The document discusses several narrative theory concepts that can be applied to constructing a narrative for a music video. It outlines Claude Levi-Strauss's theory of binary opposites, Vladimir Propp's identification of 32 character categories for folk tales, and Tzvetan Todorov's five stages of narrative structure: equilibrium, disruption, realization, attempt to repair, and new equilibrium. When making the music video, the document proposes incorporating these concepts through using day/night imagery, defining character roles of victim and superhero, and employing flashbacks to tell a linear story that ends where it began to subvert expectations.