting For Girls. The 3-4 minute video will tell the story of the main singer waiting for his girlfriend to return home through a variety of shots filmed on location. It will include scenes of the singer at home and with band members, looking out the window for his girlfriend, and lip syncing the lyrics while walking in different outfits to show how the situation affects him.
Keep On Walking Music Video Slideshow
The document provides details about the music video being produced for the song "Keep On Walking" by the band Scouting For Girls. The 3-4 minute video will tell the story of the main singer waiting for his girlfriend to return home through a variety of shots filmed on location. It will include scenes of the singer at home and with band members, looking out the window for his girlfriend, and lip syncing the lyrics while walking in different outfits to show how the situation affects him.
Letters Of Permission
We have had to request permission from various people and organizations to film in certain locations and use certain works for our project. This includes requesting permission to film in an office and near a church. We also sent an email to Square Enix requesting permission to use music they own in our opening credits that we will select during editing.
'Fancy' music video analysis
1) The document analyzes the music video for "Fancy" by Iggy Azalea featuring Charlie XCX using genre theorist Lacey's concept of "repertoire of elements".
2) The music video directly copies and parodies the 1995 film "Clueless" through its characters, events, iconography, and technical elements. It recreates memorable scenes and mimics the characters' appearances and mannerisms.
3) By drawing so much from "Clueless", the "Fancy" music video can be seen as both a parody and pastiche that pays homage to the 1990s film and era while also establishing Iggy Azalea as "The New Classic" artist of her
Music presentation.ppt
The document discusses potential music choices for a short film trailer, analyzing four songs. It finds that "Pretty Reckless - You make me wanna die" and the beginning of "Avenged Sevenfold - Nightmare" have the desired slow, eerie openings but may not fit the full length or pacing of the trailer. "Eyes set to kill – Violent Kiss" has appropriate semantics but its opening is too fast. "Paramore – Decode" also starts slowly but does not build up in speed as needed to match the antagonist's actions. In the end, none of the songs are deemed perfect fits for the trailer.
Recce report
This document provides details on 11 locations that will be used to film scenes for a music video. The locations include: 1) High Petergate for mid and long shots of the band and starting a chase scene, 2) The Theatre Royal for its architecture and a chase scene, 3) York Library to link lyrics to shots of a band member and subtly smiling girl, 4) by the river for scenery and another chase, 5) Bar Walls for a long shot of the band, 6) Coney Street and St. Helen's Square for the band walking and a chase, 7) the A64 for a shot with car headlights, 8) Walmgate for shots of the band in different outfits, 9
AS Media main task plot and equipment and more
Two cars race on a highway in the future where old technology is banned. The race ends with one driver shooting the other, revealing a personal vendetta. Music will include tracks by Motorhead and Johnny Cash, with an original drum and bass piece. The film will be edited in Final Cut Pro X with credits and sound effects added.
Filming day !
The document summarizes the process of filming a music video over one day in various locations around London. The film crew started in Ilford taking establishing shots before traveling to the ExCel center to film the artist. They then went to a nearby bridge to get additional shots from above before finishing up in Piccadilly Circus at night with shots of people and lights in the busy area. In total, they were pleased to complete all their planned shots for the music video in the various London locations.
Legal report
This document discusses legal and ownership issues regarding different elements of a film production. It notes that the filmmaker will own the filmed footage and plans to copyright it, requiring permission from others to use it in the future. The filmmaker will obtain consent from all actors, including parental consent for minors, and make them aware of filming details. A custom studio title logo will be created and copyrighted by the filmmaker to own and protect it from unauthorized use by others. Original sound effects and royalty-free music will be used where possible, but permission will be obtained for any copyrighted music. With all elements being either self-created or used with permission, no legal impacts are expected for the film.
Non diagetic sound for 'Oblivious'
The filmmaker has completed editing their short horror film but needs to add non-diegetic music to enhance the suspense. Originally planning to use violin music, they decided it was not enough. They will use copyright-free music found on royalty-free websites to add eerie, high quality sounds instead of just violin. The filmmaker found suitable suspenseful music called "Day of Chaos" on the website "Incomptech" which allows free downloads of royalty-free music for use in films.
Martin scorcese
The document discusses filmmaking techniques used by director Martin Scorsese. It notes Scorsese's use of slow motion shots and smoke/mist effects in both Raging Bull and Taxi Driver. While Raging Bull features harmonic music during boxing scenes, Taxi Driver features jazz music. Both films are set in New York City and feature Robert De Niro as the lead actor. The characters exist within their own isolated worlds. The document also discusses Scorsese's use of voiceover and shifts between diegetic and non-diegetic sound to introduce a character's depressed and happy states in another unspecified film.
Trailer conventions - VEL
Film trailers typically include exciting or dramatic scenes from the movie, narration, an introduction to characters, genre-appropriate music, a cliff-hanger to encourage viewers to see the full film, and production logos. They aim to showcase the genre and characters while building anticipation through a teaser of the plot.
Titling in Film Openings
This document discusses different elements that are commonly included in film title sequences and openings. It notes that basic elements usually include the film title, main characters, producer, setting, and soundtrack. Film openings also aim to establish the place, era, introduce characters, set the mood, raise enigmas, and hint at the genre. Titling can appear at various points in the opening, either within the first 10 seconds or further in, and other information shown can include credits for actors, music, directors, producers, editors, and production studios.
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Production scheduel
This document contains a schedule for filming and editing a short film. It includes the dates, locations, equipment needed, and assignments for filming outdoor shots, indoor shots, pickup shots, editing, color grading, and touch ups between December 2016 and January 2017. Ross is assigned to film, edit, and complete post-production work, while his brother Aaron will assist with acting on filming dates. Locations include Sand Hills, Ringwood, Bournemouth, and their home. Equipment includes a camera, tripod, and SD cards.
Media evaluation question 1
The document discusses the filmmaking decisions behind the one-word titled action film "Unlocked". It describes how the group chose to focus on the action genre due to their knowledge in it. Research on successful action films like James Bond showed that an enticing chase/fight scene in the first two minutes was important. The film also uses similar establishing shots and music choices to set the scene and pace of the action from the start in order to attract viewers.
Film title text analyses
The document discusses the opening credits sequences of three movies - Django Unchained, Zombieland, and Cloud Atlas - to determine the best order for the credits in the author's own movie "The Dead Returning". Django Unchained begins with producers and distributors, followed by the director, main actors, and then the title. Zombieland starts with a horror scene without credits, then the studio name, main characters, title, and lesser roles. Cloud Atlas focuses on the story first through flashbacks and forwards without names before revealing the title. Based on these analyses, the author decides their movie will open with director name, actor names, and then the title.
Opening credits research
1. The document compares the opening title sequences of the films Panic Room and Ill Manors.
2. Panic Room uses computer-generated titles over shots of the city to establish setting, while Ill Manors introduces characters through edited photos set to music.
3. The document analyzes differences in editing, sound, and how each title sequence prepares viewers for the type of film. It concludes the document's author will take a simpler approach like Ill Manors for their own film titles.
Titles
The document discusses title sequences in films and analyzes examples from The Shining, Se7en, and Catch Me If You Can. It identifies common elements like studio logos, director, producers, and cast. The author decided to examine Se7en specifically because it has an iconic opening that provides clues about the crime/drama genre of the film. Based on analyzing these examples, the author's group decided on the following title sequence order for their own film: studio, film title, director, producer, key cast, other cast. They want the film title later to avoid the audience focusing on the director instead of the film, and will show faces of the main cast when their names appear.
Titles research
The opening titles sequence will be called "Dead End" and will appear in time with the music and motion of the film. Research from other films helped choose colors that fit the genre. Titles will include characters, producers, editors, and directors names appearing conventionally as in Skyfall, flowing with camera movement. The title font will be bold and capitalized, in white to stand out as in Skyfall. Fonts for characters and directors will be similar to Panic Room which stand out suitably. Titles will alternate between black and white depending on the background as in Spiderman 2.
Film Opening Titles Conventions
AmyBalmer analyzed the opening title sequences of three films - Layer Cake, The Shining, and Se7en - to determine the most common ordering pattern. She found that the studio logo typically appears first, followed by the director and producer, then the key cast. The film title is usually presented after the key cast. However, for her own film, AmyBalmer plans to modify the typical order by placing the title immediately after an opening gunshot for dramatic effect, followed by the director, producer, and casts.
Mission impossible
The title sequence of Mission Impossible: Ghost Protocol begins 9 minutes and 38 seconds into the film. Over the course of 1 minute and 51 seconds, the sequence uses an animation of a burning fuse to reveal titles against the backdrop of clips from the movie. These titles include the production company after 6 seconds, Tom Cruise's name as producer at 9 seconds and as the lead actor at 17 seconds. The movie title is shown 21 seconds in. Throughout the sequence, viewers are given glimpses of the film's action-thriller genre, locations, and plot points to set expectations before the movie begins.
Fonts & titles
The document discusses font choices for different titles in an indie film project. It describes searching on "da font" for fonts that fit the overall project and film trailer. A font called "top secret" was chosen for the strap line to relate to the film's secret recipe and stand out from the main title "Synthacaine." A "comic" font called "badaboom" was selected for character introductions to fit the film's Tarantino influence. The font "cubic" was chosen for the main title "Synthacaine" as it looks like a science structure relating to the film's storyline about a new cocaine recipe.
Eval 2
The combination of the filmmaker's short film and ancillary texts like film reviews and posters were important to tie them together and make the short film have more impact. The texts provided context about the build up and aftermath of the film. Key symbols like a clock were featured in both the film and poster to represent the main theme of time. Consistent visual elements and a plain backdrop in both the film and texts kept the focus on the protagonist and his story. Similar colors and effects were used in both to connect the pieces.
Eval 1
The document discusses a student's short documentary film project about their 90-year-old grandfather. To follow documentary conventions, the film tells a story through a series of photographs and video clips showing the progression of the grandfather's life. Scenes of him speaking in his armchair used natural lighting and an uncluttered background. Opening and closing shots of a cuckoo clock symbolized the passing of time. Post-production effects on the clock made it more appealing and eye-catching. Overall, the film creates a unique, creative story that develops over time and highlights key life moments from the perspective of a 90-year-old man to attract and involve the audience.
Music video idea
The video would have a dark, desaturated style to create a depressing mood. It would show the two artists standing alone on different dark roads, with the camera panning in for close-ups of their bloody faces as they sing. The camera would do 360 pans between the roads, revealing the artists arguing with the same woman or walking alone down the roads, with extreme close-ups emphasizing their frustration and singing of the lyrics. Ultimately, the roads would converge, with the woman at their intersection.
Video idea weeknd -Amad Islam
The video would have a dark, desaturated look to create a depressing mood. Scenes would include long shots of the artists standing alone on dark roads, then close-ups of their bloody faces as they sing. The camera would track them as they walk and sing. It would also show one artist arguing with a woman, then pan to the other artist with the same woman, implying disloyalty. Throughout, the camera work would transition between the artists in different locations to tell the story through their perspectives and movements as they sing the dark lyrics.
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Recce report
This document provides details on 11 locations that will be used to film scenes for a music video. The locations include: 1) High Petergate for mid and long shots of the band and starting a chase scene, 2) The Theatre Royal for its architecture and a chase scene, 3) York Library to link lyrics to shots of a band member and subtly smiling girl, 4) by the river for scenery and another chase, 5) Bar Walls for a long shot of the band, 6) Coney Street and St. Helen's Square for the band walking and a chase, 7) the A64 for a shot with car headlights, 8) Walmgate for shots of the band in different outfits, 9
AS Media main task plot and equipment and more
Two cars race on a highway in the future where old technology is banned. The race ends with one driver shooting the other, revealing a personal vendetta. Music will include tracks by Motorhead and Johnny Cash, with an original drum and bass piece. The film will be edited in Final Cut Pro X with credits and sound effects added.
Filming day !
The document summarizes the process of filming a music video over one day in various locations around London. The film crew started in Ilford taking establishing shots before traveling to the ExCel center to film the artist. They then went to a nearby bridge to get additional shots from above before finishing up in Piccadilly Circus at night with shots of people and lights in the busy area. In total, they were pleased to complete all their planned shots for the music video in the various London locations.
Legal report
This document discusses legal and ownership issues regarding different elements of a film production. It notes that the filmmaker will own the filmed footage and plans to copyright it, requiring permission from others to use it in the future. The filmmaker will obtain consent from all actors, including parental consent for minors, and make them aware of filming details. A custom studio title logo will be created and copyrighted by the filmmaker to own and protect it from unauthorized use by others. Original sound effects and royalty-free music will be used where possible, but permission will be obtained for any copyrighted music. With all elements being either self-created or used with permission, no legal impacts are expected for the film.
Non diagetic sound for 'Oblivious'
The filmmaker has completed editing their short horror film but needs to add non-diegetic music to enhance the suspense. Originally planning to use violin music, they decided it was not enough. They will use copyright-free music found on royalty-free websites to add eerie, high quality sounds instead of just violin. The filmmaker found suitable suspenseful music called "Day of Chaos" on the website "Incomptech" which allows free downloads of royalty-free music for use in films.
Martin scorcese
The document discusses filmmaking techniques used by director Martin Scorsese. It notes Scorsese's use of slow motion shots and smoke/mist effects in both Raging Bull and Taxi Driver. While Raging Bull features harmonic music during boxing scenes, Taxi Driver features jazz music. Both films are set in New York City and feature Robert De Niro as the lead actor. The characters exist within their own isolated worlds. The document also discusses Scorsese's use of voiceover and shifts between diegetic and non-diegetic sound to introduce a character's depressed and happy states in another unspecified film.
Trailer conventions - VEL
Film trailers typically include exciting or dramatic scenes from the movie, narration, an introduction to characters, genre-appropriate music, a cliff-hanger to encourage viewers to see the full film, and production logos. They aim to showcase the genre and characters while building anticipation through a teaser of the plot.
Titling in Film Openings
This document discusses different elements that are commonly included in film title sequences and openings. It notes that basic elements usually include the film title, main characters, producer, setting, and soundtrack. Film openings also aim to establish the place, era, introduce characters, set the mood, raise enigmas, and hint at the genre. Titling can appear at various points in the opening, either within the first 10 seconds or further in, and other information shown can include credits for actors, music, directors, producers, editors, and production studios.
Lowprice ashley adjustable barcounter stool
This document describes an adjustable bar/counter stool from Ashley. It has a black/chrome finish with a chromed steel foot rest and base along with a fiberglass seat. The stool weighs 20 lbs and has a gas lift mechanism to adjust the height. It is a top quality, brand new product.
Production scheduel
This document contains a schedule for filming and editing a short film. It includes the dates, locations, equipment needed, and assignments for filming outdoor shots, indoor shots, pickup shots, editing, color grading, and touch ups between December 2016 and January 2017. Ross is assigned to film, edit, and complete post-production work, while his brother Aaron will assist with acting on filming dates. Locations include Sand Hills, Ringwood, Bournemouth, and their home. Equipment includes a camera, tripod, and SD cards.
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Similar to Pre title sequences
Media evaluation question 1
The document discusses the filmmaking decisions behind the one-word titled action film "Unlocked". It describes how the group chose to focus on the action genre due to their knowledge in it. Research on successful action films like James Bond showed that an enticing chase/fight scene in the first two minutes was important. The film also uses similar establishing shots and music choices to set the scene and pace of the action from the start in order to attract viewers.
Film title text analyses
The document discusses the opening credits sequences of three movies - Django Unchained, Zombieland, and Cloud Atlas - to determine the best order for the credits in the author's own movie "The Dead Returning". Django Unchained begins with producers and distributors, followed by the director, main actors, and then the title. Zombieland starts with a horror scene without credits, then the studio name, main characters, title, and lesser roles. Cloud Atlas focuses on the story first through flashbacks and forwards without names before revealing the title. Based on these analyses, the author decides their movie will open with director name, actor names, and then the title.
Opening credits research
1. The document compares the opening title sequences of the films Panic Room and Ill Manors.
2. Panic Room uses computer-generated titles over shots of the city to establish setting, while Ill Manors introduces characters through edited photos set to music.
3. The document analyzes differences in editing, sound, and how each title sequence prepares viewers for the type of film. It concludes the document's author will take a simpler approach like Ill Manors for their own film titles.
Titles
The document discusses title sequences in films and analyzes examples from The Shining, Se7en, and Catch Me If You Can. It identifies common elements like studio logos, director, producers, and cast. The author decided to examine Se7en specifically because it has an iconic opening that provides clues about the crime/drama genre of the film. Based on analyzing these examples, the author's group decided on the following title sequence order for their own film: studio, film title, director, producer, key cast, other cast. They want the film title later to avoid the audience focusing on the director instead of the film, and will show faces of the main cast when their names appear.
Titles research
The opening titles sequence will be called "Dead End" and will appear in time with the music and motion of the film. Research from other films helped choose colors that fit the genre. Titles will include characters, producers, editors, and directors names appearing conventionally as in Skyfall, flowing with camera movement. The title font will be bold and capitalized, in white to stand out as in Skyfall. Fonts for characters and directors will be similar to Panic Room which stand out suitably. Titles will alternate between black and white depending on the background as in Spiderman 2.
Film Opening Titles Conventions
AmyBalmer analyzed the opening title sequences of three films - Layer Cake, The Shining, and Se7en - to determine the most common ordering pattern. She found that the studio logo typically appears first, followed by the director and producer, then the key cast. The film title is usually presented after the key cast. However, for her own film, AmyBalmer plans to modify the typical order by placing the title immediately after an opening gunshot for dramatic effect, followed by the director, producer, and casts.
Mission impossible
The title sequence of Mission Impossible: Ghost Protocol begins 9 minutes and 38 seconds into the film. Over the course of 1 minute and 51 seconds, the sequence uses an animation of a burning fuse to reveal titles against the backdrop of clips from the movie. These titles include the production company after 6 seconds, Tom Cruise's name as producer at 9 seconds and as the lead actor at 17 seconds. The movie title is shown 21 seconds in. Throughout the sequence, viewers are given glimpses of the film's action-thriller genre, locations, and plot points to set expectations before the movie begins.
Fonts & titles
The document discusses font choices for different titles in an indie film project. It describes searching on "da font" for fonts that fit the overall project and film trailer. A font called "top secret" was chosen for the strap line to relate to the film's secret recipe and stand out from the main title "Synthacaine." A "comic" font called "badaboom" was selected for character introductions to fit the film's Tarantino influence. The font "cubic" was chosen for the main title "Synthacaine" as it looks like a science structure relating to the film's storyline about a new cocaine recipe.
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Eval 2
The combination of the filmmaker's short film and ancillary texts like film reviews and posters were important to tie them together and make the short film have more impact. The texts provided context about the build up and aftermath of the film. Key symbols like a clock were featured in both the film and poster to represent the main theme of time. Consistent visual elements and a plain backdrop in both the film and texts kept the focus on the protagonist and his story. Similar colors and effects were used in both to connect the pieces.
Eval 1
The document discusses a student's short documentary film project about their 90-year-old grandfather. To follow documentary conventions, the film tells a story through a series of photographs and video clips showing the progression of the grandfather's life. Scenes of him speaking in his armchair used natural lighting and an uncluttered background. Opening and closing shots of a cuckoo clock symbolized the passing of time. Post-production effects on the clock made it more appealing and eye-catching. Overall, the film creates a unique, creative story that develops over time and highlights key life moments from the perspective of a 90-year-old man to attract and involve the audience.
Music video idea
The video would have a dark, desaturated style to create a depressing mood. It would show the two artists standing alone on different dark roads, with the camera panning in for close-ups of their bloody faces as they sing. The camera would do 360 pans between the roads, revealing the artists arguing with the same woman or walking alone down the roads, with extreme close-ups emphasizing their frustration and singing of the lyrics. Ultimately, the roads would converge, with the woman at their intersection.
Video idea weeknd -Amad Islam
The video would have a dark, desaturated look to create a depressing mood. Scenes would include long shots of the artists standing alone on dark roads, then close-ups of their bloody faces as they sing. The camera would track them as they walk and sing. It would also show one artist arguing with a woman, then pan to the other artist with the same woman, implying disloyalty. Throughout, the camera work would transition between the artists in different locations to tell the story through their perspectives and movements as they sing the dark lyrics.
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The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as other factors like leisure activities may be more important than income alone.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
3 different ways of classifying audiences
The document describes several systems for categorizing consumers:
- Young and Rubicam's Four Consumers model divides people into Mainstreamers, Aspirers, Succeeders, and Reformers based on psychological attributes rather than income.
- Their socio-economic class system ranks people from A to E based on income and occupation.
- Life Matrix segments audiences based on lifestyle and values rather than demographic factors.
Final Sketch Evaluation - 4018
The student created a final drawing of a potion using Photoshop. They first hand drew the potion and then scanned it into Photoshop to color and add details digitally. It was difficult to control the pen at first but got easier with practice. The student used various colors like light blue, dark brown, and different shades of pink to create realistic effects like bubbles and shading. They used tools like the blur tool and size-adjustable brushes. In the end, the student felt they successfully created a realistic looking digital image meeting the goals of the project.
Unit 13 assignment 1 report
This document discusses digital graphics technology, describing features of vector and bitmap images. Vector images are resolution-independent and scalable without quality loss, using mathematical expressions to represent lines and shapes. Bitmap images are made up of pixels that lose quality when resized. The document provides examples of how vector and bitmap images differ when resized, and discusses image capturing, output methods for print and screen, storage considerations like file size and organization, and naming conventions.
Analysis For Attack The Block - 4018
1) Attack the Block was released in 2011 and was directed by Joe Cornish with production companies including The UK Film Council and Studio Canal. It had a budget of £8 million and made $5,824,175.
2) The film is a science fiction horror set in a London council estate about teenagers who encounter an alien invasion. It is rated 15 for violence, drug use, and gore.
3) The movie poster depicts a diverse group of teenagers from the council estate ready to battle the aliens, showing the working class setting and themes of fighting and violence.
Focus Group - 4018
The document outlines questions from a focus group about a film trailer. It asks for opinions on whether the trailer was effective and enjoyable, what genre it represents, how it could be improved, and favorite parts. It explains that the filmmaker created a focus group of 12 friends and family to get feedback on the trailer by showing it and having them answer questions. Most feedback suggested making the trailer look less like a drama and more realistic.
Audience Research - 4018
Audience research is conducted to gather information about what audiences want to watch and their personalities. There are several methods for conducting audience research, including focus groups, questionnaires, box office takings, and test screenings. Focus groups involve interviewing a small group of people to discuss their opinions in an interactive setting, but the results may not represent the larger population. Questionnaires can be inexpensive and gather a lot of data quickly from many people, but responses may be biased by wording and response rates may be low. Box office takings refer to the financial success of a film based on the number of viewers and money made, which depends on the quality of the movie. Test screenings allow audiences to provide feedback on a movie before
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- 2. Some research on films with pre title sequences because we are thinking of using pre credits, looking up some similar films which the action takes place first thing then the titles are lastly shown at the end of the opening. Although action films usually have them, we thought our crime thriller could have it
- 3. JAMES BOND (Quantum of Solace) James bond films are well know for having pre credits open with the action scene first being a car chase then at the end of the car chase the scene ends and the music and titles start playing
- 4. ‘SHANK’ The film ‘shank’ has pre credits at the end of an action scene where there’s a motor bike chase and at the end of them the film title is shown, all the other actors names are in the being with the filming crew, this is the type of idea we are thinking to use in our film opening for our titles