The document summarizes 4 landscape photographs taken by Charlie Waite. Each photo depicts a path stretching into the distance surrounded by trees or bushes. The first photo shows an autumn path in France flanked by orange leaves. The second gloomy photo in Belgium features a sinister path surrounded by gray trees. The third brighter photo in France has a short grassy path ending in a sunny field. The fourth unique photo shows rows of purple bushes ending at a lone dark tree against a cloudy sky. The photographer's compositions aimed to frame the paths and draw the eye into the distant scenes using surrounding foliage and lighting.
The document discusses 4 landscape photographs by Charlie Waite that were part of an exhibition. The photographs each depict a path stretching into the distance surrounded by trees or bushes. The first photo shows an autumnal scene in France with orange and brown leaves lining the path. The second, taken in Belgium, has a grayer tone and depicts a sinister looking path surrounded by dense trees. The third photo, from Dordogne, France, is brighter and shows sunlight filtering through the trees onto the path. The fourth photo is unique in featuring rows of purple bushes instead of trees with a lone tree silhouetted on the horizon. The document analyzes the composition of each photo, with the photographer likely choosing positioning and cropping to
The document discusses 4 landscape photographs taken by photographer Charlie Waite. It analyzes each photo in terms of theme, subject matter, composition, and likely technical details. The photos depict long paths flanked by trees in France and Belgium (photos 1-2), a brighter wooded area in France (photo 3), and rows of purple bushes (photo 4). For each, the document examines the photographer's probable location, time of day chosen, and cropping/framing decisions to best capture the scene. It concludes the fast shutter speeds were likely used to avoid motion blur from clouds, trees and bushes.
Charlie Waite is a photographer known for his landscape photography. Four of his photos from an exhibition are analyzed in the document. All four photos feature long paths or rows that draw the viewer in with their linear perspective and use of framing elements like trees. The photos create a sense of depth and invite the viewer into the landscape. The document examines the composition and techniques used to capture each photo, noting choices like camera positioning, time of day, and likely use of a fast shutter speed to freeze motion in the scenes.
The masthead uses contrast between a white background and bright red writing to stand out from the dark background image of three men dressed in darker clothes. The cracks within the masthead writing connect to cracks in the main image, giving the cover a cohesive 3D effect. The two main colors of black and white blend the image in with the magazine's overall style while allowing flexibility to use other colors on future covers.
The masthead uses three of the magazine's main colors which are presented throughout the cover to stand out. It is bold and eye-catching due to its blocky, capitalized style. The main image depicts two angry-looking men incorporating the magazine's colors, with props suggesting wealth and maturity to appeal to an 18-24 audience. Overall the cover uses contrasting colors like red and white to draw attention and portray different emotions related to the stories.
The document provides analysis of four celebrity portrait photographs taken by Annie Leibovitz.
The first image depicts Sir Patrick Stewart and Sir Ian McKellen posing with crossed arms. The second shows Johnny Depp relaxed in a chair with a cigarette. The third is of Miley Cyrus as a teenager posed with a satin sheet. The fourth portraits Adele laying down with her face illuminated.
The analysis examines the composition, lighting, framing, and technical details of each image. Strengths highlighted include the warm tones, natural poses, and focus on the subjects' facial expressions. Suggested weaknesses include cropped framing that removes context and unnatural skin tones. The document considers how the photographer used lighting,
This document contains 6 analyses of photographs taken by the author. Each analysis discusses elements of the photo such as lines, shapes, color, lighting, balance of light and dark, and what meaning or story the photo could represent. Suggestions are made for how to improve certain photos such as changing the lighting, angle, or focus to make different elements like the background or subject stand out more clearly.
1. The photograph shows an American soldier capturing a German soldier in 1944 Belgium, showing that mercy can be shown to enemies. It was likely taken to show victory over the other side or could have been altered for propaganda.
2. Another photo by Robert Capa shows an American medical officer treating a German POW, suggesting enemies can still help each other in war. It was likely published to argue against war by showing humanity.
3. A photo by Charlie Waite shows a lone tree in a field of purple flowers under a blue sky, capturing natural beauty. It could represent loneliness or disconnect from society. The photographer aims to showcase nature's tranquility.
The document discusses 4 landscape photographs by Charlie Waite that were part of an exhibition. The photographs each depict a path stretching into the distance surrounded by trees or bushes. The first photo shows an autumnal scene in France with orange and brown leaves lining the path. The second, taken in Belgium, has a grayer tone and depicts a sinister looking path surrounded by dense trees. The third photo, from Dordogne, France, is brighter and shows sunlight filtering through the trees onto the path. The fourth photo is unique in featuring rows of purple bushes instead of trees with a lone tree silhouetted on the horizon. The document analyzes the composition of each photo, with the photographer likely choosing positioning and cropping to
The document discusses 4 landscape photographs taken by photographer Charlie Waite. It analyzes each photo in terms of theme, subject matter, composition, and likely technical details. The photos depict long paths flanked by trees in France and Belgium (photos 1-2), a brighter wooded area in France (photo 3), and rows of purple bushes (photo 4). For each, the document examines the photographer's probable location, time of day chosen, and cropping/framing decisions to best capture the scene. It concludes the fast shutter speeds were likely used to avoid motion blur from clouds, trees and bushes.
Charlie Waite is a photographer known for his landscape photography. Four of his photos from an exhibition are analyzed in the document. All four photos feature long paths or rows that draw the viewer in with their linear perspective and use of framing elements like trees. The photos create a sense of depth and invite the viewer into the landscape. The document examines the composition and techniques used to capture each photo, noting choices like camera positioning, time of day, and likely use of a fast shutter speed to freeze motion in the scenes.
The masthead uses contrast between a white background and bright red writing to stand out from the dark background image of three men dressed in darker clothes. The cracks within the masthead writing connect to cracks in the main image, giving the cover a cohesive 3D effect. The two main colors of black and white blend the image in with the magazine's overall style while allowing flexibility to use other colors on future covers.
The masthead uses three of the magazine's main colors which are presented throughout the cover to stand out. It is bold and eye-catching due to its blocky, capitalized style. The main image depicts two angry-looking men incorporating the magazine's colors, with props suggesting wealth and maturity to appeal to an 18-24 audience. Overall the cover uses contrasting colors like red and white to draw attention and portray different emotions related to the stories.
The document provides analysis of four celebrity portrait photographs taken by Annie Leibovitz.
The first image depicts Sir Patrick Stewart and Sir Ian McKellen posing with crossed arms. The second shows Johnny Depp relaxed in a chair with a cigarette. The third is of Miley Cyrus as a teenager posed with a satin sheet. The fourth portraits Adele laying down with her face illuminated.
The analysis examines the composition, lighting, framing, and technical details of each image. Strengths highlighted include the warm tones, natural poses, and focus on the subjects' facial expressions. Suggested weaknesses include cropped framing that removes context and unnatural skin tones. The document considers how the photographer used lighting,
This document contains 6 analyses of photographs taken by the author. Each analysis discusses elements of the photo such as lines, shapes, color, lighting, balance of light and dark, and what meaning or story the photo could represent. Suggestions are made for how to improve certain photos such as changing the lighting, angle, or focus to make different elements like the background or subject stand out more clearly.
1. The photograph shows an American soldier capturing a German soldier in 1944 Belgium, showing that mercy can be shown to enemies. It was likely taken to show victory over the other side or could have been altered for propaganda.
2. Another photo by Robert Capa shows an American medical officer treating a German POW, suggesting enemies can still help each other in war. It was likely published to argue against war by showing humanity.
3. A photo by Charlie Waite shows a lone tree in a field of purple flowers under a blue sky, capturing natural beauty. It could represent loneliness or disconnect from society. The photographer aims to showcase nature's tranquility.
This document provides analysis of four photographs by different photographers:
1. Oliver Grunewald's "Blue Lava" photo shows the rare blue lava from a volcano in Ethiopia. It was taken to showcase natural beauty.
2. Grunewald's "Aurora Borealis" photo captures the northern lights mixing with a sunset, showing two opposing forces in the night sky.
3. Nick Ut's "Napalm Girl" photo documents a young Vietnamese girl fleeing a napalm attack, highlighting the human cost of war.
4. A Vietnam War-era soldier's helmet photo reads "War is Hell," suggesting even soldiers oppose war's cruelty.
This image shows a blue lava eruption from the Erta Ale volcano in Ethiopia. It was taken to showcase the rare natural phenomenon of cerulean lava caused by high sulfur content. The photographer intends to display the image in natural landscape exhibitions and museums to educate viewers about this unique spectacle. The composition frames the blue lava in the foreground against the black landscape, drawing the eye with its unnatural hue.
This photograph shows an American soldier smiling and walking hand in hand with three British orphans who were adopted by his unit. The focal points are the soldier and three children. It could represent the soldier telling the children stories from the war or returning them after the war, though they are orphans. The lighting is bright but the black and white photo represents the age of the image, from 60-90 years ago. Their clothing represents their war experiences, with the soldier's uniform and orphans' dark clothes signifying loss of parents.
1) The document discusses the lighting techniques used in a film to symbolize the protagonist's declining mental state. Scenes early in the film use bright, natural lighting to represent the protagonist's happier past, while later scenes grow darker to show his descent into darkness and minimal hope after a relationship ends. Small spots of bright light are used as a metaphor for the protagonist's few remaining happy memories.
2) Flashback scenes between the protagonist and his love interest use very bright lighting from above to portray an unrealistic, dreamlike quality and represent the woman as his source of hope and light.
3) The last few scenes circle back to darkness, ending in a shot with dark lighting over the sky to conclude the narrative
This photograph shows a large, open field with a tree on the left side. The purpose is to demonstrate that a plain area can be interesting compositionally. The tree is positioned on the left quarter of the frame so as not to block the scene. Despite the large distance between the foreground and background, houses in the distance are slightly blurred while still being part of the overall natural scene. The photograph captures the contrast between the cold colors and warm sunlight to illustrate a sense of brightness.
This document contains summaries of various photographs from different photographers. Some key points made about the photos include:
- Walker Evans' portrait captures the subject's inner experience through shallow depth of field.
- Lewis Hine's photo pulls the viewer in with its compelling subject of a girl behind a dirty door.
- Ansel Adams' black and white landscapes emphasize contrast and drama through their graphic nature.
- Andrew Prokos' photo of the Brooklyn Bridge enhances texture through its black and white tones.
- Jerry Uelsmann digitally layers photos to make a house appear to have roots growing from it.
- Steve Mccurry's National Geographic cover portrait vividly captures a girl's green eyes and hood shape
The document contains a student's photography project documenting their experiments with different photography techniques to capture nature, movement, weather, and the passage of time over multiple images. The student took pictures of things like flowers, fire, wind turbines, sunsets, food, raindrops and a cookie being eaten to show the effects of time. They also experimented with black and white filters, time lapses, low and high angle shots, and zoom lenses. The overall project aimed to creatively document the natural world and how it changes over time through a series of photographs.
This document provides information on several photographs and photographers:
- Oliver Grunewald took a photo of blue lava at a volcano in Ethiopia to showcase this rare natural phenomenon.
- Nick Ut photographed a young girl fleeing a napalm attack in Vietnam, capturing the human cost of war.
- A soldier in Vietnam had "War is Hell" written on his helmet, as photographed by Horst Faas, reflecting soldiers' experiences of the horrors of war.
- Teshawn Davis photographed a model surrounded by smoke to depict graceful movement like flowing smoke.
- Amelia Groundlung photographed two subjects, one light and one dark, to depict how purity can be corrupted.
This document analyzes the design elements of an Empire magazine cover featuring Jeremy Renner. The title stands out in bold red letters reminiscent of classic cinema. Renner's intimate central image looks directly at the viewer, including them in the content. The top third announces the issue is "action packed" with text styled like a stamp. Core features are highlighted in the middle third using puffs like stickers. Multiple offset angles in the bottom third draw attention while maintaining contrast. Together these visual elements effectively communicate Empire's authority in cinema and intrigue readers about the issue's content.
This document discusses and analyzes several "joiner photographs" that piece together multiple images to form a composite photograph. It examines works by David Hockney as well as others employing his joiner technique. The summaries provide overviews of the compositional elements, subjects, and intentions of the photographs. Colors, lines, framing, and balancing of light and dark are some of the key aspects analyzed in creating the immersive composite images.
Mark Power is an English photographer known for his fine art and documentary photography. He started in fine art photography and later diversified into filmmaking. In 1992, he published a black and white photo book documenting the BBC's Shipping Forecast. In 1997, he published a book in color documenting the Millennium Dome project. Power became a member of Magnum Photographers in 2002 and is now a professor of photography at Brighton University.
The document analyzes two portrait photographs taken by Steve McCurry. The first photograph is his famous "Afghan Girl" photograph from 1984 showing a young Afghan refugee girl with striking eyes. The photograph captures the harsh realities of life in Afghanistan at the time through the girl's facial expression and clothing. The second photograph shows an Indian woman smoking in a small tent. It displays contrasts between Western culture and customs in India through the woman's surroundings and surprised facial expression at having her photo taken. Both photographs utilize elements like lighting, composition, and framing to draw focus to the subjects and convey meaningful narratives about their lives and cultures.
The magazine cover uses a limited color scheme of black, white and red. The main title "Kerrang" looks broken to represent the disorder of rock music. The band name "Biffy Clyro" is larger to draw attention. The lead singer is the main focus in the large central photo. Smaller photos at the bottom also follow the color scheme. The minimal text gives an idea of the magazine's contents without long descriptions.
The document summarizes the design elements of a double page magazine spread. It discusses the use of red, black and white colors to create a classic, old style feel. The main image of a singer on an American flag is placed on the left side to follow the rule of thirds and naturally draw the audience's eye first. The text is kept insignificant compared to the image to primarily capture attention visually. Symmetry and balance are created by the main image on one side and text on the other, following design principles to effectively engage the target audience.
This image by photographer Nick Ut shows a young Vietnamese girl, Phan Thi Kim Phuc, running down a road after being burned by napalm bombs during the Vietnam War. The black and white photo captures Phuc's pain and suffering to draw attention to the human costs of war, especially its impacts on innocent children. The composition places Phuc alone at the center of the frame in accordance with the rule of thirds. Taken in 1972, the image is one of Ut's most famous and has been shown in exhibitions and publications about the horrors of war to advocate for peace.
The document discusses 6 photographs taken by Randy Scott Slavin. It summarizes the subject, composition, techniques used, strengths and weaknesses of each photo. The photos depict nighttime scenes in New York during blackouts, utilizing long exposure to capture light trails. One photo shows the Golden Gate Bridge. The analysis covers shutter speed, depth of field, use of a 3x3 grid, and how the photos could inspire the reviewer's own work.
This document discusses elements of form and tone/value in art. It defines form as three-dimensional geometrical figures as opposed to two-dimensional shapes. Tone and value refer to the lightness and darkness of colors. There are three arrangements of tone/value discussed: light tone arrangements where shadows are small and dark areas are minimized; mid-tone arrangements with a more balanced use of light and dark; and dark tone arrangements where darkness dominates and light shapes become the focal point. Mastering the use of these tonal values is important for depicting light and shadow techniques in art.
Understanding different applications of photographyCiara Lowney
Eve Arnold was a pioneering 20th century photographer known for her portraits of celebrities like Marilyn Monroe. She was the first female photographer at Magnum Photos. Arnold's black and white photos captured intimate moments that revealed deeper aspects of her subjects' personalities beyond their public personas. Her curious nature drove her to explore various genres including fashion, photojournalism and portraits.
All the images of 50 Cent in the XXL magazine follow a dark, moody tone to make the artist appear mysterious and intrigue audiences. The close-up shot on the front cover progresses to mid-shots and long shots on subsequent pages, representing the increasing information about 50 Cent as the camera moves further back. The same costume is worn throughout the images, showing cohesion and signaling the article will focus only on the artist. While the genre of music is not what the document author wants to pursue, the simplistic backgrounds and mysterious tone provide ideas to consider.
Presentación en Powerpoint de unsa selección de los mejores consejos prácticos extraídos del libro "30 minutos para organizar su tiempo", de Tony Aherton. Actividad MBA, Recursos Humanos. También disponible en Resumen y Comentario de texto.
Este documento contiene definiciones de varios términos relacionados con finanzas y economía como Banco Central, política monetaria y situado constitucional. Explica que el Banco Central es la institución que emite dinero y regula el crédito, y que el situado constitucional es un ingreso que corresponde a los municipios según la Constitución venezolana. También brinda detalles sobre la base legal y funciones del Banco Central de Venezuela.
This document provides analysis of four photographs by different photographers:
1. Oliver Grunewald's "Blue Lava" photo shows the rare blue lava from a volcano in Ethiopia. It was taken to showcase natural beauty.
2. Grunewald's "Aurora Borealis" photo captures the northern lights mixing with a sunset, showing two opposing forces in the night sky.
3. Nick Ut's "Napalm Girl" photo documents a young Vietnamese girl fleeing a napalm attack, highlighting the human cost of war.
4. A Vietnam War-era soldier's helmet photo reads "War is Hell," suggesting even soldiers oppose war's cruelty.
This image shows a blue lava eruption from the Erta Ale volcano in Ethiopia. It was taken to showcase the rare natural phenomenon of cerulean lava caused by high sulfur content. The photographer intends to display the image in natural landscape exhibitions and museums to educate viewers about this unique spectacle. The composition frames the blue lava in the foreground against the black landscape, drawing the eye with its unnatural hue.
This photograph shows an American soldier smiling and walking hand in hand with three British orphans who were adopted by his unit. The focal points are the soldier and three children. It could represent the soldier telling the children stories from the war or returning them after the war, though they are orphans. The lighting is bright but the black and white photo represents the age of the image, from 60-90 years ago. Their clothing represents their war experiences, with the soldier's uniform and orphans' dark clothes signifying loss of parents.
1) The document discusses the lighting techniques used in a film to symbolize the protagonist's declining mental state. Scenes early in the film use bright, natural lighting to represent the protagonist's happier past, while later scenes grow darker to show his descent into darkness and minimal hope after a relationship ends. Small spots of bright light are used as a metaphor for the protagonist's few remaining happy memories.
2) Flashback scenes between the protagonist and his love interest use very bright lighting from above to portray an unrealistic, dreamlike quality and represent the woman as his source of hope and light.
3) The last few scenes circle back to darkness, ending in a shot with dark lighting over the sky to conclude the narrative
This photograph shows a large, open field with a tree on the left side. The purpose is to demonstrate that a plain area can be interesting compositionally. The tree is positioned on the left quarter of the frame so as not to block the scene. Despite the large distance between the foreground and background, houses in the distance are slightly blurred while still being part of the overall natural scene. The photograph captures the contrast between the cold colors and warm sunlight to illustrate a sense of brightness.
This document contains summaries of various photographs from different photographers. Some key points made about the photos include:
- Walker Evans' portrait captures the subject's inner experience through shallow depth of field.
- Lewis Hine's photo pulls the viewer in with its compelling subject of a girl behind a dirty door.
- Ansel Adams' black and white landscapes emphasize contrast and drama through their graphic nature.
- Andrew Prokos' photo of the Brooklyn Bridge enhances texture through its black and white tones.
- Jerry Uelsmann digitally layers photos to make a house appear to have roots growing from it.
- Steve Mccurry's National Geographic cover portrait vividly captures a girl's green eyes and hood shape
The document contains a student's photography project documenting their experiments with different photography techniques to capture nature, movement, weather, and the passage of time over multiple images. The student took pictures of things like flowers, fire, wind turbines, sunsets, food, raindrops and a cookie being eaten to show the effects of time. They also experimented with black and white filters, time lapses, low and high angle shots, and zoom lenses. The overall project aimed to creatively document the natural world and how it changes over time through a series of photographs.
This document provides information on several photographs and photographers:
- Oliver Grunewald took a photo of blue lava at a volcano in Ethiopia to showcase this rare natural phenomenon.
- Nick Ut photographed a young girl fleeing a napalm attack in Vietnam, capturing the human cost of war.
- A soldier in Vietnam had "War is Hell" written on his helmet, as photographed by Horst Faas, reflecting soldiers' experiences of the horrors of war.
- Teshawn Davis photographed a model surrounded by smoke to depict graceful movement like flowing smoke.
- Amelia Groundlung photographed two subjects, one light and one dark, to depict how purity can be corrupted.
This document analyzes the design elements of an Empire magazine cover featuring Jeremy Renner. The title stands out in bold red letters reminiscent of classic cinema. Renner's intimate central image looks directly at the viewer, including them in the content. The top third announces the issue is "action packed" with text styled like a stamp. Core features are highlighted in the middle third using puffs like stickers. Multiple offset angles in the bottom third draw attention while maintaining contrast. Together these visual elements effectively communicate Empire's authority in cinema and intrigue readers about the issue's content.
This document discusses and analyzes several "joiner photographs" that piece together multiple images to form a composite photograph. It examines works by David Hockney as well as others employing his joiner technique. The summaries provide overviews of the compositional elements, subjects, and intentions of the photographs. Colors, lines, framing, and balancing of light and dark are some of the key aspects analyzed in creating the immersive composite images.
Mark Power is an English photographer known for his fine art and documentary photography. He started in fine art photography and later diversified into filmmaking. In 1992, he published a black and white photo book documenting the BBC's Shipping Forecast. In 1997, he published a book in color documenting the Millennium Dome project. Power became a member of Magnum Photographers in 2002 and is now a professor of photography at Brighton University.
The document analyzes two portrait photographs taken by Steve McCurry. The first photograph is his famous "Afghan Girl" photograph from 1984 showing a young Afghan refugee girl with striking eyes. The photograph captures the harsh realities of life in Afghanistan at the time through the girl's facial expression and clothing. The second photograph shows an Indian woman smoking in a small tent. It displays contrasts between Western culture and customs in India through the woman's surroundings and surprised facial expression at having her photo taken. Both photographs utilize elements like lighting, composition, and framing to draw focus to the subjects and convey meaningful narratives about their lives and cultures.
The magazine cover uses a limited color scheme of black, white and red. The main title "Kerrang" looks broken to represent the disorder of rock music. The band name "Biffy Clyro" is larger to draw attention. The lead singer is the main focus in the large central photo. Smaller photos at the bottom also follow the color scheme. The minimal text gives an idea of the magazine's contents without long descriptions.
The document summarizes the design elements of a double page magazine spread. It discusses the use of red, black and white colors to create a classic, old style feel. The main image of a singer on an American flag is placed on the left side to follow the rule of thirds and naturally draw the audience's eye first. The text is kept insignificant compared to the image to primarily capture attention visually. Symmetry and balance are created by the main image on one side and text on the other, following design principles to effectively engage the target audience.
This image by photographer Nick Ut shows a young Vietnamese girl, Phan Thi Kim Phuc, running down a road after being burned by napalm bombs during the Vietnam War. The black and white photo captures Phuc's pain and suffering to draw attention to the human costs of war, especially its impacts on innocent children. The composition places Phuc alone at the center of the frame in accordance with the rule of thirds. Taken in 1972, the image is one of Ut's most famous and has been shown in exhibitions and publications about the horrors of war to advocate for peace.
The document discusses 6 photographs taken by Randy Scott Slavin. It summarizes the subject, composition, techniques used, strengths and weaknesses of each photo. The photos depict nighttime scenes in New York during blackouts, utilizing long exposure to capture light trails. One photo shows the Golden Gate Bridge. The analysis covers shutter speed, depth of field, use of a 3x3 grid, and how the photos could inspire the reviewer's own work.
This document discusses elements of form and tone/value in art. It defines form as three-dimensional geometrical figures as opposed to two-dimensional shapes. Tone and value refer to the lightness and darkness of colors. There are three arrangements of tone/value discussed: light tone arrangements where shadows are small and dark areas are minimized; mid-tone arrangements with a more balanced use of light and dark; and dark tone arrangements where darkness dominates and light shapes become the focal point. Mastering the use of these tonal values is important for depicting light and shadow techniques in art.
Understanding different applications of photographyCiara Lowney
Eve Arnold was a pioneering 20th century photographer known for her portraits of celebrities like Marilyn Monroe. She was the first female photographer at Magnum Photos. Arnold's black and white photos captured intimate moments that revealed deeper aspects of her subjects' personalities beyond their public personas. Her curious nature drove her to explore various genres including fashion, photojournalism and portraits.
All the images of 50 Cent in the XXL magazine follow a dark, moody tone to make the artist appear mysterious and intrigue audiences. The close-up shot on the front cover progresses to mid-shots and long shots on subsequent pages, representing the increasing information about 50 Cent as the camera moves further back. The same costume is worn throughout the images, showing cohesion and signaling the article will focus only on the artist. While the genre of music is not what the document author wants to pursue, the simplistic backgrounds and mysterious tone provide ideas to consider.
Presentación en Powerpoint de unsa selección de los mejores consejos prácticos extraídos del libro "30 minutos para organizar su tiempo", de Tony Aherton. Actividad MBA, Recursos Humanos. También disponible en Resumen y Comentario de texto.
Este documento contiene definiciones de varios términos relacionados con finanzas y economía como Banco Central, política monetaria y situado constitucional. Explica que el Banco Central es la institución que emite dinero y regula el crédito, y que el situado constitucional es un ingreso que corresponde a los municipios según la Constitución venezolana. También brinda detalles sobre la base legal y funciones del Banco Central de Venezuela.
Este documento presenta un glosario de términos relacionados con las finanzas e impuestos. Incluye definiciones de conceptos presupuestarios como el presupuesto público, los principios del presupuesto, la clasificación y programación presupuestaria. También explica términos relacionados con la Ley Orgánica del Consejo Federal de Gobierno de Venezuela, como su estructura, planificación, transferencia de competencias y regiones federales.
Los servicios en Venezuela se dividen en públicos y privados. El documento presenta una lista de los integrantes de un grupo de estudiantes que cursan la carrera de Ciencias de la Computación en la Universidad de los Andes en Mérida.
La descentralización implica transferir poder y autoridad de entes centrales a autoridades locales como alcaldes y gobernadores. En Venezuela, la descentralización comenzó en 1989 con la elección de alcaldes y gobernadores y la Ley Orgánica de Descentralización, que transfirió competencias al sector público local. Actualmente, el proceso busca fortalecer el poder popular a través de la transferencia de servicios y proyectos a las comunidades organizadas.
El documento describe 52 acciones para mejorar la vivienda y los servicios públicos en Hermosillo, México. Las acciones incluyen programas para ayudar a familias de bajos ingresos a adquirir o mejorar su vivienda, asegurar que todas las viviendas tengan piso de cemento y techos y muros renovados, proveer lotes con servicios, regularizar la propiedad, instalar letrinas ecológicas, mejorar fachadas y tinacos para almacenar agua, incentivar la participación ciudadana para embellecer la ciudad,
Simon Kennedy's photography series features images of old buildings and structures with elements of nature. The images show a power plant on a beach, abandoned apartments with creepy trees, an old building approached by a path flanked by trees, and a modern bridge at sunset reflected in the water. Kennedy deliberately frames the shots to include both natural and man-made elements. He likely used a wide aperture to keep foreground and background in focus, and adjusted shutter speed and ISO based on lighting conditions. While the themes and framing are generally good, some images could have benefited from more compelling content.
1) David Hockney is a British artist known for his contributions to pop art in the 1960s and for pioneering the technique of photo collage, where multiple photographs are arranged to form a composite image.
2) One of Hockney's earliest photo collages was a portrait of his mother made from photographs taken from different angles and perspectives.
3) Hockney's 1985 photo collage "Furstenberg Paris" depicts a street scene composed from approximately 100 photographs, allowing the viewer to feel immersed in the setting and movement over time.
This document contains summaries of photographs taken by four photographers: Helen Dixon, Adam Burton, and Ansel Adams.
Helen Dixon's photograph shows one of the fountains in Trafalgar Square in London with light and water effects captured using a slow shutter speed. Adam Burton's landscape photograph shows a bridge leading to a lake surrounded by mountains, with the water blurred to reflect the pink and purple sky. Ansel Adams' black and white photograph focuses closely on a rose laying on wood, with the rose slightly off-center to expose more of the wood pattern.
This document provides information about two photographers - Henri Cartier-Bresson and Adrian Dennis. It discusses Cartier-Bresson's background and style, noting he was a pioneering photojournalist known for candid shots in black and white. It then analyzes one of Cartier-Bresson's landscape photographs that differs from his typical documentary work. The document also provides biographical information about Adrian Dennis and analyzes one of his photographs of Andy Murray celebrating a Wimbledon victory, discussing the photographic techniques used.
This document discusses different photographic techniques seen in various photographs, including:
- A landscape photo showing a forest path with greens and browns.
- A portrait orientation photo of the same scene showing more of the forest path.
- A photo where a tire frame adds interest by creating a frame within the frame.
- A photo of a burned warehouse raising questions with colors like orange, black and white.
This document provides information about several photographers:
Henri Cartier-Bresson was a pioneering French photojournalist known for his candid style. He took black and white photos that focused on documenting everyday life through singular images rather than collections.
Adrian Dennis is a British sports photographer who was named sports photographer of the year in 2013. He works to capture emotive photos of sporting events for publications. His color photos tend to have busy backgrounds compared to Cartier-Bresson's more passive shots.
The rest of the document analyzes and compares elements of specific photos by each photographer, such as composition, lighting, subject matter and how they demonstrate styles like documentary, portrait, or landscape photography.
Kevan Brewer is a landscape photographer who focuses on wildlife and natural settings like forests. Six of his images were analyzed. All show forested areas with trees and nature as the main subject. Some images have fog or mist that make them feel mysterious, while others have more color and feel warmer. The photographer varies the mood and style of the images but they all capture nature. Composition and techniques like depth of field are used effectively to direct the viewer's eye to key elements. The fog adds mystery, and capturing natural beauty is a strength, though some images could benefit from more color.
This document discusses rules of composition in photography, including the rule of thirds, shot layering, and different shot types. It provides examples of photos taken by the author with explanations of how each example demonstrates a particular composition rule or technique. The rule of thirds is demonstrated through several landscape photos arranged so key elements fall at the intersection points of the implied grid. Shot layering examples show foreground objects in focus with background elements out of focus to create depth. Shot types discussed include leading line photos and a framed interior view.
The photographer took landscape photos of a sunset over a lake with distant mountains. One photo shows the lake reflecting the colorful sky, with tall grass and weeds pushed to the side so the water reflection is the main focus. The photographer likely stood on a pier to get the angle without including the pier in the shot. Technical details suggest the photographer used a high shutter speed to capture the dimming light, deep depth of field to blur the foreground but keep the mountains in focus, and an f-stop around f/9. The photographer effectively used color, composition, and depth of field to emphasize the scenic background elements.
This document discusses various landscape photographs and provides analysis of how they were likely taken. It examines elements like leading lines, reflections, symmetry, and the use of long exposures. Technical details like aperture, shutter speed, ISO, and time of day are considered for how they impact the final image. The photographs cover a range of locations and styles, from rural scenes to urban architecture, during both day and night.
The document discusses the landscape photography work of French photographer Florent Courty. It analyzes two of his photographs in detail. Courty's work focuses on landscapes with the sun prominently featured near the top of each frame. He uses natural lighting and keeps composition styles consistent across his pieces, positioning his camera low to capture entire scenes. The analysis praises Courty's use of color, depth of field, and adherence to photographic principles like the rule of thirds.
Charlie Waite took four landscape photographs in different locations in Europe. The images were all long shots showing wide views with distant elements. They showed landscapes in Italy, France, and England during different seasons. The photographer used a consistent technique of head-on, wide shots from a single camera position without zooming. The shutter speeds varied based on light levels, from slower speeds for brighter images to faster speeds for darker or cloudy conditions. The images have strengths in their colors and compositions, though one could have better captured the sea by adjusting the camera position.
Philip Hyde was a pioneering landscape photographer born in 1921. He studied under famous photographers like Ansel Adams and focused on capturing landscapes in color. Some of his most famous photos include a 1964 image of Cathedral in the Desert and a 1950 black and white photo of the Minarets in the Sierra Nevada mountains that Ansel Adams preferred to his own. Hyde photographed national parks across the American West for 58 years, developing a unique compositional style and helping preserve treasured landscapes.
Philip Hyde was a pioneering landscape photographer born in 1921 in San Francisco. He studied under famous photographers like Ansel Adams and worked for 58 years capturing national parks and landscapes in color. Two of his most famous photos include a 1964 photo of Cathedral in the Desert, Glen Canyon, and a 1950 black and white photo of the Minarets in the Sierra Nevada mountains that Adams said he preferred to his own. Hyde was known for his unique compositions, use of color, and talent for capturing the essence of landscapes ahead of his time.
Philip Hyde was a pioneering landscape photographer born in 1921 in San Francisco. He studied under famous photographers like Ansel Adams and worked for 58 years capturing national parks and landscapes in color. Two of his most famous photos include a 1964 photo of Cathedral in the Desert, Glen Canyon, and a 1950 black and white photo of the Minarets in the Sierra Nevada mountains that Ansel Adams preferred to his own. Hyde was known for his unique compositions, use of color, and talent for capturing the essence of landscapes ahead of his time.
Guy Tal is a photographer, artist, author, educator and public speaker who takes photos using a medium format camera rather than a DSLR in order to capture great photos with a smaller aperture. Unlike most photographers who take photos based on how amazing a scene appears, Guy Tal takes photos as a way to express himself and his relationship with the landscape. He has been interested in photography since his teenage years and takes remarkable photos of different parts of the world.
The document provides a 4-step process for critiquing photographs:
1. Examine the value or tonal range of lights and darks.
2. Assess the clarity and focus, including whether a point of interest stands out.
3. Consider the composition, presentation, cropping, and lines.
4. Two sample photos are critiqued using this process, noting values, focus, composition elements.
The document discusses 10 landscape photos taken by Thomas Phillips during photo shoots. For each photo, Phillips provides the camera settings and describes how he would use the photo in a magazine, including on single or double page spreads. He discusses compositional elements in each photo like leading lines, lighting, and filling the frame. Phillips aims to show different photography techniques and how editing can improve the photos.
The document discusses four photographs taken by Dario Belic in Zagreb, Croatia depicting abandoned and unfinished buildings. All the images show places that have been forgotten with construction left unfinished. The photographs have a dull, pale color tone to match the theme. The photographer positioned the camera at angles or slightly off center to include surrounding details like grass and trees to provide context about the neglected state of the buildings and areas. The images appear to have been edited afterwards to seem darker than they were in real-life.
- Henri Cartier-Bresson was a pioneering French photojournalist in the mid-20th century known for his candid street photography. He helped establish photojournalism as a genre.
- Adrian Dennis is a contemporary British sports photographer who works for Agence France Presse. He is known for unconventional photographs that capture the emotions of athletes and fans.
- Julius Shulman was an American architectural photographer in the 1960s who revolutionized the field by using innovative angles and perspectives to showcase buildings. He is most famous for documenting mid-century modern homes in California.
Pr 11 designing and producing page layoutdanhops888
This document provides an assignment brief for a page layout and design qualification. Students will be tasked with designing a magazine front cover and double page spread for a publication targeting 16-25 year olds. They must research the target audience and draft articles. Students will use Photoshop to design the layouts and provide a written commentary explaining the design processes, conventions used, and how the design meets the audience needs. The assignment aims to have students edit text, source and prepare images, and design page layouts to a near-professional standard.
The document summarizes the process of designing a magazine cover and double page spread for a horror film magazine. It discusses using Adobe Photoshop and Microsoft Word to design the layout. Reference magazines like Empire and Scream were used for research on conventions like prominently featuring a model on the cover. The cover image features a model in a hockey mask holding a knife. Color schemes of red, purple and green were chosen to evoke the horror genre. Fonts and visual elements like images, gutters and drop caps were used following magazine design conventions. The target audience is identified as males aged 18-35 of social classes C1/C2 who enjoy conventional horror film narratives.
The document analyzes two magazine covers:
1) NME (New Musical Express) January 2006 issue with a special feature on the 100 greatest British albums. The cover targets males ages 18-35 interested in genres like indie and punk.
2) Empire magazine 2010 issue featuring the film Inception. The cover uses dark colors and striking images to showcase films for both male and female audiences ages 13 and up interested in popular cinema.
The document provides guidance for four slides to include in a PowerPoint presentation on a magazine design project. Slide 1 asks to list the design and word processing programs used. Slide 2 asks to describe the media format used and include examples of analyzed existing texts. Slide 3 asks to explain the genre conventions used, demonstrate the Gutenberg Principle, and discuss color and font connotations. Slide 4 asks to define the target audience and describe how the magazine meets their needs. The presentation and design work should be submitted together as PR 11.
Daniel Hopkins intends to use songs like "Jaws Theme", "More Than a Feeling", "I'm Coming Out", and "Let's Get It On" along with various sound effects for a college project. He will use the content fairly without commercial gain, which falls under UK copyright fair usage laws for educational purposes. Fair dealing allows limited copying of copyrighted works for research and private study as long as it is non-commercial and credits the source.
Daniel Hopkins outlines several contingency plans for potential issues that may arise during filming and editing. These include re-recording unsuitable footage, postponing shoots due to weather, finding replacement cast or crew, regularly saving work to avoid losing edits, using alternative equipment if batteries die, and lowering quality or getting help to meet deadlines.
The document provides contact information for emergency services near Daniel Hopkins, including the Swinton Police Station phone number 0161 856 5229, the Greater Manchester Fire and Rescue Service location and phone number 0161 736 5866 on Bolton Road in Swinton, and the Salford Royal Hospital location, phone number 0161 789 7373, and address on Stott Lane in Salford.
This document provides a template for conducting a risk assessment for a film production. It instructs the user to consider all potential hazards, who or what may be harmed, existing controls, and assigns a risk level. For each hazard identified in the specific production, such as electrical, trip, or slip hazards, the template lists the risk level and recommends further actions to reduce the risk. It also includes a risk assessment chart to define the risk levels.
This document provides location details for Daniel Hopkins' short film. Most of the filming will take place at Daniel's home address as the script scenes are set in a house or room. The only exception is a phone call scene which will be recorded by an actress at the radio studio of Eccles Sixth Form Centre located in Eccles, Manchester. Contact details are provided for both locations.
1) Daniel receives a call from a girl asking him out on a date.
2) Inside Daniel's mind, his emotions have a debate over whether he should accept the date. Common Sense breaks a tie vote by Intelligence who votes yes.
3) Daniel tells the girl he would like to go out with her on Saturday for their meal date. He winks at the camera, feeling confident about the potential new relationship.
The document is a script that summarizes the internal dialogue of emotions in a teenage boy's brain as he considers whether to go on a date. It depicts Common Sense leading a debate between emotions like Happiness, Sadness, Anger, Libido, and Intelligence on whether the boy should accept the date. After a tied vote, Intelligence casts the deciding vote in favor of the date. Common Sense then relays the decision back to the boy, who accepts the date.
Daniel hopkins final major project treatment (2)danhops888
The short film "More Than A Feeling" will be approximately 3-6 minutes and target 15-25 year olds. It follows a teenage boy deciding whether to go on a date with a girl. His emotions like Common Sense, Sadness, Anger, and Libido debate the decision in his mind. The emotions argue and bully each other. Ultimately, Common Sense rallies a vote where they decide the boy should accept the date. He relays the message to the girl, who is excited. The boy then references the film title while breaking the fourth wall. The film will be made with no budget using cloning editing to depict the emotions arguing.
The document lists the equipment and software Daniel Hopkins plans to use for his final major project, including a Nikon D3100 camera with 18-55mm lens, the possibility of a Canon DSLR, a tripod, a Canon audio recording pack with Zoom H4n, Microsoft Office, MindGenius Education, Adobe Premiere Pro CS5.5, Adobe After Effects CS5.5, and Celtx.
The audience for the filmmaker's comedy short film is intended to be broad, including both young people and older audiences. Young people may associate more closely with the main character and situation of being asked to go out. While the film focuses on the internal emotions and feelings of the young male main character, the filmmaker hopes both genders can enjoy the comedy, which is intended to overshadow the narrative. The humor and themes are influenced by 1970s and 1980s comedy, and it is hoped this style will also appeal to older audiences in addition to teenagers.
The audience for the comedy short film is intended primarily for young people who can relate to the main character's situation of being asked to go out. While the film has mostly male characters, the filmmaker hopes both genders can enjoy the comedy, which is intended to overshadow the narrative. The goal is for the teenage audience and older audiences to both find humor in the film's themes and style, which take influence from 1970s and 1980s comedy.
Comedy sketches are typically very short, usually under a few minutes, in order to quickly grab the viewer's attention and hold it. While brief, sketches still aim to have a clear beginning, middle, and end structure and can develop characters further in a series. The characters are often zany or eccentric to provide more opportunities for jokes and humor. Situations in sketches tend to be funny and centered around jokes about whatever scenario is depicted, such as a person at a party. Many successful sketches studied by the author used wild and unusual characters like a "Green Clarinet Man" who reveals embarrassing truths. A variety of humor styles can be employed including rapid-fire jokes, observational humor, witty one-liners,
The document summarizes Daniel Hopkins' secondary research for how to write a sitcom. It includes researching a book by Marc Blake titled "How not to write a sitcom" focusing on pages 120-140 about jokes and dialogue. It also lists research from comedy video websites CollegeHumor and BBC sketch shows, as well as an article by comedians Richard Herring, David Mitchell and Robert Webb on writing comedy sketches.
Daniel Hopkins conducted a survey to inform his short comedy film project about cloning. Of the 9 respondents, 6 were male and 3 female. All respondents were between 18-24 years old. When asked about favorite genres, 4 selected comedy, while 2 selected fantasy, and 1 each selected action, science fiction, and horror. Respondents rated their enjoyment of comedy highly, with an average score of over 8 out of 10. Most respondents viewed sketch comedy shows positively. They also generally had a positive view of the concept of a cloning comedy short. The survey provided Hopkins with useful information on what respondents thought made comedy funny and what could make his cloning comedy short funny. He plans to incorporate various comedic elements and styles suggested by respondents
This document is a pitch for a short comedy film by Daniel Hopkins. The film will follow a teenager deliberating whether to give his number to a girl who approached him at a bus stop. His thoughts will be visualized through an argument between anthropomorphic emotions in his mind, each resembling the teenager. The emotions will debate what decision he should make, creating conflict, drama, and comedy. The film aims to appeal to teenagers and young adults through its cloning effects and humor, which will be reminiscent of British sketch shows and madcap comedies like Airplane.
The student proposes creating a short comedy film as their final major project. The film will use cloning techniques to feature the actor appearing twice in the same shot as different characters. It will follow a boy dealing with a girl asking for his number by entering his mind where various emotions and traits debate each other. The target audience is males aged 15-25. Production techniques will include using Excel to track progress, writing a production diary, and editing in Adobe Premiere Pro.
1. Unit 57: Photography and Photographic Practice
Research of other photographers work (P1, M1, D1)
Photographer: Charlie Waite
1. Epernay, France. Year Unknown, but likely recent.
2. 2. Damme 1, Belgium. Year Unknown, but likely recent.
5. Theme or focus of images
The four images above are from a gallery on Charlie Waites website entitled ‘Silent Exchange’ which was an exhibition at the National Theatre in London. The photographs are landscape and each have a distinct theme of having a stretching, path-like appearance. All of the photographs except the fourth have trees on either side, making them more compact and framed, with the viewer being instantly drawn to the end of the outstretched path. All of the images have an extraordinary depth to them and while this is a common feature of landscape photography, because of the image surroundings, it is done in an almost concentrated fashion. The depth of the photographs almost invites the viewer into the world of the image, while the position of the camera helps as its angle is steady and on level with the eye view of the photographer. The entrancing structure of the photographs coupled with their vibrant colours make for immersive images.
The first photograph was taken in France and depicts a road/path stretching off into the distance, flanked by rows of trees which are clearly in the process of shedding their leaves, which are littered across and along the road. This and the colour of the aforementioned leaves- orange and light brown- suggests that the time of year is approximately autumn. The colours of the leaves combine well with the colour of the trees (white) which creates a unique seasonal look for the photograph. The path is very straight and stretches off into the distance, with few leaves in the centre. This creates a clear path with the majority of the leaves that flank the road acting almost as a border. The tree’s shadows fall across the road, suggesting sunlight from one direction, while they also create a unique look on the path. This is a very aesthetically good-looking photograph, with unique seasonal colours and interesting things within the frame.
The second photograph is entitled Damme I and was taken in Belgium. Like the first photograph, this image also shows a long stretching path, with trees on either side. However, the theme is somewhat different from the first one as the trees are more compact and in a larger quantity, looming over the path in a sinister fashion. Unlike the first one also, the only bright colour is the grass at the roots of the trees, with the general colour of the photograph being a grey/brown colour. This evokes quite a miserable feeling. The path and rows of trees seems to stretch for a huge distance, with the sight in the distance being a small hue of white light. Being colourless and having a small glow around it, I would liken it as to being a photographic, natural depiction of the phrase ‘a light at the end of the tunnel’. The photograph is clear and there is not an extreme amount of things within the frame, which helps draw the viewer to the centre of the image. There is a considerable amount of depth in this, which can be identified from the clarity of the trees. They become very gradually less out of focus, though it is only noticeable upon closer inspection. The branches of the tree create an arch-style appearance, which also helps to close out light from outside.
6. The third photograph is from Dordogne in France. Once again like the previous two images it shows a path leading off into the distance, though the path is much shorter and thus so is the depth of field. Unlike the second and more replicative off the first, the image is a lot brighter while the trees are thinner, more evenly spread out and have shadows falling across the ground. The majority of the light in the photograph comes from the dead-centre of the image, at the ending of the path. The sun is shining heavily down through the higher branches on the tree, while the field in the background is clearly illuminated in the sun’s rays. Unlike the first two images, you can see what is at the end of the path, with it seemingly being a field or some form of plant growth. The theme of the image is a nature-style one, with the colours featured being primarily green- the leaves, grass and plants. This makes for a very natural, beautiful photograph.
The fourth and final photograph is unique in the fact that unlike the previous three, there are no trees on either side and no clear path in the foreground stretching off into the distance. Instead there are dozens of rows of strange, spiky purple bushes which appear very unnatural, ending only at the horizon. The photographer has taken this photograph from the position of standing in one of the bushes, with a lone tree on the horizon at the end of the row. Many of the key elements within this photograph are dark- the tree, the bushes and ground and the sky, which is dark blue but, with bright white clouds strewn across it. This helps create the silhouette for the tree. In the background, you can also see what appears to be a mountain or a hill, which is dark and flat. The row of bushes perfectly runs straight to the tree, which is why I believe the photographer stood in that particular location.
Composition
For the first photograph I believe the photographer chose to stand where he did to capture the path going downhill. If he stood further down he may not have been able to capture the lower branches of the tree, while also revealing what was at the end of the path which would take away from the whole style of the photograph. I think the photographer chose to include the branches because they show the golden coloured leaves which helps create the seasonal-autumn look. The general appearance of the trees and overhanging branches helps to create a tunnel-like appearance. I think the photographer also chose a time of day when it was sunny, so he could capture the tree’s shadows on the path. The photographer could have cropped the image on all sides to make the path seem tighter and narrower. However, I do not think he has done this as I believe he wanted to capture some of the overhead branches. He may have, however, cropped some more prominent branches out at the top. I think that if the image contained any more than it already did, it would take away from its natural beauty and seasonal look. I think the trees, path and leaves sufficiently cover the theme in good positions within the frame. He most likely cropped out the side of the image to make the trees only slightly visible, so there was no immediate emptiness within the frame.
7. For the second photograph, I think the photographer chose to stand a considerable distance away from the end, in order to capture as much of the distance as possible. By standing far away he is able to capture many of the trees which helps to create the sinister look to the overall image. The light at the end of the path is also smaller yet seems brighter in contrast to the darker trees around it, which I believe was an aim of the photographer. Like the first photograph, I think he chose to crop the sides of the photo to capture half of the tree so there was a clear starting point and almost framed style for the image. The surrounding trees are large and looming while the overhead branches, much like the first photograph, form an arch-like structure. This helps create the spooky, scary feel to the photograph. I think if he cropped them out if may have made the trees seem bigger, though their inclusion works well.
The third photograph is smaller in terms of distance in contrast to the other three, so I believe the photographer stood closer to the ending/zoomed in to capture more of it. I think he chose the particular time of day when it was sunny, as it is clearly bright at the end of the path, in the field in the background. The trees create a natural shade and provide effective shadows, so the unprotected background is brighter and more prominent. I think this was done to counteract the fact the trees are very slender and have huge gaps in between-them, meaning the viewer has elsewhere to look in the image. However, the background remains a focal point of the photograph as the branches become lower; the leaves become brighter and more attractive. I think that if he stepped back more the photograph would become more reminiscent of the previous two, but the centre would be somewhat drowned out by the more prominent quantity of trees.
The fourth photograph, as stated earlier, is unique and different in appearance and composition. The photographer is stood far back from the focal point of the picture, which is the tree. There are many large purple bushes flanking him on either side or which go off into the distance. I think he stood back and didn’t zoom in, in order to catch more of the visually pleasing, unique bushes. I think if more of the horizon was included, it would show more mountain tops. However, I believe this would take away from the unique landscape style of the photograph. I think that if the photo was cropped to only make the tree visible, it would appear more confined and possibly give a good look to the image. I think the photographer chose to stand far away I order to create a look of distance and length.
Techniques used
All of the photographs feature clouds, trees and bushes in the frame. These things are susceptible to movement, and as there is clearly no evidence of blur within the photograph (If there may had been), it is highly likely that the photographer used a fast shutter speed. I think that he most likely used a shutter speed of 1/125 seconds or faster.
The aperture was likely to change with the varying nature of the photographs. The first three images all have trees surrounding the paths, which would have limited lighting in the photo. However, the images (and therefore the days themselves) are clearly bright, so a mid to high aperture was most likely used. I think an f-stop of 5.6 up to around 11. I think a lower one would have been used for the last and the second as they are heavily shrouded by trees and clearly overcast respectively. The second image may also have had a lower f/stop as the only bright light is coming from the
8. end and one side.
In terms of the rule of thirds I think that the intersecting points of the R.O.T grid would overlap both sets of flanking trees. I think that this was an intention of the photographer, as it the images clearly have a theme of distance and length.
I think the ISO would have generally been very low for all four of the images above, as they already have a lot of lighting and are visibly very clear.
Strengths & Weaknesses
Strengths:
All of the images are eye-catching and easy to look at.
They are all aesthetically pleasing.
They are unique and all follow the theme of landscape well.
All have different looks, colours and emotive direction.
Weaknesses:
The distances are different in each photograph and I personally think the set would look better if they were all of roughly equal length.
The only image with something at the end is the fourth one and I think they could all have done something like this.