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Modes of 
Documentary 
a conceptual scheme developed by American theorist Bill Nichols…
Poetic 
 A transformation of historical 
material into a more abstract, 
lyrical form usually associated with 
the 192s and modernist ideas. 
 There is no beginning, middle or 
end. 
 ‘Reassembling fragments of the 
world’.
Expository 
 ‘Direct address’ 
 Social issues assembled into an 
argumentative frame 
 Often mediated by a ‘voice of 
god’ narration.
Observational 
 Technology advanced in the 1960s 
and cameras became much smaller. 
This meant that life could be 
documented in a less intrusive manner 
leaving people to be filmed without 
the camera impacting on their 
behaviour. 
 Sometimes described as ‘fly-on-the-wall’ 
documentaries as people forget 
they are being watched as the 
camera is not obvious.
Participatory 
 Encounters between the film 
maker and subject is recorded as 
the film-maker actively engages 
with the situation they are 
documenting. 
 This involves the film-maker 
asking questions and sharing their 
own experiences.
Reflexive 
 Demonstrates consciousness of the 
process of reading documentary and 
engages with issues of realism and 
representation. 
 Acknowledges presence of viewer 
and refers to the fact that they are 
being filmed and that it is a 
documentary. 
 It also acknowledges judgements that 
viewers could have and corresponds 
to critical theory of the 1980s.
Performative 
 Acknowledges emotional and 
subjective aspects of documentary 
and presents ideas as part of a 
context having different meanings for 
different people. 
 Often autobiographical in nature, 
e.g. the narrator/director starts to 
become the subject of the 
documentary (‘Supersize Me’).
Mixed 
 A mixed documentary is a 
combination of interviews, 
observation, actual footage, 
archival footage and narrative. 
 The narrator links the 
documentary together and 
advances the narrative structure. 
 Most newer documentaries tend 
to be mixed.
Relevance and purpose 
 The purpose of this research is to help us decide 
what mode of documentary ours will be. 
 This proved to be relevant because it gives us 
insight into the different options we could use for 
our documentary mode. 
 We will most likely be using a mixed or expository 
mode of documentary. Although, we will 
conduct research to decide finally what the 
mode will be. Mixed would be appropriate for 
our target audience as 16-30 year olds (students, 
teachers and parents) are a similar target 
audience to other mixed documentaries 
(Panorama).

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Post 8-modes of documentary

  • 1. Modes of Documentary a conceptual scheme developed by American theorist Bill Nichols…
  • 2. Poetic  A transformation of historical material into a more abstract, lyrical form usually associated with the 192s and modernist ideas.  There is no beginning, middle or end.  ‘Reassembling fragments of the world’.
  • 3. Expository  ‘Direct address’  Social issues assembled into an argumentative frame  Often mediated by a ‘voice of god’ narration.
  • 4. Observational  Technology advanced in the 1960s and cameras became much smaller. This meant that life could be documented in a less intrusive manner leaving people to be filmed without the camera impacting on their behaviour.  Sometimes described as ‘fly-on-the-wall’ documentaries as people forget they are being watched as the camera is not obvious.
  • 5. Participatory  Encounters between the film maker and subject is recorded as the film-maker actively engages with the situation they are documenting.  This involves the film-maker asking questions and sharing their own experiences.
  • 6. Reflexive  Demonstrates consciousness of the process of reading documentary and engages with issues of realism and representation.  Acknowledges presence of viewer and refers to the fact that they are being filmed and that it is a documentary.  It also acknowledges judgements that viewers could have and corresponds to critical theory of the 1980s.
  • 7. Performative  Acknowledges emotional and subjective aspects of documentary and presents ideas as part of a context having different meanings for different people.  Often autobiographical in nature, e.g. the narrator/director starts to become the subject of the documentary (‘Supersize Me’).
  • 8. Mixed  A mixed documentary is a combination of interviews, observation, actual footage, archival footage and narrative.  The narrator links the documentary together and advances the narrative structure.  Most newer documentaries tend to be mixed.
  • 9. Relevance and purpose  The purpose of this research is to help us decide what mode of documentary ours will be.  This proved to be relevant because it gives us insight into the different options we could use for our documentary mode.  We will most likely be using a mixed or expository mode of documentary. Although, we will conduct research to decide finally what the mode will be. Mixed would be appropriate for our target audience as 16-30 year olds (students, teachers and parents) are a similar target audience to other mixed documentaries (Panorama).