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Oldboy is a hybrid genre film that incorporates elements of action, romance, comedy, horror, thriller, detective, noir and surrealism. While drawing on multiple genres, it subverts expectations typical of mainstream films. The film breaks conventions of realistic filmmaking through various experimental techniques, including long takes, minimal CGI, camera movement, color use, split screens and close-ups, which call attention to themselves and remind viewers it is constructed. These techniques reinforce themes of complex characters struggling with identity, loss, loneliness and longing.
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This document discusses different film genres including comedy, action, and thriller genres. It provides examples of each genre and analyzes the opening sequences of the comedies "Step Brothers" and "Hot Fuzz". Comedies aim to amuse audiences through exaggerated situations and characters. Early comedies relied on physical humor and slapstick. Action films involve heroes overcoming challenges through fights and stunts. Thrillers use suspense and tension to keep audiences on the edge of their seats. The openings of "Step Brothers" and "Hot Fuzz" effectively set up the comedic and parody styles of each film through their use of camera work, music, and mockery of genre conventions.
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The document provides information on various horror films and genres. It discusses early 20th century German horror films, how the genre has changed over time to include comedic elements, and provides plots and other details for notable horror films like Dracula, Frankenstein, When a Stranger Calls, Case 39, Scary Movie, and Friday the 13th. Subgenres of horror discussed include gothic, supernatural, comedy-horror, and science fiction. Still shots from some of the films are also included to illustrate common conventions of the genre.
Assignment 4 final
The document provides information about various horror films and genres. It discusses how early horror films from Germany in the 1910s-1920s were meant to frighten audiences. Over time, horror films have incorporated more comedic elements while still including scary features. Examples are given of classic horror films from the 1930s like Dracula and Frankenstein, as well as more modern films. Different horror subgenres are also outlined such as gothic, supernatural, comedy-horror, and science fiction horror. Key elements of the given films are noted in relation to common horror conventions.
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Discusses the key changes, including the use of technology, in supernatural horror films from the 1970s until present day.
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The document analyzes several movie posters and summarizes key techniques used:
1) Posters use contrasting colors to make important information like titles and actor names stand out from the background. Positioning and lighting of characters can also provide clues about the plot and their roles.
2) The Legend poster positions the two main characters equally, showing they have the same power, unlike posters where one towers over the other.
3) Film noir conventions like men peering through blinds and femme fatales are identifiable in The Dark Corner poster. Lighting suggests one character needs help while the other is optimistic.
Sin city noir 333
Film noir films from the 1940s and 1950s reflected post-war societal fears and paranoia through their themes of distrust, loss of innocence, and despair. These films used stylistic conventions like voiceovers, low-key lighting, and nonlinear narratives to portray cynical protagonists and femme fatales who often brought the protagonists to their downfall through manipulation and betrayal. Within the genre, corrupt cops added to the constant theme of paranoia, while the settings, costumes, and iconography reinforced the dark and hostile tone through elements like dark streets, flashing neon signs, and trench coats.
Evaluation Question 1
This document analyzes the filmmakers' use of conventions from thriller movies in their short film. It discusses how they incorporated simple opening titles, point-of-view shots, vanishing points, chiaroscuro lighting, isolated exterior locations, confined interior spaces, flashbacks/dream sequences, and binary oppositions between characters and locations. Examples are given of how similar techniques were used effectively in movies like Once Upon a Time in America, The Killing, and No Country For Old Men. The analysis aims to show how borrowing conventions from acclaimed thrillers helped make their short film feel more authentic to the genre.
Generic Conventions Of Film Noir
This document outlines some of the common generic conventions found in film noir from the 1940s including corrupt cops, alienated protagonists, and femme fatales as character archetypes. It also discusses the visual style of low key lighting, Dutch angles, and night filming along with iconography such as rainy streets, neon signs, and cigarettes. Settings are typically urban with convoluted storylines, flashbacks, and voiceover narration.
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The short film Night After Night depicts a homeless man named Sam who lives and breathes in the night to hide from the world and forget his own demise. Directed by Alex Paterakis with no known funding, the film aims to represent homeless and lower class people and show how their minds can make their situations worse rather than helping them escape it. Isolated in his own thoughts, Sam drifts further into his mind and away from reality, becoming a gaunt creature of the dark as he struggles with his past mistakes and mortality.
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The document discusses various filmmaking techniques used in a student film project, including camera shots similar to professional films, low key lighting, and a linear narrative structure comparable to blockbuster films. Camera angles and props like headphones and a handbag were also utilized to establish the mise-en-scene. The student film features an equilibrium at the start, followed by conflict that intensifies, creating narrative suspense through an imbalance until resolution.
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The document discusses how a science fiction film sequence represents various social groups and ideas. It shows a dystopian future through time lapse footage implying advanced technology. The bleak forest suggests a barren world with no life. Typically in sci-fi, the main character is male, like the android in this sequence. It differs from other sci-fi films by making the robot appear more human. The voiceover explains that a government program introduced robots into society without telling people, but it has now gone wrong, appealing to audiences by setting up an underdog hero role.
How does your film opening represent particular social groups (1)
The document discusses how a science fiction film sequence represents various social groups and ideas. It shows a dystopian future through time lapse footage implying advanced technology. The bleak forest suggests a barren world with no life. Typically in sci-fi, the main character is male, like the android in this sequence. It differs from other sci-fi films by making the robot appear more human. The voiceover explains that a government program introduced robots into society without telling people, but it has now gone wrong, appealing to audiences by setting up an underdog hero.
Location analysis
The document discusses horror movie conventions related to location. It states that isolated areas are commonly used in horror to allow antagonists to torment victims without witnesses. Specific to subgenres, supernatural horrors often feature abandoned houses advertised cheaply, while slashers typically take place in small towns where everyone knows each other or isolated woodlands where partying teenagers can be targeted. The films A Nightmare on Elm Street and Friday the 13th are discussed as examples that effectively use the slasher convention locations of a suburban town and isolated lake area to generate fear in audiences.
Film Genre Research
Urban drama films depict realistic portrayals of social issues within urban environments. The genre began gaining popularity in the late 1980s and 1990s with films like Boyz n the Hood and Menace II Society that showed aspects of urban black culture like rap music, gangs, drugs, and violence. These films typically feature a protagonist who reflects their environment, often "a product of" the social and economic conditions they grew up in. While portraying serious issues, urban drama films are considered educational for audiences. The genre continues to be popular with more recent films made in both Hollywood and independently.
Costume ideas
The document provides details on costume ideas for characters in a horror film trailer, including a demon, ghost, and two little girls. For the demon, long hollow tubes will be worn on the arms to make them appear inhumanly long, and gloves with knives taped on will be at the ends to look like sharp claws. Inspiration comes from Freddy Krueger's nails. The ghost will wear old, bloodstained formal clothing and have a sack over its face with rope at the neck. One protagonist will dress plainly in a shirt and jeans while the other, a young woman, will dress more quirkily.
Textual analysis of a film trailer
The trailer for the neo-noir film Sin City uses black and white cinematography with splashes of red. The typography stands out against the monochrome backdrop. While some stereotypes are present, like women needing saving, the trailer subverts expectations by showing strong female characters who can defend themselves. The editing is fast-paced to engage viewers, and the soundtrack intensifies as the trailer progresses to build tension. Costumes are dark with a notable red dress. Props like cigarettes and weapons suggest crime and violence. The city scenes at night establish the dark setting. Camera work and close-ups reveal character emotions and relationships.
Scary Movie
This document provides a summary of scenes from the trailer for "Scary Movie 4". It parodies and mocks popular films like "War of the Worlds", "The Grudge", and the president's commitment to citizens. Scenes spoof elements from the original films but in a comedic and exaggerated way, like showing a "triPod" that lasers people or a mysterious hand shampooing a woman in the shower. Text that introduces parodied scenes and a final screen with the movie title, date, and smoking "4" aim to clearly signal the mockery and parody elements to audiences.
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How does your film opening represent particular social groups (1)
How does your film opening represent particular social groups (1)
Similar to Oldboy Screenshots
Suicide squad
The trailer for Suicide Squad was very successful due to how it teased the storyline without revealing too much, while also showcasing the humor, action, and beloved villain characters. The trailer utilized many cinematic techniques and codes typical of the action/adventure genre, including closeups, transitions, nonlinear storytelling, and spectacle. These elements, along with the fast-paced editing, dark lighting, costumes, props, and soundtrack, provided clues about the tone and events of the film while generating interest and excitement amongst viewers to see more. By employing these micro-level techniques and genre conventions strategically, the trailer was able to strongly promote the film and its potential for entertainment.
Mediathriller
A thriller film uses suspense, tension, and excitement through its conventions to create an adrenaline-rushing and fast-paced narrative. Common elements include a crime-centered plot, a vulnerable protagonist exploited by the antagonist, and a complex web trapping the protagonist into helplessness. Through micro-elements like camerawork and sound, thrillers build suspense towards resolving important enigmas set up in the opening.
Genre analysis
The mystery/thriller genre originated from detective books and novels in the late 19th/early 20th century, such as Sherlock Holmes stories. One of the earliest mystery films was the 1903 short Sherlock Holmes Baffled. Notable film companies that produce mysteries/thrillers include MGM, New Line Cinema, and Polygram. Famous directors like Christopher Nolan, the Coen Brothers, and Alfred Hitchcock, along with actors like Kevin Spacey, Robert Mitchum, and Anthony Hopkins, are associated with the genre. Awards like the Edgar, Golden Globes, and Oscars recognize excellence in mystery writing and filmmaking. Key elements include a protagonist investigating a crime, with suspects, plot
Evaluation question 1
1) The film 'The Lake' follows conventions of a thriller genre such as using claustrophobic spaces like attics to create tension, but also challenges conventions through an ambiguous ending and non-linear narrative.
2) The film represents age through the protagonist, a young male adult, and uses color like red to represent danger when introducing the antagonist.
3) In terms of style, the film challenges conventions through sudden changes in pace compared to typical slow buildups in thrillers, and uses non-linear editing compared to typical linear narratives.
Structure types
Feature films are full-length movies that audiences pay to see in cinemas. They typically run over 40 minutes, with most being between 75-210 minutes. Feature films follow a three-act structure of introduction, rising action, and resolution to tell a story. Short films have a similar structure but must establish characters and settings immediately without long title sequences due to their shorter time frame. Both feature and short films use techniques like camera work, lighting, music, and character development to effectively communicate their narrative and engage audiences.
Genres
A road movie genre typically follows a protagonist embarking on a journey of self-discovery as they leave home and encounter various challenges along the way. Film noir crime dramas are often filmed in black and white and feature dark themes of betrayal, flashbacks, and an amateur detective investigating a crime in an urban setting. Coming-of-age films focus on a character's progression from youth to adulthood through exploring their personal growth and identity. Psychological thrillers depict the unraveling of the mind, presenting a battle between characters' perceptions of reality that is often only revealed at the end.
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The document discusses the horror genre in film. It defines genre and provides examples of subgenres like horror comedy hybrids. It also covers common elements of horror films, including isolated or abandoned settings, expressive camera work using extreme close-ups, iconic props like axes and filters that give films a blue tone. Character archetypes are described, such as the final girl protagonist and token black character. Finally, recurring themes in horror like revenge and religion are mentioned.
The horror genre
The document discusses the horror genre in film. It defines genre and provides examples of subgenres like horror comedy hybrids. It also covers common elements of horror films, including isolated or abandoned settings, expressive camera work using extreme close-ups and point-of-view shots, iconic visuals like blood and weapons, narratives that cliffhang or have endless plots, character archetypes like "the protagonist" and "the antagonist", and recurring themes like revenge or religion.
Genre research
This document discusses film genres and the genre of horror films specifically. It begins with definitions of genre and some main genres like action, comedy, and drama. It notes that genres can combine or have subgenres. The document then focuses on the horror genre, explaining that horror films aim to create primal fear in audiences. It discusses some classic horror films and common tropes like serial killers. The rest of the document covers technical elements like lighting, shots, music, and narratives that horror films use to build tension and scare audiences. It concludes by discussing the importance of characters and choosing an appropriate genre, in this case a horror film, to make a trailer for a school project.
Genre
The document discusses codes and conventions in the horror genre. It notes that codes are rules that films must follow to fit within a genre and are shown through elements like mise-en-scene, sound, camerawork, and editing. It states that horror films aim to scare viewers, end in shock, frighten audiences, and provoke hidden fears. Additionally, they often feature high production values but low budgets, focus on female victims, target young adult audiences, use narrative mysteries, and explore themes. The document also lists common technical codes like slow editing, predictable narratives, dichotomies of good vs evil, low-key lighting, and more.
Woman In Black Presentation
The document analyzes the trailer for the film "The Woman in Black" through its use of genre conventions, editing techniques, and themes. It notes that the trailer establishes an unnerving mood through its gothic color scheme, diegetic soundtrack, and shots of children's toys. It also aims to appeal to audiences through the casting of Daniel Radcliffe and themes of isolation and vulnerability. Overall, the trailer effectively builds tension and intrigue around the mystery of the "Woman in Black" without revealing too much of the plot.
The Woman In Black Presentation
The document analyzes the trailer for the film "The Woman in Black" and discusses several techniques used to create tension and fear in the audience. It notes the use of a gothic color scheme, increasing diegetic sounds, point-of-view shots, and isolated/vulnerable main character to connect viewers emotionally. It also discusses keeping the plot mysterious and relying on the audience's imagination to intrigue them without revealing too much. The overall goal of the trailer's techniques is to engage audiences and leave a memorable effect so they feel like they experienced the story's events.
Film Aesthetics I
The document discusses various techniques of mise-en-scène in film including shot types, camera angles, lighting styles, color, composition and more. It provides examples from films like Psycho, The Good the Bad and the Ugly, and Girl with the Pearl Earring to illustrate different techniques and how they can shape the tone and meaning of a scene.
Question 1
This document summarizes how the film uses, develops, and challenges various conventions of the horror genre. It discusses using conventions like ending on a cliffhanger and using dark lighting and costumes. It develops conventions through the characterization that hides the protagonist's identity at first. It challenges conventions by having minimal dialogue in the trailer, as in the film, and having a male rather than female or child as the victim.
The ring, 4 micro elements
The document discusses key elements of the horror film "The Ring" including its narrative structure, characters, and use of technical film techniques. It notes that the film follows a typical structure of building crisis, disequilibrium, and resolution. It also explores the film's use of camera angles, editing, lighting, sound, and themes of good versus evil. Iconography, such as the appearance of the first victim, and props, namely the mysterious videotape, are highlighted as important narrative devices.
Media language film form (1)
This document provides an overview of key concepts in film language and form for media studies students. It defines common cinematography techniques like shots, camera movements, depth of field, and lighting. It also explains principles of editing, mise-en-scene, sound, and how these micro elements are used to convey meaning and support macro elements like genre and narrative. The document emphasizes practicing identifying these techniques in film clips and relating them to broader aspects of film analysis.
Evaluation
Jack Waterman has created a media evaluation plan to present his analysis of a film noir/horror sequence he created. The summary will analyze the sequence using various criteria such as conventions, representation, distribution, audience, and technical learning. He draws from classic films like LA Confidential and The Maltese Falcon for influence. The sequence challenges conventions by modernizing settings while maintaining classic filming techniques like black and white. It represents gender roles unconventionally by depicting a powerful female character. A Hollywood or video game studio could potentially distribute it due to similarities to successful noir-inspired works. The intended audience is both general viewers and film buffs. Camera equipment limitations were overcome, and editing skills improved through the project.
Film trailer analysis a2 media
The document provides an analysis of the film trailer for "Attack the Block". It summarizes that the film, directed by Joe Cornish, follows members of a teenage street gang in South London who must defend themselves from hostile alien invaders on Bonfire Night. The analysis then examines various screenshots from the trailer, highlighting how elements like the music, lighting, characters' body language, and contrast between aliens and humans are used to build intrigue, tension and comedy and subvert stereotypes about the gang members.
Ideas for camera
This document discusses different types of camera shots that could be used in a film trailer to convey information and elicit emotional responses from audiences. It notes that close-ups are commonly used in trailers to show details and heighten emotions. The document proposes using a close-up of a possessed character's face to indicate something evil, as well as a medium shot at the end of the trailer to startle viewers. A close-up tracking shot of running feet is also suggested to build tension. The document examines other shots like establishing shots but determines point-of-view shots would not fit the genre of the trailer discussed.
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The generic conventions of magazines contents
Magazine contents pages are designed to encourage readers to read further. They use bright colors and visually interesting layouts. Contents pages typically feature the magazine's masthead at the top and include a series of smaller images of celebrities alongside page numbers for each article. However, it is becoming more common to center a large image related to a featured article. The list of articles is grouped under standard section headings. Images on contents pages usually make direct eye contact with readers to engage them, though this page breaks that convention. Non-verbal elements communicate more to audiences than the written words alone.
The generic conventions of magazines cover
The front covers of magazines aim to attract buyers through eye-catching design elements. They establish a consistent house style through fonts, layout, color, and logos to build brand recognition and loyalty. Covers typically feature a central high-resolution celebrity image looking directly at viewers to create engagement. Additional cover lines advertise internal articles to entice purchases. Dates, prices, and web addresses round out the nonverbal communication on magazine fronts.
The generic conventions of magazines feature article
The feature article is usually the main draw for readers of a magazine. It should prominently feature celebrities or stars to help boost sales. While the cover price brings in some money, magazines rely primarily on advertising revenue to cover costs since they need large circulation numbers to turn a profit. Feature articles typically take up double page spreads and include a mix of large prominent images along with text and smaller supplemental photos to engage readers and tell the story.
Co dcover
This very short document discusses needing QuickTime and a decompressor to view a picture. It states that QuickTime and a decompressor are required to see the image. The document is only informing the reader about what is needed to view the picture.
Caemrontaskrepresentation
This document asks the reader to study media representations of the 2010 UK general election and consider how David Cameron and his Conservative party were portrayed through the use of images, language, point of view and any differences in representation that could influence audiences.
Bulletboycover
This very short document discusses needing QuickTime and a decompressor to view a picture. It states that QuickTime and a decompressor are required to see the image. The document is only informing the reader about what is needed to view the picture.
Caemrontaskrepresentation
This document asks the reader to study media representations of the 2010 UK general election and consider how David Cameron and his Conservative party were portrayed through the use of images, language, point of view and any differences in representation that could influence audiences.
Who is the audience targetaudience pp
This document discusses different methods used to define target audiences, including demographic profiling, psychographic profiling, and lifestyle groupings. Demographic profiling divides audiences based on attributes like age, gender, socioeconomic status, etc. Psychographic profiling focuses more on individual personality, emotions, and needs. Advertisers have used systems like Maslow's hierarchy of needs and Young and Rubicam's four C's (Mainstreamers, Aspirers, Succeeders, Reformers) to segment audiences based on their motivations and goals. Defining target audiences allows media producers to tailor their messages more effectively.
Stereotypes pp
1) Stereotyping is the most common form of representation found in the media, as it provides a simplified version of reality rather than reality itself.
2) Mediation involves selecting and highlighting certain details, stories, and events to represent the world, which often results in stereotypes that exaggerate and generalize entire groups.
3) While stereotypes contain grains of truth, they offer shortcuts to meaning by condensing complex information into easily recognizable characters, but can marginalize and devalue minority groups.
Ideology bunnyfoofoo
Little Bunny Foo Foo is a children's nursery rhyme about a mischievous bunny who picks flowers and is punished by the local fairy. The rhyme describes Little Bunny Foo Foo bouncing through the forest, picking flowers, and being disciplined by the fairy for his actions. It ends with the fairy telling Little Bunny Foo Foo to never pick flowers again.
Miseenscene final
The document discusses the film techniques of mise-en-scene and lighting, which are important visual and technical codes that filmmakers use to convey meaning. It defines mise-en-scene as everything within the frame, including setting, costumes, color palette, characters and their movements. Lighting techniques like three-point lighting, high-key lighting and low-key lighting are also discussed, and how they impact the visual style and mood of a film. Examples are provided of how these techniques are used in specific films to provide information about characters and further the narrative.
Semiotics
1) Media texts are composed of signs, which can have multiple meanings depending on their denotation and connotations.
2) Signs take on dominant meanings when viewed in the context of other signs through codes. Anchorage and cropping are used to guide interpretation of signs.
3) However, signs can still be open to polysemic, or multiple, interpretations depending on a person's cultural and experiential background knowledge. Understanding how signs operate individually and together through codes is important for interpreting media texts.
Narrativestrcutureandtheory
The document discusses several traditional narrative theories and structures, including those proposed by Tzvetan Todorov, Claude Levi-Strauss, and Vladimir Propp. It also addresses challenges to linear narratives, such as open-ended or non-linear narratives, and discusses how some television shows use multi-strand narratives.
Jekyll task
Visual, technical and auditory codes were used to provoke emotional responses in viewers of an excerpt from a modern adaptation of Jekyll and Hyde. These codes included editing, lighting, sound, cinematography, mise en scene elements like costumes and props, performance, color, and special effects. By exploring these codes, viewers can identify the techniques used to cause fear, laughter, and other reactions in a short film extract.
Introto genre
The document discusses the concept of genre in media studies. It defines genre as a type or category of media products that share similar characteristics and conventions. Genres become established through repetition, allowing audiences to develop expectations. Producers then find genres useful as they can follow formulas that have proven popular while also experimenting with new variations, keeping audiences interested through a balance of familiar and unexpected elements.
Intro to representation wjec
The document discusses the concept of representation in media. It explains that representation is how media re-presents reality, which is not simply an accurate reflection but a constructed version. Representations are shaped by the decisions of media producers and technical constraints. The media provides a distorted mirror of reality rather than a transparent window. Media texts construct representations by selecting, focusing on, and mediating particular elements of reality through technical and creative choices.
How do audiences read media texts
The document discusses different theories around how audiences engage with media texts:
1) Early theories viewed audiences as passive, believing all messages without thinking critically (the "hypodermic needle" effect). This underestimated audiences' abilities.
2) Stuart Hall's encoding/decoding model sees the audience as active - they make their own interpretations depending on factors like identity and opinions. Texts have no set meaning.
3) Reception theory focuses on the audience role in interpreting texts. Hall identified preferred, negotiated, and oppositional readings audiences can have.
4) Later theories see audiences as even more active, selectively engaging with media and picking aspects to incorporate into their identities (the "pick and mix"
How do audiences read media texts
The document discusses different theories around how audiences engage with media texts, ranging from passive to active models of consumption. It describes the passive "hypodermic needle" effects theory from the 1920s, which viewed audiences as empty vessels absorbing media messages. More recent theories see audiences as active, such as Stuart Hall's encoding/decoding model where people make their own interpretations based on their experiences. The document also discusses reception theory and the idea that audiences play an active role in how they interpret and make meaning from media texts.
Codes[1]
Codes refer to signs like images and sounds that work together to create meaning in media. There are three main categories of codes: visual codes involving color, images, costumes; auditory codes using sound; and technical codes covering production elements like framing, lighting, editing, and effects. Visual codes include color connotations and how positioning of objects creates meaning, like with traffic lights. Auditory codes contribute to meaning through sound. Technical codes cover physical production decisions that shape the meaning of media texts.
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Oldboy Screenshots
- 4. Jump Cuts
- 16. Long Takes
- 20. Minimal/Creative use of CGI
- 26. Camera Movement
- 34. Excessive use of colour
- 39. Split Screen
- 50. Identity