The document discusses the production plan for a trailer. It will be shot 50% on a tripod, 25% on a dolly for contrazoom shots, and 25% handheld for running scenes. Most shots will be at eye level or higher. The mise-en-scene will use darker colors with hints of pink and red to indicate dream sequences. The editing will be relatively slow like Inception with fast montages, and dream scenes will have a black and white filter with added pinks and reds. A score taking inspiration from Inception and Bladerunner 2049 will be made to flow with the edited trailer and set the right mood throughout.