This document contains information about a student named Praful Ghareniya who is submitting a paper on Samuel Beckett's play "Waiting for Godot" for their MA semester 3 course. It provides background on Beckett and defines the theater of the absurd as featuring meaningless plots, existential themes, and puzzling dialogue. It analyzes key elements of the theater of the absurd like lack of plot, repetition, meaningless language, and absurd endings. Symbols in "Waiting for Godot" and how the play reflects the mechanized and isolated nature of post-WWII society are also discussed.