Photography DB3
Dyllin Aleluia, Michael Bastin,
Matthew Brackett, Rhys Davis
When something is reproduced for so many times is that art? What's the importance of the mechanical reproducibility of the art? What was the impact on mechanical reproducibility on the society?
Is photography art, or contribution to the art? Is it just a tool used by artists?
How and why Henry Pitch Robinson created Feading Away? What was the reason?
Photography has impacted the world of art and influenced some changes in the area of accessibility to art. If mechanical reproduction created revolution, what is happening now with the digitalization?
David Hockney is a British artist born in 1937 who was an important contributor to pop art. He is known for his experimentation with photomontages in the 1970s and 1980s, creating collages from multiple photographs. The document discusses Hockney's technique of taking many close-up photos of a subject and arranging them to form a composite image. It also explains how modern photographers can create photomontages digitally using Photoshop.
This document discusses various types of photography used in media industries. It begins by defining photography and its uses for capturing memories and conveying information. It then outlines six main types of photography used in media: landscape, fashion, portrait, macro, advertising, and photoshop. For each type, it provides examples of photographers, analyzed photos, and discussions of techniques and historical changes in the field. The document concludes with a bibliography of referenced sources.
This document discusses different types of photography including fashion, advertising, photojournalism, portrait, landscape, and macro photography. It provides examples and comparisons of images from different eras to show how each genre has evolved over time due to changes in technology and artistic styles. Famous photographers are also mentioned for each category.
This document discusses different types of photography including war photography, fashion photography, and documentary photography. It provides details about war photographer Zoriah Miller who risks his life to document conflicts around the world without guaranteed pay. In contrast, famous fashion photographer Annie Leibovitz earns millions taking photos to advertise products. While both serve important roles, the document argues war photography is more significant as it informs people about critical global issues.
Landscape, fashion, advertising, and portrait photography have all changed significantly over the past century due to advances in technology. Landscape photography has benefited from new cameras and lighting equipment that produce higher quality images. Fashion photography now features brighter colors, more elaborate sets, and eye-catching designs compared to older black and white portraits. Advertisements also use more vivid colors and digital editing today to draw attention compared to simpler ads of the past. Portrait photography now aims to capture personality and expression through deliberate poses.
Photorealism was an art movement from the 1960s-1970s that aimed to depict photographic reality in paintings. Key characteristics included using photos and camera techniques to transfer images accurately onto canvas. Major artists featured Richard Estes, known for urban scenes; Duane Hanson, who made photorealistic sculptures of people; and Chuck Close, known for large portrait paintings. While initially criticized for removing artistry, photorealism gained acceptance for its technical skill in recreating the world in hyperrealistic detail. The movement influenced later artists and photorealism remains practiced today.
Photography is used widely in the media industry for purposes such as fashion, landscape, portrait, advertising and photojournalism. Fashion photography has evolved from strictly selling clothing to becoming more artistic. Landscape photography now uses more color and detail compared to past black and white paintings. Portrait photography styles have changed from formal posed shots to more casual captured moments. Advertising photography is now more colorful, creative with angles and uses people compared to simple product shots of the past. Photojournalism aims to tell stories through instantly captured images of events.
David Hockney is a British artist born in 1937 who was an important contributor to pop art. He is known for his experimentation with photomontages in the 1970s and 1980s, creating collages from multiple photographs. The document discusses Hockney's technique of taking many close-up photos of a subject and arranging them to form a composite image. It also explains how modern photographers can create photomontages digitally using Photoshop.
This document discusses various types of photography used in media industries. It begins by defining photography and its uses for capturing memories and conveying information. It then outlines six main types of photography used in media: landscape, fashion, portrait, macro, advertising, and photoshop. For each type, it provides examples of photographers, analyzed photos, and discussions of techniques and historical changes in the field. The document concludes with a bibliography of referenced sources.
This document discusses different types of photography including fashion, advertising, photojournalism, portrait, landscape, and macro photography. It provides examples and comparisons of images from different eras to show how each genre has evolved over time due to changes in technology and artistic styles. Famous photographers are also mentioned for each category.
This document discusses different types of photography including war photography, fashion photography, and documentary photography. It provides details about war photographer Zoriah Miller who risks his life to document conflicts around the world without guaranteed pay. In contrast, famous fashion photographer Annie Leibovitz earns millions taking photos to advertise products. While both serve important roles, the document argues war photography is more significant as it informs people about critical global issues.
Landscape, fashion, advertising, and portrait photography have all changed significantly over the past century due to advances in technology. Landscape photography has benefited from new cameras and lighting equipment that produce higher quality images. Fashion photography now features brighter colors, more elaborate sets, and eye-catching designs compared to older black and white portraits. Advertisements also use more vivid colors and digital editing today to draw attention compared to simpler ads of the past. Portrait photography now aims to capture personality and expression through deliberate poses.
Photorealism was an art movement from the 1960s-1970s that aimed to depict photographic reality in paintings. Key characteristics included using photos and camera techniques to transfer images accurately onto canvas. Major artists featured Richard Estes, known for urban scenes; Duane Hanson, who made photorealistic sculptures of people; and Chuck Close, known for large portrait paintings. While initially criticized for removing artistry, photorealism gained acceptance for its technical skill in recreating the world in hyperrealistic detail. The movement influenced later artists and photorealism remains practiced today.
Photography is used widely in the media industry for purposes such as fashion, landscape, portrait, advertising and photojournalism. Fashion photography has evolved from strictly selling clothing to becoming more artistic. Landscape photography now uses more color and detail compared to past black and white paintings. Portrait photography styles have changed from formal posed shots to more casual captured moments. Advertising photography is now more colorful, creative with angles and uses people compared to simple product shots of the past. Photojournalism aims to tell stories through instantly captured images of events.
Types and uses of photography - Heather Wilkinson Louise Reed
Portrait, fashion, advertising, landscape, and photojournalism are the main types of photography discussed. Key photographers mentioned for each type include Yousuf Karsh, Diane Arbus, Mario Testino, David Bailey, Ansel Adams, and David Burnett. The document also compares older and more modern examples of each photographic style, noting evolutions in technology, subjects, and cultural contexts over time.
Experimental photography is the manipulation of techniques or technologies to depict the impossible. It often reuses existing techniques in new ways. Photographers face difficulties as equipment and materials become discontinued. Experimental photography includes four categories: historical, contemporary, traditional, and non-traditional. Mariah Robertson is a contemporary experimental photographer based in Brooklyn known for her manipulated digital images that violate photographic rules. Kayla Varley is a Los Angeles-based photographer who produces intimate black and white self-portraits that tell personal stories. Ronny Engelmann is a German photo artist who creates strange but wonderful manipulated images to depict his fantastical ideas.
This document provides information and guidance for an A2 art exam on the theme of "Truth, Fantasy or Fiction". It outlines the structure of the exam including a 10 week preparatory study period and 12 hour timed exam. It provides tips for each of the four assessment objectives and suggests sub-categories to help with research and brainstorming ideas. Examples of artists are also given to illustrate different interpretations of the theme through their work.
This document provides background information on an exhibition at Tate Modern titled "Painting After Technology". The exhibition brings together paintings from the last decade that reflect on mark-making in a period of radical technological change. Many of the artists negotiate a world where screens affect attention and scale. They work within or against traditions like Abstract Expressionism. The exhibition includes works by Sigmar Polke, Albert Oehlen, Tomma Abts, Christopher Wool, Amy Sillman, Charline von Heyl, Laura Owens, and Jacqueline Humphries. It is curated by Mark Godfrey to explore conversations around painting and technology being pursued by artists in New York, Los Angeles, and Germany.
Jerry Uelsmann originated experimental photography in the 1960s using darkroom techniques like multiple enlargers and masking to combine negatives into surreal composite images. He was influenced by his professor Minor White to trust his intuition and experiment creatively. Uelsmann's work is in the permanent collections of major museums worldwide.
Christophe Dessaigne is a contemporary experimental photographer from France who teaches himself photography. He creates dreamlike photomontages using extensive post-production in Photoshop. Dessaigne's surreal images have been used commercially on book and album covers. His work uses digital techniques to distort scale and proportions, transporting viewers to a fantastical world.
Jerry Uelsmann originated experimental photography in the 1960s using darkroom techniques like multiple enlargers and masking to combine negatives into surreal composite images. He was influenced by his professor Minor White to trust his intuition and experiment creatively. Uelsmann's work is held in permanent collections of major museums worldwide.
Christophe Dessaigne is a contemporary experimental photographer from France who teaches himself photography. He creates dreamlike and surreal photomontages using extensive post-production editing in Photoshop. Dessaigne's work has an eerie and dark theme and has been used commercially on book and album covers. He considers digital editing an extraordinary way to experiment with images.
David Hockney created photo joiners by taking Polaroid photos and sticking them together to form portraits and landscapes. This technique allowed him creative control over the final image. He became well known for this non-traditional style. Hockney's work could be displayed in both galleries and commercial settings like advertising.
Jerry Uelsmann is an American photographer born in 1934 who pioneered experimental composite photography techniques in the darkroom before the advent of digital editing. He combines multiple negatives and darkroom techniques like masking, burning and dodging to create surreal composite images. Christophe Dessaigne is a French photographer born in the 1980s who teaches himself photography and creates dreamlike photomontages using extensive digital editing techniques in Photoshop. Both photographers create surreal and symbolic images that challenge conventional perceptions of reality through experimental photographic processes.
A2 Photography Exam 2016: Truth, Fantasy and FictionMelanie Powell
Olivia Parker's still life photographs emphasize the complexity of natural forms like shells and feathers. Photographs can document reality objectively, but they may also explore truth, fantasy, or fiction. John Hilliard's work shows how cropping a single photograph in different ways can tell different stories and provide unreliable evidence. Nick Knight uses composite imagery to create surreal visuals that are closer to paintings than photographs, questioning photography's role in telling the truth.
This document discusses how the physical materiality and process of painting is often overlooked when paintings are viewed. It examines artists who challenge traditional exhibition methods by deconstructing the picture plane and presenting the physical materials rather than an illusion. Alternative presentation methods could create a more active engagement with the materiality of paintings. The modern "white cube" gallery space removes context and viewing is detached from the artwork's production, contributing to the disregard of physical materials in favor of represented images.
Michael Kenna is a photographer who strives to create immersive photographic environments that allow viewers to interact with and perform within the images. He tries to build "stage sets" through his photos that people can enter and react to. Kenna also finds photography rewarding as it allows him to travel widely and experience the world at different times of day and night while creating evocative images.
1. The document discusses the history and evolution of photography and time-based media such as film. It outlines key developments including the earliest cameras, the invention of photography, and advances in color photography and digital technologies.
2. Form and content are discussed as central themes in photography. Examples are given of photographers who emphasized formal elements or aestheticized their subjects. The Farm Security Administration project to document the Great Depression is also mentioned.
3. Techniques for manipulating photographs like dodging and burning are explained. The relationship between form and content is further explored through the example of Cartier-Bresson's photo of Athens.
A2 Art Exam 2016: Truth, Fantasy or FictionMelanie Powell
This document provides instructions and examples for brainstorming ideas around a title related to truth, fantasy, or fiction. It encourages generating many wild ideas without judgment. It discusses artworks like Picasso's Guernica and Magritte's The Treachery of Images that explore representations of truth. Students are tasked with choosing objects that represent truths or fictions in different forms, like Joseph Kosuth's piece. They are meant to consider how artists like Goya in The Disasters of War convey difficult truths through their work.
The document provides details from research on various pop artists such as Andy Warhol, Keith Haring, and Roy Lichtenstein. It includes descriptions of specific artworks created by these artists along with quotes from and opinions on the artists. Research sources included web pages and a book about Andy Warhol located in the library.
This document discusses the history and development of abstraction in photography. It begins by explaining that abstraction emerged in the early 20th century as artists felt photography could represent reality better than painting. It then discusses influential abstract photographers like Moholy-Nagy and the Bauhaus school. Various techniques that produce abstract effects are covered, including camera angles, lighting, shutter speeds, photograms, and still life arrangements. The work of photographers Aaron Siskind and Ralph Eugene Meatyard is also summarized, focusing on their experimentation with abstraction.
The document provides information on various art movements from 1960-1980 including mail art, hippie movement, conceptualism, performance art, installation art, psychedelic art, minimalism, photo-realism, environmental earthworks, post-minimalism, graffiti art, neo-expressionism, pop art, neo-pop art and op art. It also discusses art history in India and Pakistan during this period and mentions some famous Pakistani artists like Ali Imam and Sadequain. The comparison section outlines some key differences between 20th century and 21st century art in terms of materials, influences, globalization, and the study of visual culture.
This document provides guidance for a series of art projects focused on environment and place. It includes instructions to photograph one's environment over time, create a collage and monoprint based on the photographs, do an art intervention installing a work in a public space and documenting it, and create collages exploring ideas of place by rearranging rooms or objects into new environments. It discusses several artists who have worked with themes of place, including Iosif Kiraly, Sean Hillen, Mark Dion, and Gordon Matta-Clark as inspiration. Students are encouraged to think conceptually about how environments shape people and narratives.
This document discusses various types of transformation in art, including transformation of the body through aging and decay, transformation of the natural environment through human occupation, transformation of materials and the environment in sculpture, and transformation of the city through art interventions. Specific artists mentioned include Stanley Spencer, who documented his own aging in self-portraits; Edward Burtynsky, who explores nature transformed by industry; Christo and Jeanne-Claude, known for large-scale environmental artwork; and Anish Kapoor, who uses vivid pigments to transform natural materials like stone in his sculptures. Several homework assignments are proposed involving transforming found objects, reworking famous artworks, self-portraits combining the surface and underneath of skin, and using bleach
This document provides a shooting schedule for a film project including date, time, shot numbers, location, actors, props, crew, and equipment for each shoot. Some key details are:
- Shoots take place between October 14th and November 12th at various locations including a sea life aquarium, park, house, drama room, high street, skate park, cinema, and bowling alley.
- Actors Ciara Humphries and Luca Di Salvo Williams are featured in most shoots and are provided with descriptions of outfits for each scene.
- The crew consists of Mica Gale, Eden McClymont and Sophie Botton. Equipment includes a DSLR camera, trip
Location recces and shooting schedule Anastasia626
The document outlines location recces and a shooting schedule for a project. It lists potential filming locations in Euston Square Gardens, the Wellcome Collection in Euston, a house in Barnet, a house in Dalston, and Dalston Junction. The shooting schedule has November filming at the Wellcome Museum and Barnet house, December at Euston Square Gardens and the Wellcome Museum, and January at the Dalston house and Dalston Junction, with February left to fill any gaps.
Types and uses of photography - Heather Wilkinson Louise Reed
Portrait, fashion, advertising, landscape, and photojournalism are the main types of photography discussed. Key photographers mentioned for each type include Yousuf Karsh, Diane Arbus, Mario Testino, David Bailey, Ansel Adams, and David Burnett. The document also compares older and more modern examples of each photographic style, noting evolutions in technology, subjects, and cultural contexts over time.
Experimental photography is the manipulation of techniques or technologies to depict the impossible. It often reuses existing techniques in new ways. Photographers face difficulties as equipment and materials become discontinued. Experimental photography includes four categories: historical, contemporary, traditional, and non-traditional. Mariah Robertson is a contemporary experimental photographer based in Brooklyn known for her manipulated digital images that violate photographic rules. Kayla Varley is a Los Angeles-based photographer who produces intimate black and white self-portraits that tell personal stories. Ronny Engelmann is a German photo artist who creates strange but wonderful manipulated images to depict his fantastical ideas.
This document provides information and guidance for an A2 art exam on the theme of "Truth, Fantasy or Fiction". It outlines the structure of the exam including a 10 week preparatory study period and 12 hour timed exam. It provides tips for each of the four assessment objectives and suggests sub-categories to help with research and brainstorming ideas. Examples of artists are also given to illustrate different interpretations of the theme through their work.
This document provides background information on an exhibition at Tate Modern titled "Painting After Technology". The exhibition brings together paintings from the last decade that reflect on mark-making in a period of radical technological change. Many of the artists negotiate a world where screens affect attention and scale. They work within or against traditions like Abstract Expressionism. The exhibition includes works by Sigmar Polke, Albert Oehlen, Tomma Abts, Christopher Wool, Amy Sillman, Charline von Heyl, Laura Owens, and Jacqueline Humphries. It is curated by Mark Godfrey to explore conversations around painting and technology being pursued by artists in New York, Los Angeles, and Germany.
Jerry Uelsmann originated experimental photography in the 1960s using darkroom techniques like multiple enlargers and masking to combine negatives into surreal composite images. He was influenced by his professor Minor White to trust his intuition and experiment creatively. Uelsmann's work is in the permanent collections of major museums worldwide.
Christophe Dessaigne is a contemporary experimental photographer from France who teaches himself photography. He creates dreamlike photomontages using extensive post-production in Photoshop. Dessaigne's surreal images have been used commercially on book and album covers. His work uses digital techniques to distort scale and proportions, transporting viewers to a fantastical world.
Jerry Uelsmann originated experimental photography in the 1960s using darkroom techniques like multiple enlargers and masking to combine negatives into surreal composite images. He was influenced by his professor Minor White to trust his intuition and experiment creatively. Uelsmann's work is held in permanent collections of major museums worldwide.
Christophe Dessaigne is a contemporary experimental photographer from France who teaches himself photography. He creates dreamlike and surreal photomontages using extensive post-production editing in Photoshop. Dessaigne's work has an eerie and dark theme and has been used commercially on book and album covers. He considers digital editing an extraordinary way to experiment with images.
David Hockney created photo joiners by taking Polaroid photos and sticking them together to form portraits and landscapes. This technique allowed him creative control over the final image. He became well known for this non-traditional style. Hockney's work could be displayed in both galleries and commercial settings like advertising.
Jerry Uelsmann is an American photographer born in 1934 who pioneered experimental composite photography techniques in the darkroom before the advent of digital editing. He combines multiple negatives and darkroom techniques like masking, burning and dodging to create surreal composite images. Christophe Dessaigne is a French photographer born in the 1980s who teaches himself photography and creates dreamlike photomontages using extensive digital editing techniques in Photoshop. Both photographers create surreal and symbolic images that challenge conventional perceptions of reality through experimental photographic processes.
A2 Photography Exam 2016: Truth, Fantasy and FictionMelanie Powell
Olivia Parker's still life photographs emphasize the complexity of natural forms like shells and feathers. Photographs can document reality objectively, but they may also explore truth, fantasy, or fiction. John Hilliard's work shows how cropping a single photograph in different ways can tell different stories and provide unreliable evidence. Nick Knight uses composite imagery to create surreal visuals that are closer to paintings than photographs, questioning photography's role in telling the truth.
This document discusses how the physical materiality and process of painting is often overlooked when paintings are viewed. It examines artists who challenge traditional exhibition methods by deconstructing the picture plane and presenting the physical materials rather than an illusion. Alternative presentation methods could create a more active engagement with the materiality of paintings. The modern "white cube" gallery space removes context and viewing is detached from the artwork's production, contributing to the disregard of physical materials in favor of represented images.
Michael Kenna is a photographer who strives to create immersive photographic environments that allow viewers to interact with and perform within the images. He tries to build "stage sets" through his photos that people can enter and react to. Kenna also finds photography rewarding as it allows him to travel widely and experience the world at different times of day and night while creating evocative images.
1. The document discusses the history and evolution of photography and time-based media such as film. It outlines key developments including the earliest cameras, the invention of photography, and advances in color photography and digital technologies.
2. Form and content are discussed as central themes in photography. Examples are given of photographers who emphasized formal elements or aestheticized their subjects. The Farm Security Administration project to document the Great Depression is also mentioned.
3. Techniques for manipulating photographs like dodging and burning are explained. The relationship between form and content is further explored through the example of Cartier-Bresson's photo of Athens.
A2 Art Exam 2016: Truth, Fantasy or FictionMelanie Powell
This document provides instructions and examples for brainstorming ideas around a title related to truth, fantasy, or fiction. It encourages generating many wild ideas without judgment. It discusses artworks like Picasso's Guernica and Magritte's The Treachery of Images that explore representations of truth. Students are tasked with choosing objects that represent truths or fictions in different forms, like Joseph Kosuth's piece. They are meant to consider how artists like Goya in The Disasters of War convey difficult truths through their work.
The document provides details from research on various pop artists such as Andy Warhol, Keith Haring, and Roy Lichtenstein. It includes descriptions of specific artworks created by these artists along with quotes from and opinions on the artists. Research sources included web pages and a book about Andy Warhol located in the library.
This document discusses the history and development of abstraction in photography. It begins by explaining that abstraction emerged in the early 20th century as artists felt photography could represent reality better than painting. It then discusses influential abstract photographers like Moholy-Nagy and the Bauhaus school. Various techniques that produce abstract effects are covered, including camera angles, lighting, shutter speeds, photograms, and still life arrangements. The work of photographers Aaron Siskind and Ralph Eugene Meatyard is also summarized, focusing on their experimentation with abstraction.
The document provides information on various art movements from 1960-1980 including mail art, hippie movement, conceptualism, performance art, installation art, psychedelic art, minimalism, photo-realism, environmental earthworks, post-minimalism, graffiti art, neo-expressionism, pop art, neo-pop art and op art. It also discusses art history in India and Pakistan during this period and mentions some famous Pakistani artists like Ali Imam and Sadequain. The comparison section outlines some key differences between 20th century and 21st century art in terms of materials, influences, globalization, and the study of visual culture.
This document provides guidance for a series of art projects focused on environment and place. It includes instructions to photograph one's environment over time, create a collage and monoprint based on the photographs, do an art intervention installing a work in a public space and documenting it, and create collages exploring ideas of place by rearranging rooms or objects into new environments. It discusses several artists who have worked with themes of place, including Iosif Kiraly, Sean Hillen, Mark Dion, and Gordon Matta-Clark as inspiration. Students are encouraged to think conceptually about how environments shape people and narratives.
This document discusses various types of transformation in art, including transformation of the body through aging and decay, transformation of the natural environment through human occupation, transformation of materials and the environment in sculpture, and transformation of the city through art interventions. Specific artists mentioned include Stanley Spencer, who documented his own aging in self-portraits; Edward Burtynsky, who explores nature transformed by industry; Christo and Jeanne-Claude, known for large-scale environmental artwork; and Anish Kapoor, who uses vivid pigments to transform natural materials like stone in his sculptures. Several homework assignments are proposed involving transforming found objects, reworking famous artworks, self-portraits combining the surface and underneath of skin, and using bleach
This document provides a shooting schedule for a film project including date, time, shot numbers, location, actors, props, crew, and equipment for each shoot. Some key details are:
- Shoots take place between October 14th and November 12th at various locations including a sea life aquarium, park, house, drama room, high street, skate park, cinema, and bowling alley.
- Actors Ciara Humphries and Luca Di Salvo Williams are featured in most shoots and are provided with descriptions of outfits for each scene.
- The crew consists of Mica Gale, Eden McClymont and Sophie Botton. Equipment includes a DSLR camera, trip
Location recces and shooting schedule Anastasia626
The document outlines location recces and a shooting schedule for a project. It lists potential filming locations in Euston Square Gardens, the Wellcome Collection in Euston, a house in Barnet, a house in Dalston, and Dalston Junction. The shooting schedule has November filming at the Wellcome Museum and Barnet house, December at Euston Square Gardens and the Wellcome Museum, and January at the Dalston house and Dalston Junction, with February left to fill any gaps.
The shooting schedule overview provides details for filming on Day 1 and Day 2 at the ChiswickPark Offices in London. On Day 1, George, Liam, and Aaron are required along with props and a 1220D Canon video camera and two torches for lighting. On Day 2, Aaron, Liam, George, and Connor are needed along with the same equipment. After each filming session, notes are included on any adjustments needed for the next session, such as fully charging equipment and bringing planning documents for Day 1, and possibly using brighter light sources for Day 2.
The document outlines a planned double page photo shoot featuring model Gilles Geary. It details the agency name, camera positioning, location, lighting, costume, attempted connotation of suggesting Geary's cool quality through the setting, and contingency plans in case of weather or the model's absence. The shoot aims to portray Geary as a successful musician kicking off his UK tour in London, implied through his posing next to a red telephone box, a London symbol.
Sabrina is directing the filming of 14 scenes for a movie. The scenes will take place at various locations in and around Ruislip between December 2015 and April 2016. They involve interviews with students and teachers at Ruislip High School, and shots of the main character Daryl in different settings like the school, park, shops and alley. Equipment like cameras, tripods and costumes are listed for each scene.
The photographer plans to take two photos on a college staircase for their photography project. One photo will be a back to back shot and the other will feature play fighting. These two photos will be used, one for the front cover and one for the contents page, to showcase the main images for the project.
This document outlines the shooting schedule for a music video over several days in London and Manchester. It provides details of the shooting locations, dates, times, scenes and shots to be filmed each day. Breaks are scheduled for lunch. The goal is to capture all necessary shots and footage for the music video over the multiple day shoots.
The document provides a shooting schedule for a film with 13 scenes to be shot over 2 days. Day 1 involves shooting scenes inside Claire and Zoey's bedrooms, as well as a scene of Zoey attacking a postman. Day 2 includes outdoor scenes of Zoey and Claire interacting with others and revealing Zoey's zombie nature, as well as scenes set in Claire's bedroom and Zoey's kitchen showing the progression of Zoey turning into a zombie. The schedule lists the scenes, actors needed, locations, and props/equipment required for each scene.
This document summarizes Liam Belch's photography project exploring architectural and urban landscapes in Salford Quays. It includes photos from the shoot along with details on camera settings and editing techniques. Liam selected several final images, one featuring vintage effects to contrast modern architecture. Another focused on metallic contrasts. The document also outlines a portrait shoot for a magazine, including selected front cover, double page, and contents photos. Details on compositing and color/toning edits are provided. Areas for improvement in composition and clarity are noted.
This shooting schedule outlines 7 scenes to be filmed over 2 days. Scenes 1 and 5 will take place at Christian's house and the Gainsborough location respectively. Scenes 2-4 and 6-7 will all be filmed at the Gainsborough location. The props and actors needed for each scene are listed, along with the scheduled shooting time and date.
This production schedule outlines 13 scenes for a paranormal film project over 8 days. It provides the date, time, director, location, crew, props, health and safety information, and other notes for each scene. The scenes include entering a house, house activities, waking up on the sofa, using a computer, having dinner, encountering a ghost in the attic, researching a woman, a midday scene, a bedroom scene, reviewing footage, late night activities, early morning events, and a final scene. Safety procedures include proper lifting, fire exits, electrical awareness, ladder safety, and ghost effect mechanics.
The document outlines a photography planning page. It will feature group shots of Debbie, Jessica, Penny and others singing like a pop band in various outdoor locations like parks and streets, using natural and artificial lighting. Casual clothing and music props will be used as props and costumes. The photographer aims to capture a simple, calm mood showing the singing group. Backup models are available if needed and the shoot will still take place in rain when possible.
The document outlines a 5 day shooting schedule and location plan for a music video. Day 1 would involve filming in an alleyway with just the artist and camera crew. Day 2 would take place at an arcade, filming a narrative scene between the artist and a rival, with the full crew. Day 3 would film performance elements in Ruislip Woods with just the artist and camera crew, using smoke bombs as a prop. Days 4 and 5 would film additional scenes at a playground and house with the full crew. Adjustments between filming days would focus on better organizing cast, checking weather, and potentially refilming scenes to improve lip syncing or get different shots.
The document provides a shot list for a music video featuring a female artist. It describes various shots including close-ups of the artist singing and different locations, mid shots of her singing while leaning on a fence or tree, and long shots of her walking in the woods. It also includes shots of her playing basketball with a guy, getting knocked over while dribbling, and ultimately making a long shot into the hoop. The last shots would involve smoke bombs as the video cuts between the woods and an alley where the artist sings.
The document outlines the sections of a photo shoot review, including the aim of the shoot, a description of the shoot process, examples of edited images at different stages, the final selected images and a discussion of their strengths and weaknesses, capture log details, examples of rejected images, and aims for future improvement. However, most of the sections are placeholders for the student to fill out with details about their specific photo shoot and images.
The photo shoot plan is for a magazine featuring the indie rock band The Coasts. Photos will show the band members looking casual and happy on a tropical holiday to represent their relaxing, fun music. Male models will wear casual clothes and smile to appear relaxed. Backgrounds will include coastlines in blue, green and white to set the tone. The photographer will use an iPhone 5c. Photos are meant to transport readers to a calm, tropical scene reflective of the band's genre. One photo shows the photographer and a friend on the coast displaying the colors that will be used on the magazine cover.
The document summarizes the health and safety plans for a film shoot in Ruislip, London on December 17th-18th. It notes that filming locations will be an arcade, alleyway, and Ruislip woods. Equipment will include cameras and props handled by members of Passion Productions and actors. Hazards include injuring others in busy areas, isolation dangers, and falling trees. Smoke bombs and paint bombs will only be used in isolated areas away from the public. Equipment will be carefully stored in protective cases when not in use, and stored overnight at a group member's home.
The document outlines a photo shoot plan for a magazine called "Riot" targeting a rock music audience. It will feature photos of people in their 20s modeling rock band styles through clothing, accessories, and hair/makeup. The photographer will use mid-shots and adjust lighting in editing to portray subjects as clearly rock artists. Models will be dressed similarly to rock celebrities in dark, casual clothes to look like fans could emulate their idols' styles. Outdoor photography in daylight will provide natural lighting.
This document summarizes Walter Benjamin's essay "The Work of Art in the Age of Mechanical Reproduction". In 3 sentences: Benjamin argues that technological advances in reproduction have transformed art by diminishing the authentic "aura" of original works and by allowing for mass consumption. He believes this has shifted art's purpose from ritualistic "cult value" to public "exhibition value". Benjamin also analyzes how these changes impact film as an emerging art form and its relationship to theater, and explores film's potential as a tool for psychoanalysis or political messaging.
This document discusses the debate around whether photography is an art form or a craft. [1] It provides a brief history of photography from its origins in the 1820s to recent developments. [2] It explores definitions of art and craft, with art seen as creative expression and craft involving technical skill. [3] The document examines arguments on both sides, with some arguing anyone can take a photo so it is a craft, while others say photographers can achieve artistic excellence through concepts and techniques.
Photorealism is an art movement that originated in the United States in the 1960s involving the realistic replication of photographic images in paintings and sculptures. Artists such as Don Eddy, Chuck Close, Richard Estes, and Duane Hanson used photographs and careful technical skills to create hyperrealistic works. While initially criticized for its embrace of photography, photorealism challenged artistic conventions. It has had lasting influence and continues to fascinate viewers with its photo-like illusions.
Photorealism is an art movement that originated in the 1960s in the United States involving the realistic replication of photographic images in paintings and sculptures. Artists would use photographs as references to capture precise realistic details in their works. Some notable photorealist artists mentioned are Chuck Close, Richard Estes, and Duane Hanson. While initially criticized for its straightforward representation, photorealism challenged artistic conventions and focused on depicting American consumerism and popular culture. It has had lasting influence with contemporary photorealist artists continuing to push the boundaries of realism using modern digital tools.
Photorealism is a type of painting made to look like a photograph using extreme detail. It emerged in the 1960s-70s as a reaction to abstract expressionism. Photorealist painters carefully studied photographs through a gridding process to recreate scenes with hyperrealistic precision, often depicting urban or mundane subjects. Major photorealists included Chuck Close, known for his large-scale portraits; Richard Estes, who painted urban landscapes quickly; and Ralph Goings, who precisely recreated scenes from a single photo to find beauty in the ordinary. Sculptor Duane Hanson also created extremely realistic sculptures of everyday people.
Pictorialism was one of the earliest and most influential photography movements that began in the 1880s and aimed to establish photography as a legitimate art form. Pictorialist photographers sought to distinguish their images from mere documentation by using dramatic compositions and subjects that conveyed a sense of fantasy or visual cohesion. They also manipulated the chemical development process similarly to how painters used their materials, applying techniques like brush strokes, soft focus, and dramatic lighting to achieve a painterly quality. This movement influenced the development of styles like impressionism and produced famous photographers including Alfred Stieglitz and Edward Steichen, helping to gain acceptance of photography as a serious artistic medium.
This document provides information about an introductory art class. It includes the course name and teacher's name, then poses questions about what art is and its purposes. The rest of the document outlines expectations for the class and provides biographical information about the teacher. Images are included and labeled for analysis on elements of art. The final sections discuss the purposes of art, including religious ritual, commemoration, propaganda, and innovation.
Photomedia in Creative Practice (MANIPULATE IMAGES)Virtu Institute
This document provides information on exploring and developing creativity through photo manipulation. It discusses taking photos with different cameras and formats, and manipulating images in Photoshop using tools like layers, filters, and color correction. It encourages experimenting freely without limitations to spark creativity. Examples are given of creative works by Annie Liebovitz and Jerry Uelsman using photo composites. Free software alternatives to Photoshop like GIMP and Scribus are also listed for image editing and page layout.
This document provides information about an introductory art class at Perry High School, including expectations, materials covered, and instructor background. The class will cover drawing, painting, and sculpture. It introduces the elements and principles of art and asks students to analyze whether images represent art based on these concepts. The purpose of art is also discussed, such as religious ritual, propaganda, beauty, and innovation. The instructor's background and classroom expectations emphasize responsibility, respect, and readiness to learn.
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This document provides an overview of an introductory art class. It includes the class name, teacher's name and background, classroom expectations of being responsible, respectful and ready, and various art concepts that will be covered such as the elements and principles of art, different types and purposes of art, and how art influences society. Students will analyze different images to determine if they are art and what techniques were used. They will also learn about innovation in art.
Photography began with the camera obscura, a box with a pinhole that projected an upside-down image. Johannes Kepler first used the term "camera obscura" in 1604. In the 17th-18th centuries, scientists discovered images could be recorded using silver nitrate on paper. Louis Daguerre created the first permanent photograph, called a "daguerreotype", in 1827. Photography combines light and drawing, allowing memories and stories to be captured and shared. There are three main styles - artistic photography tells personal stories creatively, documentary photography shares real life situations objectively, and commercial photography is paid work like weddings and advertising that often breaks rules for dramatic effects.
The document discusses different types of art including visual art, performing art, and conceptual art. It then asks a series of questions about defining art, the purpose of art, and how art influences society. The document also examines elements of art like line, shape, and color and how different artistic styles and techniques are used to convey various messages or meanings.
The document discusses different types of art including visual art, performing art, and conceptual art. It then asks a series of questions about defining art, the purpose of art, and how art influences society. The document also examines elements of art like line, shape, and color and how different artistic styles and techniques can impact the meaning and interpretation of a work of art.
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9
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1. P H OTO G R A P H Y
SHOOTING THE TRUTH
WEEK 3 – DB3
Dyllin Aleluia, Michael Bastin,
Matthew Brackett, Rhys Davis
2. S O M A N Y T I M E S
When something is reproduced for so many times is that art?
• We think about art as something that takes a creative person to h*p://www.merceronline.com/Photorepro.htm
produce. Art is a form of self-expression that relates to how the person
may have been feeling at the time. Art is never finished; people
interpretations of art can be very different from what the artiest
indented it to be. Original art is always unique and has deep meaning
behind it.
Some examples are paintings, sculptures, and photos. When art is
taken from its original form or meaning and reproduces many times the
art loses its value and legitimacy. The art is now apart of the mass
market of reprints and reproductions. The art loses its meaning its just
another thing hanging on the wall.
What's the importance of the mechanical reproducibility of the art?
• The importance of mechanical reproduction of art allows the artiest to
become well recognized and become a part of the commercial scene.
The artiest will become apart of the mass market of prints and will gain
popularity. The artiest work will become public domain and not been
hidden from mass eyes. Anyone can buy the artwork and place it in
there home.
What was the impact on mechanical reproducibility on the society?
• The impact on mechanical reproduction on the society is great because
everyone can now have that famous piece of artwork in there home,
with out having to pay millions. But with the work going into the public
there are many chances that people will make counterfeits of the
artwork. This is a growing crime; this is because of the easy access to
editing tools, and online software.
BEFORE
AFTER
By:
Dyllin
Aleluia
3.
4. SO MANY TIMES CONT…
Commercial
When something is reproduced for so many times is that art?
• I think it depends on the photo itself. Photography can be split into 3 different
types or genres: Commercial photography, Photo journalism photography and Fine
Arts photography.
Commercial photography is meant to be mass produced and is the least
artistic of the three. Commercial photography has no story behind it, The focus is
to create a nice sharp image to show the product in the best possible way.
Photojournalist photography is also meant to be somewhat mass produced,
but still can be very artistic if done well. Contrary to commercial photography,
photojournalism photography is all about telling a story. The way they choose to tell
the story is up to the artist but the story can be very broad or very obvious. While
with photojournalism, following basic artistic guidelines can take a back seat, this
type of photography can usually benefit from a nice composition and other traits
Fine
Art
common in commercial photography.
Fine Arts is the most subjective and harder to generalize compared to the
other types. In my opinion, Fine arts benefits the least when it is mass reproduced.
The sole purpose of most fine arts photos is the artistic experience. Fine arts often
strives to break rules and the stories they tell can be very subjective. This makes
this type of photo very suitable for galleries or personal art collections but not for
mass production.
What's the importance of the mechanical reproducibility of the art?
• Mechanical reproduction of photography is very important for communication. The
fact that we are able to know and see what's going on during an election or a
disaster on the other side of the world or even a sports event brings the world
closer together. For a lot of people, words can only tell so much and it is beneficial
for us see what is happening. It is also beneficial for commercial photographers by
allowing them to sell stock photos to a much larger audience than they could have Photo
Journ.
otherwise.
What was the impact on mechanical reproducibility on the society?
• There are a many number of impacts mechanical reproducibility has had, and not
just in the photography fields. It has given everyone exposure to photography
where in the past it would have been only those who could afford it. It allows
people to see things that they never would have otherwise. Obviously it has grown
interest in photography to help turn it into what it is today. It has allowed us to
make interesting book covers, help us identify criminals, give us useful photo
identification, help travel agencies show different exotic locations, sell products we
could not see first hand and countless other things.
By:
Mike
BasAn
5. W H AT I S I T ?
Is photography art, or contribution to art?
Is it just a tool used by artists?
• Photography is absolutely a form of art. Whether it’s used alongside other forms to
aid in production, compliment or contrast them, or used solely. Photography is no
more a tool used by artists than the act of painting, it is a process. The camera is
the tool artists choose to wield, as is the paintbrush.
There are many forms of photography, not all of which can or should be
considered art. There is no question that in the hands of a creative mind, a camera
can be used to capture beautiful works of art.
Early forms of photo masking and combination printing were pioneered and
painstakingly developed by hand. These processes, as used by Gustave Le Gray of
Paris and Oscar G Rejlander of Sweden were comprised of several negatives, each
composed specifically and intentionally, and later printed one after the other into a
final composition. Some such compositions used upwards of 30 separate negatives,
often picturing a number of subjects across various settings and landscapes. One of
Rejlander’s such compositions “The Two ways of Life” (1857) took six weeks to
develop, compose and finally print the final piece, not including the setup time
required for planning and arranging his numerous subjects and set.
Henry Peach Robinson, one of the most influential photographers of the
second half of the 19th century commonly began his process of creating these
combinations by drawing a sketch of the final composition before ever picking up
the camera. With such an elaborate, meticulous process and the amount of
creativity & thought behind them, it would be insulting to refer to these works as
anything other than beautiful works of art.
It’s far too easy for people to undermine the credibility of the art form
because of its accessibility and extreme technological advances. The same processes
described above can now be accomplished with a few clicks of a mouse, but the
creativity required to imagine, compose, frame, light, and shoot such works can
never be overlooked.
“A work of art is a work of order, and if the artist is to put the stamp of his own mind on his
work he must arrange, modify, and dispose of his materials so that they may appear in a
more agreeable and beautiful manner than they would have assumed without his
interference.” - Henry Peach Robinson
By:
Rhys
Davis
6.
7. F A D I N G AWAY
How and why Henry Peach Robinson created Fading Away?
What was the reason?
• Robinson's photograph titled "Fading Away" depicted a young girl near
death with her family comforting her around her. Fading Away was the
photo Robinson was most famous for, many people finding it controversial
because at the time people saw photography as a medium to show things
how they are, and the models in the photo were only posing. The photo
was created using 5 negatives. Other techniques he used included soft
focus, lens filters and darkroom manipulation.Robinson wanted photos to
have the same appeal as paintings. He removed parts of a scene that were
unnecessary by posing his models. It was the same idea as using Photoshop
to fix imperfections.
By:
Mike
BasAn
8.
9. I M PA C T T H E W O R L D
Photography has impacted the world of art and influenced some changes
in the area of accessibility to art. If mechanical reproduction created
revolution, what is happening now with the digitalization?
• The digitalization in photography is bringing a faster and ever expanding
generation of photographers into the world. The cameras are easily accessible
and the software in today’s world can make any amateur photographer look like
a pro. When walking around on the streets or different neighborhoods of
Toronto, you are bound too see someone shooting with a standard basic
camera. With company’s like Canon and Nikon releasing standard starting
camera like the Canon XS or the NikonD3000 in bundles for great prices
anybody can start to be a photographer.
Along with easily accessible standard cameras the design programs are
almost an instant download away. When shooting today and something doesn’t
come out as planned, it easily fixed in Photoshop. Having a design suite is
making digital photography easier and easier. Back in the day when analog
cameras were the only product on the market, shooting a perfect photo was
crucial. When shooting on an analog camera if you didn’t get your shot the first
time, you would have to go back and reshoot. A contemporary photographer
today can now edit all mistakes and make a photo look perfect with this very
software.
Digitalization in photography has its pros and cons. The pros of digital
photography are as followed, easy access, cheaper and fast. Today a photography
shooting a fashion line can easily see what they have shot, as well then can edit
it almost on the spot. Back in the day the photographer would have to shoot,
send away film to be developed and then select their photographs. If the
photographer made a mistake, they would have to reshoot the entire line of
fashion. The cons to shooting digital photography are as followed, easily ripped
off, over crowded and less creative. Today anybody with a standard camera can
be a photographer, overcrowding the true artists in the field. The major con to
digital photography is the simple fact that it is less creative. Analog photography
is an art, in how you control your light. Digital photography and editing simply
make every digital print worthless.
By:
Ma*hew
Bracke*
10. T H A N K YO U !
Sources:
• http://ezinearticles.com/?His-Most-Famous-Photograph-%28Fading-Away%29---
Henry-Peach-Robinson&id=2785850
• http://www.nationalmediamuseum.org.uk/Collection/Photography/
RoyalPhotographicSociety/CollectionItem.aspx?id=2003-5001%2F2%2F23282
• http://blogs.creativepool.co.uk/blog/the-most-reproduced-image-in-the-history-
of-photography/
• http://www.youtube.com/watch?v=pEA79UkCnbg
• http://www.photoquotes.com
• http://google.com
• http://google.com/images
• Art Photography - The History of Photography by: Beaumont
NewhallEncyclopedia Britannica