This dissertation examines researcher reflexivity through the lens of Maxine Greene's writings. It explores how the researcher is situated within the research as both subject and interpreter. The dissertation will take the form of an exhibition, curating selections from Greene's work to illustrate themes of situatedness, embodiment, and aesthetics. Through an iterative process of engaging with source materials and one's own preconceptions, the researcher aims to better understand how meaning is constructed within interpretive inquiry.