philippinefolkdance-141117063229-conversion-gate01.pptx
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This document summarizes the major classifications of Philippine folk dances. It discusses 5 categories: Cordillera dances which reflect rituals of tribes like the Bontoc and Kalinga; Spanish-influenced dances adapted from European styles like the jota and habanera; Muslim dances influenced by traders and featuring hand movements like the Singkil and Pangalay; Tribal dances reflecting indigenous beliefs and materials from ethnic groups across the Philippines; and Rural dances performed in fiestas depicting village life and activities like the Maglalatik and Oasioas. Specific examples are provided for dances within each classification.
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Philippine folk dance
This document discusses Philippine folk dances. It explains that folk dances are the oldest form of dance that evolved naturally from everyday activities like occupations, customs and festivals. Folk dances are passed down through generations, though the movements may vary between areas. The document then outlines the major classifications of Philippine folk dances, including Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances, tribal dances of ethnic minorities, and rural dances depicting village life. Examples of specific folk dances are provided for each category.
CLASSIFICSTION OF FOLKDANCE.pptx
This document discusses the classification of Philippine folk dances. It identifies 5 major classifications: Cordillera dances, Spanish-influenced dances, Muslim dances, tribal dances, and rural dances. Each classification is described in terms of its origins, influences, and representative dances. Cordillera dances originated from indigenous tribes and reflect rituals and daily life. Spanish-influenced dances were created by Philippine aristocrats adapting European dances. Muslim dances were influenced by traders and use intricate hand and arm movements. Tribal dances reflect rituals, spirits, and animals. Rural dances depict the simple life and work of peasants.
Philippine Folk Dance.pptx
Francisca Reyes-Aquino began collecting Philippine folk dances in the 1920s while studying at the University of the Philippines. She traveled to remote villages to document traditional dances before Western culture could modify them. She published her first collection of Philippine folk dances and games in 1927. The dances reflected the diversity of Philippine culture and were classified into five major groups - Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances, tribal dances of ethnic minorities, and rural dances. Each dance type expressed aspects of associated traditions, rituals, and ways of life through music, movement, and costumes unique to different regions of the Philippines.
golden PPT 12.pptx
The document discusses Philippine folk dances. It begins with a prayer asking for guidance in learning. It then provides background on Francisca Reyes-Aquino, who collected folk dances in the 1920s to preserve cultural heritage. The document categorizes major folk dance types and provides examples: Cordillera dances reflect rituals; Spanish dances show European influence; Muslim dances use intricate movements; tribal dances portray beliefs and nature; rural dances depict work and celebration. It defines key terms like folk dance and explains their significance in reflecting Filipino life. Examples like the Maglalatik war dance and Oasiwas fishing dance are described. The document stresses the importance of preserving cultural heritage through folk dances.
Philippine Folk Dance.pptx.ppt
The document discusses Philippine folk dances, which evolved naturally from everyday activities, occupations, customs, festivals and rituals. There are five major classifications: Cordillera dances from mountain tribes featuring gongs and rituals; Spanish-influenced dances incorporating European styles; Muslim dances using intricate hand movements; tribal dances reflecting rituals and beliefs; and rural dances performed in festivals depicting work and village life. The costumes worn vary between regions but commonly feature patadyongs, malongs, chambras and other traditional garments. Folk dances are passed down between generations as part of Philippine cultural heritage.
dokumen.tips_philippine-folk-dance-55845958b2d1e.ppt
This document discusses Philippine folk dances, including their history, types, and costumes. It explains that folk dances evolved from everyday activities and rituals, and are passed down through generations. The major classifications of Philippine folk dances are Cordillera, Spanish-influenced, Muslim, tribal, and rural dances. Each type is influenced by the culture and traditions of different ethnic groups in the Philippines and incorporate distinctive movements, instruments, and costumes. Specific folk dances from each region like the Bontoc "Pattong" and Maranao "Singkil" are highlighted through descriptions and images.
The Philippine Traditional Dances
The document discusses traditional Philippine dances, including their history, forms, and characteristics. It explains that traditional dances show the cultural traits of people through dance steps and costumes that are passed down over generations. The document categorizes traditional dances into ethnic dances, which include dances of non-Christian and Muslim Filipinos, and folk dances, which vary by geography and function. It provides examples of different ethnic and folk dance types and describes significant aspects of traditional Philippine dance costumes.
PH FOLK DANCE.pptx
The document provides an overview of Philippine folk dance, including its history and classifications. It discusses that Philippine folk dancing incorporates influences from immigrants and conquerors while maintaining Filipino roots. There are five major classifications of Philippine folk dances: Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances influenced by Middle Eastern traders, tribal dances of indigenous ethnic groups, and rural dances performed in village fiestas. Overall, Philippine folk dances reflect Philippine culture, traditions, and daily life.
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Philippine folk dance
This document discusses Philippine folk dances. It explains that folk dances are the oldest form of dance that evolved naturally from everyday activities like occupations, customs and festivals. Folk dances are passed down through generations, though the movements may vary between areas. The document then outlines the major classifications of Philippine folk dances, including Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances, tribal dances of ethnic minorities, and rural dances depicting village life. Examples of specific folk dances are provided for each category.
CLASSIFICSTION OF FOLKDANCE.pptx
This document discusses the classification of Philippine folk dances. It identifies 5 major classifications: Cordillera dances, Spanish-influenced dances, Muslim dances, tribal dances, and rural dances. Each classification is described in terms of its origins, influences, and representative dances. Cordillera dances originated from indigenous tribes and reflect rituals and daily life. Spanish-influenced dances were created by Philippine aristocrats adapting European dances. Muslim dances were influenced by traders and use intricate hand and arm movements. Tribal dances reflect rituals, spirits, and animals. Rural dances depict the simple life and work of peasants.
Philippine Folk Dance.pptx
Francisca Reyes-Aquino began collecting Philippine folk dances in the 1920s while studying at the University of the Philippines. She traveled to remote villages to document traditional dances before Western culture could modify them. She published her first collection of Philippine folk dances and games in 1927. The dances reflected the diversity of Philippine culture and were classified into five major groups - Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances, tribal dances of ethnic minorities, and rural dances. Each dance type expressed aspects of associated traditions, rituals, and ways of life through music, movement, and costumes unique to different regions of the Philippines.
golden PPT 12.pptx
The document discusses Philippine folk dances. It begins with a prayer asking for guidance in learning. It then provides background on Francisca Reyes-Aquino, who collected folk dances in the 1920s to preserve cultural heritage. The document categorizes major folk dance types and provides examples: Cordillera dances reflect rituals; Spanish dances show European influence; Muslim dances use intricate movements; tribal dances portray beliefs and nature; rural dances depict work and celebration. It defines key terms like folk dance and explains their significance in reflecting Filipino life. Examples like the Maglalatik war dance and Oasiwas fishing dance are described. The document stresses the importance of preserving cultural heritage through folk dances.
Philippine Folk Dance.pptx.ppt
The document discusses Philippine folk dances, which evolved naturally from everyday activities, occupations, customs, festivals and rituals. There are five major classifications: Cordillera dances from mountain tribes featuring gongs and rituals; Spanish-influenced dances incorporating European styles; Muslim dances using intricate hand movements; tribal dances reflecting rituals and beliefs; and rural dances performed in festivals depicting work and village life. The costumes worn vary between regions but commonly feature patadyongs, malongs, chambras and other traditional garments. Folk dances are passed down between generations as part of Philippine cultural heritage.
dokumen.tips_philippine-folk-dance-55845958b2d1e.ppt
This document discusses Philippine folk dances, including their history, types, and costumes. It explains that folk dances evolved from everyday activities and rituals, and are passed down through generations. The major classifications of Philippine folk dances are Cordillera, Spanish-influenced, Muslim, tribal, and rural dances. Each type is influenced by the culture and traditions of different ethnic groups in the Philippines and incorporate distinctive movements, instruments, and costumes. Specific folk dances from each region like the Bontoc "Pattong" and Maranao "Singkil" are highlighted through descriptions and images.
The Philippine Traditional Dances
The document discusses traditional Philippine dances, including their history, forms, and characteristics. It explains that traditional dances show the cultural traits of people through dance steps and costumes that are passed down over generations. The document categorizes traditional dances into ethnic dances, which include dances of non-Christian and Muslim Filipinos, and folk dances, which vary by geography and function. It provides examples of different ethnic and folk dance types and describes significant aspects of traditional Philippine dance costumes.
PH FOLK DANCE.pptx
The document provides an overview of Philippine folk dance, including its history and classifications. It discusses that Philippine folk dancing incorporates influences from immigrants and conquerors while maintaining Filipino roots. There are five major classifications of Philippine folk dances: Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances influenced by Middle Eastern traders, tribal dances of indigenous ethnic groups, and rural dances performed in village fiestas. Overall, Philippine folk dances reflect Philippine culture, traditions, and daily life.
LESSON-2-FOLKDANCE.pdf
The document summarizes the major classifications of Philippine folk dances. There are five classifications: Cordillera dances, which originate from mountain tribes like the Bontoc, Ifugao, and Kalinga; Spanish-influenced dances adapted from European styles; Muslim dances influenced by traders from Malaysia, Java, and the Middle East; tribal dances that reflect rituals and beliefs of indigenous groups; and rural dances that depict everyday life and activities in rural villages. Each classification is represented by specific dances that evolved from the local culture and traditions.
PHILIPPINE FOLK DANCE.ppt
This document discusses Philippine folk dances. It defines folk dance as the traditional dance of a given country that evolved naturally from everyday activities, occupations, customs, festivals and rituals. Folk dances are passed down between generations, though the movements may vary between areas. The document outlines the major classifications of Philippine folk dances: Cordillera dances, Spanish-influenced dances, Muslim dances, tribal dances, and rural dances. Examples are given for each classification along with brief descriptions of the dances.
L4PE.pdf
This document discusses Philippine folk dances, including their definition, characteristics, classification, and history. It defines folk dances as traditional dances that are passed down through generations, expressing the culture of a specific group. It outlines the values of studying Philippine folk dances, such as strengthening nationalism. It also classifies folk dances based on factors like geographical location, nature, movements, formation, and provides examples of different ethnic dance types from rituals to occupations. The document was a comprehensive overview of Philippine folk dance.
Phil folk dance_ppt
This document discusses Philippine folk dances. It defines folk dance as the traditional dance of a given country that evolved naturally from everyday activities like work and celebrations. Philippine folk dances are classified into 5 groups: Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances, tribal dances of ethnic minorities, and rural dances depicting peasant life. Each dance type is influenced by the culture and reflects important aspects of life like harvests, rituals, and traditions. Costumes also vary between groups and help showcase cultural identities and traditions.
Traditional-dance.pptx
The document provides information about traditional and ethnic dances in the Philippines. It discusses that ethnic dances are still performed today as they are integral to the beliefs and social systems of ethnic Filipino groups. It notes that according to Basilio Esteban Villaruz, ethnic dances are ancient in origin but still contemporary. The document then provides descriptions of various ethnic dances from different regions of the Philippines, including details on the instrumentation, costumes, and cultural significance. It explains that ethnic dances often imitate nature and wildlife and are performed for rituals, celebrations, and other important events in the community.
Folkdance
Folk dance is a type of dance that developed among common people in a certain country or region and is considered part of their traditional culture and heritage. It represents the dance forms of the general population rather than the upper classes. In the Philippines, various folk dances developed prior to Spanish colonization that depicted everyday life and paid homage to nature, gods, and important events like harvests. Muslim traders introduced dances like Singkil in the 14th century. During Spanish rule, indigenous dances blended with European styles while maintaining local spirit. Common characteristics include standing poses, limited contact, hand movements, and salutations at the beginning and end. Examples mentioned are Tinikling, Gaway-gaway, and dances depicting war,
Philippine folkdance
Folk dances are traditional dances that have been passed down through generations in a given country or region. Philippine folk dances evolved from everyday activities and include occupational, religious, comic, game, wedding, courtship, and festival dances. Examples of Philippine folk dances provided are Pasiguin, an occupational dance depicting fishing; Subli, a religious dance performed in Bauan, Batangas; Kinoton, a comic dance from Ilocos Sur; and Pantomina, a wedding dance from Bicol.
P.E. - Traditional Folk and Ethnic
Folk dance is the oldest form of dance that evolved from everyday activities like festivals and rituals. Philippine folk dances can be classified into 5 groups: Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances, tribal dances, and rural dances. Each type of folk dance reflects the cultural traditions, rituals, and way of life of the people from that region. Some examples of ethnic groups discussed are the Aeta people, Ifugao people known for their rice terraces, Maranao people from Lake Lanao region, and Yakan people from the Sulu Archipelago.
Folk dance with spanish influence
Dancing has long been an important part of Filipino culture and social activities. Originally, dances were performed for religious ceremonies celebrating events like harvests or battles. During Spanish colonial rule, new dances like the Fandango and Rigodon were introduced, while traditional dances like the Kumintang and Pampango adapted but continued. Over time, dances with Spanish influences like the Estudiantina, Mazurka Boholana, and Polka sa Nayon emerged and remained popular parts of Filipino folk culture and special events.
Dances of the Philippine Islands
The document summarizes some of the major folk dances from the three main island groups of the Philippines - Luzon, Visayas, and Mindanao. Each island group has distinct cultural influences and variations in their folk dances, which often depict important historical and social aspects of daily life. Some dances described include the Banga from Luzon, which shows women balancing heavy water pots; Tinikling from Visayas, the national dance performed by hopping between bamboo poles; and the Singkil from Mindanao, reenacting a legendary princess's escape from a forest during an earthquake. Overall, the folk dances reflect both the hardships and talents of the diverse Filipino people.
The Art of music and Dance
This document provides an overview of music and dance from around the world. It discusses the elements and types of music, including folk, jazz, and classical. It also explores different dance forms like ethnic, court, ballroom, and theatrical dances. The document then focuses on traditional Philippine folk and dances, describing dances from various regions of the Philippines like Maranao, Kalinga, Bilaan, Kumintang, Negros Oriental dances, and Pangdanggo Dumaguetino. It provides background information on the origins and significance of these important cultural dances.
TOURC2-LESSON-6.pptx
Culture has a significant impact on tourism. Cultural factors like art, music, dance, handicrafts, and local industries all contribute to the tourist appeal of a destination. Understanding and experiencing a place's culture is a major motivation for travelers. However, cultural differences can also lead to culture shock for those unaccustomed to the local customs and foods. Promoting cultural tourism and cultural exchanges between places can help foster international cooperation and understanding between societies.
Bachelor of Physical Education - Folk Dance (Wesleyan University of the Phili...
This document provides information about folk dancing in the Philippines. It discusses the characteristics of folk dance, defines what folk dance is, and classifies the different types of folk dances in the Philippines including national, local, and indigenous dances. Examples are given for different folk dances like Tinikling, Subli, and Malakas at Maganda. The document also outlines five women who pioneered Filipino folk dancing like Francisca Reyes-Aquino, and provides tips for performing folk dances.
powerpoint presentation.pptx
The document provides information on the nature and types of dances in the Philippines, particularly in Luzon. It discusses how Philippine folk dances have a combination of Spanish and Oriental influences due to Spanish colonization for over 300 years. It also describes the classification of dances by speed and highlights some important tribal dances like Binaylan and Kadal Tahaw. Specific folk dances from different Luzon regions like Kalinga, Kankana-ey, and Ibaloi are also outlined, providing details on the people, culture, and popular dances of each group.
397848409-A-Brief-History-of-Philippine-Art-pptx.pdf
Pre-colonial Philippine art was integrated into everyday life through rituals and ceremonies. Expressions like music, dance, and visual arts were not distinguished as separate categories. Rituals marked important events and involved performances, offerings, and divination. Indigenous art forms varied between ethnic groups and included carvings, weavings, pottery, body adornments, and musical and dance traditions that imitated nature. Under Spanish colonial rule from the 16th-19th centuries, Christian art and architecture developed following Baroque styles. Local art incorporated European influences while maintaining some traditions. Theater and music evolved new hybrid forms.
Languange & Culture in Malaysia
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Arts apps Folk Dance
Folk dances have developed throughout various regions of the Philippines reflecting different cultural influences and traditions. Pre-Hispanic indigenous tribes performed dances for rituals and celebrations, while Spanish colonization introduced elements of European dance. Different folk dances tell stories of history, life, and religion through lively movements and costumes. Examples mentioned include the national Tinikling dance of Leyte, dances portraying animals from Visayas like the Itik-Itik duck dance, and Muslim dances from Mindanao like the Singkil royal dance.
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The document summarizes the major classifications of Philippine folk dances. There are five classifications: Cordillera dances, which originate from mountain tribes like the Bontoc, Ifugao, and Kalinga; Spanish-influenced dances adapted from European styles; Muslim dances influenced by traders from Malaysia, Java, and the Middle East; tribal dances that reflect rituals and beliefs of indigenous groups; and rural dances that depict everyday life and activities in rural villages. Each classification is represented by specific dances that evolved from the local culture and traditions.
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This document discusses Philippine folk dances. It defines folk dance as the traditional dance of a given country that evolved naturally from everyday activities, occupations, customs, festivals and rituals. Folk dances are passed down between generations, though the movements may vary between areas. The document outlines the major classifications of Philippine folk dances: Cordillera dances, Spanish-influenced dances, Muslim dances, tribal dances, and rural dances. Examples are given for each classification along with brief descriptions of the dances.
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This document discusses Philippine folk dances. It defines folk dance as the traditional dance of a given country that evolved naturally from everyday activities like work and celebrations. Philippine folk dances are classified into 5 groups: Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances, tribal dances of ethnic minorities, and rural dances depicting peasant life. Each dance type is influenced by the culture and reflects important aspects of life like harvests, rituals, and traditions. Costumes also vary between groups and help showcase cultural identities and traditions.
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The document provides information about traditional and ethnic dances in the Philippines. It discusses that ethnic dances are still performed today as they are integral to the beliefs and social systems of ethnic Filipino groups. It notes that according to Basilio Esteban Villaruz, ethnic dances are ancient in origin but still contemporary. The document then provides descriptions of various ethnic dances from different regions of the Philippines, including details on the instrumentation, costumes, and cultural significance. It explains that ethnic dances often imitate nature and wildlife and are performed for rituals, celebrations, and other important events in the community.
Folkdance
Folk dance is a type of dance that developed among common people in a certain country or region and is considered part of their traditional culture and heritage. It represents the dance forms of the general population rather than the upper classes. In the Philippines, various folk dances developed prior to Spanish colonization that depicted everyday life and paid homage to nature, gods, and important events like harvests. Muslim traders introduced dances like Singkil in the 14th century. During Spanish rule, indigenous dances blended with European styles while maintaining local spirit. Common characteristics include standing poses, limited contact, hand movements, and salutations at the beginning and end. Examples mentioned are Tinikling, Gaway-gaway, and dances depicting war,
Philippine folkdance
Folk dances are traditional dances that have been passed down through generations in a given country or region. Philippine folk dances evolved from everyday activities and include occupational, religious, comic, game, wedding, courtship, and festival dances. Examples of Philippine folk dances provided are Pasiguin, an occupational dance depicting fishing; Subli, a religious dance performed in Bauan, Batangas; Kinoton, a comic dance from Ilocos Sur; and Pantomina, a wedding dance from Bicol.
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Folk dance is the oldest form of dance that evolved from everyday activities like festivals and rituals. Philippine folk dances can be classified into 5 groups: Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances, tribal dances, and rural dances. Each type of folk dance reflects the cultural traditions, rituals, and way of life of the people from that region. Some examples of ethnic groups discussed are the Aeta people, Ifugao people known for their rice terraces, Maranao people from Lake Lanao region, and Yakan people from the Sulu Archipelago.
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Dancing has long been an important part of Filipino culture and social activities. Originally, dances were performed for religious ceremonies celebrating events like harvests or battles. During Spanish colonial rule, new dances like the Fandango and Rigodon were introduced, while traditional dances like the Kumintang and Pampango adapted but continued. Over time, dances with Spanish influences like the Estudiantina, Mazurka Boholana, and Polka sa Nayon emerged and remained popular parts of Filipino folk culture and special events.
Dances of the Philippine Islands
The document summarizes some of the major folk dances from the three main island groups of the Philippines - Luzon, Visayas, and Mindanao. Each island group has distinct cultural influences and variations in their folk dances, which often depict important historical and social aspects of daily life. Some dances described include the Banga from Luzon, which shows women balancing heavy water pots; Tinikling from Visayas, the national dance performed by hopping between bamboo poles; and the Singkil from Mindanao, reenacting a legendary princess's escape from a forest during an earthquake. Overall, the folk dances reflect both the hardships and talents of the diverse Filipino people.
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This document provides an overview of music and dance from around the world. It discusses the elements and types of music, including folk, jazz, and classical. It also explores different dance forms like ethnic, court, ballroom, and theatrical dances. The document then focuses on traditional Philippine folk and dances, describing dances from various regions of the Philippines like Maranao, Kalinga, Bilaan, Kumintang, Negros Oriental dances, and Pangdanggo Dumaguetino. It provides background information on the origins and significance of these important cultural dances.
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- 1. Physical Education Philippine Folk Dance
- 2. What is dance? A form of expression of oneself through rhythmic movement.
- 3. So, what is FOLK DANCE • the oldest form of dance and the earliest form of communication • the traditional dance of a given country which evolved naturally and spontaneously with everyday activities • e.g. occupations, customs, festivals, rituals
- 4. So, what is FOLK DANCE • It is handed down from generation to generation • It has more or less a fixed movement in their pattern, but may differ in various areas or provinces
- 5. • Cordillera Dances • Spanish Influenced Dances • Muslim Dances • Tribal Dances • Rural Dances 5 Major Classifications of Philippine Folk Dances
- 6. Cordillera Dances • Bontoc, Ifugao, Benguet, Apayo, & Kalinga tribes • a people whose way of life existed long before any • a good foot on the harvest, health, peace, Philippines war, and other • Gongs, ganza symbols of living • Dances reflects rituals Spaniard or other which celebrate their foreigners stepped daily lives
- 7. Cordillera Dances • Bontoc – “Pattong” • Kalinga – “Banga”
- 8. Spanish Influenced Dances • Philippine aristocrats created Filipino adaptations of European dances • jotas, fandangos, mazurkas, waltzes • dances by the young • Dances reflects socialites to the Christianity, and stringed music of European art and the rondalla culture
- 10. Muslim Dances • Influenced by Malay, Javanese & Middle Eastern Traders (Islam) • mysticism, royalty, and beauty • Uses intricate hand & arm movement • the fingers express feelings & emotions • Uses shimmering costumes
- 11. Muslim Dances • Maranao – “Singkil” • Tausug – “Pangalay”
- 12. Tribal Dances • intricate craftsmanship in metal, clothing, and jewelry • reflects rituals & animals, belief in “spirits” & shamans, • Also known as Ethnic nature – “anito” dances; Ethnic minorities • animal sounds, found in different parts of human singing, the Philippines (T’boli, Bilaan, Manobo, Bagobo, indigenous materials etc.)
- 13. Tribal Dances • T’boli – “Madal Tahaw” • Manobo – “Bangkakaw”
- 14. Rural Dances • Shows gaiety & laughter, festivities • Performed in fiestas to honor patron saints give homage to the barrios namesake for a good harvest, health, & • Indigenous materials, • Reflects the simple life of perseverance the people in the barrio • Depicts common work, clapping, rondalla, daily activities of the percussion peasants instruments
- 15. Rural Dances • “Maglalatik” • “Oasioas”
- 16. Thank You!