Opening Storyboard
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A graffiti tagger wearing a bandana to cover his face is seen walking down a dark street at night and entering an alleyway where he begins spraying graffiti on a canvas. As he finishes, he notices a policeman walking down the street in his direction and must run away to avoid being caught. The camera then zooms in on the canvas revealing that the tagger had spray painted the title of a documentary about graffiti versus art.
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1) The document is a proposal for a horror film opening title sequence for a college course.
2) The student proposes a "slasher-horror" genre film with dark, low lighting and shots of the antagonist walking at night. Props will include notes and news articles related to the killer's victims.
3) The target audience is identified as students and above, as the film aims to appeal to both genders but may not interest young children or the elderly.
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New storyboard (2)
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3) The target audience is identified as students and above, as the film aims to appeal to both genders but may not interest young children or the elderly.
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Opening sequences set the tone and provide context for the genre and story. Thrillers often start with low-key lighting to build tension, while comedies establish the setting and introduce characters with high-key lighting. Films also use iconic images that signal the genre to viewers. The openings provide insights into the plot and climax near the end to engage the audience and make them want to see how their initial questions are resolved. Learning these conventions will help in creating an effective opening sequence for a thriller film that sets the scene and builds suspense.
Narrative Theory
Narrative theory describes approaches to understanding narratives or storytelling. The main theorists discussed are Claude Levi-Strauss, Vladimir Propp, and Tzvetan Todorov. Levi-Strauss focused on binary opposites like day/night structuring texts. Propp identified 32 character categories in folk tales, like hero and villain. Todorov proposed 5 stages to writing a narrative: equilibrium, disruption, realization, attempt to repair, and restoration of equilibrium. The document discusses applying these theories to a music video by using opposites, including defined characters, and employing flashbacks with an unconventional ending.
Types of ots
The document discusses three types of opening title sequences (OTS): linear, nonlinear, and symbolic. Linear OTSs introduce the story and characters in a continuous way, such as in Mrs. Doubtfire and Reservoir Dogs. Nonlinear OTSs show flickering parts of the story or characters out of order, exemplified by Orange is the New Black and Machete. Symbolic OTSs rely on symbolism rather than directly depicting elements from the work, like the title sequences for Game of Thrones and The Last of Us that represent locations and themes through symbols rather than imagery from the actual programs or games.
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Scene 1 consists of 3 parts that set up a mystery:
1) A girl is heard walking on a bridge and then screams, followed by a body hitting the floor.
2) The camera focuses on a blood-stained friendship bracelet on a girl's wrist near the bridge.
3) A title card with music transitions to the next scene.
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The document describes a music video concept involving a guy following a girl he is interested in around London. The video would begin with an extreme close-up of lips singing lyrics. It then cuts to handheld footage of the girl getting off a bus. The two grow closer as they walk around the city, shown through quick cuts and graphic matches. When the song reaches a slower climax, the love interest is shown standing alone in a busy area to illustrate how she is admired for her beauty after their day together.
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1. Frames 7-8 show medium close-up shots of the characters' shoes as they walk through the corridor to build tension and show their close proximity.
2. Frame 13 features an unfocused very long shot of the vampire character stepping out from an open plan area and approaching the victim character from behind in the corridor.
3. Frames 15-17 include potential cross-cutting shots from inside classrooms along the corridor to establish the characters leaving the open plan area and locking hands as later shots show them holding hands and entering a darkened classroom.
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The document summarizes 8 frames from a student thriller film project. It describes key plot points and character introductions in the opening sequence, including showing the victim running and being grabbed by the antagonist wearing black gloves. Technical aspects are also discussed, such as using match-on-action shots, darkened lighting, and color filters to build tension and establish the film as a thriller genre. The opening sequence aims to surprise the audience and leave them with questions about the characters and storyline.
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This document analyzes the theatrical trailer for the horror film "30 Days of Night." The trailer begins by establishing the normal lives of the main characters before ominous events occur. It then uses common horror conventions like chases and victims to set up tension and danger. Graphics like the bold title font make text appear mysterious against eerie background images. Significant scenes shown build narrative and introduce antagonistic characters to generate fear in the audience.
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Scene 1 consists of 3 parts that set up a mystery:
1) A girl is heard walking on a bridge and then screams, followed by a body hitting the floor.
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The document discusses how the filmmaker used music, visual style, characters, and violence to follow conventions of mobster genre films and portray the historical figure Meyer Lansky. Specifically:
1) A Jay-Z song was used during a boxing scene to synchronize punches with the beat and portray the character's strength and intelligence.
2) Elements like the use of jazz music, black and white filming style, and focusing on a Jewish immigrant rising to power followed conventions of films like "Once Upon a Time in America" and "The Godfather".
3) Costumes like suits and hats from the 1930s/40s era and use of guns and violence in scenes also replicated visual conventions of typical
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Guy Ritchie began his career doing odd jobs on film and TV sets before directing music videos and commercials. This experience helped him direct the short film 'The Hard Case' in 1995. The film caught the attention of Sting's wife Trudie Styler, who funded Ritchie's first feature film 'Lock, Stock and Two Smoking Barrels' in 1998, which helped launch his career in crime thriller films. However, his next two films in different genres were not as successful.
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This document discusses plans for an opening sequence for a thriller film. It will involve a woman running in terror down a flight of stairs from a psychopathic killer. The sequence will include cross-cutting shots of the killer cleaning up a crime scene. Conventionally, thrillers feature young female victims and keep the antagonist's identity hidden. The sequence will take place both indoors and outdoors. Representations of gender and costume colors will align with thriller conventions. An ident concept is proposed involving mystery around a lifting moving through levels in the dark.
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Dan falls asleep watching a horror film called HP Massacre and awakens to find himself trapped inside the film. He teams up with the film's protagonists Christopher and Cindy to survive encounters with the killer Victor Hemz. Using his knowledge from watching the film repeatedly, Dan helps them outwit Victor at various points. They ultimately defeat Victor by kicking him down a flight of stairs. Dan returns to his classroom, though a post-credits scene hints he may still be trapped in the film universe.
New storyboard (2)
1. Frames 7-8 show medium close-up shots of the characters' shoes as they walk through the corridor to build tension and show their close proximity.
2. Frame 13 features an unfocused very long shot of the vampire character stepping out from an open plan area and approaching the victim character from behind in the corridor.
3. Frames 15-17 include potential cross-cutting shots from inside classrooms along the corridor to establish the characters leaving the open plan area and locking hands as later shots show them holding hands and entering a darkened classroom.
Simon frith’s 3 typologies
Simon Frith identified three typologies of music videos: 1) Performance videos focus on the artist simply performing, either rehearsing or in concert, such as Kanye West's "Paris" video. 2) Narrative videos tell a story related to the song's lyrics through the artist, like Katy Perry's "Friday Night". 3) Concept videos create a mood or atmosphere similar to the song without a narrative, exemplified by 30 Seconds to Mars' "This is War" video.
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Alfred Hitchcock was a pioneering British director known for his use of camera techniques like voyeurism to increase audience anxiety and suspense. Films like Psycho used music and shots to keep viewers constantly on edge. Hitchcock influenced many modern directors through his masterful use of suspense, surprises, and twist endings.
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Narration structures a story through time and space to guide the audience's understanding. There are three key theorists of narration: Tzvetan Todorov's theory of equilibrium, disequilibrium, recognition, reparation, and new equilibrium; Levi-Strauss's use of binary oppositions between good and bad characters; and Vladimir Propp's concept of the rise and fall of the villain overcome by the hero, often with the involvement of a femme fatale. Narration uses techniques like camera work, lighting, and character traits to clearly convey the story to the audience.
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This document analyzes screenshots from horror film trailers and what they signify. Several shots show masked figures which hide expression and remove humanity, instilling a sense of threat. Another screenshot depicts a handheld camera lying on the floor filming someone being dragged away, making the audience feel helpless like the victim. Establishing shots of isolated, derelict areas set a typical horror scene with no nearby help.
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The document discusses different styles and techniques used in music videos. There are three main styles: narrative videos which follow a storyline, often related to the song's lyrics; thematic/conceptual videos which convey a single idea or concept through metaphor or symbolism; and performance videos which recreate a live concert experience. Directors make creative and technical decisions to craft engaging videos, such as using dance routines, transformations, or single continuous shots. Effective videos keep viewers interested through simple yet intriguing narratives, creative visuals, or high-energy performances.
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The Roy Adaptation Model was developed by Sister Callista Roy. It views humans as holistic adaptive systems that are constantly interacting with their internal and external environments. The person's major task is to maintain integrity in the face of environmental stimuli. Nursing aims to promote successful adaptation. The model describes four modes of adaptation - physiological, self-concept, role function, and interdependence. It provides a framework to assess how a person copes with environmental changes.
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Eval q 3
The document summarizes the evaluation of a student documentary project. It describes how the students created initial ideas and pitched them to get feedback from their class. Based on the feedback, they chose to do their documentary on the topic of graffiti vs art. They conducted surveys during the research, planning, and after viewing the documentary to gather opinions on their topic, audience interest, content relevance, and ways to improve. The main feedback was that the students could enhance the sound quality for a stronger documentary.
Questionaire results
The document summarizes the results of a survey conducted for a documentary project comparing graffiti and street art to conventional art. The survey showed that most respondents preferred a time-lapse opening depicting a tagger spraying graffiti over an alternative involving a police chase. Respondents also wanted interviews with both a graffiti artist and a conventional artist, though concerns were noted about length. All wanted the graffiti tagger's face blurred but recognized this may not be possible if interviewing a former tagger who is now professional. Title options were also tested, with the documentarians planning to combine the top two choices into "Graffiti vs Art".
Ancillary task
This document analyzes the conventions and layout of a double-page magazine spread. It examines three example spreads, noting features like the placement and size of headings, images, captions, bylines, body text formatting, and other common design elements. The main images showcase subjects related to television or theater and are generally wide shots or group photos. Quotes, secondary images, and formatting aim to attract readers' attention and summarize article topics in a clear, accessible manner.
Draft posters
The document discusses elements to include in a poster such as an eye-catching title, colorful background, reviews, the channel it will be shown on, and a focal image to draw the viewer's eye. It mentions placing the title, channel, and focal image prominently with reviews and other details in a supporting role.
Poster analysis
TV posters aim to attract viewers through eye-catching design elements. Effective posters typically display the channel, use colors corresponding to the genre, include taglines to engage viewers, feature a focal image of main characters, and prominently display the title in bold letters with supporting details in smaller font. This poster for the drama series "The Fall" draws viewers in with its dark colors suggesting mystery, a bold title standing out against a black background, an intriguing tagline hinting at a nearby killer, and a large focal image of the main characters with contrasting expressions leaving viewers curious.
New tv gyg
This document discusses several TV listing magazines including Radio Times, TV Choice, What's On TV, and Time Out. Radio Times is a British weekly magazine that has provided TV and radio listings since 1923. TV Choice and What's On TV are also British weekly magazines that provide TV programming listings from Saturday to Friday and focus on genres like soaps and reality TV. Time Out is an international magazine founded in 1968 that provides listings for culture, entertainment and events in various cities around the world.
Magazine
This document discusses several British TV listing magazines, including Radio Times, the world's first broadcast listings magazine established in 1923; TV Choice, published weekly since 1999 featuring weekly TV listings from Saturday to Friday; What's on TV, focusing on soaps and reality TV while also covering other genres, launched in 1991; and Time Out, a magazine created in 1968 that provides culture, entertainment and events guides in various formats with a readership of over 37,000.
Werner Herzog
Werner Herzog is a renowned German film director, producer, screenwriter, author and actor. He is considered one of the greatest figures of the New German Cinema movement. Herzog's films often feature heroes pursuing impossible dreams or individuals in conflict with nature. French director François Truffaut called Herzog "the most important film director alive," and critic Roger Ebert said that even Herzog's failures are spectacular. Herzog has directed over 50 films and has worked in a consistent and distinctive style throughout his career.
Shotlocations jhhjf
The document outlines various locations to film footage for a documentary on graffiti in London. It discusses filming timelapses in densely populated areas of London to show the passage of time. It also describes interviewing a graffiti artist and policeman, with the artist's identity obscured for anonymity. Shoreditch is proposed as a location with high graffiti density, including works by Banksy. The final locations used were a graffiti tunnel in Waterloo, the Thames river, and streets in Shoreditch rich with graffiti to film behind a voiceover.
Interview emails
Charlie and I contacted various graffiti workshops in London via their websites' contact forms to request interviews with staff for a school documentary on graffiti. The emails explained we were A-Level students looking to interview someone about graffiti for a coursework project. Unfortunately, none of the workshops responded within a week, so we began searching for people we already knew who could pretend to be interviewed and answer questions based on a real graffiti interview we found online.
Storyboard
The documentary introduces its aim to explore graffiti culture along the streets of Shoreditch through archival footage and reenactments of graffiti artists at work. Interviews are conducted with a policeman to discuss the legal issues of vandalism, a local council member on whether graffiti is part of the town's culture or needs more action against it, and a professional graffiti artist on what draws the line between vandalism and art and why they pursue it as a profession or hobby. Contemporary examples are also provided through footage of Banksy's Dismaland installation which attracted thousands of visitors.
Documentary Opening - Storyboard
A graffiti tagger wearing a bandana to cover his face is seen walking down a dark street at night and entering an alleyway where he begins spraying graffiti on a canvas. As he finishes, he notices a policeman walking down the street in his direction and has to quickly run away to avoid being caught, with the policeman giving chase. The camera then zooms in on the canvas revealing that the tagger had spray painted the title of the documentary about graffiti vs art.
documntarians
Bruce Burgess is a British filmmaker born in 1968 in London. He attended Hill House School and Harrow School and has made numerous documentaries over the years, winning awards for "Sabina's Story" in 1998 and "Dreamland" being voted best documentary by UFO Magazine, also in 1998. He has written and directed films such as "Bloodline" (2008) and "Rosbeef" (2004).
Sean McAllister is a British documentary filmmaker born in 1965 in East Riding of Yorkshire. He attended the National Film and Television School and won the Sundance Film Festival Special Jury Prize and Best Ethnographic/Anthropological Film in 2005. He has directed
Charactr profiles (1)
Tristan is an 18-year-old protagonist who has fallen into drug use and is meeting suspicious people, despite being brought up in a loving middle class family. The Jester is the antagonist, a dark and intimidating character who is mysterious and wears colorful clothing. Hannah is a 13-year-old girl who is shy but kind and goes to school with her close friends. Chaz, known as 'Chaz', is a 22-year-old drug dealer who supplies new drugs and grew up in a poor family. Issy is a 21-year-old news reporter who will cover a kidnapping, dressed professionally and speaking well.
Character profiles
The document profiles several characters for a story:
Tristan, the 18-year-old unemployed protagonist from Cape Town, now living in London, who has fallen into a drug habit. The Jester is the intimidating antagonist, wearing an orange jumpsuit and horrifying clown mask. Hannah is a 13-year-old British schoolgirl from London. Chaz is a 22-year-old British drug dealer from Central London. Issy is a 21-year-old English news reporter from Surrey.
Thriller storyboard
A depressed man named Tristan takes a mysterious drug from a dealer and begins experiencing disturbing hallucinations, including a clown kidnapping a girl and murdering a boy. As Tristan watches the news, he realizes his hallucinations match true crimes that have been reported. The story ends with Tristan seeing the same clown from his visions staring at him from the corner of his room.
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Fashionista Chic Couture Mazes and Coloring AdventureA
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
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一比一原版美国亚利桑那大学毕业证（ua毕业证书）如何办理
一模一样【微信：A575476】【美国亚利桑那大学毕业证（ua毕业证书）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
Heart Touching Romantic Love Shayari In English with Images
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哪里购买美国乔治城大学毕业证硕士学位证书原版一模一样
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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My storyboard for a sword fight scene with lightsabers
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Opening Storyboard
- 1. Graffiti vs Art documentary opening Storyboard
- 2. Medium tracking shot following the graffiti tagger walking down a dark high street (Shoreditch) wearing lots of layers covering his face with a bandana looking quite menacing. Panning shot and Side shot showing the graffiti tagger walking into a side alleyway, grabbing a spray can out oh his pocket and starting to spray on the canvas. (Audience not bale to make out what it says) Long shot showing a policeman walking on the same high-street and in the same direction.
- 3. Over-the-shoulder shot showing the policeman in the distance behind the graffiti tagger and the tagger looks back realising he has to run. Long, two-shot showing the graffiti tagger running off and the policeman running across the shot chasing him. Once the characters leave the shot, the camera slowly zooms in on the canvas showing the title of the documentary which the tagger spray painted.