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16th	
  century	
  in	
  Northern	
  Europe	
  
Sandrine	
  Le	
  Bail 	
   	
   	
   	
   	
   	
   	
   	
   	
   	
  AP	
  Art	
  History	
  
Northern	
  Europe	
  in	
  16th	
  century	
  
The	
  Protestant	
  Reforma8on	
  
1517	
  –	
  Mar8n	
  Luther	
  nailed	
  his	
  
95	
  theses	
  to	
  the	
  door	
  of	
  the	
  
Castle	
  Church	
  in	
  WiCenberg,	
  
Germany.	
  
	
  
	
  
New	
  approach	
  to	
  Chris8anity	
  
•  Path	
  to	
  salva8on	
  =	
  Faith	
  alone	
  (can’t	
  be	
  
purchased)	
  
•  Only	
  authority	
  =	
  Bible	
  (transla8on	
  in	
  German)	
  
•  All	
  Chris8ans	
  are	
  equal	
  
•  Honest	
  work	
  was	
  part	
  of	
  serving	
  God	
  
•  Clergy	
  could	
  marry	
  and	
  have	
  families	
  
Consequence	
  for	
  Art	
  
•  Images	
  =	
  blasphemous	
  and	
  idolatrous	
  for	
  
Protestants	
  (especially	
  Calvinists)	
  	
  
•  Iconoclasm	
  
•  New	
  way	
  to	
  create	
  without	
  appearing	
  to	
  
create	
  pagan	
  idols	
  
•  New	
  subjects	
  maCer	
  (portraits,	
  genre…)	
  
Lucas	
  Cranach	
  the	
  older,	
  Allegory	
  of	
  
Law	
  and	
  Grace	
  
Proverbs	
  
Expression	
  of	
  
Northern	
  Humanism	
  
	
  
	
  
	
  
	
  
Erasmus	
  of	
  
RoCerdam	
  
Print	
  
•  Invented	
  in	
  China	
  in	
  the	
  11th	
  century	
  
•  In	
  Europe	
  in	
  1450	
  by	
  the	
  German	
  printer	
  
Gutenberg	
  
Woodcut	
  
Woodcut	
  
Printmaking	
  process	
  by	
  which	
  a	
  wooden	
  
tablet	
  is	
  gouged	
  into	
  with	
  a	
  tool,	
  leaving	
  
the	
  design	
  raised	
  and	
  the	
  background	
  cut	
  
away.	
  Ink	
  is	
  rolled	
  onto	
  the	
  raised	
  por8ons,	
  
and	
  an	
  impression	
  is	
  made	
  when	
  paper	
  is	
  
applied	
  to	
  the	
  surface.	
  Woodcuts	
  have	
  
strong	
  angular	
  surfaces	
  with	
  sharply	
  
delineated	
  lines.	
  
Engraving	
  
Burin	
  
Metal	
  plate	
  
Engraving	
  
A	
  printmaking	
  process	
  by	
  which	
  a	
  tool	
  called	
  a	
  
burin	
  is	
  used	
  to	
  carve	
  into	
  a	
  metal	
  plate,	
  causing	
  
the	
  impressions	
  to	
  be	
  made	
  in	
  the	
  surface.	
  Ink	
  is	
  
passed	
  into	
  the	
  crevices	
  of	
  the	
  plate,	
  and	
  the	
  
paper	
  is	
  applied.	
  The	
  result	
  is	
  a	
  print	
  with	
  
remarkable	
  details	
  and	
  finely	
  shaded	
  contours.	
  
Dürer	
  
Woodcut	
   Engraving	
  
Hieronymus	
  Bosch	
  
c.1450	
  –	
  1516	
  
The	
  1st	
  surrealist?	
  
Bosch,	
  Seven	
  Deadly	
  Sins	
  and	
  the	
  Four	
  
Last	
  Things,	
  date	
  ?	
  
Painted	
  tabletop	
  
Lust	
  
Pride	
  
Anger	
  
Envy	
  
Avarice	
  
Glu?ony	
  
Sloth	
  
Last	
  Rites	
   Last	
  Judgement	
  
Hell	
   Heaven	
  
Pride	
  
Lorenzea,	
  Allegory	
  of	
  the	
  Bad	
  
Government,	
  Siena	
  
Bosch,	
  Garden	
  of	
  Earthly	
  Delights,	
  	
  
c.1510-­‐1515	
  
Oil	
  on	
  wood	
  
Led	
  Panel:	
  Garden	
  of	
  
Eden	
  
Central	
  Panel:	
  Garden	
  of	
  Earthly	
  
Delights	
  
Results	
  of	
  Adam	
  and	
  Eve’s	
  sin	
  
	
  
	
  
Right	
  panel:	
  Hell	
  
Bosch,	
  Garden	
  of	
  Earthly	
  Delights,	
  	
  
c.1510-­‐1515	
  
-­‐  Rela8on	
  between	
  the	
  3	
  panels	
  
-­‐  Figures	
  are	
  light	
  and	
  
nonsubstan8al	
  
-­‐  No	
  individuality	
  of	
  the	
  figures	
  
-­‐  High	
  Horizon	
  pack	
  many	
  details	
  	
  
-­‐  Unknown	
  meaning	
  
	
  	
  	
  	
  	
  Warning	
  against	
  lust	
  and	
  the	
  
transience	
  of	
  worldly	
  pleasure?	
  
	
  	
  	
  	
  	
  Four	
  stage	
  of	
  alchemy?	
  
1)	
  Bringing	
  together	
  the	
  opposite	
  
elements	
  
2)	
  Mixing	
  
3)	
  Purifica8on	
  process	
  by	
  fire	
  
Cleansing	
  of	
  the	
  elements	
  (not	
  
illustrated)	
  
Pieter	
  Bruegel	
  the	
  Elder	
  
c.1525-­‐1569	
  
Pieter	
  Bruegel	
  the	
  Elder,	
  Landscape	
  
with	
  the	
  Fall	
  of	
  Icarus,	
  1554-­‐1555	
  
Pieter	
  Bruegel	
  the	
  Elder,	
  Netherlandish	
  
Proverbs,	
  1559	
  
“To	
  be	
  able	
  to	
  8e	
  even	
  the	
  devil	
  to	
  a	
  pillow”	
  	
  
Obs8nacy	
  overcomes	
  everything	
  
To	
  bell	
  the	
  cat	
  
	
  
To	
  carry	
  out	
  a	
  dangerous	
  or	
  imprac8cal	
  plan	
  
One	
  shears	
  sheep,	
  the	
  other	
  shears	
  pigs	
  
One	
  has	
  all	
  the	
  advantages,	
  the	
  other	
  none	
  
She	
  puts	
  the	
  blue	
  cloak	
  on	
  her	
  husband	
  
	
  	
  	
  	
  	
  She	
  deceives	
  him	
  
Pieter	
  Bruegel,	
  the	
  Seasons	
  
Genre	
  painFngs	
  
Pieter	
  Brueghel,	
  Return	
  of	
  the	
  Hunters,	
  
1565	
  	
  
November	
  /	
  December	
  
Pieter	
  Brueghel	
  
•  Northern	
  Renaissance	
  style	
  
•  Peasants	
  =	
  new	
  humanism	
  of	
  the	
  Renaissance	
  
•  Life	
  of	
  ordinary	
  people	
  =	
  genre	
  painFng	
  
•  Naturalism	
  for	
  the	
  landscape	
  
•  Importance	
  of	
  details	
  
•  Knowledge	
  of	
  linear	
  perspec8ve	
  and	
  Italian	
  
landscape	
  composi8on	
  
Albrecht	
  Dürer	
  
1471-­‐1528	
  
German	
  
?	
  
Albrecht	
  Dürer	
  
Son	
  of	
  a	
  goldsmith	
  
Travelled	
  twice	
  in	
  
Italy	
  
Studied	
  Italian	
  Ar8sts	
  
Wrote	
  The	
  Four	
  
books	
  oh	
  Human	
  
ProporGons	
  
Albrecht	
  Dürer:	
  Leonardo	
  of	
  the	
  
North	
  
Goldsmith	
  
	
  
Oil	
  and	
  watercolor	
  
painGng	
  
	
  
Woodcut	
  and	
  
Engraving	
  
	
  
Businessman	
  
Nature	
  =	
  the	
  
greatest	
  
teacher	
  
Albrecht	
  Dürer,	
  Self	
  Portrait,	
  1500	
  
New	
  status	
  for	
  ar8sts	
  
Albrecht	
  Dürer,	
  	
  
The	
  Fall	
  of	
  Man,	
  
1504	
  
Engraving	
  
Cross-­‐hatching	
  –	
  incising	
  lines	
  over	
  other	
  
lines	
  in	
  a	
  perpendicular	
  fashion	
  to	
  create	
  
design	
  
Apollo	
  of	
  the	
  
Belvedere	
  
Venus	
  Medici	
  
Mouse	
  -­‐	
  Satan	
  
Cat	
  –	
  choleric	
  or	
  angry	
  
Rabbit	
  –	
  sanguine	
  or	
  energe8c	
  
Ox	
  –	
  Phlegma8c	
  or	
  lethargic	
  
Elk	
  –	
  melancholic	
  or	
  sad	
  
Parrot	
  -­‐	
  cleverness	
  
4	
  humors	
  =	
  body	
  fluids	
  
that	
  medieval	
  
physiologists	
  believed	
  
dictated	
  human	
  
personality	
  
They	
  were	
  kept	
  in	
  
balance	
  before	
  the	
  Fall	
  
of	
  Man	
  
Fusion	
  between	
  
	
  	
  	
  
Italian	
  massive	
  form	
  
and	
  	
  
Northern	
  devo8on	
  
to	
  detailed	
  
pain8ngs	
  
Albrecht	
  Dürer,	
  
Four	
  Horsemen	
  
of	
  the	
  
Apocalypse,	
  	
  
c.1497-­‐98	
  
From	
  the	
  book	
  Apocalypse,	
  full	
  text	
  of	
  
the	
  Book	
  of	
  RevelaGon	
  in	
  La8n	
  and	
  
German	
  
Death	
  
Famine	
  
God	
  
Plague	
  
War	
  
MaChias	
  Grünewald,	
  Isenheim	
  
Alterpiece	
  
For	
  the	
  hospital	
  chapel	
  of	
  the	
  monastery	
  of	
  Saint	
  Anthony	
  in	
  Isenheim	
  
Specialized	
  in	
  skin	
  diseases,	
  parFcularly	
  ergoFsm	
  –	
  “Saint	
  Anthony’s	
  fire”	
  
ErgoFsm:	
  disease	
  caused	
  
by	
  ea8ng	
  a	
  fungus	
  that	
  
grows	
  on	
  rye	
  floor	
  
MaChias	
  Grünewlad,	
  Crucifixion	
  with	
  Saint	
  
Sebas8an	
  and	
  Saint	
  Anthony,	
  1510-­‐1515	
  
1st	
  view:	
  
altarpiece	
  
closed	
  during	
  
the	
  week	
  
Saint	
  Sebas8an	
  (plague)	
  
Saint	
  Anthony	
  
MaChias	
  Grünewald,	
  AnnunciaGon,	
  Virgin	
  
and	
  Child	
  with	
  Angels,	
  and	
  ResurrecGon,	
  
Isenheim,	
  1510-­‐1515	
  
2nd	
  view:	
  Sunday	
  
and	
  Holidays	
  
Nicholas	
  von	
  Hagenau	
  
3rd	
  view	
  
Lucas	
  Cranach	
  the	
  Elder	
  
1472-­‐1553	
  
Germany	
  
Lucas	
  Cranach	
  
the	
  Elder,	
  
Judgment	
  of	
  
Paris,	
  1530	
  
Lucas	
  Cranach	
  
The	
  Elder,	
  
Judith	
  with	
  the	
  
Head	
  of	
  
Holophernes,	
  
1530	
  
Lucas	
  Cranach	
  
the	
  Elder,	
  
Crucifixion,	
  
1503	
  
Hans	
  Holbein	
  the	
  Younger	
  
c.1497-­‐1543	
  
German	
  
Hans	
  Holbein	
  
the	
  Younger,	
  
Erasmus	
  of	
  
RoCerdam,	
  	
  
c.1523	
  
Erasmus	
  recommended	
  Holbein	
  
to	
  Sir	
  Thomas	
  More,	
  chancellor	
  
of	
  England	
  and	
  an	
  associate	
  of	
  
King	
  Henry	
  VIII	
  
Hans	
  
Holbein	
  the	
  
Younger,	
  
Henry	
  VIII,	
  	
  
c.1540	
  	
  
Hans	
  Holbein,	
  the	
  Younger,	
  The	
  French	
  
Ambassadors,	
  1553	
  
Jean	
  de	
  Dinteville	
   Georges	
  de	
  Selve	
  
Educated	
  background	
  
Anamorphic	
  image:	
  	
  
image	
  that	
  must	
  be	
  viewed	
  by	
  a	
  special	
  means,	
  such	
  as	
  
a	
  mirror,	
  in	
  order	
  to	
  be	
  recognized	
  
Characteris8cs	
  of	
  16th	
  century	
  pain8ng	
  
•  Many	
  Northern	
  ar8sts	
  traveled	
  in	
  Italy	
  
•  Assimila8on	
  of	
  the	
  Italian	
  Renaissance	
  (especially	
  
Michelangelo)	
  
•  Influence	
  of	
  the	
  use	
  of	
  massiveness	
  and	
  size	
  
•  Influence	
  of	
  mannerism	
  (elonga8on	
  and	
  stylized	
  
figures)	
  
•  Importance	
  of	
  the	
  minute	
  details	
  
•  Importance	
  of	
  symbols	
  
•  Love	
  for	
  landscape	
  
Sculpture	
  
Very	
  few	
  sculpture	
  produced	
  in	
  the	
  Northern	
  
countries	
  -­‐	
  Idolatry	
  

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fd

  • 1. 16th  century  in  Northern  Europe   Sandrine  Le  Bail                    AP  Art  History  
  • 2. Northern  Europe  in  16th  century  
  • 3. The  Protestant  Reforma8on   1517  –  Mar8n  Luther  nailed  his   95  theses  to  the  door  of  the   Castle  Church  in  WiCenberg,   Germany.      
  • 4. New  approach  to  Chris8anity   •  Path  to  salva8on  =  Faith  alone  (can’t  be   purchased)   •  Only  authority  =  Bible  (transla8on  in  German)   •  All  Chris8ans  are  equal   •  Honest  work  was  part  of  serving  God   •  Clergy  could  marry  and  have  families  
  • 5.
  • 6. Consequence  for  Art   •  Images  =  blasphemous  and  idolatrous  for   Protestants  (especially  Calvinists)     •  Iconoclasm   •  New  way  to  create  without  appearing  to   create  pagan  idols   •  New  subjects  maCer  (portraits,  genre…)  
  • 7. Lucas  Cranach  the  older,  Allegory  of   Law  and  Grace  
  • 8. Proverbs   Expression  of   Northern  Humanism           Erasmus  of   RoCerdam  
  • 9. Print   •  Invented  in  China  in  the  11th  century   •  In  Europe  in  1450  by  the  German  printer   Gutenberg  
  • 11.
  • 12.
  • 13. Woodcut   Printmaking  process  by  which  a  wooden   tablet  is  gouged  into  with  a  tool,  leaving   the  design  raised  and  the  background  cut   away.  Ink  is  rolled  onto  the  raised  por8ons,   and  an  impression  is  made  when  paper  is   applied  to  the  surface.  Woodcuts  have   strong  angular  surfaces  with  sharply   delineated  lines.  
  • 15.
  • 16.
  • 17. Engraving   A  printmaking  process  by  which  a  tool  called  a   burin  is  used  to  carve  into  a  metal  plate,  causing   the  impressions  to  be  made  in  the  surface.  Ink  is   passed  into  the  crevices  of  the  plate,  and  the   paper  is  applied.  The  result  is  a  print  with   remarkable  details  and  finely  shaded  contours.  
  • 18. Dürer   Woodcut   Engraving  
  • 19. Hieronymus  Bosch   c.1450  –  1516   The  1st  surrealist?  
  • 20. Bosch,  Seven  Deadly  Sins  and  the  Four   Last  Things,  date  ?   Painted  tabletop  
  • 21.
  • 22. Lust   Pride   Anger   Envy   Avarice   Glu?ony   Sloth   Last  Rites   Last  Judgement   Hell   Heaven  
  • 24.
  • 25. Lorenzea,  Allegory  of  the  Bad   Government,  Siena  
  • 26. Bosch,  Garden  of  Earthly  Delights,     c.1510-­‐1515   Oil  on  wood  
  • 27. Led  Panel:  Garden  of   Eden  
  • 28. Central  Panel:  Garden  of  Earthly   Delights   Results  of  Adam  and  Eve’s  sin      
  • 29.
  • 30.
  • 31.
  • 32.
  • 34.
  • 35.
  • 36.
  • 37.
  • 38.
  • 39. Bosch,  Garden  of  Earthly  Delights,     c.1510-­‐1515   -­‐  Rela8on  between  the  3  panels   -­‐  Figures  are  light  and   nonsubstan8al   -­‐  No  individuality  of  the  figures   -­‐  High  Horizon  pack  many  details     -­‐  Unknown  meaning            Warning  against  lust  and  the   transience  of  worldly  pleasure?            Four  stage  of  alchemy?   1)  Bringing  together  the  opposite   elements   2)  Mixing   3)  Purifica8on  process  by  fire   Cleansing  of  the  elements  (not   illustrated)  
  • 40. Pieter  Bruegel  the  Elder   c.1525-­‐1569  
  • 41. Pieter  Bruegel  the  Elder,  Landscape   with  the  Fall  of  Icarus,  1554-­‐1555  
  • 42. Pieter  Bruegel  the  Elder,  Netherlandish   Proverbs,  1559  
  • 43. “To  be  able  to  8e  even  the  devil  to  a  pillow”     Obs8nacy  overcomes  everything  
  • 44. To  bell  the  cat     To  carry  out  a  dangerous  or  imprac8cal  plan  
  • 45. One  shears  sheep,  the  other  shears  pigs   One  has  all  the  advantages,  the  other  none  
  • 46. She  puts  the  blue  cloak  on  her  husband            She  deceives  him  
  • 47. Pieter  Bruegel,  the  Seasons   Genre  painFngs  
  • 48. Pieter  Brueghel,  Return  of  the  Hunters,   1565     November  /  December  
  • 49. Pieter  Brueghel   •  Northern  Renaissance  style   •  Peasants  =  new  humanism  of  the  Renaissance   •  Life  of  ordinary  people  =  genre  painFng   •  Naturalism  for  the  landscape   •  Importance  of  details   •  Knowledge  of  linear  perspec8ve  and  Italian   landscape  composi8on  
  • 51. ?  
  • 52. Albrecht  Dürer   Son  of  a  goldsmith   Travelled  twice  in   Italy   Studied  Italian  Ar8sts   Wrote  The  Four   books  oh  Human   ProporGons  
  • 53. Albrecht  Dürer:  Leonardo  of  the   North   Goldsmith     Oil  and  watercolor   painGng     Woodcut  and   Engraving     Businessman  
  • 54. Nature  =  the   greatest   teacher  
  • 55.
  • 56. Albrecht  Dürer,  Self  Portrait,  1500   New  status  for  ar8sts  
  • 57. Albrecht  Dürer,     The  Fall  of  Man,   1504   Engraving   Cross-­‐hatching  –  incising  lines  over  other   lines  in  a  perpendicular  fashion  to  create   design  
  • 58. Apollo  of  the   Belvedere   Venus  Medici  
  • 59. Mouse  -­‐  Satan   Cat  –  choleric  or  angry   Rabbit  –  sanguine  or  energe8c   Ox  –  Phlegma8c  or  lethargic   Elk  –  melancholic  or  sad   Parrot  -­‐  cleverness   4  humors  =  body  fluids   that  medieval   physiologists  believed   dictated  human   personality   They  were  kept  in   balance  before  the  Fall   of  Man  
  • 60.
  • 61. Fusion  between         Italian  massive  form   and     Northern  devo8on   to  detailed   pain8ngs  
  • 62. Albrecht  Dürer,   Four  Horsemen   of  the   Apocalypse,     c.1497-­‐98   From  the  book  Apocalypse,  full  text  of   the  Book  of  RevelaGon  in  La8n  and   German  
  • 63. Death   Famine   God   Plague   War  
  • 64. MaChias  Grünewald,  Isenheim   Alterpiece   For  the  hospital  chapel  of  the  monastery  of  Saint  Anthony  in  Isenheim   Specialized  in  skin  diseases,  parFcularly  ergoFsm  –  “Saint  Anthony’s  fire”   ErgoFsm:  disease  caused   by  ea8ng  a  fungus  that   grows  on  rye  floor  
  • 65.
  • 66. MaChias  Grünewlad,  Crucifixion  with  Saint   Sebas8an  and  Saint  Anthony,  1510-­‐1515   1st  view:   altarpiece   closed  during   the  week   Saint  Sebas8an  (plague)   Saint  Anthony  
  • 67.
  • 68.
  • 69. MaChias  Grünewald,  AnnunciaGon,  Virgin   and  Child  with  Angels,  and  ResurrecGon,   Isenheim,  1510-­‐1515   2nd  view:  Sunday   and  Holidays  
  • 70.
  • 71.
  • 72. Nicholas  von  Hagenau   3rd  view  
  • 73. Lucas  Cranach  the  Elder   1472-­‐1553   Germany  
  • 74. Lucas  Cranach   the  Elder,   Judgment  of   Paris,  1530  
  • 75. Lucas  Cranach   The  Elder,   Judith  with  the   Head  of   Holophernes,   1530  
  • 76. Lucas  Cranach   the  Elder,   Crucifixion,   1503  
  • 77. Hans  Holbein  the  Younger   c.1497-­‐1543   German  
  • 78. Hans  Holbein   the  Younger,   Erasmus  of   RoCerdam,     c.1523   Erasmus  recommended  Holbein   to  Sir  Thomas  More,  chancellor   of  England  and  an  associate  of   King  Henry  VIII  
  • 79. Hans   Holbein  the   Younger,   Henry  VIII,     c.1540    
  • 80. Hans  Holbein,  the  Younger,  The  French   Ambassadors,  1553  
  • 81. Jean  de  Dinteville   Georges  de  Selve  
  • 83.
  • 84.
  • 85. Anamorphic  image:     image  that  must  be  viewed  by  a  special  means,  such  as   a  mirror,  in  order  to  be  recognized  
  • 86. Characteris8cs  of  16th  century  pain8ng   •  Many  Northern  ar8sts  traveled  in  Italy   •  Assimila8on  of  the  Italian  Renaissance  (especially   Michelangelo)   •  Influence  of  the  use  of  massiveness  and  size   •  Influence  of  mannerism  (elonga8on  and  stylized   figures)   •  Importance  of  the  minute  details   •  Importance  of  symbols   •  Love  for  landscape  
  • 87. Sculpture   Very  few  sculpture  produced  in  the  Northern   countries  -­‐  Idolatry