Soviet cinema-2016
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This document discusses the development of Soviet silent cinema and the theory of montage between 1917-1931. It introduces the Kuleshov technique using juxtaposition to create abstract meanings. It then covers Eisenstein's theories of intellectual montage and montage of attractions to shock audiences into political commitment. The Bolsheviks saw art as reflecting dialectical materialism and the montage technique was aimed to incorporate this dialectic. The Russian Revolution in 1917 led to the establishment of a communist state committed to radically restructuring society and culture, including cinema which was seen as an important art form for propaganda. The film Strike from 1925 is analyzed as an example that engages the audience through montage rather than individual acting.
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Raoul Hausmann's Mechanical Head (1920) was created during the Berlin Dada movement as a reaction against bourgeois German society and earlier 20th century avant-garde movements like Expressionism, Cubism, and Futurism. The work incorporates everyday objects like a tape measure, ruler, wallet, and watch to dismantle notions of art and commodity. Photomontage also emerged during this period as Dadaists sought to deconstruct images and consumer culture through collage.
I485054.pdf
American Research Journal of Humanities & Social Science (ARJHSS) is a double blind peer reviewed, open access journal published by (ARJHSS).
Konstruktywizm Łukasz
Constructivism began in Russia in 1913 as an abstract art movement. The first constructivists were Kazimir Malevich and Alexander Radchenko. Constructivism aimed to create new worlds and realities without counterparts in nature using only simple geometric forms like circles, triangles, and straight lines. Kazimir Malevich postulated that form was the highest value in art, using only squares, rectangles, circles, straight lines, and crosses. Alexander Rodchenko reduced painting to its basic colors of red, blue, and yellow. Constructivism spread to Poland through groups like Blok, Praesens, and a.r., with artists like Henryk Stazewski, Wladyslaw Strzemiński
Theory
This poster from World War 2 depicts Hitler being pushed back by a large red Soviet arm and pistol, with Napoleon in the background and the text "Napoleon was wiped out, Hitler will be wiped out." It uses vivid red color and simple silhouettes to portray the Red Army as powerful against the weak Nazis. The poster references Russia's defeat of Napoleon in 1812 to inspire confidence that the Soviets will also defeat Hitler, and uses minimal text so the anti-Nazi message can be understood regardless of literacy or language skills.
Towards a nonviolent civil defence : 3 Non-armed civil resistance in Czechosl...
Towards a nonviolent civil defence : 3 Non-armed civil resistance in Czechosl...Institut de recherche sur la Résolution Non-violente des Conflits
In August 1968, the Soviet Union and Warsaw Pact countries invaded Czechoslovakia to reassert communist control after the liberalizing Prague Spring reforms. The Czechoslovak people resisted nonviolently, with over 1,300 delegates secretly attending the Communist Party congress to condemn the invasion. Civilians blocked Soviet tanks, painted anti-invasion slogans, and demoralized soldiers. Clandestine radios spread information. However, Czechoslovak leaders capitulated and signed agreements ending the resistance, demobilizing the population and beginning a period of normalization of communist rule. The nonviolent resistance may have succeeded longer if not for the leaders' collaboration.Similar to Soviet cinema-2016 (20)
NCD. — 04. Nonviolent struggles against communist dictatorship in Eastern Eur...
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Edward R. Murrow and his television news show See It Now (1951-1958) took a different approach to television news compared to previous documentary filmmakers. Murrow was not interested in objective analysis but rather focused on highlighting problems in society. The production of See It Now was chaotic, with film shot and rushed to New York for editing. Segments were assigned to staff who edited around the clock. Despite positive viewer response and letters of support for Murrow's reporting, the show lost corporate sponsorship from Alcoa at the end of 1954-1955 due to lack of support from CBS president Paley. This led to the end of See It Now.
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This document summarizes the development of television from the early 20th century through the 1970s. It covers technological developments like the transition to electronic scanning. It discusses the growth of television programming and genres like quiz shows. It also addresses the influence of advertising, government and politics on television through events like the quiz show scandals, McCarthyism, and the Vietnam War. The document analyzes how television was critiqued in works like Newton Minow's "vast wasteland" speech and the film Network.
Birth of a nation within our gates-2021
D.W. Griffith was an influential early American film director who helped develop cinematic techniques like close-ups, parallel editing, and the use of camera movement. His 1915 film Birth of a Nation promoted racist ideas about Reconstruction and the role of the Ku Klux Klan. Oscar Micheaux was a pioneering African American filmmaker who produced over 40 race films between 1919-1950, including Within Our Gates which directly responded to and critiqued the racist narrative of Birth of a Nation.
Week 1-oct-2021
This document discusses historiography and approaches to historical writing, including monumental, antiquarian, and critical approaches. It then summarizes sections on early film historians, the American film "American Progress", and how early film historians fit within 19th century discourse on technology and political liberty. The summary discusses how later historians adopted more comprehensive and prismatic perspectives using theoretical paradigms like auteurism, genre studies, and cultural studies.
New+hwood
This document discusses changes in Hollywood filmmaking from the 1960s to the late 1970s. It describes how the New Hollywood era of the 1960s saw a shift towards more experimental, European-influenced films influenced by directors like Godard and Kurosawa that tackled social issues. Key films like Bonnie and Clyde and Easy Rider heralded this change by appealing to youth audiences. By the late 1970s, large studios shifted towards producing blockbuster films to appeal to broad audiences internationally in order to offset financial risks, with directors like Spielberg and Lucas leading this change towards spectacle and feel-good entertainment.
New hwood
The document summarizes changes in Hollywood filmmaking from the 1960s to the late 1970s. In the 1960s, films became more expensive to produce due to various economic factors. European and international films influenced Hollywood with more experimental styles. Films like Bonnie and Clyde and Easy Rider heralded a new era known as New Hollywood characterized by youth culture films and explicit depictions of sex and violence. In the late 1970s, large studios shifted to a blockbuster model in response to financial troubles, focusing on large-budget films aimed at broad audiences.
New+wave
The French New Wave was a film movement that emerged in the late 1950s as a rejection of the prevailing mode of literary adaptations and Hollywood emulation in French cinema. Young film critics at Cahiers du Cinema, like Truffaut, Godard, and Chabrol, revered the long take and rejected montage. In 1959, seminal New Wave films like Resnais' Hiroshima Mon Amour, Godard's Breathless, and Truffaut's The 400 Blows were released. The New Wave films used techniques like location shooting, available lighting, handheld cameras, and jump cuts that broke conventions and gave the films a casual, improvised feel.
Hitchcock
The document summarizes key aspects of postwar Hollywood in the 1950s, including the impact of the Cold War on film narratives and blacklisting of suspected communists. It discusses how the House Un-American Activities Committee investigated the film industry for communist influence and led to over 300 people being fired. New technologies like widescreen and color, as well as the rise of television, contributed to the decline of the classic Hollywood studio system. Alfred Hitchcock's Vertigo is analyzed as a product of this postwar Hollywood era.
Wartime%2 band%2b postwar%2bcinema%2bunited%2bstates-2016
This document discusses wartime propaganda films from Nazi Germany and the United States during World War 2. It contrasts the simplistic, emotional style of Nazi films like Triumph of the Will with the idealized but censored portrayals of combat and racial equality in American films of the era. The document also introduces the postwar film genre of film noir, noting its visual style, narrative conventions, and themes of disillusionment that emerged from conditions of war and its aftermath.
Week 10 citizen kane
Citizen Kane is Orson Welles' 1941 film that tells the life story of newspaper tycoon Charles Foster Kane through a series of flashbacks. It was Welles' first feature film and he was given significant creative control by RKO studios. The film pioneered numerous innovative cinematography techniques like deep focus photography and long takes. It also featured expressionist lighting and camera angles as well as an unconventional non-linear narrative structure that examined Kane's life from different perspectives. Citizen Kane was both a critical and commercial failure upon release but is now widely considered one of the greatest films ever made.
Europe in the thirties grand-illusion-2016
France in the 1930s saw three waves of avant-garde cinema movements that experimented with narrative forms and visual styles, including Impressionism, Dadaism, and Surrealism. The third avant-garde was ended by the introduction of sound film which raised production costs. Poetic realism then emerged, combining lyricism and realism through techniques like deep focus shots and sequence shots. Films from this era also explored more complex human relations beyond good and bad guys. Renoir's 1937 film Grand Illusion addressed the senselessness of war and promoted humanism, but was banned in Germany as Goebbels viewed it as cinema's biggest enemy.
Scarface a-2016
1. The transition to sound film in the late 1920s dramatically increased production costs for Hollywood studios and made the industry reliant on major financial backers in New York.
2. Warner Bros. was an early adopter of sound and saw huge profits as a result, allowing it to acquire theaters. Increased profits during this period helped the film industry survive the Great Depression.
3. In response to scandals and calls for censorship in the early 1920s, Hollywood established the Motion Picture Producers and Distributors of America to self-regulate and introduce the Production Code in 1934 to restrict depictions of sex, profanity, and other controversial topics.
Keaton a-2016
This document provides an overview of the development of classical silent cinema from 1908 to 1927. It discusses the founding of studios like Universal, Paramount, and Fox in response to Thomas Edison's Motion Picture Patents Company monopoly. It also describes how Hollywood emerged as the center of film production due to its warm climate and variety of filming locations. Key figures like Mack Sennett, Buster Keaton, and Thomas Ince established important innovations in comedy films and the studio system during this period.
Germany 2016
German Expressionist films of the 1920s sought to portray disturbed psychological states through exaggerated and distorted visuals meant to create an unsettling mood, or Stimmung. Key characteristics included angular compositions, stark contrasts between light and shadow, and stylized acting. While very innovative technically, these films struggled financially due to a small German market and mixed reception overseas. Fritz Lang's 1927 film Metropolis exemplified Expressionist styles through its futuristic yet Gothic set designs and used exaggerated performances to represent the class divide between workers and owners in a dystopian industrial city. Scholars debate whether the film presented socialist or fascist ideals through its themes of technological control and narratives of malevolent rulers.
Birth of a nation
D.W. Griffith was a pioneering American film director who helped develop early narrative film techniques between 1908-1913 while working with American Mutoscope and Biograph Company. Some of his innovations included close-ups, cutbacks, cross-cutting, parallel editing, and developing interframe narrative through breaking scenes into multiple shots. His 1915 film Birth of a Nation was groundbreaking technically but also promoted racist ideologies through its glorification of the Ku Klux Klan and portrayal of black men as sexually threatening. While innovative cinematically, the film reflected and helped spread dangerous American myths about race through its narrative and perspective.
Week 2-oct-2016
1) Early cinema between 1893-1903 saw technological advances in capturing and projecting films, including the development of celluloid film and intermittent motion cameras.
2) Notable early filmmakers and their works included the Edison Studios (first public film screening in 1893), the Lumière brothers (first films shot outdoors on location in 1895), and Georges Méliès (used special effects and narrative films starting in 1902).
3) Edwin Porter introduced more advanced cinematic techniques in 1903's The Great Train Robbery, including multiple shots, camera movement, and temporal overlap. This helped establish narrative as the dominant filmmaking form by 1904.
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Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
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Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
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3:国家专业人才认证中心颁发入库证书
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Soviet cinema-2016
- 1. Soviet Silent Cinema and the Theory of Montage, 1917-1931
- 2. Kuleshov Technique • Kuleshov – Formalism • Editing most important – Mosjoukine was an actor in Tsarist-era films – Shots of Mosjoukine were juxtaposed with other images to create abstract meanings. • Thesis (shot A) + antithesis (shot B) = synthesis (idea, concept) • Tertium quid: a “third thing”, a concept that is greater than the sum of its parts (individual images).
- 3. Eisensteinian Montage • Eisenstein • Montage of Attractions – Shock audiences into political commitment • Modes of montage • Metric Montage– shots of varying length (24 frames per second) • Rhythmic Montage– shots of varying composition (includes all graphic mass in the shot and its organization in the frame). • Tonal Montage– shots of varying atmospherics (lighting, contrast, lenses, noise) • Overtonal Montage– overall effect of the paradigmatic and syntactical organization of the shots. • Paradigm = selection of shots • Syntax = ordering of shots • Intellectual Montage– creates abstract concepts
- 4. Political Significance of Montage • Bolsheviks saw society developing through conflict: ‘dialectical materialism’ – aimed to incorporate this dialectic into art • Montage – Dialectical
- 5. Revolution • Eisenstein once wrote there is no art without conflict. • World War I ended in 1918. – Provided the opportunity for rebellions and revolutions across Europe • Ireland 1916 • Russia 1917 • Germany 1919 • Mutinies in the French and British armies in 1918
- 6. Revolution • Russia – most successful revolution – abolition of tsarist rule • Revolution went though several stages – October 1917 - an insurrection brought to power the Bolshevik Party (communists) • Committed to a radically new form of society.
- 7. Communist State • “In order to put an end to the survivals of feudalism, the estates system, and inequality in all spheres of social life, decrees were issued abolishing the state, removing restrictions based on nationality or religion, separating the church from the state and the schools from the church, establishing equality for women and the equality of all nationalities in Russia.” • “In order to undermine the economic power of the bourgeoisie and to create a new, Soviet national economy, and, in the first place, to create a new, Soviet industry, the banks, railways, foreign trade, the mercantile fleet and all large enterprises in all branches of the industry - coal, metal, oil, chemicals, machine building, textiles, sugar, etc. - were nationalised.” – History of the Communist Party of the Soviet Union, 1939.
- 8. Cinema • Communists believed that art, culture and entertainment needed dramatic change • Lenin: “Of all arts, for us the cinema is the most important.” – Cinema was a popular art form, it appealed to the working classes – In countryside provided a new experience for the peasants (agit prop trains) – Challenged to young artists and intellectuals to imagine a new Russia – Dramatize the revolution
- 9. Strike (1925) • Mode – Mixture of naturalism and stylization – Mixture of romanticism and clownishness • naturalism <-> stylization in characters? – Realism - Cossacks/ police – Caricature - capitalists – Theatrical grotesque – spies – Circus eccentricism - hobo king and minions – Romantic hero – workers • Motifs – animals, water, circles • Montage – Metaphor slaughterhouse, map/ink, lemon squeezer • Typage – not individualism; not star system • Example of class • Engagement not from acting but montage