The documentary focuses on French presidential candidate Marine Le Pen and her far-right supporters through interviews and observational footage of protests in France. It has a single narrative structure that follows the far-right movement and ends by revealing the results of the election. Cinematography includes a variety of shots, such as conventional medium close-ups for interviews and less stable handheld footage of protests. Mise-en-scene features costumes and settings relevant to the far-right protests in France.

1. ARE THERE
FASCISTS NEXT
DOOR.A documentary on the French Presidential candidate
Marine Le Pen and her supporters

2. THEMES.
PoliticsProtests
Racism
Violence.

3. NARRATIVE
STRUCTURE.
Single stranded as it focuses on the
far right beliefs of people in France.
By the end of the documentary it shows
the results of the election making it a
closed narrative because all questions
are un-answered.
The narrative is non-linear
because it ends

4. CINEMATOGR
There is a variety of shots and
movements during
observational footage.
The interview set up when
the interview is being taken
when someone is stood still is
conventional because the
interviewer is positioned
using rule of thirds to the left
or right of the shot not
making direct address to the
camera.
The interview shot is a
medium close up or close
up with the camera eye
level to the interviewer.
The observational
footage is real footages
from marches taking
place in France.
There are some interviews that
take place when the protestors
are running or walking which
is unconventional because
there is a handheld effect not a
Steadicam.

5. MISE-EN-SCENE
The costumes used in the
documentary are of
violent protesters actual
cloths which is relevant to
the topic and there is a
main emphases on the
protestor and what they
are fighting for.
The setting for the most part
is in Paris which is relevant
because the protests are
taken place in France.
The protestors are
waving French flag and
showing posters of the
presidential candidates
which is relevant to the
documentary.

6. There is relevent ambient
sound of the protest going on
which is relevant to the
observational footage of the
protests going on.
The dialogue from the
interviews are in French.
The non-diegetic
incidental music is
tense drums relevant
the manic
atmosphere during
the protest scenes.
There is voice of god
narration when the
subject is moving on
and the narration
introduces the new
topic. It is also
conventional with
standard english voice.

7. ARCHIVE MATERIAL.
There is little archive
footage because it is
mainly observational
footage filmed by the
BBC.
The archive material in
here are films from the
French presidential
debate which is relevant
as this is what the protests
are about.

8. Subtitles are used
because they are
speaking French so that
English people can
understand it.
There are graphics when
someone new is being
introduced.
The title at the beginning
and credits at the end
which is conventional for
a mixed documentary.