Evaluation 1
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The document discusses how the media product, a horror movie trailer, both conforms to and challenges conventions of the genre. It follows conventions like using a mix of dark and light scenes to convey mood, fast cuts to show action, and displaying the production label and release date. However, it challenges conventions by focusing on the story of the killer rather than victims, and portraying the killer in a vulnerable way to elicit sympathy from viewers, aspects not commonly seen in horror trailers.
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Credits over a black screen
Credits over a black screen involve displaying the opening credits of a film in white text on a black background. This simple technique is commonly used to convey bleakness and terror effectively in thrillers. It incorporates the key codes and conventions of the thriller genre by using the contrast of black and white to represent the dichotomy of good versus evil and build suspense and tension from the beginning of the film. As the document discusses creating a horror thriller that starts slowly building suspense, credits over a black screen would be the most effective title sequence approach.
Editing in trailers
The document discusses editing techniques used in movie trailers, specifically for action thrillers. It notes that fast-paced editing is used to create tension and set the mood. Match cuts and cross cutting are also used to make the action flow better and intensify scenes. The pace typically starts slow and speeds up to a climactic ending to build tension and intrigue audiences. Different genres also employ distinctive editing styles - dramas use matching shots while romances rely on flashbacks. Fast cuts thrill audiences in horror films. Editing complements narratives by intensifying chase scenes and showing destruction. The document finds inspiration in fast pacing for setting atmosphere in action thrillers.
Analysis Of The Shining
The opening scene of The Shining uses various film techniques to set an ominous and mysterious tone. A high angle tracking shot follows a car driving through a deserted, snowy landscape as eerie music plays. Long shots and extreme long shots are used to establish the isolated setting. High camera angles make the car seem smaller and less significant, hinting there may be something strange. The techniques draw out details and build a sense of impending danger or threat, leaving the viewer wanting to know what will happen to the car in this lonely place.
Trailer Analysis
The document summarizes the creative choices made in producing a trailer for a film called "The Watching." Key elements of the trailer include an opening title with fog effects to set an eerie tone, phrases of text that hint at the plot and characters while also providing opportunities for voiceovers, actor names that converge in a supernatural way fitting the gothic theme, and revealing the movie title "The Watching" at the end. Various video and audio effects are used purposefully throughout the trailer to further enhance the spooky atmosphere and hint at supernatural or violent elements in the film.
Assignment 5: Editing In Trailers
The document discusses editing techniques commonly used in film trailers. It notes that crosscuts and jumpcuts are used to startle viewers, while flashbacks show past events in black and white. Ellipsis omit scenes to build anticipation. Trailers often use fast pacing in montages to create tension. CGI generates gory or supernatural elements. The pace usually starts slow and increases toward climaxes. Genres like comedy use music to indicate jokes, while horror employs unsettling music and flashing images. Editing must complement the plot and genre to be understood. The author finds foley sounds, jumpcuts, and fast pacing inspirational for their own work.
Saw trailer analysis
This document provides an analysis of the trailer for the 2004 horror film Saw. It summarizes that the trailer effectively builds suspense and fear through the use of dark lighting, jump cuts between disturbing clips, and close-up shots of victims' distressed faces and the threatening doll. Narrative theories are also briefly applied, identifying the doll as the villain who torments the film's hero victims.
Plot idea treatent
The document discusses the production plan for a trailer. It will be shot 50% on a tripod, 25% on a dolly for contrazoom shots, and 25% handheld for running scenes. Most shots will be at eye level or higher. The mise-en-scene will use darker colors with hints of pink and red to indicate dream sequences. The editing will be relatively slow like Inception with fast montages, and dream scenes will have a black and white filter with added pinks and reds. A score taking inspiration from Inception and Bladerunner 2049 will be made to flow with the edited trailer and set the right mood throughout.
Summary of trailers draft 2
The document discusses common narrative structures and editing techniques used in action thriller movie trailers. It notes that trailers often show characters in equilibrium at first, then a disequilibrium like a threat or problem. Two student trailer examples are described showing this structure. Trailers also use upbeat music that increases in volume, titles instead of narration sometimes, and promote social media at the end. Match cuts, cross cutting, and CGI are editing techniques used to make action scenes more intense. The document concludes that carefully pairing fast editing with a fast musical pace is important to set the right mood and tension for successful action thriller trailers.
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Credits over a black screen
Credits over a black screen involve displaying the opening credits of a film in white text on a black background. This simple technique is commonly used to convey bleakness and terror effectively in thrillers. It incorporates the key codes and conventions of the thriller genre by using the contrast of black and white to represent the dichotomy of good versus evil and build suspense and tension from the beginning of the film. As the document discusses creating a horror thriller that starts slowly building suspense, credits over a black screen would be the most effective title sequence approach.
Editing in trailers
The document discusses editing techniques used in movie trailers, specifically for action thrillers. It notes that fast-paced editing is used to create tension and set the mood. Match cuts and cross cutting are also used to make the action flow better and intensify scenes. The pace typically starts slow and speeds up to a climactic ending to build tension and intrigue audiences. Different genres also employ distinctive editing styles - dramas use matching shots while romances rely on flashbacks. Fast cuts thrill audiences in horror films. Editing complements narratives by intensifying chase scenes and showing destruction. The document finds inspiration in fast pacing for setting atmosphere in action thrillers.
Analysis Of The Shining
The opening scene of The Shining uses various film techniques to set an ominous and mysterious tone. A high angle tracking shot follows a car driving through a deserted, snowy landscape as eerie music plays. Long shots and extreme long shots are used to establish the isolated setting. High camera angles make the car seem smaller and less significant, hinting there may be something strange. The techniques draw out details and build a sense of impending danger or threat, leaving the viewer wanting to know what will happen to the car in this lonely place.
Trailer Analysis
The document summarizes the creative choices made in producing a trailer for a film called "The Watching." Key elements of the trailer include an opening title with fog effects to set an eerie tone, phrases of text that hint at the plot and characters while also providing opportunities for voiceovers, actor names that converge in a supernatural way fitting the gothic theme, and revealing the movie title "The Watching" at the end. Various video and audio effects are used purposefully throughout the trailer to further enhance the spooky atmosphere and hint at supernatural or violent elements in the film.
Assignment 5: Editing In Trailers
The document discusses editing techniques commonly used in film trailers. It notes that crosscuts and jumpcuts are used to startle viewers, while flashbacks show past events in black and white. Ellipsis omit scenes to build anticipation. Trailers often use fast pacing in montages to create tension. CGI generates gory or supernatural elements. The pace usually starts slow and increases toward climaxes. Genres like comedy use music to indicate jokes, while horror employs unsettling music and flashing images. Editing must complement the plot and genre to be understood. The author finds foley sounds, jumpcuts, and fast pacing inspirational for their own work.
Saw trailer analysis
This document provides an analysis of the trailer for the 2004 horror film Saw. It summarizes that the trailer effectively builds suspense and fear through the use of dark lighting, jump cuts between disturbing clips, and close-up shots of victims' distressed faces and the threatening doll. Narrative theories are also briefly applied, identifying the doll as the villain who torments the film's hero victims.
Plot idea treatent
The document discusses the production plan for a trailer. It will be shot 50% on a tripod, 25% on a dolly for contrazoom shots, and 25% handheld for running scenes. Most shots will be at eye level or higher. The mise-en-scene will use darker colors with hints of pink and red to indicate dream sequences. The editing will be relatively slow like Inception with fast montages, and dream scenes will have a black and white filter with added pinks and reds. A score taking inspiration from Inception and Bladerunner 2049 will be made to flow with the edited trailer and set the right mood throughout.
Summary of trailers draft 2
The document discusses common narrative structures and editing techniques used in action thriller movie trailers. It notes that trailers often show characters in equilibrium at first, then a disequilibrium like a threat or problem. Two student trailer examples are described showing this structure. Trailers also use upbeat music that increases in volume, titles instead of narration sometimes, and promote social media at the end. Match cuts, cross cutting, and CGI are editing techniques used to make action scenes more intense. The document concludes that carefully pairing fast editing with a fast musical pace is important to set the right mood and tension for successful action thriller trailers.
Thriller Research - No country for old men - Farzeen
The document provides an analysis of the opening sequence of the film No Country for Old Men. It examines several conventions and techniques used:
1) The opening credits set up the sinister tone for the thriller genre.
2) The deserted landscape setting and low camera angles portray the villain as a threat away from the protection of the city.
3) Elements like handcuffs and police presence establish danger and mystery, hinting at the story of a criminal being hunted without providing full context.
4) Shadows, blood, and vague dialogue further characterize the protagonist as dangerous while leaving the audience with unanswered questions to intrigue them.
The Shining Textual Analysis
This document analyzes various technical elements of a scene from the film The Shining that is meant to terrify the main character Danny. It discusses the use of camera shots, editing, sound, and mise-en-scene to build tension and shock value. Specifically, it notes the use of long shots to show Danny's fear, close-ups of his face to convey emotion, flashing between images to startle the audience, and diegetic sound of a tricycle wheel to create a sense of speed and unease. Elements of the scene setting like an axe and blood provide context of a brutal murder. The document concludes by stating this analysis can help with effectively using flashbacks and establishing a scene's location in the author
Pulp fiction
The document discusses conventions used in the opening scene of the film Pulp Fiction. It summarizes that the opening scene introduces the main characters as they casually discuss previous criminal activities, establishing them as antagonists. Low lighting and camera angles are used to show one character is confident yet hiding something. An establishing shot of a cafe is shown, setting up the location for where something important will happen.
General conventions of editing and shots/camera movements in Thrillers
This document discusses common camera shots, movements, and editing conventions used in thriller films. It notes that close-up shots are frequently used to portray character emotions more easily. Some camera movements, like following a character from their point of view, can make the film feel more intense and realistic. Editing techniques like quick cuts and fades to black are also used to create a more intense atmosphere and add mystery by not showing what will happen next.
Narrative enigmas in trailers
The document discusses narrative conventions and structures commonly found in action thriller trailers. Trailers typically start by introducing the main character living a normal life until something bad happens, launching the plot in a non-chronological, fast-paced manner. This climaxes at an enigma that is hinted at but not fully resolved. Flashbacks provide backstory but also leave audiences with questions. Trailers balance revealing enough to engage audiences while restricting details to generate intrigue and enigmas around characters' histories, their goals, and whether they will succeed, in order to entice viewers to watch the full film.
Saw movie trailer analysis
The film Saw is a 2004 horror film directed by James Wan. The trailer uses various techniques to establish it as a gory horror film. It features quick cuts and transitions between dark, tense scenes showing victims in peril. Non-diegetic sounds like heartbeats and screams build intensity, while the villain Jigsaw's distorted voice adds mystery. Overlaid text directly tells the audience he is a "madman" and "psychopath" to reinforce the disturbing tone. The trailer effectively uses visuals and audio to draw viewers in and generate fear and suspense around Jigsaw's deadly games.
2 horror trailers
The document discusses how horror films like Saw use certain conventions to create tension and atmosphere. It analyzes the use of setting, characters, props, camera shots, editing, and sound. For example, it notes that the dark, isolated bathroom setting immediately signals it is a horror film. It also discusses how discontinuous editing and non-diegetic sounds build tension without full context. Overall, the document examines how these various film techniques combine to effectively craft the horror genre experience for the audience.
2 horror trailers
The document analyzes how the horror movie Saw uses common horror film techniques and tropes to create tension and atmosphere. It discusses the stereotypical setting of an isolated, dirty bathroom; characters like the helpless female victim; and props like torture weapons. It also examines the use of camera shots like slanted angles, editing with quick cuts and black screens, and unsettling sounds without visible sources to build mystery, fear and suspense in viewers.
The Conjuring Trailer Analysis 1
The document analyzes the trailer for the horror film The Conjuring. It discusses the use of sound, camerawork, mise-en-scene, editing, and conventions of the horror genre employed in the trailer. Regarding sound, it notes the use of dialogue, noises, and music to create tension and scare audiences. The camerawork uses handheld footage to imply real events, with short and long takes building tension. Mise-en-scene features old, isolated settings and props that establish the creepy atmosphere. Editing employs transitions, montages, and eyeline matches to gradually increase intrigue and pace. Overall, the analysis describes how the trailer utilizes various film techniques common to the horror genre to attract
Analysis Of Opening Techniques The Shining
The opening film techniques employed in The Shining include a title painted in white on a black background to connote impending doom, a bird's-eye view tracking shot of a car to follow its movement and suggest its importance, and matching cuts with non-diegetic music to create a surreal feeling until dialogue begins in the second scene. Character mise-en-scène includes smart clothing and a red tie worn by one character that hints at future tragedy.
Sound research
The document discusses sound research for a teaser trailer. It analyzes the sound in two sample teaser trailers, noting elements like ambient sound, footsteps, and dialogue that could inspire the sound design. It also lists specific sound effects like footsteps, a phone beep, and a door closing that may be used. All sound clips will come from copyright-free sources like Freesound.org, and any other sources must be properly attributed to avoid copyright issues.
Disturbia media presentation lauren attwater
1) The document provides an analysis of a film clip from the thriller movie "Disturbia" directed by D.J. Caruso, which was inspired by Alfred Hitchcock's "Rear Window."
2) Various film techniques are discussed including mise-en-scene, camera work, editing, and sound design. Mise-en-scene establishes the domestic setting and shifts in character comfort levels. Shots include close-ups, medium shots, pans, and high angles.
3) Editing cuts between shots quickly to create a pulse-pounding sense of panic, and diegetic and non-diegetic sounds make the audience uncomfortable and enhance the on-screen actions.
Analysis Of Saw
The document discusses cinematography, lighting, costumes, locations, editing, mise-en-scene, and sound design in a slasher horror film. Mid shots, long shots, and close ups are used to show characters, settings, and facial expressions. Bright, red, and dim lighting are used to convey different meanings. Costumes distinguish victims from the anonymous killer and other bad characters. Locations are claustrophobic and dirty. Fast editing builds tension during action scenes. Sound is mostly silence or heavy breathing except for loud music during action. The film employs conventions of the slasher genre including a masked killer who doesn't speak directly to victims.
Idents
Most teaser trailers keep idents (logos) brief, showing them for only 1-2 seconds at the beginning. While some idents have slight animated zoom transitions, most are static photographs. To draw viewers in, many teaser idents feature dark backgrounds with bright, high-contrast logos. For a film with a dark tone, the document recommends designing an ident with a dark grey, black, or white textured background to make it memorable within the teaser trailer.
Process presentation
The document discusses the design process for a movie poster for a horror film about a killer clown. The designer created a simple black background to show power and associate with death. White text was chosen to contrast and represent the binary of good vs evil. Credits were included to attract audiences interested in the producers. The tagline "Remember we only want to play" was selected in red to connote blood, danger and violence. The main image featured the clown's face to depict the scary nature of the film.
How do i know that
This document analyzes how the movie "REWIND" challenges thriller conventions by also fulfilling conventions of horror movies. It identifies several conventions used in "REWIND" that are typical of both horror and thriller genres, such as fast editing during shock scenes, slow cuts when building tension, ominous settings, use of silence and music to increase anxiety, and costumes that symbolize death. The document concludes that through its use of flashing shots and flashbacks, "REWIND" fulfills the horror convention of disorienting the audience to build tension.
Analysis of Horror Trailers
The document analyzes two horror film trailers, Saw and Primal. For Saw, it summarizes that the trailer uses dark settings, torture props, and a crying female victim to set up stereotypical horror iconography. It also uses unsettling editing, distorted sounds, and canted camera shots to build tension. For Primal, it notes the trailer starts with an isolated group of teenagers and uses fast music, monster sounds, and heavy breathing to create fear. Both trailers effectively employ conventions like discontinuous editing and unsettling sounds to distress audiences.
Media presentation
The document analyzes two horror movie trailers, Saw and Primal. For Saw, it discusses the stereotypical iconography used including the dark bathroom setting, torture props, and characterization of the female as the victim. It also analyzes the structure using discontinuous editing, tense sounds, and canted camera angles. For Primal, it discusses the establishing shot showing the isolated group, fast-paced music building fear, and monster sounds acting as a predator. Both trailers effectively use editing, sounds, and shots to create tension and suspense through established horror conventions.
A2 Media- Evaluation question 1
This document discusses how the media producer's horror film trailer, magazine cover, and poster use, develop, or challenge conventions of real media forms.
The trailer is constructed conventionally, using titles, logos, black-and-white photos, soundtracks, and locations similarly to existing horror film trailers like Ouija. Some techniques like longer black screens and different text alignments challenge conventions slightly. Parallel editing is used to create dramatic irony, challenging genre conventions.
The magazine cover is inspired by Empire magazine, and the poster is inspired by Ouija, making their styles consistent with their inspiration. Mise-en-scene features Halloween costumes and dark clothing to match the genre. Overall, the media products
The woman in black - analysis
The document analyzes the Woman in Black film and trailer through several film techniques. It discusses how the trailer follows conventions like showing important plot points without revealing too much. It also builds tension through fast editing during scary scenes and changes shots each time bells chime in the soundtrack. Camerawork and mise-en-scene like a disturbing doll help set an unsettling atmosphere and engage audiences in the film's mystery.
Horror Trailer Analysis
The document provides descriptions of cinematography, editing, sound, and mise-en-scene techniques used in the trailers for three horror films: A Nightmare on Elm Street, Paranormal Activity 4, and The Woman in Black. For each film, the cinematography creates tension through close-ups and distorted shots. Editing uses fast pacing and motivated cuts to build suspense. Non-diegetic sound like children's voices and music add to the eerie atmosphere. Settings appear dark, chaotic, and haunted to emphasize the horror genre.
Alice new
The document discusses genre conventions for horror trailers. It outlines several key conventions including low-key lighting being used for tense or scary moments, the use of music to build tension and unease, shot types consisting mainly of close-ups and reaction shots, the use of leitmotifs like repeated symbols to hint at the narrative, and editing techniques like jump cuts and black screens to create tension. The document also discusses conventions for trailer elements like titles, company logos, and not revealing the entire plot. The student aimed to incorporate these conventions into their own horror trailer and ancillary tasks like a poster and magazine cover.
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1) The opening credits set up the sinister tone for the thriller genre.
2) The deserted landscape setting and low camera angles portray the villain as a threat away from the protection of the city.
3) Elements like handcuffs and police presence establish danger and mystery, hinting at the story of a criminal being hunted without providing full context.
4) Shadows, blood, and vague dialogue further characterize the protagonist as dangerous while leaving the audience with unanswered questions to intrigue them.
The Shining Textual Analysis
This document analyzes various technical elements of a scene from the film The Shining that is meant to terrify the main character Danny. It discusses the use of camera shots, editing, sound, and mise-en-scene to build tension and shock value. Specifically, it notes the use of long shots to show Danny's fear, close-ups of his face to convey emotion, flashing between images to startle the audience, and diegetic sound of a tricycle wheel to create a sense of speed and unease. Elements of the scene setting like an axe and blood provide context of a brutal murder. The document concludes by stating this analysis can help with effectively using flashbacks and establishing a scene's location in the author
Pulp fiction
The document discusses conventions used in the opening scene of the film Pulp Fiction. It summarizes that the opening scene introduces the main characters as they casually discuss previous criminal activities, establishing them as antagonists. Low lighting and camera angles are used to show one character is confident yet hiding something. An establishing shot of a cafe is shown, setting up the location for where something important will happen.
General conventions of editing and shots/camera movements in Thrillers
This document discusses common camera shots, movements, and editing conventions used in thriller films. It notes that close-up shots are frequently used to portray character emotions more easily. Some camera movements, like following a character from their point of view, can make the film feel more intense and realistic. Editing techniques like quick cuts and fades to black are also used to create a more intense atmosphere and add mystery by not showing what will happen next.
Narrative enigmas in trailers
The document discusses narrative conventions and structures commonly found in action thriller trailers. Trailers typically start by introducing the main character living a normal life until something bad happens, launching the plot in a non-chronological, fast-paced manner. This climaxes at an enigma that is hinted at but not fully resolved. Flashbacks provide backstory but also leave audiences with questions. Trailers balance revealing enough to engage audiences while restricting details to generate intrigue and enigmas around characters' histories, their goals, and whether they will succeed, in order to entice viewers to watch the full film.
Saw movie trailer analysis
The film Saw is a 2004 horror film directed by James Wan. The trailer uses various techniques to establish it as a gory horror film. It features quick cuts and transitions between dark, tense scenes showing victims in peril. Non-diegetic sounds like heartbeats and screams build intensity, while the villain Jigsaw's distorted voice adds mystery. Overlaid text directly tells the audience he is a "madman" and "psychopath" to reinforce the disturbing tone. The trailer effectively uses visuals and audio to draw viewers in and generate fear and suspense around Jigsaw's deadly games.
2 horror trailers
The document discusses how horror films like Saw use certain conventions to create tension and atmosphere. It analyzes the use of setting, characters, props, camera shots, editing, and sound. For example, it notes that the dark, isolated bathroom setting immediately signals it is a horror film. It also discusses how discontinuous editing and non-diegetic sounds build tension without full context. Overall, the document examines how these various film techniques combine to effectively craft the horror genre experience for the audience.
2 horror trailers
The document analyzes how the horror movie Saw uses common horror film techniques and tropes to create tension and atmosphere. It discusses the stereotypical setting of an isolated, dirty bathroom; characters like the helpless female victim; and props like torture weapons. It also examines the use of camera shots like slanted angles, editing with quick cuts and black screens, and unsettling sounds without visible sources to build mystery, fear and suspense in viewers.
The Conjuring Trailer Analysis 1
The document analyzes the trailer for the horror film The Conjuring. It discusses the use of sound, camerawork, mise-en-scene, editing, and conventions of the horror genre employed in the trailer. Regarding sound, it notes the use of dialogue, noises, and music to create tension and scare audiences. The camerawork uses handheld footage to imply real events, with short and long takes building tension. Mise-en-scene features old, isolated settings and props that establish the creepy atmosphere. Editing employs transitions, montages, and eyeline matches to gradually increase intrigue and pace. Overall, the analysis describes how the trailer utilizes various film techniques common to the horror genre to attract
Analysis Of Opening Techniques The Shining
The opening film techniques employed in The Shining include a title painted in white on a black background to connote impending doom, a bird's-eye view tracking shot of a car to follow its movement and suggest its importance, and matching cuts with non-diegetic music to create a surreal feeling until dialogue begins in the second scene. Character mise-en-scène includes smart clothing and a red tie worn by one character that hints at future tragedy.
Sound research
The document discusses sound research for a teaser trailer. It analyzes the sound in two sample teaser trailers, noting elements like ambient sound, footsteps, and dialogue that could inspire the sound design. It also lists specific sound effects like footsteps, a phone beep, and a door closing that may be used. All sound clips will come from copyright-free sources like Freesound.org, and any other sources must be properly attributed to avoid copyright issues.
Disturbia media presentation lauren attwater
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2) Various film techniques are discussed including mise-en-scene, camera work, editing, and sound design. Mise-en-scene establishes the domestic setting and shifts in character comfort levels. Shots include close-ups, medium shots, pans, and high angles.
3) Editing cuts between shots quickly to create a pulse-pounding sense of panic, and diegetic and non-diegetic sounds make the audience uncomfortable and enhance the on-screen actions.
Analysis Of Saw
The document discusses cinematography, lighting, costumes, locations, editing, mise-en-scene, and sound design in a slasher horror film. Mid shots, long shots, and close ups are used to show characters, settings, and facial expressions. Bright, red, and dim lighting are used to convey different meanings. Costumes distinguish victims from the anonymous killer and other bad characters. Locations are claustrophobic and dirty. Fast editing builds tension during action scenes. Sound is mostly silence or heavy breathing except for loud music during action. The film employs conventions of the slasher genre including a masked killer who doesn't speak directly to victims.
Idents
Most teaser trailers keep idents (logos) brief, showing them for only 1-2 seconds at the beginning. While some idents have slight animated zoom transitions, most are static photographs. To draw viewers in, many teaser idents feature dark backgrounds with bright, high-contrast logos. For a film with a dark tone, the document recommends designing an ident with a dark grey, black, or white textured background to make it memorable within the teaser trailer.
Process presentation
The document discusses the design process for a movie poster for a horror film about a killer clown. The designer created a simple black background to show power and associate with death. White text was chosen to contrast and represent the binary of good vs evil. Credits were included to attract audiences interested in the producers. The tagline "Remember we only want to play" was selected in red to connote blood, danger and violence. The main image featured the clown's face to depict the scary nature of the film.
How do i know that
This document analyzes how the movie "REWIND" challenges thriller conventions by also fulfilling conventions of horror movies. It identifies several conventions used in "REWIND" that are typical of both horror and thriller genres, such as fast editing during shock scenes, slow cuts when building tension, ominous settings, use of silence and music to increase anxiety, and costumes that symbolize death. The document concludes that through its use of flashing shots and flashbacks, "REWIND" fulfills the horror convention of disorienting the audience to build tension.
Analysis of Horror Trailers
The document analyzes two horror film trailers, Saw and Primal. For Saw, it summarizes that the trailer uses dark settings, torture props, and a crying female victim to set up stereotypical horror iconography. It also uses unsettling editing, distorted sounds, and canted camera shots to build tension. For Primal, it notes the trailer starts with an isolated group of teenagers and uses fast music, monster sounds, and heavy breathing to create fear. Both trailers effectively employ conventions like discontinuous editing and unsettling sounds to distress audiences.
Media presentation
The document analyzes two horror movie trailers, Saw and Primal. For Saw, it discusses the stereotypical iconography used including the dark bathroom setting, torture props, and characterization of the female as the victim. It also analyzes the structure using discontinuous editing, tense sounds, and canted camera angles. For Primal, it discusses the establishing shot showing the isolated group, fast-paced music building fear, and monster sounds acting as a predator. Both trailers effectively use editing, sounds, and shots to create tension and suspense through established horror conventions.
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Similar to Evaluation 1
A2 Media- Evaluation question 1
This document discusses how the media producer's horror film trailer, magazine cover, and poster use, develop, or challenge conventions of real media forms.
The trailer is constructed conventionally, using titles, logos, black-and-white photos, soundtracks, and locations similarly to existing horror film trailers like Ouija. Some techniques like longer black screens and different text alignments challenge conventions slightly. Parallel editing is used to create dramatic irony, challenging genre conventions.
The magazine cover is inspired by Empire magazine, and the poster is inspired by Ouija, making their styles consistent with their inspiration. Mise-en-scene features Halloween costumes and dark clothing to match the genre. Overall, the media products
The woman in black - analysis
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Horror Trailer Analysis
The document provides descriptions of cinematography, editing, sound, and mise-en-scene techniques used in the trailers for three horror films: A Nightmare on Elm Street, Paranormal Activity 4, and The Woman in Black. For each film, the cinematography creates tension through close-ups and distorted shots. Editing uses fast pacing and motivated cuts to build suspense. Non-diegetic sound like children's voices and music add to the eerie atmosphere. Settings appear dark, chaotic, and haunted to emphasize the horror genre.
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The document discusses genre conventions for horror trailers. It outlines several key conventions including low-key lighting being used for tense or scary moments, the use of music to build tension and unease, shot types consisting mainly of close-ups and reaction shots, the use of leitmotifs like repeated symbols to hint at the narrative, and editing techniques like jump cuts and black screens to create tension. The document also discusses conventions for trailer elements like titles, company logos, and not revealing the entire plot. The student aimed to incorporate these conventions into their own horror trailer and ancillary tasks like a poster and magazine cover.
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This document evaluates how the student's media product uses and develops conventions of real media products in three key ways:
1. The film trailer follows conventions of British crime film trailers by using footage from the film, credits, and leaving on a cliffhanger.
2. The poster ties into the trailer through its dark and edgy tone, references to revenge, and inclusion of the main character and his dog.
3. Ancillary texts like the magazine cover and credits complement the trailer and poster by featuring the main character consistently and reinforcing the narrative of revenge.
Film trailer paranormal activity textual analysis
The trailer for Paranormal Activity uses techniques common to the horror genre to create mystery and tension. It shows scenes of a cinema audience reacting in fear to the film, leaving the viewer curious. Point-of-view camerawork and diegetic sounds put the viewer in the characters' shoes. Fast editing, dark lighting, and minimal music build an unsettling atmosphere. These techniques, along with an ordinary family setting and enigmatic title, entice viewers to watch the full film for answers.
Horror do’s and dont’s
This document provides guidelines for creating effective horror movie trailers. It recommends using low key lighting to imply disruption without revealing too much of the plot. It also suggests using music that matches the horror genre or more ambiguous music to hint at horror. Trailers should provide some information about the plot to generate interest without revealing too much. Jump scares at the end are effective for leaving audiences in suspense. The antagonist should not be directly shown to maintain mystery. Editing techniques like switching between linear and nonlinear can build suspense, while bright colors should generally be avoided.
Question one evaluation - AS Media
Bethany Symonds discusses how her media product uses and develops conventions of the horror genre. She researched common horror conventions like camera techniques, sound, mise-en-scene, and editing. Her film matches these conventions through elements like POV shots, diegetic sounds, an isolated setting, and match cuts. It also develops conventions by combining horror subgenres and using multiple time periods. Additionally, her film challenges conventions by having a female protagonist instead of male and using daylight in dream sequences rather than only dark lighting.
Question 1 powerpoint
This document discusses how the filmmaker's media product uses conventions of psychological horror films in its opening sequence. Specifically, it notes that the main villain is male, reflecting common representations in films like "Insidious" and "The Shining". Slow cuts are also used, replicating the style of films like "Shutter Island" and "Insidious". Camerawork employs close-ups of corpses and a central knife to reflect violence. Editing uses transitions between shots of a character grazing a wall with a knife to create a blurry, delirious effect. Music and lighting also mimic conventions of the genre to establish tension. Overall, the opening sequence aims to develop rather than challenge expectations of the psychological horror genre.
Evaluation of my a2 media studies coursework
This document evaluates the effectiveness of combining a film trailer with ancillary texts like a poster and magazine cover for a media studies coursework project on British crime films.
The film trailer follows conventions of the genre by using footage, music, and lighting to set the dark and serious tone of a revenge story. The poster features the main character in a dark scene to match the trailer's mood. Credits and the title on the poster and trailer match to clearly advertise the same film. The magazine cover also prominently features the main character in a way that connects to scenes from the trailer to cohesively promote the project across multiple media.
Evaluation of my a2 media studies coursework
This document analyzes how the student's media product uses and develops conventions of real media products, specifically film trailers and the British crime genre.
The student's film trailer follows conventions like using footage from the film, having a runtime of around 2 minutes, and including credits. However, it also challenges some conventions by having a linear narrative, not using still shots, and having longer scenes.
The poster complements the trailer through its dark tone and imagery relating to themes of revenge and loyalty. Credits and character details are consistent between the trailer, poster and magazine cover to effectively promote the same product across ancillary texts.
Production for trailer
The document discusses the process of creating and editing a trailer for a film project in Premiere Pro. Scenes were captured, arranged in order, and then rearranged by jumping between "her normal life" and "her life when she was captured" to intrigue audiences. Effects like lighting adjustments and cross dissolves between scenes were added to create an uneasy feeling. Sound effects were also layered in to enhance some scenes. Finally, the trailer was exported in the correct format for uploading to YouTube.
Paranormal activity trailer analysis
The trailer for Paranormal Activity uses found footage style camerawork and focuses on building mystery and tension. It shows footage of a cinema audience reacting in fear to something happening on screen but does not reveal what they are seeing. This is meant to intrigue viewers and make them want to find out the source of the audience's fear by watching the film themselves. The trailer also uses darkness, diegetic sounds like screams, and unexplained visuals to create an unsettling atmosphere and enigma around the plot of the film.
2 non genre specific ideas-
The document analyzes two non-genre specific film trailers. For the first film, "Don't Breathe," the analysis looks at how the editing varies between slow, tense scenes and fast-paced dramatic scenes, and how the mise-en-scene features common horror elements. Lighting in the trailer gets progressively darker to build tension. The second film analyzed is the documentary "Touching the Void," whose trailer has a first half with voiceovers in a documentary style and a second high-action half to show it blends documentary and adventure genres. Mise-en-scene is very bright to clearly show the Andes setting.
Analysis of the sinister trailer
The trailer uses effective camera work, editing, lighting, sound, and props to create suspense without revealing too much of the plot. It begins by establishing a normal setting but gradually shifts to darker lighting and handheld shots that make the viewer feel engaged yet unsure of what will happen. Fast pacing and brief shots maintain mystery around the antagonist while close-ups of characters' scared reactions heighten tension. Throughout, conventional horror trailer techniques like distorted sound, blurred images and a building sense of dread leave the audience wanting to learn more.
2 non genre specific ideas-
The document analyzes two non-genre specific ideas from film trailers. For the first idea, it examines the horror film trailer "Don't Breathe" and discusses how the editing varies between slow, tense scenes and fast-paced dramatic scenes. It also notes the mise-en-scene features dark, abandoned environments typical of the horror genre. For the second idea, it analyzes the documentary trailer "Touching the Void" and how the first half uses a conventional documentary style with voiceovers but the second half has a faster pace and feels like an action film trailer to represent the true story elements. Both trailers effectively represent the genres and content of their respective films.
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
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The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
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The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
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The immediate aftermath of the Dwayne Johnson kidnappin
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In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
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Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
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Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
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1:该专业认证可证明留学生真实身份
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Evaluation 1
- 1. 1) In what way does your media product use, develop or challenge forms and conventions of real media products?
- 2. My trailer, I believe does conform to the conventions of horror movies, however I also believe that my trailer does challenge conventions as well. Storyline: • It challenges it since it revolves around the killer and her story rather than the victims, which is not seen much in horror movies, also my trailer shows the killer in a vulnerable light, and I hope makes the audience feel sorry for her slightly. I believe both go against the usual conventions of a horror movie.
- 3. LIGHTING • Lightings in horror trailers have a mixture of dark scenes and lighter scenes. This is create an effect. If there is a dark scene the audience knows something bad is about to happen and a lighter scene will suggest the characters are not in danger and the moment.
- 4. House of Wax • As seen in the house of wax trailer, there is a mixture of dark and light scenes to express the feeling of movie at that moment; serious or not.
- 5. SAW 2 • These two pictures display how lighting in used in SAW2. However, the scenes in Saw2 are all pretty dark and dull to highlight the mood of the entire movie, but still uses lighter scenes at certain points.
- 6. INSIDIOUS • Again these two pictures shows how lighting is important in a trailer. Overall, the trailer is quite dull and some points dark and fewer points light.
- 7. POSSESSION • To follow the conventions of a usual horror trailer I have included dark scenes and light scenes. The scenes below express that the dark scenes is when something bad is happening, and the lighter scenes is when the action has calmed down.
- 8. EDITING • The way most trailers are edited are with fast paced cuts to show the action and t give the effect that it is going very fast, but I have also slow paced cuts to show the story and the leading up to the action. I have followed this convention by using many fast paced cuts. I used a few fade in’s and out’s when something bad was happening to emphasize it.
- 9. These images how the production company of the movie which is usually near the beginning of the trailer.
- 10. I followed the convention, and invented my own production label. I put a distorted picture behind and put ‘distorted pictures’ on top of it
- 11. These two movies show when the movie will be release. They put it at the end of the trailer, so the audience remember it as it is the last thing they see.
- 12. I again followed the convention, but I did it on a only a black screen and white writing.
- 13. For my music, I didn’t only use scary and action music, I also used slow and sad music to show the atmosphere and the mood of the main character.
Editor's Notes
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