Here is my portfolio.

1. -01
Portfolio
2018
Hi
“George, I wish you’d look at the nursery.” “What’s
wrong with it?”
“I don’t know.”
“Well, then.”
(The Saturday Evening Post, 1950)
“I just want you to look at it, is all, or call a psycho-
logist in to look at it.”
“What would a psychologist want with a nursery?”
“You know very well what he’d want.” His wife
paused in the middle of the kitchen
and watched the stove busy humming to itself,
making supper for four.
“It’s just that the nursery is different now than it
was.”
“All right, let’s have a look.”
They walked down the hall of their soundproofed
Happylife Home, which had cost
them thirty thousand dollars installed, this house
which clothed and fed and rocked them to sleep
and played and sang and was good to them. Their
approach sensitized a switch somewhere and the
nursery light flicked on when they came within ten
feet of it. Similarly, behind them, in the halls, lights
went on and off as they left them behind, with a
soft automaticity.
“Well,” said George Hadley.
They stood on the thatched floor of the nursery. It
was forty feet across by forty feet long and thirty
feet high; it had cost half again as much as the
rest of the house. “But nothing’s too good for our
children,” George had said. The nursery was silent.
It was empty as a jungle glade at hot high noon.
The walls were blank and two dimensional. Now,
as George and Lydia Hadley stood in the center of
the room, the walls began to purr and recede into
crystalline distance, it seemed, and presently an
African veldt appeared, in three dimensions, on all
sides, in color reproduced to the final pebble and
bit of straw.
Extract from The Veldt by Ray Bradbury
-01:frontcover
31-12-1997

2. -02
-03
All the projects presented
in this portfolio have
deliberately been included
in a brand universe.
For each subject, I felt the
need to supplement my
answers with a code work
or a brand DNA.
Far from being free or
fictitious, aware of the
identity issues of labels,
I tried to define very
specific dedicated product
universes.
More than a reflex, this
approach has become a
real passion that I hope
to perfect in the course
of my professional career
by collaborating with big
houses or prestigious
brands.
Faure Pierre
31.12.1997
+33607726878
fr.pierrefaure@gmail.com

3. -04
-05
À Hauteur d’Homme, Montreal
Intern, space and product design,
developement and visualisation
Summer 2017
IAAD Transport Design, Torino
Workshop, group challenge: design
a new Mini electric car
March 2017
Studio Levien, London
Intern, product design,
developement and visualisation
Summer 2016
Town Hall Registry Office, Paris
Summer Job, employee
2015 and 2017
Lectra, Cestas
Intern, observation (engineers and
manufacturers)
Summer 2014
Computing department Mayor
Office, Paris
Intern, observation (engineers)
Summer 2013
Product Design (BTS degree)
Ecole de Condé Créasud Bordeaux
France 2016 to 2018
Art & Design Foundation course
Ecole de Condé Créasud Bordeaux
France 2015 to 2016
Baccalaureat in Economics and
Social Sciences
with distinction (equivalent “A” levels)
France 2014 to 2015
Languages
English (score 940/990
TOEIC)
Spanish (good working
knowledge)
Ability to work in a team
Sketching
Adobe
Ps Id Ai
Rhinoceros + Keyshot
(average + 3D printing Cura)
Laser cutting/engraving
(leather, jean, wood etc. on
TROTEC)
Google Sketchup
Final Cut Pro
Creative Director
Creasud’s student office
Traveling
United States, Thaïland,
Canada, England, Dominican
Republic...
Photo / Film making
(YouTube Channel)
Drawing / Painting
Horse riding
Running
Robin Levien
Studio Levien
available on request
Louis Philippe Pratte
À Hauteur d'homme
available on request

4. -06
-07
75% of the sparrow
population has been
disappearing from Paris
since 2003 because of urban
renovation and thermal
insulation. These birds need
to find new habitats to lay
their eggs during Spring time.
This project is about
protecting an endangered
species while using eco-
materials.
Nature et Découverte is a
French store chain which
sells products related to
well-being, fragrance, games
and toys, science, hiking
and outdoors accessories,
astronomy and nature
watching equipment,
jewellery and books.
-06
-07
Brand simulation

5. -08
-09
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6. -010
-011
Front (cork)
At the bottom of the piece,
holes are made to let rain
water flow.
Body (cork)
Where the bird stays,what a lovely
place! Cork is a good insulator: it
keeps fresh air inside during summer
and it also withstands the rain.
Partition (cork)
To keep the bird away
from the mecanism.
Security Lock (cork)
To keep everything in place
and to direct the light correctly.
Dome (PMMA)
To diffuse light and to
close the birdhouse.
Sensor / Light
On one side,a sensor faces the
inside of the habitat through the
partition hole.On the other side
a light switch indicates if a bird
is inside.The mechanism could
be powered by a solar panel.
Every hour,the internal sensor checks
if a bird is inside.If it detects one,the
rear light starts to shine like a heartbeat
for a minute.
The user receives a notification on his
smartphone to let him know what is
happening.He can also check local
statistics about the evolution of the
sparrow population.
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7. -012
-013
Design detail,holes to let the
water flows from the edge of
the birdhouse.
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-12

8. -015
-14
-15
The tote bag is becoming
more and more popular. As
they are cheap and robust,
companies and other entities
use them as a communication
support. What if a high-end
brand made their own tote?
This conceptual project is
about mixing animals to get
a new kind of product. Based
on two crocodile brands, the
logos were mixed to celebrate
a fictional collaboration.
Lacoste is a French company
specialized in high-end ready
to wear for men and women.
Crocs is an American
company specialized in shoe
making, famous for their
classic clog.
Brand simulation

9. -16
-17

10. -18
-19
See you later,
alligator.
See you later,
alligator.
See you later,
alligator.
See you later,
alligator.
See you later,
alligator.
See you later,
alligator.
See you later,
alligator.
See you later,
alligator.
See you later,
alligator.See you later,
alligator.

11. -20
-21
Based on a black cotton tote
bag covered by an engraved
piece of leather.
-20
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12. -22
-23
-22
-23
Model: Thimotée Pignoux
@timpgx

13. -24
-25
Jacques Helleu launched Chance
with a first fragrance back in
2003. When he imagined the
bottle, he drew a circle: the
only shape that can co-exist in
harmony with the square of No.5.
Today Chance is a full range of
cosmetics and fragrance divided
in four colors.
This project is about imagining
a new way of representing a
container based on a single
flower vase design.
Chanel S.A. is a french high
fashion house that specializes
in haute couture and ready-to-
wear clothes, luxury goods, and
fashion accessories.
Brand simulation

14. -026
-027
A range of unic fragrances
Fragrance diffuser by capillary action
Perfume climb the dryed wood and
evaporates itself in the air.
The original bottle.
Designed by J. Helleu in 2003.
Patchouli ambré, arbuste à baies roses, oranger, pamplemoussier, cognassier, cédratier et teck.

15. -028
-029
Forme organique,rondeur
inspirée par les agrumes.
Corrélation avec l’univers
spatial,cosmique presque
divin.
Inspiration du monde du
hasard,casino.«Take your
chance».Notion de jeu.
Forme inspirée de
la roulette,disque
creusé au centre.
Inspiration jeu de dés,
littéralement «prendre
sa chance»
Jeu de dés,hasard
total.Gestuelle,
interaction avec l’objet.
Inspiration des origines
de CHANCE,féminité et
préciosité
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16. -030
-031
CHANEL BOUTIQUE BEAUTÉ . 52 AVENUE DES CHAMPS-ÉLYSÉES - 75008 PARIS . 40 RUE DES FRANCS BOURGEOIS - 75003 PARIS . www.CHANEL.COM
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17. -033
-32
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From Cherbourg in France to
New York, the Transatlantic
crossing is a real challenge
for a sailor. During this lonely
experience his only mate is his
knife. More than a tool, this jewel
represents freedom.
This project is about designing
a knife to celebrate the new
(fictional) collaboration between
Neptunia and Beneteau for
the launch of their new Figaro
sailboat.
Beneteau is a historical boat
maker from Croix-de-Vie in
France. Their most performant
sailboat is the Figaro which is
popular for The Solitaire du
Figaro annual race.
Neptunia is a reputed knife
maker from Thiers in France.
Specialized in sailor knives, all
their products are hand-made in
their workshop.
Brand simulation

18. -034
-035
Caoutchouc
Caoutchouc
Acier suédois
inox 12C27
Fibre de
carbone
Fibre de
carbone
Acier suédois
inox 12C27
Vue éclatée du
modèle. Montage
composé de 3
blocs centraux, la
lame et deux axes
de maintientSYSTEME DE VEROUILLAGE
DE LA LAME.
MECANISME
TELESCOPIQUE
Prise en
main facile,
épaisseur du
manche et
anti-grip
Collaboration Neptunia x Beneteau
pour le Figaro III
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19. -036
-037
Proportions
de hauteur en
harmonie avec
celles du Figa-
ro III
N en relief, le
Nord pointant
à l’avant du
couteau
Crantage creusé
tout autour du pro-
duit
Exposer son couteau,
fierté, symbole de
l’aventure.
PLA noir mat avec le relief du Nord
ainsi que l’interieur de l’empreinte
aux couleurs des foils et détails du
bateau Figaro III
Cloche en PMMA
Ouverture coulissante,
cloche à fermeture
«clips»
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20. -038
-039
Lock
Blade
Handle
Pedestal
Serrated knife
North symbol
Hooking ring
Cutter slot
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21. -040
-041
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22. -043
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-43
American fridges can store twice as
much as regular ones. But is it really
necessary ? In fact, they consume
much more energy and promote
wasted food by encouraging the
consumer to buy more, when we
already throw away 25kg of food per
person/year.
This project is about finding a way
to encourage better consumption
by eating fresh and local products
and to avoid energy and food waste.
Also, it is part of the new showroom
of the brand.
Project supervised by Louis-Philippe
Pratte.
À hauteur d’Homme is a proud and
humble citizen-company. Based in
Montreal, the firm promotes an eco-
living lifestyle through sustainable
design and local wood.

23. -044
-045
Container (metal)
Micro-pierced at the bottom to let
the water flow into the tray under
it.Can contain food,dirt or sand to
plant herbs.
Cutting Board (wood)
Removable, used as the bread box
lid.Flush with the counter.
Tray (metal)
Contains the water from the herbs,
wich maintains a good moisture
level to conserve hydrophilic food.
Drawer (wood)
Each drawer is subdivided to
countain vegetables and fruits.One
is dedicated to herbs drying.
Tray drawer (wood)
The water coming from watering
the herbs flows in the tray.Residual
water keeps the moisture level high
to keep food longer
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24. -47
Open kitchens often come
with a counter.More than a
cooking space,it is a meeting
and a living place especially in
the case of a showroom. For
that reason stools have to be
welcoming and complement
the existing design.
This project is about
designing a counter stool for
the new kitchen showroom in
the old-Montreal.
Project supervised by Louis-
Philippe Pratte.
À hauteur d’Homme is a
proud and humble citizen-
company.Based in Montreal,
the firm promotes an eco-
living lifestyle through
sustainable design and local
wood.
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25. -48
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26. -50
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*showroom Espace Pépin Maison - Studio 2177 rue Masson, Suite 404, Montréal, QC .H2H 1B1 www.hh.ca

27. -052
-053
The starting point of this work
is the origins of the movement.
The hypothesis that this project
submits consists in the belief of
the emergence of movement
within the mind.It would be a
physical gesture resulting from a
psychic reaction.Fear is first felt
then expressed through cries and
tears ...
The project was built around
photographs and clips from
movies.The final consists of a
video gathering all this researches
in an organized form.
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28. -54
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29. -056
-057
A selection of my
favorite sketches from
the sketchbooks I have
accumulated during my three
years of design studies.
Marker,pencil,pen,
Photoshop rough,watercolor,
chalk,charcoal ...
If you want to seen more or in
full format,please feel free to
ask.
Photoshop hand-rendering
based on a sketch from the
e-Mini workshop in Torino.
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30. -58
-59
Paper pencil and chalk
Gucci women handbag
70x50cm
2018
Pen and marker
Rough rendering,20min
21x29,7cm
2016
Ink-Pen
Quick body sketching
sketchbook format
2017
Charcoal and color pencil
Brand + product,40 min challenge
70x50cm
2017

31. -060
31-12-1997