Photography production risk assessment
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This document summarizes two photography production risk assessments. The first identifies risks such as tripping over wires, lights getting too hot, and tripping down stairs in the studio. Controls are in place like keeping wires tucked away and turning lights off when not in use. The second risk assessment identifies outdoor location risks like slippery ground, bad weather, and members of the public. Controls include wearing appropriate footwear, checking weather forecasts, and waiting for passers-by. Both assessments rate the risks as low to moderate and identify further actions that could be taken like being cautious of wires and having a first aid kit.
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Film production risk assessment[130]
This document contains two risk assessments for photography productions. The first is for a studio location and identifies risks such as tripping over wires, lights getting too hot, and tripping down stairs. Controls are in place like keeping wires tucked away and turning lights off when not in use. The second risk assessment is for an outdoor location and identifies slip hazards from the ground being slippy, risks from poor weather, and the possibility of tripping on the way to the location. Further actions required include wearing appropriate footwear and having a first aid kit.
Media production risk_assessment
This risk assessment summarizes potential hazards for the media production project "WAR Energy" taking place on 5/12/2012 at Priestley College. Hazards identified include electricity from cables and the risk of slipping, tripping, or falling over cables. The likelihood of harm from electricity is assessed as highly unlikely, potentially causing a slight electric shock. For slipping/tripping/falling, the likelihood is deemed likely as the area contains much electrical equipment, and a fall could cause no fatal harm but possible serious injuries to the model or photographer. Risks will be minimized by keeping away from plug sockets, being aware of cable locations, and taping over cables with masking tape.
Production risk assessment car park
The risk assessment summarizes the production of a music video shoot planned for an outdoor car park location. It identifies potential hazards such as crowds interfering with shots, inhaling car fumes, noise interference, and tripping on steps. The assessment rates the likelihood and severity of each hazard as low. Control measures like shooting in a quiet area, ensuring ventilation, editing out audio, and the steps being low are noted to minimize risks. Failure to follow health and safety procedures could invalidate insurance for the production.
Production risk assessment arcade
The risk assessment summarizes the potential hazards for filming the production "Tazz - My Lover" at Riverside Arcade on October 24th. It identifies risks to the public from being in shots, risks to children from tripping on camera equipment, and risks to crew from tripping on cables. Controls are outlined such as filming on a quiet Monday, protecting cables, and removing audio from clips to address noise issues. The assessor approved filming at the location after finding no major hazards that could cause fatal injury.
Production risk assessment park
The production is legally required to ensure a safe working environment. Failure to follow health and safety procedures could invalidate insurance. A risk assessment was conducted for filming at a park to play football. Potential risks identified include the public appearing in shots, children tripping, noise from children and wind, injury from kicking a football, and slipping on wet grass. Controls put in place are filming on a Monday to reduce people, using video without audio, choosing an actor skilled at football to avoid injury, and filming on a dry, cloudy day.
Risk assessment pdf
This risk assessment document outlines potential risks for an upcoming film production and ways to minimize those risks. It identifies risks of tripping over wires, electrical fires from lights being left on, equipment damage, and medical issues. The responsible person, Amy Wichelow, will tape wires to the floor, ensure lights are turned off when not in use, regularly check equipment, and ensure anyone with medical conditions has their medications.
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Risk assessment.
This risk assessment document outlines the key risks for Amy Shields' "Mess is Mine" music video production. It identifies health and safety concerns from hot lighting equipment, the risk of halting production if the model is unavailable, and potential damage to expensive cameras and equipment. Ways to minimize each risk are provided, such as using LED lights, extensive advance planning of shoots, and proper use of camera bags and straps. The producer and all crew are made responsible for understanding and following the safety protocols.
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Film production risk assessment[130]
This document contains two risk assessments for photography productions. The first is for a studio location and identifies risks such as tripping over wires, lights getting too hot, and tripping down stairs. Controls are in place like keeping wires tucked away and turning lights off when not in use. The second risk assessment is for an outdoor location and identifies slip hazards from the ground being slippy, risks from poor weather, and the possibility of tripping on the way to the location. Further actions required include wearing appropriate footwear and having a first aid kit.
Media production risk_assessment
This risk assessment summarizes potential hazards for the media production project "WAR Energy" taking place on 5/12/2012 at Priestley College. Hazards identified include electricity from cables and the risk of slipping, tripping, or falling over cables. The likelihood of harm from electricity is assessed as highly unlikely, potentially causing a slight electric shock. For slipping/tripping/falling, the likelihood is deemed likely as the area contains much electrical equipment, and a fall could cause no fatal harm but possible serious injuries to the model or photographer. Risks will be minimized by keeping away from plug sockets, being aware of cable locations, and taping over cables with masking tape.
Production risk assessment car park
The risk assessment summarizes the production of a music video shoot planned for an outdoor car park location. It identifies potential hazards such as crowds interfering with shots, inhaling car fumes, noise interference, and tripping on steps. The assessment rates the likelihood and severity of each hazard as low. Control measures like shooting in a quiet area, ensuring ventilation, editing out audio, and the steps being low are noted to minimize risks. Failure to follow health and safety procedures could invalidate insurance for the production.
Production risk assessment arcade
The risk assessment summarizes the potential hazards for filming the production "Tazz - My Lover" at Riverside Arcade on October 24th. It identifies risks to the public from being in shots, risks to children from tripping on camera equipment, and risks to crew from tripping on cables. Controls are outlined such as filming on a quiet Monday, protecting cables, and removing audio from clips to address noise issues. The assessor approved filming at the location after finding no major hazards that could cause fatal injury.
Production risk assessment park
The production is legally required to ensure a safe working environment. Failure to follow health and safety procedures could invalidate insurance. A risk assessment was conducted for filming at a park to play football. Potential risks identified include the public appearing in shots, children tripping, noise from children and wind, injury from kicking a football, and slipping on wet grass. Controls put in place are filming on a Monday to reduce people, using video without audio, choosing an actor skilled at football to avoid injury, and filming on a dry, cloudy day.
Risk assessment pdf
This risk assessment document outlines potential risks for an upcoming film production and ways to minimize those risks. It identifies risks of tripping over wires, electrical fires from lights being left on, equipment damage, and medical issues. The responsible person, Amy Wichelow, will tape wires to the floor, ensure lights are turned off when not in use, regularly check equipment, and ensure anyone with medical conditions has their medications.
Risk assessment(5)
Rissssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssk
Risk assessment.
This risk assessment document outlines the key risks for Amy Shields' "Mess is Mine" music video production. It identifies health and safety concerns from hot lighting equipment, the risk of halting production if the model is unavailable, and potential damage to expensive cameras and equipment. Ways to minimize each risk are provided, such as using LED lights, extensive advance planning of shoots, and proper use of camera bags and straps. The producer and all crew are made responsible for understanding and following the safety protocols.
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The document provides an overview of checking a recording studio location for suitability of a film production. It notes that permission was obtained to film, the necessary equipment is available though some instruments will need to be brought, and there are no health and safety issues. Transportation and parking are also adequate for the location.
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1. Dick Cummings provides tips for photography students taking his fall 2013 class, including never using canned air on cameras, holding cameras upside down when changing lenses to prevent dust settling, and using a lens cloth to clean lenses from center to edge without moisture.
2. He recommends investing in a tripod, light meter, and camera apps, using a UV filter to protect lenses, and buying a cable or remote shutter release.
3. The document lists book and magazine suggestions, online retailers, camera repair shops, and local photography schools. It also provides links for reviewing concepts like exposure, depth of field, and white balance.
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Crew members and potential risks are listed for the film production "Dream Of A Baller 2". Several risks are identified including cars, guns, tripping hazards, adverse weather, lighting issues, traffic, and crowds. For each risk, the people affected are noted as well as existing and additional controls to reduce hazards, such as driving slowly, keeping actors away from gun scenes, wearing appropriate footwear, bringing jackets or umbrellas for weather, using lens covers, leaving early to avoid traffic, and staying together in crowds.
Risk Assessment The Park
1. The document is a risk assessment for a student video production filming at a park. It identifies hazards such as adverse weather, slippery surfaces that could cause falls, and the potential for members of the public to confront the film crew thinking their activities are malicious.
2. To manage these risks, the film crew will choose a time to film when fewer people are likely to be in the park, bring protective equipment for actors to sit on if surfaces are wet, and ensure all crew have proper cold weather gear to avoid illness given the January filming date.
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This risk assessment document outlines potential hazards for a photography production taking place in December 2015/January 2016. It identifies risks such as cables on the floor, hanging lights, bright lighting, a photographer being hit by oncoming traffic, and hot lights. For each risk, it lists those who may be harmed, what property may be damaged, any existing risk controls, the assessed risk level, and any further measures needed to reduce risk. Verbal warnings and high visibility materials are among the existing and proposed controls.
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This risk assessment document identifies potential hazards for a student video project shooting in the woods. It evaluates risks from the audience, slipping/tripping, and weather. For audience risks, shooting when fewer people are present and deleting unwanted footage reduces risks. For slipping, first aid supplies will treat minor injuries from falls. For cold weather in late December, actors and equipment will be equipped with warm layers and weatherproof gear to prevent illness from prolonged exposure.
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This document is a risk assessment for a video production project filming at RAF NorthWitham. It identifies several potential hazards at the location including access issues, props involving simulated drug use, and slipping/tripping. The greatest risk is from derelict or unstable buildings where collapse could cause major harm. To manage this, the assessment says any areas appearing unstable should not be entered or filmed in, and protective equipment like helmets should be used if buildings cannot be fully avoided. Alternate locations would be used if risk cannot be sufficiently reduced.
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This risk assessment document summarizes potential hazards for a video production shooting in an alleyway from January 27-29, 2017. It identifies hazards such as an audience interfering with filming or misinterpreting the scene, and equipment like tripods posing tripping hazards. The document evaluates these risks as possible but minor, and proposes mitigation strategies like filming when fewer people are around, getting consent to use footage, and removing hazards or exercising caution around equipment. The overall purpose is to plan for and manage health and safety risks on the film shoot locations.
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This document assesses risks for a photography production. It identifies hazards like cars, weather changes, electrical faults, and general injuries. For each hazard, it lists the shoots they may be present in, those who could be harmed, property that could be damaged, existing risk controls, and further actions needed. It provides a risk assessment chart classifying risks as extreme, high, moderate, or low based on likelihood and consequences of each hazard. The document aims to identify and mitigate risks to ensure a safe photography production.
Risk assessment
The document identifies potential risks and safety issues involved in shooting a film opening sequence. It outlines hazards from weather, illness, equipment malfunctions, lighting restrictions, public interference, and general health and safety. For each risk, it assigns responsibility and proposes alternative solutions or preventative measures. This includes having backup equipment, contingency plans if the director or actors cannot attend, signing to notify the public, and taking first aid supplies to treat any injuries from the outdoor shooting location.
Risk assessment
This risk assessment form identifies four risks associated with taking photographs:
1. Taking photos without permission could upset or offend the subject and potentially lead to violence.
2. Taking photos on stairs could result in falls that seriously injure the photographer or subject.
3. Blocking exits while photographing could obstruct escape during emergencies or cause injuries if doors are opened forcibly.
4. Photographing in car parks risks the photographer and subject being hit by vehicles that have limited visibility. The only way to fully minimize these risks is to avoid taking photos in situations like these.
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This document provides a template for conducting a risk assessment for a photography shoot. It involves identifying potential hazards, who or what may be harmed, existing controls, and determining the level of risk. Examples of hazards included are neglected equipment, bad weather, disturbing neighbours, and moving traffic. For each hazard, the assessment rates the level of risk and recommends further actions to take to reduce or eliminate the risk. The risk assessment chart defines the criteria for determining if a risk is extreme, high, moderate, or low.
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This document provides a template for conducting a risk assessment for outdoor landscape photography shoots. It identifies several potential hazards such as weather, tripping over equipment, time pressure, and working at heights. For each hazard, it evaluates who may be harmed, what property could be damaged, existing risk controls, and the level of risk. Potential further actions are proposed based on the risk level, such as postponing shoots during bad weather or using warning signs near cables. The goal is to anticipate risks and take appropriate measures to protect crew safety and equipment.
Photography shoot risk assessment form (3)
This document provides a template for conducting a risk assessment for a film photography shoot. It explains that the risk assessment should consider all potential hazards, who may be harmed, property that could be damaged, and existing risk controls. For each hazard, the likelihood, potential harm, existing controls, and risk level should be recorded, along with any further actions needed based on the risk level. A chart is provided to determine the risk assessment level based on the likelihood and consequences of a hazard. The template then lists some example hazards that may be encountered during a shoot in Manchester town centre, along with the relevant details for each hazard.
Risk Assessment – Photography Studio
Potential risks in a photography studio include tripping over wires, falling from ladders or furniture, eye strain and burns from hot studio lights, and electrocution from electrical equipment. To mitigate these risks, wires should be tidy and out of the way, those on ladders should have assistance and proper footwear, models should be warned about bright lights before use, and all equipment should be organized and unplugged when not in use. In an emergency, minor injuries may only require assessment while more serious incidents like falls or electrocution require immediately calling emergency services.
Risk assessment
This risk assessment document identifies several potential hazards for a photo shoot, including tripping over wires, lights getting too hot, tripping down stairs, slipping on wet ground, bad weather, and the presence of members of the public. Controls are already in place for some hazards, such as keeping wires out of the way and not touching hot lights. The document recommends further actions like being extra careful when walking and shooting due to the risk of slipping, and moving the shoot if the weather becomes an issue. The overall risks are assessed as low to moderate with the existing and further controls.
Risk assessment
This risk assessment document identifies several potential hazards for a photo shoot, including tripping over wires, lights getting too hot, tripping down stairs, slipping on wet ground, bad weather, and the presence of members of the public. Controls are already in place for some hazards, such as keeping wires out of the way and not touching hot lights. The document recommends further actions like being extra careful when walking and shooting due to the risk of slipping, and moving the shoot if the weather becomes an issue. The overall risks are assessed as low to moderate with the existing and further controls.
Risk Assessment One
This risk assessment was conducted by Abbie Walker on 3/11/16 for a photography studio production. It identifies potential trip hazards from wires placed around the studio edges, eye damage and burns from photography lights, and risk of light bulb shattering. Controls already in place include wire placement, light positioning, air conditioning, and bulbs being high up. Further actions required include making all present aware of wire locations, avoiding direct light looks, allowing lights to cool, and handling bulbs carefully.
Risk assessment
This document summarizes potential hazards, risks, and controls for a photography studio shoot. It identifies risks such as tripping over wires from studio lights, electrical equipment causing fires, and backdrops falling on models. Controls already in place include taping wires to the ground, banning drinks from the studio, and having models stand away from backdrops. Some risks like electrical equipment were found to have moderate risk while others like wires and backdrops were low risk. Further actions like ensuring no liquids in the studio are needed.
Risk assessment
The document contains two risk assessments for photography shoots:
1) A location risk assessment for a photoshoot on Raby Street in Darlington identifying slip/trip/fall hazards from cobbles, traffic, and weather. Controls include wearing suitable footwear and postponing shoots in heavy rain.
2) A studio risk assessment identifying trip/slip hazards, electrical hazards, burn risks from hot lights, and camera flash risks. Controls include removing obstructions, dry hands with electrical equipment, light covers, and limiting flash use. Further actions are outlined to reduce risks.
risk assessment
This document summarizes a risk assessment conducted for the Glory and Gore Music Video production. It identifies potential hazards such as falling from high heels or the stage, tripping over lighting cables or floor mirrors, and improper makeup application. Controls are in place like railings around the stage and taping down cables. The risks of falling heels and staging are deemed moderate while other risks are low. Further precautions like practice walking in heels and placing mirrors on the ground rather than stage are recommended.
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Location recess 3
The document provides an overview of checking a recording studio location for suitability of a film production. It notes that permission was obtained to film, the necessary equipment is available though some instruments will need to be brought, and there are no health and safety issues. Transportation and parking are also adequate for the location.
Photography class fall 2013
1. Dick Cummings provides tips for photography students taking his fall 2013 class, including never using canned air on cameras, holding cameras upside down when changing lenses to prevent dust settling, and using a lens cloth to clean lenses from center to edge without moisture.
2. He recommends investing in a tripod, light meter, and camera apps, using a UV filter to protect lenses, and buying a cable or remote shutter release.
3. The document lists book and magazine suggestions, online retailers, camera repair shops, and local photography schools. It also provides links for reviewing concepts like exposure, depth of field, and white balance.
Risk assesment
Crew members and potential risks are listed for the film production "Dream Of A Baller 2". Several risks are identified including cars, guns, tripping hazards, adverse weather, lighting issues, traffic, and crowds. For each risk, the people affected are noted as well as existing and additional controls to reduce hazards, such as driving slowly, keeping actors away from gun scenes, wearing appropriate footwear, bringing jackets or umbrellas for weather, using lens covers, leaving early to avoid traffic, and staying together in crowds.
Risk Assessment The Park
1. The document is a risk assessment for a student video production filming at a park. It identifies hazards such as adverse weather, slippery surfaces that could cause falls, and the potential for members of the public to confront the film crew thinking their activities are malicious.
2. To manage these risks, the film crew will choose a time to film when fewer people are likely to be in the park, bring protective equipment for actors to sit on if surfaces are wet, and ensure all crew have proper cold weather gear to avoid illness given the January filming date.
Studio
This risk assessment document outlines potential hazards for a photography production taking place in December 2015/January 2016. It identifies risks such as cables on the floor, hanging lights, bright lighting, a photographer being hit by oncoming traffic, and hot lights. For each risk, it lists those who may be harmed, what property may be damaged, any existing risk controls, the assessed risk level, and any further measures needed to reduce risk. Verbal warnings and high visibility materials are among the existing and proposed controls.
Risk Asessment - The Woods
This risk assessment document identifies potential hazards for a student video project shooting in the woods. It evaluates risks from the audience, slipping/tripping, and weather. For audience risks, shooting when fewer people are present and deleting unwanted footage reduces risks. For slipping, first aid supplies will treat minor injuries from falls. For cold weather in late December, actors and equipment will be equipped with warm layers and weatherproof gear to prevent illness from prolonged exposure.
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This document is a risk assessment for a video production project filming at RAF NorthWitham. It identifies several potential hazards at the location including access issues, props involving simulated drug use, and slipping/tripping. The greatest risk is from derelict or unstable buildings where collapse could cause major harm. To manage this, the assessment says any areas appearing unstable should not be entered or filmed in, and protective equipment like helmets should be used if buildings cannot be fully avoided. Alternate locations would be used if risk cannot be sufficiently reduced.
Risk Assessment NPA Media Studio
This document contains a risk assessment for a video production project taking place at the Nene Park Academy Media Studio on 15/12/16. It identifies potential hazards such as confined spaces, costume/makeup, electricity, lighting, and slipping/tripping. For each hazard, it evaluates the likelihood and severity of harm, and describes how the risk will be managed. Methods of risk management include limiting the number of people in the studio, ensuring makeup is suitable for individuals, exercising caution with electrical equipment, allowing lights to cool before moving, and keeping cables secured and the area organized.
Risk Asessment - Alleyway 1
This risk assessment document summarizes potential hazards for a video production shooting in an alleyway from January 27-29, 2017. It identifies hazards such as an audience interfering with filming or misinterpreting the scene, and equipment like tripods posing tripping hazards. The document evaluates these risks as possible but minor, and proposes mitigation strategies like filming when fewer people are around, getting consent to use footage, and removing hazards or exercising caution around equipment. The overall purpose is to plan for and manage health and safety risks on the film shoot locations.
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Photoshoot risk assesment
This document assesses risks for a photography production. It identifies hazards like cars, weather changes, electrical faults, and general injuries. For each hazard, it lists the shoots they may be present in, those who could be harmed, property that could be damaged, existing risk controls, and further actions needed. It provides a risk assessment chart classifying risks as extreme, high, moderate, or low based on likelihood and consequences of each hazard. The document aims to identify and mitigate risks to ensure a safe photography production.
Risk assessment
The document identifies potential risks and safety issues involved in shooting a film opening sequence. It outlines hazards from weather, illness, equipment malfunctions, lighting restrictions, public interference, and general health and safety. For each risk, it assigns responsibility and proposes alternative solutions or preventative measures. This includes having backup equipment, contingency plans if the director or actors cannot attend, signing to notify the public, and taking first aid supplies to treat any injuries from the outdoor shooting location.
Risk assessment
This risk assessment form identifies four risks associated with taking photographs:
1. Taking photos without permission could upset or offend the subject and potentially lead to violence.
2. Taking photos on stairs could result in falls that seriously injure the photographer or subject.
3. Blocking exits while photographing could obstruct escape during emergencies or cause injuries if doors are opened forcibly.
4. Photographing in car parks risks the photographer and subject being hit by vehicles that have limited visibility. The only way to fully minimize these risks is to avoid taking photos in situations like these.
Photography shoot portrait risk assessment form 1
This document provides a template for conducting a risk assessment for a photography shoot. It involves identifying potential hazards, who or what may be harmed, existing controls, and determining the level of risk. Examples of hazards included are neglected equipment, bad weather, disturbing neighbours, and moving traffic. For each hazard, the assessment rates the level of risk and recommends further actions to take to reduce or eliminate the risk. The risk assessment chart defines the criteria for determining if a risk is extreme, high, moderate, or low.
Photography shoot risk assessment form landscape outside
This document provides a template for conducting a risk assessment for outdoor landscape photography shoots. It identifies several potential hazards such as weather, tripping over equipment, time pressure, and working at heights. For each hazard, it evaluates who may be harmed, what property could be damaged, existing risk controls, and the level of risk. Potential further actions are proposed based on the risk level, such as postponing shoots during bad weather or using warning signs near cables. The goal is to anticipate risks and take appropriate measures to protect crew safety and equipment.
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This document provides a template for conducting a risk assessment for a film photography shoot. It explains that the risk assessment should consider all potential hazards, who may be harmed, property that could be damaged, and existing risk controls. For each hazard, the likelihood, potential harm, existing controls, and risk level should be recorded, along with any further actions needed based on the risk level. A chart is provided to determine the risk assessment level based on the likelihood and consequences of a hazard. The template then lists some example hazards that may be encountered during a shoot in Manchester town centre, along with the relevant details for each hazard.
Risk Assessment – Photography Studio
Potential risks in a photography studio include tripping over wires, falling from ladders or furniture, eye strain and burns from hot studio lights, and electrocution from electrical equipment. To mitigate these risks, wires should be tidy and out of the way, those on ladders should have assistance and proper footwear, models should be warned about bright lights before use, and all equipment should be organized and unplugged when not in use. In an emergency, minor injuries may only require assessment while more serious incidents like falls or electrocution require immediately calling emergency services.
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Photography shoot risk assessment form landscape outside
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Risk assessment
This risk assessment document identifies several potential hazards for a photo shoot, including tripping over wires, lights getting too hot, tripping down stairs, slipping on wet ground, bad weather, and the presence of members of the public. Controls are already in place for some hazards, such as keeping wires out of the way and not touching hot lights. The document recommends further actions like being extra careful when walking and shooting due to the risk of slipping, and moving the shoot if the weather becomes an issue. The overall risks are assessed as low to moderate with the existing and further controls.
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This risk assessment document identifies several potential hazards for a photo shoot, including tripping over wires, lights getting too hot, tripping down stairs, slipping on wet ground, bad weather, and the presence of members of the public. Controls are already in place for some hazards, such as keeping wires out of the way and not touching hot lights. The document recommends further actions like being extra careful when walking and shooting due to the risk of slipping, and moving the shoot if the weather becomes an issue. The overall risks are assessed as low to moderate with the existing and further controls.
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This risk assessment was conducted by Abbie Walker on 3/11/16 for a photography studio production. It identifies potential trip hazards from wires placed around the studio edges, eye damage and burns from photography lights, and risk of light bulb shattering. Controls already in place include wire placement, light positioning, air conditioning, and bulbs being high up. Further actions required include making all present aware of wire locations, avoiding direct light looks, allowing lights to cool, and handling bulbs carefully.
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This document summarizes potential hazards, risks, and controls for a photography studio shoot. It identifies risks such as tripping over wires from studio lights, electrical equipment causing fires, and backdrops falling on models. Controls already in place include taping wires to the ground, banning drinks from the studio, and having models stand away from backdrops. Some risks like electrical equipment were found to have moderate risk while others like wires and backdrops were low risk. Further actions like ensuring no liquids in the studio are needed.
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Sam Newman is a freelance 2nd AC/Data assistant with experience in feature films, television, and commercials. He has worked on productions such as Mad Max: Fury Road, The Dressmaker, and various television series. Newman is seeking a position within the film and television industry that will allow him to utilize his skills and continue advancing his career in the camera department.
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The document lists 14 shots taken on two separate dates that describe locations and actions of subjects Elizabeth and Harry. On November 13th in Catterick Village, shots were taken of Elizabeth standing in various areas like an archway, by a tree, and in front of a fence. Harry was photographed leaning against a shed and standing in grass. On November 14th at a studio, shots included Elizabeth standing in the middle looking at the camera with props around her and close ups of her looking at the camera and playing with her hair.
Call sheet for models[132]
The document is a call sheet for a photo shoot on November 13th and 14th, 2016. It details that Elizabeth Patterson is scheduled to shoot on the 13th in Catterick Village wearing natural makeup and casual clothes. Rebekah Jones will shoot on the 14th in a studio wearing bright makeup and holding balloons. Harry Carter will also shoot on the 13th in Catterick Village wearing denim jeans and a jumper or shirt.
Font research
This document discusses font choices for a magazine based on research. The author found that sans serif fonts are commonly used in magazines, especially those targeted towards young girls, to make them easy to read. The discussed font is sans serif like others seen, and is thick with letters having more width between them, making it suitable for the magazine's front cover. It has a rounded, thick style similar to fonts seen in other researched magazines.
Researching student work
This document summarizes a student's analysis of several magazine spreads. It notes characteristics like layout, images, fonts, colors and genres. For one magazine, it describes a double page spread with two pictures, one in the text, and a big title. It also notes there is more text than images, eight images across four pages, and consistency in brand identity and informal language. For another magazine, it describes six images across four pages with consistent fonts and branding, images taken in a studio, and yellow and white as primary colors.
Researching student work
This document summarizes a student magazine project. It notes that the magazine maintains a consistent brand identity through its use of similar colors, fonts and informal language throughout. Images vary in size but relate to festivals and music. The genre of indie/rock music is evident from the artists on the cover and a mention of it in the double page spread. Photographs were taken both inside with plain backgrounds and outside, and include long distance shots, medium shots and close-ups.
Foundation portfolio in media
The magazine uses sans serif fonts throughout to give it a modern look. Key elements like the sell lines and issue number help attract readers and convey information. Photos and captions accompany articles to make the content more interesting visually. Design choices like color coordination, page numbers, and section headings aid navigation and readability.
Researching genre
Pop magazines aim to attract younger audiences with their bright, cheerful covers. They typically feature the artist or group in the center of the cover photo in a medium shot. The individuals are usually dressed in colorful, youthful clothing and display cheerful expressions to appeal to younger readers of the magazines. Research on pop magazine covers found that color schemes are bright to catch readers' eyes, framing centers on the artist, costumes emphasize youthfulness through color and lively appearance.
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- 1. Photography Production Risk Assessment Company Name: Location: Studio, QESFC Vane Terrace, Darlington, DL3 7AU Rm 019 Production Title: Production Date(s): Producer Name: Abi Director Name: Abi Date of Risk Assessment: 1/11/16 Risk Assessment conducted by: Abi Hazard Persons who may be harmed Property which may be damaged Risk controls already in place Risk Assessment LOW, MODERATE, HIGH, EXTREME Further action required to control risk Trip over wires Models and Photographer Wires Camera/Lights Wires tucked out the way Moderate To be wary of the wires on the ground Lights get too hot Models and Photographer Lights Not go near them when they are on Low Turn them off when not in use to allow them to cool down Trip down stairs heading into the studio Models and Photograph Camera Take care when going down the stairs Low Hold handrail when going down the stairs
- 2. Photography Production Risk Assessment Company Name: Location: Low Green, Catterick Village, DL10 7LU Production Title: Production Date(s): Producer Name: Abi Director Name: Abi Date of Risk Assessment: 2/11/16 Risk Assessment conducted by: Abi Hazard Persons who may be harmed Property which may be damaged Risk controls already in place Risk Assessment LOW, MODERATE, HIGH, EXTREME Further action required to control risk Ground slippy Models and Photographer Camera/equipment Taking care when walking and walk on paths where possible Moderate Wear appropriate footwear Weather Model and Photographer Camera/equipment Check weather forecast Moderate Appropriate clothing and footwear or if need be move shoot to another day Members of the public Members of the public N/A Not take pictures near passers-by Low Wait till passers-by have walked past and then take the picture Trip over on way to location Model and Photographer Camera/equipment Take care when walking Moderate Have a first aid kit in case of injury