SlideShare a Scribd company logo
OBSERVATIONAL 
DOCUMENTARIES 
Charlotte Martin
Observational Documentary 
◦ An observational documentary is filmed in ‘real time’, meaning the cameras record the 
action whilst the characters pretend they are alone. This type of documentary can be 
referred to a ‘fly on the wall’ documentary, this is due to the reality of the situation. 
◦ Normally in observational documentaries there are no voice overs as it only shows the 
action however we do not see the film makers or the camera crew. 
◦ Examples of observational documentaries are Made in Chelsea and TOWIE, however 
other TV documentaries have the conventions of an observational documentary as well as 
others such as expository, with voice overs and interviews. These are examples such as 
Big Brother, 24 hours in A&E and Geordie Shore.
Institutions 
◦ Endemol is an international television production and distribution company. 
◦ It is controlled by Apollo Global Management and headquartered in the Netherlands, with around 
90 companies in over 30 countries. 
◦ Endemol created and runs reality and talent game show franchises worldwide, including Big 
Brother. 
◦ Endemol is linked with Observational Documentaries as it is the institution for many of these types 
of documentaries such as Deal or No Deal, Wipeout, The Money Drop and Your Face Sounds 
Familiar. These TV shows are all shows that are observant of the current surroundings on the show, 
that in fact are real life situations or games.
What are they known for? 
◦ Observational documentaries are known for having a handheld camera following the 
action around and there are no voice overs due to the reality of the documentary. 
◦ You do not see/hear the film makers at all due to the synchronous sound which is 
incorporated. 
◦ Long takes dominate as the hand held camera is used to capture the action, there is 
minimum editing happening. 
◦ There are no interviews during. 
◦ The subjects pretend they are not being filmed in this case.
How successful are observational 
documentaries? 
◦ These documentaries are very successful due to the reality side of the documentary. 
Reality TV is very popular at the moment due to TV shows such as Made in Chelsea and 
The Only Way is Essex. These observational documentaries are popular due to their 
relationship drama, the scenery and the whole purpose of the show, to become a favourite 
show and believe what is happening. 
◦ This clip below is an example of the way the observational documentaries work to catch 
the attention of the audience and keep the show popular. There are many conventions of 
synchronous sound being the characters/subjects voices as well as the setting/scenery 
and non-diegetic music being placed over the top.
The target audience 
◦ The target audience are the people who enjoy watching other peoples lives and enjoying 
the reality of their lives. Reality shows such as 16 and pregnant (following pregnant girls 
around and learning how they handle it) are targeted at people who are interested in 
watching real life and the reality of others. 
◦ These shows do get negative comments as well as positive ones, but these shows target in 
particular the people who like to see people being filmed in ‘real time’. These shows are 
seen as a guilty pleasure as they aren’t always greatly shown on TV. 
◦ The audience are targeted by the use of drama, possibly arguments, the personalities of 
the characters/subjects and the music used over the top. If a popular song, for that genre 
of documentary, is used then the audience are more likely to be interested in the show as 
it can make something a little tedious a lot more interesting.
Combined Documentary? 
◦ My first initial thoughts for my coursework is to mix the conventions of an Interactive 
documentary with the common conventions of an Observational documentary. Due to this 
thought, an interactive documentary has the conventions of being filmed responding to questions 
which are edited, and also voice overs sometimes being over the top of the action. Similarly to an 
Observational documentary, there are subjects/characters pretending they don’t know the cameras 
are recording so this is why I would like to combine the two. 
◦ An example of this combination is ‘24 Hours in A&E’; this TV show has both conventions due to the 
interviews happening to somebody behind the camera and the action happening in the patients 
rooms from cameras in the corner of the room. 
◦ The target audience for an Interactive documentary consists of people who like to see real life 
situations yet acknlodge the camera crew by talking to the camera in interviews in between, these 
people like to be reassured and possibly understand a character/persons feelings towards 
something happening in the observational scene that is further discussed and pointed at.

More Related Content

What's hot

Codes And Conventions Of A Documentary
Codes And Conventions Of  A DocumentaryCodes And Conventions Of  A Documentary
Codes And Conventions Of A Documentaryfordn1
 
Codes and conventions paul carter.
Codes and conventions  paul carter.Codes and conventions  paul carter.
Codes and conventions paul carter.
gibberz
 
Trailer analysis
Trailer analysisTrailer analysis
Trailer analysis
shannonleahy
 
Task 1b (1)
Task 1b (1)Task 1b (1)
Task 1b (1)
timmyb234
 
Conventions to an opening sequence
Conventions to an opening sequence Conventions to an opening sequence
Conventions to an opening sequence zoelovell
 
Codes and Conventions of a Documentary
Codes and Conventions of a DocumentaryCodes and Conventions of a Documentary
Codes and Conventions of a Documentary
LoisPorter
 
Documentary conventions
Documentary conventionsDocumentary conventions
Documentary conventions
sheamcguigan_
 
Q1
Q1Q1
Evaluation 1 dakota
Evaluation 1 dakotaEvaluation 1 dakota
Evaluation 1 dakotadakotabs
 
Analysing Trailers Official
Analysing Trailers OfficialAnalysing Trailers Official
Analysing Trailers OfficialAngeliagjonas
 
Documentary styles
Documentary stylesDocumentary styles
Documentary styles
sheamcguigan_
 
Theory of documentary
Theory of documentaryTheory of documentary
Theory of documentary
emiliabowles
 
Genre research and creating meaning for the audience
Genre research and creating meaning for the audienceGenre research and creating meaning for the audience
Genre research and creating meaning for the audience
Annika Laws-Walsh
 
Will Bond Evaluation 1
Will Bond Evaluation 1Will Bond Evaluation 1
Will Bond Evaluation 1
tbgsmedia1415
 
Codes and conventions of documentaries
Codes and conventions of documentariesCodes and conventions of documentaries
Codes and conventions of documentaries
jaowen99
 
Basic conventions of documentary
Basic conventions of documentaryBasic conventions of documentary
Basic conventions of documentarygleavy94
 
Codes and conventions of interviews
Codes and conventions of interviewsCodes and conventions of interviews
Codes and conventions of interviews
maisycorless19
 
Conventions of a documentary
Conventions of a documentaryConventions of a documentary
Conventions of a documentaryDevonMcManus
 

What's hot (20)

Codes And Conventions Of A Documentary
Codes And Conventions Of  A DocumentaryCodes And Conventions Of  A Documentary
Codes And Conventions Of A Documentary
 
Codes and conventions paul carter.
Codes and conventions  paul carter.Codes and conventions  paul carter.
Codes and conventions paul carter.
 
Trailer analysis
Trailer analysisTrailer analysis
Trailer analysis
 
Task 1b (1)
Task 1b (1)Task 1b (1)
Task 1b (1)
 
Conventions to an opening sequence
Conventions to an opening sequence Conventions to an opening sequence
Conventions to an opening sequence
 
Codes and Conventions of a Documentary
Codes and Conventions of a DocumentaryCodes and Conventions of a Documentary
Codes and Conventions of a Documentary
 
Documentary conventions
Documentary conventionsDocumentary conventions
Documentary conventions
 
Types of documentries
Types of documentriesTypes of documentries
Types of documentries
 
Q1
Q1Q1
Q1
 
Evaluation 1 dakota
Evaluation 1 dakotaEvaluation 1 dakota
Evaluation 1 dakota
 
Presentation1
Presentation1Presentation1
Presentation1
 
Analysing Trailers Official
Analysing Trailers OfficialAnalysing Trailers Official
Analysing Trailers Official
 
Documentary styles
Documentary stylesDocumentary styles
Documentary styles
 
Theory of documentary
Theory of documentaryTheory of documentary
Theory of documentary
 
Genre research and creating meaning for the audience
Genre research and creating meaning for the audienceGenre research and creating meaning for the audience
Genre research and creating meaning for the audience
 
Will Bond Evaluation 1
Will Bond Evaluation 1Will Bond Evaluation 1
Will Bond Evaluation 1
 
Codes and conventions of documentaries
Codes and conventions of documentariesCodes and conventions of documentaries
Codes and conventions of documentaries
 
Basic conventions of documentary
Basic conventions of documentaryBasic conventions of documentary
Basic conventions of documentary
 
Codes and conventions of interviews
Codes and conventions of interviewsCodes and conventions of interviews
Codes and conventions of interviews
 
Conventions of a documentary
Conventions of a documentaryConventions of a documentary
Conventions of a documentary
 

Similar to Observaional documentaries

Theory of a documentary
Theory of a documentaryTheory of a documentary
Theory of a documentary
erinmillerrr
 
Factual programmes assignment one (4)
Factual programmes   assignment one (4)Factual programmes   assignment one (4)
Factual programmes assignment one (4)
rosiekin97
 
Observational documentaries
Observational documentaries Observational documentaries
Observational documentaries
sheamcguigan_
 
Codes and Conventions of Factual Programming
Codes and Conventions of Factual ProgrammingCodes and Conventions of Factual Programming
Codes and Conventions of Factual Programming
emmanuella_mmj
 
Different Modes of Documetaries
Different Modes of DocumetariesDifferent Modes of Documetaries
Different Modes of Documetaries
emmanuella_mmj
 
Assignment 17 – similar products and conventions complete (1)
Assignment 17 – similar products and conventions complete (1)Assignment 17 – similar products and conventions complete (1)
Assignment 17 – similar products and conventions complete (1)marishainoke3
 
Assignment 17 – similar products and conventions complete
Assignment 17 – similar products and conventions completeAssignment 17 – similar products and conventions complete
Assignment 17 – similar products and conventions completeRosiezein
 
Assignment 17 – similar products and conventions complete
Assignment 17 – similar products and conventions completeAssignment 17 – similar products and conventions complete
Assignment 17 – similar products and conventions completeChelseaFashole
 
Different styles of documentaries
Different styles of documentariesDifferent styles of documentaries
Different styles of documentaries
emmanugent98
 
Documentary Theory Final
Documentary Theory FinalDocumentary Theory Final
Documentary Theory Finaljs00523128
 
A2 Media Evaluation
A2 Media EvaluationA2 Media Evaluation
A2 Media Evaluation
JSHammond
 
Documentary modes media sophie cooper
Documentary modes   media sophie cooperDocumentary modes   media sophie cooper
Documentary modes media sophie cooperjackwilliamson
 
Documentary modes media sophie cooper
Documentary modes   media sophie cooperDocumentary modes   media sophie cooper
Documentary modes media sophie cooperjackwilliamson
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1a2columng12
 
Factual programming powerpoint
Factual programming powerpointFactual programming powerpoint
Factual programming powerpoint
ChrisLowman9
 
Factual Programming Assignment 1 TASK A
Factual Programming Assignment 1 TASK AFactual Programming Assignment 1 TASK A
Factual Programming Assignment 1 TASK A
Eleanor Williams
 
Task A
Task ATask A
Film opening codes and conventions
Film opening codes and conventionsFilm opening codes and conventions
Film opening codes and conventions
SarahMillard14
 

Similar to Observaional documentaries (20)

Theory of a documentary
Theory of a documentaryTheory of a documentary
Theory of a documentary
 
Documentaries
DocumentariesDocumentaries
Documentaries
 
Documentaries
DocumentariesDocumentaries
Documentaries
 
Factual programmes assignment one (4)
Factual programmes   assignment one (4)Factual programmes   assignment one (4)
Factual programmes assignment one (4)
 
Observational documentaries
Observational documentaries Observational documentaries
Observational documentaries
 
Codes and Conventions of Factual Programming
Codes and Conventions of Factual ProgrammingCodes and Conventions of Factual Programming
Codes and Conventions of Factual Programming
 
Different Modes of Documetaries
Different Modes of DocumetariesDifferent Modes of Documetaries
Different Modes of Documetaries
 
Assignment 17 – similar products and conventions complete (1)
Assignment 17 – similar products and conventions complete (1)Assignment 17 – similar products and conventions complete (1)
Assignment 17 – similar products and conventions complete (1)
 
Assignment 17 – similar products and conventions complete
Assignment 17 – similar products and conventions completeAssignment 17 – similar products and conventions complete
Assignment 17 – similar products and conventions complete
 
Assignment 17 – similar products and conventions complete
Assignment 17 – similar products and conventions completeAssignment 17 – similar products and conventions complete
Assignment 17 – similar products and conventions complete
 
Different styles of documentaries
Different styles of documentariesDifferent styles of documentaries
Different styles of documentaries
 
Documentary Theory Final
Documentary Theory FinalDocumentary Theory Final
Documentary Theory Final
 
A2 Media Evaluation
A2 Media EvaluationA2 Media Evaluation
A2 Media Evaluation
 
Documentary modes media sophie cooper
Documentary modes   media sophie cooperDocumentary modes   media sophie cooper
Documentary modes media sophie cooper
 
Documentary modes media sophie cooper
Documentary modes   media sophie cooperDocumentary modes   media sophie cooper
Documentary modes media sophie cooper
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
Factual programming powerpoint
Factual programming powerpointFactual programming powerpoint
Factual programming powerpoint
 
Factual Programming Assignment 1 TASK A
Factual Programming Assignment 1 TASK AFactual Programming Assignment 1 TASK A
Factual Programming Assignment 1 TASK A
 
Task A
Task ATask A
Task A
 
Film opening codes and conventions
Film opening codes and conventionsFilm opening codes and conventions
Film opening codes and conventions
 

More from erinwarren97

Q3 - Evaluation
Q3 - EvaluationQ3 - Evaluation
Q3 - Evaluation
erinwarren97
 
Q3 - Evaluation
Q3 - EvaluationQ3 - Evaluation
Q3 - Evaluation
erinwarren97
 
Evaluation - Question 3
Evaluation - Question 3Evaluation - Question 3
Evaluation - Question 3
erinwarren97
 
Evaluation - Question 3
Evaluation - Question 3Evaluation - Question 3
Evaluation - Question 3
erinwarren97
 
THE ANCILLARY PHOTO SHOOT
THE ANCILLARY PHOTO SHOOTTHE ANCILLARY PHOTO SHOOT
THE ANCILLARY PHOTO SHOOT
erinwarren97
 
Photoshop Progress
Photoshop ProgressPhotoshop Progress
Photoshop Progress
erinwarren97
 
Costume & prop research
Costume & prop researchCostume & prop research
Costume & prop research
erinwarren97
 
Final ancillary anonymous peer feedback
Final ancillary anonymous peer feedback Final ancillary anonymous peer feedback
Final ancillary anonymous peer feedback
erinwarren97
 
Final ancillary anonymous peer feedback
Final ancillary anonymous peer feedback Final ancillary anonymous peer feedback
Final ancillary anonymous peer feedback
erinwarren97
 
THE PENELOPE CASE DRAWN DRAFTS
THE PENELOPE CASE DRAWN DRAFTSTHE PENELOPE CASE DRAWN DRAFTS
THE PENELOPE CASE DRAWN DRAFTS
erinwarren97
 
Planning Auditions
Planning Auditions Planning Auditions
Planning Auditions
erinwarren97
 
Advert and dps_drafts
Advert and dps_drafts Advert and dps_drafts
Advert and dps_drafts
erinwarren97
 
DRAFT Peer Feedback
DRAFT Peer FeedbackDRAFT Peer Feedback
DRAFT Peer Feedback
erinwarren97
 
Documentary DPS Layout
Documentary DPS LayoutDocumentary DPS Layout
Documentary DPS Layout
erinwarren97
 
Documentary Advertisement Layout
Documentary Advertisement LayoutDocumentary Advertisement Layout
Documentary Advertisement Layout
erinwarren97
 
Focus group documentary questions
Focus group documentary questions Focus group documentary questions
Focus group documentary questions
erinwarren97
 
Focus group documentary questions
Focus group documentary questions Focus group documentary questions
Focus group documentary questions
erinwarren97
 
Focus group documentary_questions
Focus group documentary_questions Focus group documentary_questions
Focus group documentary_questions
erinwarren97
 

More from erinwarren97 (20)

Q3 - Evaluation
Q3 - EvaluationQ3 - Evaluation
Q3 - Evaluation
 
Q3 - Evaluation
Q3 - EvaluationQ3 - Evaluation
Q3 - Evaluation
 
Evaluation - Question 3
Evaluation - Question 3Evaluation - Question 3
Evaluation - Question 3
 
Evaluation - Question 3
Evaluation - Question 3Evaluation - Question 3
Evaluation - Question 3
 
Q3
Q3Q3
Q3
 
THE ANCILLARY PHOTO SHOOT
THE ANCILLARY PHOTO SHOOTTHE ANCILLARY PHOTO SHOOT
THE ANCILLARY PHOTO SHOOT
 
THE ANCILIARY PH
THE ANCILIARY PHTHE ANCILIARY PH
THE ANCILIARY PH
 
Photoshop Progress
Photoshop ProgressPhotoshop Progress
Photoshop Progress
 
Costume & prop research
Costume & prop researchCostume & prop research
Costume & prop research
 
Final ancillary anonymous peer feedback
Final ancillary anonymous peer feedback Final ancillary anonymous peer feedback
Final ancillary anonymous peer feedback
 
Final ancillary anonymous peer feedback
Final ancillary anonymous peer feedback Final ancillary anonymous peer feedback
Final ancillary anonymous peer feedback
 
THE PENELOPE CASE DRAWN DRAFTS
THE PENELOPE CASE DRAWN DRAFTSTHE PENELOPE CASE DRAWN DRAFTS
THE PENELOPE CASE DRAWN DRAFTS
 
Planning Auditions
Planning Auditions Planning Auditions
Planning Auditions
 
Advert and dps_drafts
Advert and dps_drafts Advert and dps_drafts
Advert and dps_drafts
 
DRAFT Peer Feedback
DRAFT Peer FeedbackDRAFT Peer Feedback
DRAFT Peer Feedback
 
Documentary DPS Layout
Documentary DPS LayoutDocumentary DPS Layout
Documentary DPS Layout
 
Documentary Advertisement Layout
Documentary Advertisement LayoutDocumentary Advertisement Layout
Documentary Advertisement Layout
 
Focus group documentary questions
Focus group documentary questions Focus group documentary questions
Focus group documentary questions
 
Focus group documentary questions
Focus group documentary questions Focus group documentary questions
Focus group documentary questions
 
Focus group documentary_questions
Focus group documentary_questions Focus group documentary_questions
Focus group documentary_questions
 

Recently uploaded

cyberagent_For New Investors_EN_240424.pdf
cyberagent_For New Investors_EN_240424.pdfcyberagent_For New Investors_EN_240424.pdf
cyberagent_For New Investors_EN_240424.pdf
CyberAgent, Inc.
 
Investor Day 2024 Presentation Sysco 2024
Investor Day 2024 Presentation Sysco 2024Investor Day 2024 Presentation Sysco 2024
Investor Day 2024 Presentation Sysco 2024
Sysco_Investors
 
Snam 2023-27 Industrial Plan - Financial Presentation
Snam 2023-27 Industrial Plan - Financial PresentationSnam 2023-27 Industrial Plan - Financial Presentation
Snam 2023-27 Industrial Plan - Financial Presentation
Valentina Ottini
 
Collective Mining | Corporate Presentation - May 2024
Collective Mining | Corporate Presentation - May 2024Collective Mining | Corporate Presentation - May 2024
Collective Mining | Corporate Presentation - May 2024
CollectiveMining1
 
Collective Mining | Corporate Presentation - May 2024
Collective Mining | Corporate Presentation - May 2024Collective Mining | Corporate Presentation - May 2024
Collective Mining | Corporate Presentation - May 2024
CollectiveMining1
 
New Tax Regime User Guide Flexi Plan Revised (1).pptx
New Tax Regime User Guide Flexi Plan Revised (1).pptxNew Tax Regime User Guide Flexi Plan Revised (1).pptx
New Tax Regime User Guide Flexi Plan Revised (1).pptx
RajkumarRajamanikam
 
Osisko Development - Investor Presentation - June 24
Osisko Development - Investor Presentation - June 24Osisko Development - Investor Presentation - June 24
Osisko Development - Investor Presentation - June 24
Philip Rabenok
 
Corporate Presentation Probe June 2024.pdf
Corporate Presentation Probe June 2024.pdfCorporate Presentation Probe June 2024.pdf
Corporate Presentation Probe June 2024.pdf
Probe Gold
 

Recently uploaded (8)

cyberagent_For New Investors_EN_240424.pdf
cyberagent_For New Investors_EN_240424.pdfcyberagent_For New Investors_EN_240424.pdf
cyberagent_For New Investors_EN_240424.pdf
 
Investor Day 2024 Presentation Sysco 2024
Investor Day 2024 Presentation Sysco 2024Investor Day 2024 Presentation Sysco 2024
Investor Day 2024 Presentation Sysco 2024
 
Snam 2023-27 Industrial Plan - Financial Presentation
Snam 2023-27 Industrial Plan - Financial PresentationSnam 2023-27 Industrial Plan - Financial Presentation
Snam 2023-27 Industrial Plan - Financial Presentation
 
Collective Mining | Corporate Presentation - May 2024
Collective Mining | Corporate Presentation - May 2024Collective Mining | Corporate Presentation - May 2024
Collective Mining | Corporate Presentation - May 2024
 
Collective Mining | Corporate Presentation - May 2024
Collective Mining | Corporate Presentation - May 2024Collective Mining | Corporate Presentation - May 2024
Collective Mining | Corporate Presentation - May 2024
 
New Tax Regime User Guide Flexi Plan Revised (1).pptx
New Tax Regime User Guide Flexi Plan Revised (1).pptxNew Tax Regime User Guide Flexi Plan Revised (1).pptx
New Tax Regime User Guide Flexi Plan Revised (1).pptx
 
Osisko Development - Investor Presentation - June 24
Osisko Development - Investor Presentation - June 24Osisko Development - Investor Presentation - June 24
Osisko Development - Investor Presentation - June 24
 
Corporate Presentation Probe June 2024.pdf
Corporate Presentation Probe June 2024.pdfCorporate Presentation Probe June 2024.pdf
Corporate Presentation Probe June 2024.pdf
 

Observaional documentaries

  • 2. Observational Documentary ◦ An observational documentary is filmed in ‘real time’, meaning the cameras record the action whilst the characters pretend they are alone. This type of documentary can be referred to a ‘fly on the wall’ documentary, this is due to the reality of the situation. ◦ Normally in observational documentaries there are no voice overs as it only shows the action however we do not see the film makers or the camera crew. ◦ Examples of observational documentaries are Made in Chelsea and TOWIE, however other TV documentaries have the conventions of an observational documentary as well as others such as expository, with voice overs and interviews. These are examples such as Big Brother, 24 hours in A&E and Geordie Shore.
  • 3. Institutions ◦ Endemol is an international television production and distribution company. ◦ It is controlled by Apollo Global Management and headquartered in the Netherlands, with around 90 companies in over 30 countries. ◦ Endemol created and runs reality and talent game show franchises worldwide, including Big Brother. ◦ Endemol is linked with Observational Documentaries as it is the institution for many of these types of documentaries such as Deal or No Deal, Wipeout, The Money Drop and Your Face Sounds Familiar. These TV shows are all shows that are observant of the current surroundings on the show, that in fact are real life situations or games.
  • 4. What are they known for? ◦ Observational documentaries are known for having a handheld camera following the action around and there are no voice overs due to the reality of the documentary. ◦ You do not see/hear the film makers at all due to the synchronous sound which is incorporated. ◦ Long takes dominate as the hand held camera is used to capture the action, there is minimum editing happening. ◦ There are no interviews during. ◦ The subjects pretend they are not being filmed in this case.
  • 5. How successful are observational documentaries? ◦ These documentaries are very successful due to the reality side of the documentary. Reality TV is very popular at the moment due to TV shows such as Made in Chelsea and The Only Way is Essex. These observational documentaries are popular due to their relationship drama, the scenery and the whole purpose of the show, to become a favourite show and believe what is happening. ◦ This clip below is an example of the way the observational documentaries work to catch the attention of the audience and keep the show popular. There are many conventions of synchronous sound being the characters/subjects voices as well as the setting/scenery and non-diegetic music being placed over the top.
  • 6. The target audience ◦ The target audience are the people who enjoy watching other peoples lives and enjoying the reality of their lives. Reality shows such as 16 and pregnant (following pregnant girls around and learning how they handle it) are targeted at people who are interested in watching real life and the reality of others. ◦ These shows do get negative comments as well as positive ones, but these shows target in particular the people who like to see people being filmed in ‘real time’. These shows are seen as a guilty pleasure as they aren’t always greatly shown on TV. ◦ The audience are targeted by the use of drama, possibly arguments, the personalities of the characters/subjects and the music used over the top. If a popular song, for that genre of documentary, is used then the audience are more likely to be interested in the show as it can make something a little tedious a lot more interesting.
  • 7. Combined Documentary? ◦ My first initial thoughts for my coursework is to mix the conventions of an Interactive documentary with the common conventions of an Observational documentary. Due to this thought, an interactive documentary has the conventions of being filmed responding to questions which are edited, and also voice overs sometimes being over the top of the action. Similarly to an Observational documentary, there are subjects/characters pretending they don’t know the cameras are recording so this is why I would like to combine the two. ◦ An example of this combination is ‘24 Hours in A&E’; this TV show has both conventions due to the interviews happening to somebody behind the camera and the action happening in the patients rooms from cameras in the corner of the room. ◦ The target audience for an Interactive documentary consists of people who like to see real life situations yet acknlodge the camera crew by talking to the camera in interviews in between, these people like to be reassured and possibly understand a character/persons feelings towards something happening in the observational scene that is further discussed and pointed at.