The document discusses Samuel Beckett's play Waiting for Godot. It explores the central themes of waiting, passing time, and the absurdity of the human condition. The two main characters, Vladimir and Estragon, spend the play in an endless cycle of waiting for someone named Godot to arrive, with no explanation of who Godot is or if he will actually come. Their waiting highlights the inevitability of time's passage and the futility of human existence.
I have uploaded these slides for everyone to use. I allow everyone to use these slides completely free. I have uploaded multiple slides on this site, all you have to do is search my name. Shaim Chaudry.
Deep meaning in Nothingness in the play 'Waiting for Godo't'.Bhattizarna10
Here, presentation on 'Deep meaning in Nothingness in the play 'Waiting for Godo't'. Here, Bucket's present in this play there are only six characters means limited characters. Estragon and Vladimir these center of the play. while Waiting we are doing something as same those two characters. here, I put on my slide in some dialogue, you can see, no beginning, no end, in this play beginning with two characters that are doing nothing and worthless dialogue, and no clear meaning.
This presentation provides an in-depth exploration of Samuel Beckett's iconic play, 'Waiting for Godot.' Through a series of thought-provoking slides, readers will gain a deeper understanding of the play's key themes, symbols, including the futility of human existence and the search for meaning in an absurd world. This presentation offers a fresh perspective on one of the most important plays of the 20th century. This presentation also discuss about various interpretation of the play including psychological interpretation.
I have uploaded these slides for everyone to use. I allow everyone to use these slides completely free. I have uploaded multiple slides on this site, all you have to do is search my name. Shaim Chaudry.
Deep meaning in Nothingness in the play 'Waiting for Godo't'.Bhattizarna10
Here, presentation on 'Deep meaning in Nothingness in the play 'Waiting for Godo't'. Here, Bucket's present in this play there are only six characters means limited characters. Estragon and Vladimir these center of the play. while Waiting we are doing something as same those two characters. here, I put on my slide in some dialogue, you can see, no beginning, no end, in this play beginning with two characters that are doing nothing and worthless dialogue, and no clear meaning.
This presentation provides an in-depth exploration of Samuel Beckett's iconic play, 'Waiting for Godot.' Through a series of thought-provoking slides, readers will gain a deeper understanding of the play's key themes, symbols, including the futility of human existence and the search for meaning in an absurd world. This presentation offers a fresh perspective on one of the most important plays of the 20th century. This presentation also discuss about various interpretation of the play including psychological interpretation.
Samuel Beckett's 'Waiting for Godot' belongs to the tradition of the Theatre of Absurd. It is unconventional in not depicting any dramatic conflicts. In the play, practically nothing happens, no development is to be found, there is no beginning and no end.
Paper2Topic Analyze the intricate workings of hamartia peripety.docxherbertwilson5999
Paper2
Topic: Analyze the intricate workings of hamartia peripety and catastrophe in one of the following: Oedipus Rex
The tragedy of Oedipus is only caused by his fate? If it is destined to kill his father and marry his mother, this is not only a fact, also is a avoidless tragedy. First read "Oedipus Rex," I just was overawed, holding the book sat for a long time. Maybe I'm ignorant. The plays in China, I have never met such a shocking tragedy works. It has long been known, but still worth becoming a member of the plot, but it is so taken for granted that the inevitable fate, that delightfully lively and thought-provoking language ...... all the rings seem to have gathered together, they had to let me see again and again, and each go over to the addition of more than one point of emotion."Oedipus Rex" tragedy can also be said that the human tragedy -Aristotle poetic and rid of this sphinx help show how Oedipus Rex a human tragedy.
"Oedipus Rex" is definitely the Aristotelian model tragedy, so first on Aristotle's point of view to talk about the "Oedipus Rex" drama plot and character.
Read through the play is easy to see, this is a typical Greek tragedy locking structure, it write a story from the crisis, suffer from Intuit Thebes disaster, people begging for rescue from Oedipus. Omitting the antecedent-- the reason of how the disaster happen, through flashbacks way, step by step unlock secrets. This reflects the characteristics of latching structure, but also the biggest advantage of this structure: focus. Closed structure strictly abide by day, a place and a plot requirement. "Oedipus Rex" script is the "three unities" of the perfect embodiment of the play action takes place in a single day time, place and always in the front yard of the palace of Thebes, Oedipus plot is found in his personal life secret. Although only one plot, but it does not mean be simple plot, on the contrary, "Russia's" plot is the complicated plot drama Aristotle favorite. What is complicated plot? Refers to the plot contains sudden turn and find that they are "the tragedy of the two most deeply moving components" that play the third and fourth field in the "sudden turn" and "Find".
Aristotle's "Poetics" that "sudden turn" "refers to development actions go in one direction from the opposite direction ...... such a change must be consistent with the principles of natural or inevitable." "Oedipus Rex," the third chapter, the arrival of the messenger who is to inform the Polybus king's death, dispel fear psychological patricide Oedipus married mother prophecy fulfilled, to make him happy, but, tells of his life in the post-it leads to the opposite result, that is sudden turn. The "discovery" is "means the transition from ignorance to knowledge, even if exposure to the environment or habitat favoring defeat against the characters know each other that their own loved ones or enemies." The play of "discovery" in the messenger arrived, Queen Jocasta found Oedipus is her .
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Paper no. 9 The Modernist Literature
1.
2. Samuel Beckett,
French, and English
playwright
Born-1905, Dublin
Died-1989,Paris,France
‘En attendant Godot’-
1948 In French
‘Waiting For Godot’-
1954 in English
Play belongs to theater
of Absurd
3. The theatre of the Absurd is the
dramatic movement in 1950s.
Martin Esslin first used the phrase
“theatre of the absurd” in a 1961.
French thinkers such as Albert
Camus and jean-Paul Sartre used the
term absurd to described what they
understood as the fundamentally
meaningless situation of humans in a
confusing hostileff, and indifferent
world.
“Absurd in these play takes the from
of man’s reaction to the world
apparently without meaning and man
as controlled or menaced by invisible
outside forces.”Essline Martin
4.
5. The play is the waiting of the two tramps Vladimir
and Estragon.
waiting for Godot does not tell a story ; It explores
a Static situation.
The very title of the play suggested its central
theme as martin Esslin has pointed out.
“The subject of the play is not Godot but waiting
as an essential and characteristic aspect of human
condition.”
Throughout our lives we always wait for something
… … an event, a person, death. It can be a thing of
one’s desire.
6. “ If we are active, we tend to Forgot the passage of time,
we pass the time but if we are merely passively waiting
,we action of time itself.”
This central theme, waiting, will be a recurrent reality
within the play one that it seems to remind Vladimir and
Estragon why they are where they are : in no man’s land.
Throughout the play Vladimir keeps on repeating that they
are “waiting for Godot.” Actually, Vladimir repeats it for
eight times and ninth was by estragon.
And “passed the time “or” will pass the time” is repeated
five times.
“Nothing to be done” repeated four times, two times by
each.
7. Estragon : Let’s go. Vladimir : we can’t. Estragon :
why not ? Vladimir : we are waiting for Godot “ (8)
“ Vladimir : Let’s wait and see what he says.
Estragon : who? Vladimir : Godot” (13)
“Estragon : simply wait . Vladimir : we’re used to it”
(39)
“Estragon : Let’s go. Vladimir : we can’t. Estragon :
why not ? Vladimir : we are waiting for Godot.” (76)
“ Estragon : what do we do now? Vladimir : while
waiting . Estragon : while waiting .” (86)
8. “ Estragon : Let’s go. Vladimir : we can’t.
Estragon : why not ? Vladimir : we’re waiting
for Godot.” (88)
“Vladimir : yes, in this immense confusion
one thing alone is clear. We are waiting for
Godot to come.”(91)
“Estragon : Let’s go. Vladimir: we can’t.
Estragon why not? Vladimir : we are waiting
for Godot.” (100)
10. what becomes evident is that both of them are
‘tied to Godot ,they cannot do anything except
to wait for him endlessly.
Godot, them becomes the only hope for
survival.
He is the one that controls their lives and the
only possible of redemption.
They can only be saved by Godot and
therefore waiting until his arrival is a fate.
Estragon and Vladimir aretied to each other by
an abstract bonds and by their common act of
waiting for Godot……
11. Waiting as the central theme of the play leads the two
characters to avoid time and make the waiting bearable by filling
in time with futile actions.
They are aware that there is ‘nothing to done’ while waiting, and
this becomes and obsessive statement throughout the play.
First, is the awareness that there is nothing that can help them
in their waiting, and the void and anxiety have to be confronted,
and this is restated time and again, throughout the text.
But It is critical for them to fill in time, which will also becomes
the third, most importance theme of the play.
It will travel throughout the entire text, becoming an obsession
for the two of them.
12. But it is critical for them to fill in time, which will
also becomes the third, most importance theme of
the play.
It will travel throughout the entire text, becoming
and obsession for two of them.
“Vladimir : Ah yes, the two thieves. Do you
remember the story. Estragon : No. Vladimir : It’ll
pass the time.” (6)
“Vladimir : what do we do no ? Estragon : what
about hanging ourselves?” (12)
“Vladimir : That passed the time. Estragon : It
would have passed in any case. Vladimir : yes, but
no so rapidly.” (51)
13. “Vladimir : we could play at Pozzo and lucky.” (82)
“Vladimir : How time flies when one has fun.” (86)
Passing the time filling in time avoids thinking about their
present, absurd condition :
“Vladimir : we’re in no danger of ever thinking any more.”
Vladimir : What is terrible is to have thought” (71)
“Estragon : Nothing to be done “(2)
“Vladimir : Nothing to be done” (4)
“Vladimir : Nothing to be done” (17)
“Estragon : Nothing to be done” (17)
14. We really don’t know even after reading/ watching
a play, it still remain confusion that who actually is
waiting and for what? Vladimir, Estragon, or we as
reader or audience waiting for Godot or end of the
play.
As time passes waiting becomes habit.
Moreover, it is in the act of waiting that we
experience the flow of time in its purest, most
evident from : If we are active, we tend to forget the
passage of time, we pass the time, if we are merely
passively waiting we are confronted with the action
of time itself.
15. “But if we are merely passively waiting, we are
confronted with the action of time itself.”
The more things change, the more they are the
same. ‘The tears of the world are a constant
quantity. For each one who begins to weep,
some where else another stops’ says Pozzo.
(32)
Waiting is to experience the action of time,
which is constant change: pozzo is blind, Lucky
is dumb. And yet, as nothing real ever happens,
that change is in itself an illusion.