2. Finance
Self
Financed
Self
financed
means
that
the
company
or
firm
responsible
for
genera)ng
the
project
uses
its
own
income
to
support
the
proposed
idea.
An
example
of
this
would
be
a
wedding
photographer
as
they
would
have
to
use
their
own
equipment
&
pay
to
get
themselves
there.
Employer/Client
Financed
This
means
the
money
for
the
project
is
supplied
by
the
client,
this
could
be
before
the
project
begins
or
at/towards
the
end.
An
example
of
this
would
be
an
author
working
for
a
publishing
house
like
Penguin.
Kickstarter
Kickstarter
is
a
website
based
solemnly
on
public
funds
for
ideas.
One
example
of
a
project
which
has
been
successfully
funded
by
Kickstarter
is
the
Pebble
watch,
a
watch
synced
to
your
phone
so
you
can
keep
track
of
your
runs,
get
up-‐to-‐date
no)fica)ons
on
your
team
or
other
day
to
day
happenings.
An
American
idea
by
Eric
Migicovsky
which
was
backed
by
68,929
people
who
all
together,
funded
a
total
of
$10,266,845
which
helped
Eric
produce
his
idea.
This
is
a
useful
idea
if
neither
the
client
or
the
company
has
the
sufficient
funds
to
generate
the
project
and
they
feel
as
if
the
project
or
idea
they
have
will
be
useful
to
the
public
in
everyday
life.
3. Finance
Which
source
of
funding
will
be
most
likely
for
your
produc>on
and
why?
The
source
of
funding
we
will
be
most
likely
to
use
is
the
client
financed
one.
We
will
be
more
likely
to
use
this
as
this
is
the
more
reliable
way
to
do
it.
We
will
ask
for
a
sum
of
money
from
the
client
to
help
put
us
on
the
way
to
create
their
idea
and
then,
if
the
client
is
sa)sfied
with
what
we
have
produced,
we
will
ask
for
the
rest
of
the
money
aWer
the
project
has
finished.
This
will
all
be
done
through
a
contractual
agreement.
Advantages
An
advantage
of
this
is
that
we
will
get
funds
at
the
beginning
and
the
end
of
the
project
so
if
we
do
the
job
correctly
and
the
client
is
sa)sfied,
we
should
earn
enough
money
to
make
a
comfortable
profit.
Another
advantage
to
this
would
be
that
we
get
some
of
the
money
beforehand,
which
allows
us
to
work
on
it
&
also
have
funds
to
pay
people.
Disadvantages
A
disadvantage
of
this
could
be
that
we
will
not
get
all
the
money
at
the
end
of
the
project
if
the
clients
are
not
sa)sfied
meaning
that
we
will
be
out
of
profit.
We
may
also
have
to
give
the
money
back
that
was
given
to
us
at
the
beginning.
Also,
if
we
do
I
bad
job/
unsa)sfactory
job,
we
will
have
a
bad
reputa)on
and
may
not
get
another
job.
4. Finance
Explain
the
aspects
of
your
produc>on
that
could
require
finance.
During
our
project,
lots
of
things
will
need
financing,
such
as
the
personnel
involved,
for
example
the
crew
and
the
experts
needed.
As
we
are
doing
recipe
cards,
it
could
be
a
possibility
that
we
need
to
photograph
the
food
we
are
focusing
on
so
we
may
need
to
hire
someone
with
experience
of
photographing
food
and
to
posi)on
it
an
aZrac)ve
manner.
Another
thing
that
could
require
funding
could
be
the
hiring
of
a
loca)on
or
studio.
Different
audiences
e.g.
a
audience
with
a
high
socioeconomic
rank
(ABC1)
would
require
a
difference
se`ng/loca)on
than
one
with
a
lower
socioeconomic
rank
(C2DE).
If
we
choose
not
to
take
photographs
but
find
the
images
we
need
of
the
internet,
it
is
a
high
possibility
that
these
would
be
stock
images
–
meaning
we
would
also
have
to
pay
a
contribu)on
towards
the
owner
of
the
pictures
planning
to
use.
The
client
also
wants
3000
of
each
recipe
card
printed
off
so
this
would
also
need
to
be
funded
and
due
to
the
mass
of
things
wan)ng
to
be
printed,
it
would
be
quite
expensive
(although
the
client
would
most
likely
pay
for
the
prin)ng
of
the
product.
As
we
are
only
a
pair
working
on
the
project
for
the
client,
the
prices
will
be
lower
than
if
we
were
to
hire
more
people
to
do
the
jobs
we
are
capable
of.
5. Time
What
methods
could
you
employ
to
ensure
you
s>ck
to
your
deadlines
and
why
would
this
be
beneficial
to
your
project?
Using
examples
from
your
own
experiences
can
help
you
add
detail
here.
I
could
set
myself
really
strict
deadlines
that
I
must
complete,
I
will
give
myself
enough
)me
plus
a
liZle
bit
more
in
case
something
goes
wrong
(con)ngency
)me)
for
each
piece
of
work
otherwise
I
will
be
massively
held
back.
I
have
learnt
from
other
projects
that
keeping
track
of
)me
and
deadlines
is
key
to
my
project.
If
)me
is
took
for
granted,
the
product
could
lack
the
standard
it
could
have
if
the
correct
)mings
were
took.
The
methods
I
will
use
to
ensure
I
s)ck
to
my
deadlines
include
using
a
schedule
which
will
allow
me
to
see
visually
how
much
)me
I
have
to
do
a
certain
task.
Keeping
in
contact
with
my
partner
will
also
help
me
to
know
how
much
)me
I
have
leW
and
if
anything
has
gone
wrong
(communica)on).
6. Time
What
is
con>ngency
>me
and
how
might
this
be
beneficial
to
your
project?
Considering
some
general
risks
to
your
project
could
help
you
give
a
more
detailed
response.
A
con)ngency
plan
is
a
plan
devised
on
the
off
chance
that
an
unexpected
problem
occurs
which
could
then
change
the
outcome
of
the
project.
An
example
of
this
is
if
all
the
work
on
a
memory
s)ck
is
lost,
how
would
you
help
reduce
the
impact.
This
could
be
by,
backing
the
work
up
onto
another
memory
s)ck
or
another
memory
s)ck.
Another
example
of
this
is
if
we
choose
to
cook
the
recipe
we
are
focusing
on
and
plan
to
photograph
but
the
food
goes
wrong
and
we
didn’t
plan
for
that
to
happen,
this
could
be
solved
by
making
sure
we
planned
enough
)me
to
re-‐do
the
dish
in
case
of
a
disaster.
If
we
were
not
to
have
con)ngency
)me
(or
give
ourselves
con)ngency
)me)
&
something
went
wrong,
we
would
not
be
able
to
meet
our
deadline
&
we
would
then
not
be
paid
by
our
client.
7. Personnel
What
size
team
will
you
use
for
your
produc>on
(large
or
small)?
How
many
people
will
you
have
in
your
team?
Consider
the
reasons
for
this.
Think
about
the
advantages
and
disadvantages
of
your
team
size.
Overall,
I
think
our
produc)on
team
will
be
a
medium
size
as
we
will
need
a
few
people
for
the
several
job
roles
we
have,
such
as
the
photographer,
the
copy
writer
and
the
graphic
designer.
I
think
having
a
medium
size
team
will
be
beZer
than
having
a
bigger
team
as
it
will
cost
less
money
and
it
will
a
lot
easier
to
organise
and
to
communicate
with
a
smaller
group
of
personnel.
A
disadvantage
of
this
is
that
we
may
be
more
rushed
for
)me,
as
fewer
people
will
have
to
do
more
job
roles
in
less
)me
which
may
not
work
as
well
as
it
would
with
a
bigger
group.
8. Personnel
What
job
roles
would
you
have
in
your
produc>on
and
what
skills
and
experience
would
be
required?
Think
back
to
your
early
work
on
jobs
roles
and
departments
and
also
the
skills
you
know
you
need
to
use
to
produce
work.
Drawing
on
your
own
experience
as
well
as
your
industry
knowledge
will
help
you
here.
We
will
have
three
main
job
roles
in
our
produc)on,
these
will
be
the
photographer,
copy
writer
and
the
graphic
designer.
To
get
these
job
roles,
the
persons
wan)ng
them
will
have
to
have
experience
dealing
with
a
similar
situa)on
and
should
be
able
to
)me-‐keep
well
and
should
be
able
to
work
to
a
high
standard
under
pressure.
9. Personnel
How
could
you
find
people
to
be
in
your
produc>on
team?
Think
back
to
your
own
career
development
plans
to
help
you
with
this.
To
find
people
to
be
a
part
of
produc)on
team,
I
could
you
sites
such
as
a
job
site
specific
to
media
jobs
such
as
hZp://jobs.theguardian.com/jobs/media/
or
hZp://www.mediauk.com/jobs.
These
sites
would
allow
me
to
find
people
to
do
specific
jobs
to
produce
the
recipe
cards.
I
could
also
find
people
to
be
in
my
produc)on
staff
by
using
my
own
connec)ons
e.g.
people
I
have
worked
with
beforehand
&
my
own
family
and
friends.
Making
these
images,
I
will
be
working
with
a
peer
of
mine
in
the
same
course
as
myself.
10. Facili)es
List
the
equipment,
resources
and
facili)es
you
need
for
your
produc)on
and
its
source
Equipment/Facility/Resources needed for
production
College
Self
Client
Camera
Studio
Mac
Computer
Proposal
Computer
Printer
Kitchen
&
cooking
equipment
11. Contributors
Contributor
Type of Contributor
Team member
Expert
Client
Expert
Tutor
Expert
Photographer of Sourced Images
Expert
Model Talent
Public Public
12. Loca)ons
What
method
could
you
employ
to
iden>fy
loca>ons
needed
for
your
produc>on
(produc>on/
post
produc>on
facili>es)
and
how
could
this
be
useful?
One
way
I
could
use
to
find
loca)ons
for
the
produc)on
&
post
produc)on
facili)es
is
to
use
a
recce
(loca)on
scout).
You
would
tell
them
what
you
are
looking
for
&
they
would
have
to
research
&
find
the
loca)on.
There
are
complica)ons
when
trying
to
find
a
loca)on:
• Travel:
with
some
loca)ons,
you
would
have
to
travel.
This
can
be
a
problem
if
there
are
many
people
working
on
site.
It
would
be
beZer
if
the
loca)on
was
closer
than
farther
away.
This
would
cost
more
money.
• Permission:
you
would
have
to
get
permission
to
use
the
loca)on
in
some
cases,
especially
if
the
photographs
are
going
to
be
used
for
commercial
purposes
(like
the
recipe
cards
are).
Loca)ons
for
post-‐produc)on
would
be
the
facili)es
that
will
be
needed
to
edit
the
final
recipe
cards.
This
would
usually
consist
of
using
a
Mac
computer
to
edit.
Finding
a
facility
to
do
this
(if
you
have
not
got
one
of
your
own
could
be
costly
depending
on
how
many
people
will
be
edi)ng.
During
the
produc)on
loca)ons
can
vary.
For
this
project,
the
produc)on
would
take
place
in
a
studio
(if
I
was
to
take
the
photographs
for
the
recipe
cards.
If
I
was
not
to
take
the
photographs,
I
would
expect
to
be
using
a
room
where
a
Mac
computer
is
readily
available.
13. Loca)ons
Are
there
any
limita)ons
or
risks
you
would
need
to
consider
for
your
loca)ons?
Location
Limitation/Risk
Studio
I
would
have
to
book
out
the
studio
to
take
the
photographs.
This
is
a
limita)on
as
a
may
not
be
able
to
book
the
studio
when
needed.
There
are
also
risks
that
can
occur
when
using
a
studio
like
the
heavy
lights
falling
&
burns
that
can
occur
from
touching
them.
Computer
room
I
would
not
always
have
access
to
the
computer
room
that
I
will
need
to
use
to
produce
my
work.
There
are
risks
that
can
also
occur
when
using
a
computer
room
like
wires
on
the
floor
&
the
use
of
the
computers
(health
&
safety
act).
Kitchen
14. Codes
of
Prac)ce
-‐
Clearances
What
is
a
model/loca>on
release
form
and
why
is
it
important
to
your
produc>on?
A
model
release
is
a
form
the
employer
must
get
signed
by
the
model.
The
form
will
usually
feature
things
that
need
to
be
cleared
e.g.
how
the
photographs
will
be
used.
The
model
has
to
sign
this
to
legally
confirm
they
know
what
is
happening
on
the
shoot.
A
loca)on
release
form
has
to
be
signed
by
the
appropriate
people
that
own
the
building.
It
will
reference
what
the
project
will
feature
&
what
they
will
use
within
the
loca)on.
A
release
form
is
so
important
due
to
legal
reasons.
If
you
do
not
get
the
right
signatures
you
could
be
sued
my
the
people
that
own
the
loca)on
or
the
model
featured
in
the
photographs/media
product.
There
are
two
examples
of
the
release
forms
to
the
right.
An
example
of
a
model
release
form
not
sta)ng
how
the
images
would
be
used
is
Louisa
Raske.
She
sued
a
total
of
25
agencies
(along
with
other
models)
due
to
the
fact
they
resold
photographs
of
her
(and
others)
to
ad
agencies
and
major
cosme)cs
companies
without
passing
along
the
profits
form
the
reselling.
This
would
not
of
happened
if
the
company
had
stated
in
the
model
release
form
that
they
would
resell
&
reuse
the
images.
15. Codes
of
Prac)ce
-‐
Legal
What
legal
requirements
will
you
have
to
consider
in
your
project
and
what
aspects
do
they
relate
to?
Aspect of Production
Legal Consideration
Images
If
it
use
stock
photographs,
I
will
have
to
pay
for
the
use
of
the
photographs
as
they
are
owned
by
the
photographer
who
took
them.
If
I
used
them
without
their
permission,
I
would
be
breaking
the
copyright
law.
Images
If
I
was
to
take
my
own
images,
I
would
have
to
make
sure
I
had
the
legal
forms
(model
&
loca)on)
signed.
Some
companies
e.g.
McDonalds
have
strict
guidelines
about
taking
photographs
in/outside
their
store.
I
would
have
to
get
full
permission
before
taking
photographs
their.
Post-‐produc)on
During
post-‐produc)on,
I
have
to
make
sure
my
colleagues
&
myself
are
following
the
health
&
safety
at
work
legisla)on
put
in
place
by
the
government
in
1974.
This
will
allow
the
produc)on
to
be
as
safe
as
possible.
Par)cularly
when
using
electrical
equipment
during
post-‐
produc)on.
Recipe
cards
When
making
the
recipe
cards,
we
will
have
to
gain
permission
from
the
person
that
has
created
the
recipe,
otherwise
we
would
could
be
breaking
a
copyright
law.
The
final
product
My
recipe
cards,
once
finished,
must
comply
with
what
the
company
wants
(what
was
said
in
the
contract)
from
us.
If
not,
we
have
broken
the
contract.
16. Codes
of
Prac)ce
–
Regulatory
Bodies
Which
regulatory
body’s
guidelines
would
you
need
to
follow
when
crea>ng
your
produc>on?
Where
could
you
source
that
informa>on
from.
Be
specific.
When
producing
the
recipes
for
the
eight
recipe
cards
we
will
create
we
will
have
to
make
sure
we
are
complying
with
some
regulatory
bodies
such
as
the
food
safety
act
of
1990.
It
has
to
comply
with
such
rules
because
the
recipes
include
the
use
of
foods.
The
safety
act
includes
things
such
as
if
the
recipes
are
aimed
at
kids
&
also
the
food
must
not
falsely
described
or
presented
(in
the
images).
An
example
of
this
would
be
when
a
restaurant
use
photographs
of
food
that
did
not
look
like
the
actual
product
that
you
would
get.
The
ASA
(adver)sing
standards
agency)
also
has
legisla)on
that
I
would
have
to
follow
when
producing
the
recipe
cards.
This
is
due
to
the
fact
that
the
recipe
cards
are
vegetarian
recipes,
in
a
way,
they
are
promo)ng
being
a
vegetarian.
