Post New Korean Cinema emerged in the mid-1990s and emphasized imaginative genres over realism. There were three main types: Park Chan-wook's provocative violence and negative imagination seen in Sympathy for Mr. Vengeance, Oldboy, and Sympathy for Lady Vengeance; Hong Sang-soo's experimental films that exposed the hypocrisy of daily life like Day a Pig Fell into the Well; and Jang Joon-hwan's uniquely expressed films such as Save the Green Planet that used confusing visuals beyond normality and were critically successful despite box office failures.

1. Post New Korean Cinema

2. Post New Korean CinemaDefinition:films emerging about the of the mid 199os.:emphasized on self-consciousness, based on imaginative power of the genre, than focused on realism.

3. Post New Korean CinemaTypes of PNKC(Post New Korean Cinema)(1) PARK Chan-wook’sprovocative violence and negative imagination : Sympathy for Mr. vengeance(2002), Old boy(2003), Sympathy for Lady vengeance(2005)

4. Post New Korean CinemaTypes of PNKC(Post New Korean Cinema)(2) HONG Sang-su’sExperimental form a. remove ordinary film’s stylistic attraction – to be seen is meaning itself b. exposes hypocrisy, fatigue, mental emptiness of daily lives as it is – to embarrass audiences, living with hypocrisy in disguise, etc.: Day A Pig Fell Into The Well(1996), The Power of Gangwon Province(1998), On the Occasion Of Remembering The Turning Gate(2002)

5. Post New Korean Cinema

6. Post New Korean CinemaTypes of PNKC(Post New Korean Cinema)(3) JANG Joon-hwan’sunique expression: Save the Green Planet(2003): confusing visuality beyond normality. box-office failure, but critical success

7. Thank you.