Music videos by XXYYXX
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The document provides analysis of several music videos in the chillwave genre. It summarizes key elements of each video, such as surreal imagery and colors, lack of strong narratives, and disorienting editing techniques. It notes these elements create trippy and hallucinogenic feelings that match the genre's music. The document also discusses plans to incorporate nature imagery and a story line involving a young girl's journey through a forest for a new music video, combining realistic and surreal elements.
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Music Videos Analysis
The document analyzes conventions found in chillwave music videos. It discusses several videos including M83 - Wait, Giraffage & XXYYXX – Even Though, Bondax – Giving It All, XXYYXX – Never Leave, and Bonobo - Cirrus. Key conventions discussed include the use of surreal/psychedelic elements, a minimal or confusing narrative, bright colors, nature scenes, and visuals that relate to the music. The document notes several techniques that will be incorporated into the author's own music video.
On location shots presentation
The document discusses the use of makeup, props, and other elements in the production of a music video. Specifically, it mentions that the makeup was inspired by A Clockwork Orange to achieve both a sinister and humorous look. Props like a rubber duck, piñata, and play balls were included to seem child-like but give off a sinister feel. Cardboard boxes were spray painted and used as a wall and to display lyrics during parts of the song. The overall goal was to juxtapose the visual elements with what was happening in the video.
Part1
The document discusses how a student media product uses, develops, and challenges conventions of real media products. It summarizes that the music video follows conventions such as a single narrative structure and club setting but challenges norms through elements of humor and a dream sequence. Camera shots and editing aim to effectively portray the concept and flow with the music, while the mise-en-scene captures the feel of techno-mix music videos through settings, lighting, and dancing. The video drew inspiration from other dance-focused music videos to incorporate performance and influence viewers in a way typical of the genre.
Carol vernallis
Carol Vernallis observed that music video editing follows different conventions than film or television editing. She found that edits in music videos are more frequent and regular, may break continuity rules, and often connect to the rhythmic beat of the song. Additionally, music video camerawork may move with the music and use a variety of shots, with extremes and certain frames given more importance. Examples cited include Beyoncé's "Countdown" video using jump cuts and effects synchronized to the song's beat, and Katy Perry's "Firework" video adding special effects to draw attention to expressing her emotions.
Treatment Sheet
The document discusses plans for a music video for the song "Fluorescent Adolescent" by the band Arctic Monkeys. It will feature the band performing in a rented music studio practice room to capture their live energy. It will also show the band in their everyday lives to convey their youthful lifestyle. The video takes inspiration from other indie music videos that feature the band's clothing styles and focus on their performances as well as more casual settings.
How effective is the combination between our music
The document discusses a band's music video and accompanying digipak. It notes that the band's album artwork has varied in style. For their new music video and digipak, the band took inspiration from the attire worn on the cover of their third album. Both the music video and digipak feature the same costumes to portray the flagship song and set the mood for the album. While the attire is the same, the styles of the music video and digipak differ - the music video tells a story and the digipak has a neutral, business-like layout. Lyrics from the music video song are included in the digipak to connect it to the video.
Overview of Question 1
The document discusses the locations, costumes, props, and camerawork used in a music video. Two main locations were used: a forest and kitchen. Everyday locations and costumes were chosen so audiences could relate to the narrative. Work attire was used to portray the characters as working class. A kitchen knife prop added realism. Camera movements varied between panning shots for calm scenes and running shots for tension. Editing effects like cross-fading and slow motion were added in post-production.
Eq1 media
The music video challenges conventions by using a basketball game as a metaphor for the ups and downs of love rather than literally representing the song lyrics. It incorporates slow motion and a black and white filter for visual effect. The digipak design is highly conventional, drawing inspiration from rock bands like Kings of Leon. It uses a simple color scheme and font for the album cover and a similar design with a filter for the advertisement.
Recommended
Music Videos Analysis
The document analyzes conventions found in chillwave music videos. It discusses several videos including M83 - Wait, Giraffage & XXYYXX – Even Though, Bondax – Giving It All, XXYYXX – Never Leave, and Bonobo - Cirrus. Key conventions discussed include the use of surreal/psychedelic elements, a minimal or confusing narrative, bright colors, nature scenes, and visuals that relate to the music. The document notes several techniques that will be incorporated into the author's own music video.
On location shots presentation
The document discusses the use of makeup, props, and other elements in the production of a music video. Specifically, it mentions that the makeup was inspired by A Clockwork Orange to achieve both a sinister and humorous look. Props like a rubber duck, piñata, and play balls were included to seem child-like but give off a sinister feel. Cardboard boxes were spray painted and used as a wall and to display lyrics during parts of the song. The overall goal was to juxtapose the visual elements with what was happening in the video.
Part1
The document discusses how a student media product uses, develops, and challenges conventions of real media products. It summarizes that the music video follows conventions such as a single narrative structure and club setting but challenges norms through elements of humor and a dream sequence. Camera shots and editing aim to effectively portray the concept and flow with the music, while the mise-en-scene captures the feel of techno-mix music videos through settings, lighting, and dancing. The video drew inspiration from other dance-focused music videos to incorporate performance and influence viewers in a way typical of the genre.
Carol vernallis
Carol Vernallis observed that music video editing follows different conventions than film or television editing. She found that edits in music videos are more frequent and regular, may break continuity rules, and often connect to the rhythmic beat of the song. Additionally, music video camerawork may move with the music and use a variety of shots, with extremes and certain frames given more importance. Examples cited include Beyoncé's "Countdown" video using jump cuts and effects synchronized to the song's beat, and Katy Perry's "Firework" video adding special effects to draw attention to expressing her emotions.
Treatment Sheet
The document discusses plans for a music video for the song "Fluorescent Adolescent" by the band Arctic Monkeys. It will feature the band performing in a rented music studio practice room to capture their live energy. It will also show the band in their everyday lives to convey their youthful lifestyle. The video takes inspiration from other indie music videos that feature the band's clothing styles and focus on their performances as well as more casual settings.
How effective is the combination between our music
The document discusses a band's music video and accompanying digipak. It notes that the band's album artwork has varied in style. For their new music video and digipak, the band took inspiration from the attire worn on the cover of their third album. Both the music video and digipak feature the same costumes to portray the flagship song and set the mood for the album. While the attire is the same, the styles of the music video and digipak differ - the music video tells a story and the digipak has a neutral, business-like layout. Lyrics from the music video song are included in the digipak to connect it to the video.
Overview of Question 1
The document discusses the locations, costumes, props, and camerawork used in a music video. Two main locations were used: a forest and kitchen. Everyday locations and costumes were chosen so audiences could relate to the narrative. Work attire was used to portray the characters as working class. A kitchen knife prop added realism. Camera movements varied between panning shots for calm scenes and running shots for tension. Editing effects like cross-fading and slow motion were added in post-production.
Eq1 media
The music video challenges conventions by using a basketball game as a metaphor for the ups and downs of love rather than literally representing the song lyrics. It incorporates slow motion and a black and white filter for visual effect. The digipak design is highly conventional, drawing inspiration from rock bands like Kings of Leon. It uses a simple color scheme and font for the album cover and a similar design with a filter for the advertisement.
What are the 5 conventions of a music video? – Applied specifically to the in...
The document discusses the 5 conventions of music videos applied to indie music videos: mise-en-scene, camera work, sound, editing, and symbolism. It analyzes examples from music videos like "I Need Your Love" by Ellie Goulding and Calvin Harris and "Way in the World" by Nina Nesbitt. It relates aspects of these music videos that the document's authors aim to incorporate into their own music video for an indie artist, such as natural settings, casual costumes, close-up camera shots, use of instruments, match cuts, and broad symbolic themes.
Research into music videos
Narrative music videos tell a story through a sequence of events that run parallel to the song. They create an emotional bond between artist and viewer by presenting the artist's ideas in an engaging way that increases recall value. Performance music videos give audiences an authentic view of the artist by filming a live performance. Conceptual music videos are abstract and convey emotion/meaning through the music using creative freedom rather than relating directly to lyrics. Production of narrative videos requires developing a concept/script, scheduling shoots, location scouting, principal/supporting footage, and editing.
Presentation3
There are several conventions that are typically followed in music videos. They include establishing a relationship between the lyrics and visuals, including many close-ups of the artist, and relating the music and visuals. Different music genres may have distinct styles and icons used in videos. Videos often reference voyeurism and develop the artist's public image. Intertextual references to other media like films and other music videos are also common.
Evaluation 1
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Amy charlotte and lyndsay's shadow
1) The group Tous Les Monde Chante Productions will produce a music video for the Britney Spears song "Shadow".
2) The video will tell a story of unrequited love through dance between a male and female dancer in both a dance studio and street location.
3) Key elements of the production include using minimalist styling, natural makeup, and shooting some scenes in black and white to highlight emotion.
Initial ideas & mood board
The document outlines initial ideas for a music video for the drum and bass band Pendulum. It will explore different shots and cutting rates throughout the video. The genre will have a horror aspect using tension, low cutting rates, and shaky camera work. Characters will represent the singer and another identity. The rural setting will be a woodland or meadow to match the surreal elements of Pendulum's songs. Potential song choices are listed. Limited props will be used to focus on the setting, edits, and composition. Characters may be masked or have special makeup relating to the video's theme.
Ideas generation
The document provides ideas for a music video for the song "Messed Up Kids" by Jake Bugg. The genre of the video will be indie/alternative. It will feature a young boy wearing indie-style clothes and playing guitar among other characters like homeless people to emphasize the themes of poverty and its effects on young people. Shots of the Manchester skyline will establish the location at the beginning. Editing will use a mix of slow and fast pacing as well as black and white to help tell a narrative. The setting will be impoverished areas of Manchester to represent the theme of poverty.
Discussion of overall aspects of the music video
The group met to plan all aspects of a music video including the song, props, editing, makeup, costumes, location, and actors. They decided to use the song "Newborn" by Muse due to its artistic feel, instrumentation, and changing pace throughout. The editing will be fast-cut montage style to make it more engaging for viewers and tell a story involving voodoo dolls. They listened to the song and planned where to cut and splice sections for the video. Props and original ideas are important to attract viewers, such as filming a clock to match the music's tempo. Colors like dark greens and blacks will enhance the dreary atmosphere for performance scenes while white highlights makeup for scenes with rag doll dancers
Location of music video planning
The document discusses potential location ideas for filming a music video. It proposes using the school studio with backdrops and lights to film performance elements, as the simplicity would be effective. The tennis courts could also be used to get natural light giving it a gloomy or fresh look depending on the weather, fitting the song tempo. Behind-the-scenes shots of filming the artist in front of backdrops could incorporate lyrics about fame. Shots of nighttime traffic could link to lyrics about travelling while fitting the alternative genre aesthetically.
Music video concept
The music video will amplify and illustrate the song's metaphor of fire representing the destruction of a relationship by featuring troubled people running away from their problems as fire takes over. It will challenge the song's focus on a broken relationship by not directly depicting one. The video aims to be iconic and creative through many unique shots of fire from different angles, including an extreme close-up of an eye with fire, and time-lapse shots at different times of day.
Set, Props, Costume + Make-up
The document discusses the set, props, costumes, and makeup for a music video. It describes setting the video in a bedroom and alleyway at night to seem naturalistic. Props will be minimized to avoid distraction, though books will represent the song's lyrics. Costumes will be casual like indie t-shirts. Makeup and hair will also be natural and minimalist to focus on the music and lyrics rather than visual elements.
Music video Proposal
The document discusses plans for camera angles, editing, lighting, color, and mise-en-scene for a music video of M.I.A.'s "Paper Planes". It will use close-ups of the actress and props, panoramic shots to show the urban setting, and point-of-view shots to involve the audience. Parts will be filmed in black and white for grittiness and parts in color with bright colors and graffiti to portray a positive outlook. Time lapse, on-beat editing, and natural lighting with filters will be used, and the video will include money, graffiti, urban clothing, and skate culture to represent the working class environment and lifestyle portrayed in the song
Evaluation question 1
The document discusses conventions in independent music videos and how the author's music video both confirms and challenges these conventions. It is set in a drama studio with no budget, featuring expressive dance moves by the artist Shannon to convey a narrative of freedom. Close-ups are used to show moments in Shannon's life. While retaining dark color schemes common in indie designs, the video also features bright colors, costumes, and fast-paced editing to keep up with the music. Overall, the video both follows and pushes boundaries of conventions to create something unique open to different interpretations.
Matts a2 media evaluation slides 1-22
The group chose the song "Dog Days Are Over" by Florence + the Machine for their music video. Their concept involved a narrative about three clowns escaping from a controlling ringmaster. They incorporated live piano performance and singing to fulfill conventions of a performance-based video. Feedback from fans showed appreciation for Florence's lyrics, alternative style, costumes, and music videos that enhance songs.
Set, Props, Costume + Make-up
The document outlines the set, props, costumes, and makeup for a music video. It describes setting the video in a bedroom and alleyway to seem naturalistic. Props will be minimal to avoid distraction from the lyrics. Costumes will be casual styles like t-shirts to match the indie genre. Makeup and hair will also be natural and minimalist to reflect the natural approach and keep attention on the music.
Set, Props, Costume + Make-up
The document outlines the set, props, costumes, and makeup for a music video. It describes setting the video in a bedroom and alleyway to seem naturalistic. Props will be minimal to avoid distraction from the lyrics. Costumes will be casual styles like t-shirts to match the indie genre. Makeup and hair will also be natural and minimalist to reflect the natural approach and keep attention on the music.
Final major project
This document discusses and compares three types of music videos: performance based videos, narrative videos, and live performance videos. Performance based videos use lighting effects and camera shots to enhance upbeat songs. Narrative videos portray the meaning of lyrics through characters and scenes. Live performance videos show both the stage and crowd to convey the excitement of a real performance. While each type has benefits, narrative and live performance videos require more planning and work to produce effectively.
Fav music vid
The music video uses interconnected tracking shots and reverse shots to create a surreal dream-like sequence with creative changes in location through zooms. It stands out by not using close-ups of the singers, relying instead on natural lighting and locations like underwater to intrigue audiences. The complex narrative leaves viewers watching multiple times to understand its deep meaning, reunifying characters at the end to create familiarity and irony with the recurring dream theme.
Set, Props, Costume + Make-up
The document outlines the set, props, costumes, and makeup for a music video. It describes setting the video in a bedroom and alleyway to seem naturalistic. Props will be minimal to avoid distraction, though books are included. Costumes will be casual styles like t-shirts to match the indie genre. Makeup and hair will also be natural and minimalist to reflect the artists' typical style and keep attention on the music.
Notes Evaluation Question 1
The document discusses two authors' perspectives on music videos:
Goodwin describes three relationships between songs and videos - illustration, amplification, and disjuncture. Vernallis observed that edits in music videos come more frequently than films and break continuity rules to draw attention to the screen. The music video created followed a disjuncture structure as in Goodwin, and exemplified Vernallis' ideas through varied editing in time with the music and lyrics and using jump cuts and base tracks.
Let it go- James Bay
The document analyzes the music video for "Let It Go" by James Bay. It discusses how the video uses a narrative structure but focuses heavily on shots of James, reflecting the song's emotional tone. The video has a simple, isolating storyline and basic visuals but effectively conveys James' story of heartbreak. Shots like close-ups are used to showcase emotions, while lighting, costume, and editing fit the song's slow tempo to create a meaningful, connecting experience for viewers.
Music Video Textual/Codal analysis
The document analyzes the music video for "Holocene" by Bon Iver. It discusses the visual, audio, narrative and technical codes used in the video. Visually, the video features natural rural settings that create a sense of surrealism. Audio-wise, the song's ambient style complements the slow visuals. Narratively, the video depicts a journey that reinforces the song's themes of redemption. Technically, subtle camera movements and long shots are used to immerse the viewer in the vast natural locations.
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What's hot
What are the 5 conventions of a music video? – Applied specifically to the in...
The document discusses the 5 conventions of music videos applied to indie music videos: mise-en-scene, camera work, sound, editing, and symbolism. It analyzes examples from music videos like "I Need Your Love" by Ellie Goulding and Calvin Harris and "Way in the World" by Nina Nesbitt. It relates aspects of these music videos that the document's authors aim to incorporate into their own music video for an indie artist, such as natural settings, casual costumes, close-up camera shots, use of instruments, match cuts, and broad symbolic themes.
Research into music videos
Narrative music videos tell a story through a sequence of events that run parallel to the song. They create an emotional bond between artist and viewer by presenting the artist's ideas in an engaging way that increases recall value. Performance music videos give audiences an authentic view of the artist by filming a live performance. Conceptual music videos are abstract and convey emotion/meaning through the music using creative freedom rather than relating directly to lyrics. Production of narrative videos requires developing a concept/script, scheduling shoots, location scouting, principal/supporting footage, and editing.
Presentation3
There are several conventions that are typically followed in music videos. They include establishing a relationship between the lyrics and visuals, including many close-ups of the artist, and relating the music and visuals. Different music genres may have distinct styles and icons used in videos. Videos often reference voyeurism and develop the artist's public image. Intertextual references to other media like films and other music videos are also common.
Evaluation 1
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Amy charlotte and lyndsay's shadow
1) The group Tous Les Monde Chante Productions will produce a music video for the Britney Spears song "Shadow".
2) The video will tell a story of unrequited love through dance between a male and female dancer in both a dance studio and street location.
3) Key elements of the production include using minimalist styling, natural makeup, and shooting some scenes in black and white to highlight emotion.
Initial ideas & mood board
The document outlines initial ideas for a music video for the drum and bass band Pendulum. It will explore different shots and cutting rates throughout the video. The genre will have a horror aspect using tension, low cutting rates, and shaky camera work. Characters will represent the singer and another identity. The rural setting will be a woodland or meadow to match the surreal elements of Pendulum's songs. Potential song choices are listed. Limited props will be used to focus on the setting, edits, and composition. Characters may be masked or have special makeup relating to the video's theme.
Ideas generation
The document provides ideas for a music video for the song "Messed Up Kids" by Jake Bugg. The genre of the video will be indie/alternative. It will feature a young boy wearing indie-style clothes and playing guitar among other characters like homeless people to emphasize the themes of poverty and its effects on young people. Shots of the Manchester skyline will establish the location at the beginning. Editing will use a mix of slow and fast pacing as well as black and white to help tell a narrative. The setting will be impoverished areas of Manchester to represent the theme of poverty.
Discussion of overall aspects of the music video
The group met to plan all aspects of a music video including the song, props, editing, makeup, costumes, location, and actors. They decided to use the song "Newborn" by Muse due to its artistic feel, instrumentation, and changing pace throughout. The editing will be fast-cut montage style to make it more engaging for viewers and tell a story involving voodoo dolls. They listened to the song and planned where to cut and splice sections for the video. Props and original ideas are important to attract viewers, such as filming a clock to match the music's tempo. Colors like dark greens and blacks will enhance the dreary atmosphere for performance scenes while white highlights makeup for scenes with rag doll dancers
Location of music video planning
The document discusses potential location ideas for filming a music video. It proposes using the school studio with backdrops and lights to film performance elements, as the simplicity would be effective. The tennis courts could also be used to get natural light giving it a gloomy or fresh look depending on the weather, fitting the song tempo. Behind-the-scenes shots of filming the artist in front of backdrops could incorporate lyrics about fame. Shots of nighttime traffic could link to lyrics about travelling while fitting the alternative genre aesthetically.
Music video concept
The music video will amplify and illustrate the song's metaphor of fire representing the destruction of a relationship by featuring troubled people running away from their problems as fire takes over. It will challenge the song's focus on a broken relationship by not directly depicting one. The video aims to be iconic and creative through many unique shots of fire from different angles, including an extreme close-up of an eye with fire, and time-lapse shots at different times of day.
Set, Props, Costume + Make-up
The document discusses the set, props, costumes, and makeup for a music video. It describes setting the video in a bedroom and alleyway at night to seem naturalistic. Props will be minimized to avoid distraction, though books will represent the song's lyrics. Costumes will be casual like indie t-shirts. Makeup and hair will also be natural and minimalist to focus on the music and lyrics rather than visual elements.
Music video Proposal
The document discusses plans for camera angles, editing, lighting, color, and mise-en-scene for a music video of M.I.A.'s "Paper Planes". It will use close-ups of the actress and props, panoramic shots to show the urban setting, and point-of-view shots to involve the audience. Parts will be filmed in black and white for grittiness and parts in color with bright colors and graffiti to portray a positive outlook. Time lapse, on-beat editing, and natural lighting with filters will be used, and the video will include money, graffiti, urban clothing, and skate culture to represent the working class environment and lifestyle portrayed in the song
Evaluation question 1
The document discusses conventions in independent music videos and how the author's music video both confirms and challenges these conventions. It is set in a drama studio with no budget, featuring expressive dance moves by the artist Shannon to convey a narrative of freedom. Close-ups are used to show moments in Shannon's life. While retaining dark color schemes common in indie designs, the video also features bright colors, costumes, and fast-paced editing to keep up with the music. Overall, the video both follows and pushes boundaries of conventions to create something unique open to different interpretations.
Matts a2 media evaluation slides 1-22
The group chose the song "Dog Days Are Over" by Florence + the Machine for their music video. Their concept involved a narrative about three clowns escaping from a controlling ringmaster. They incorporated live piano performance and singing to fulfill conventions of a performance-based video. Feedback from fans showed appreciation for Florence's lyrics, alternative style, costumes, and music videos that enhance songs.
Set, Props, Costume + Make-up
The document outlines the set, props, costumes, and makeup for a music video. It describes setting the video in a bedroom and alleyway to seem naturalistic. Props will be minimal to avoid distraction from the lyrics. Costumes will be casual styles like t-shirts to match the indie genre. Makeup and hair will also be natural and minimalist to reflect the natural approach and keep attention on the music.
Set, Props, Costume + Make-up
The document outlines the set, props, costumes, and makeup for a music video. It describes setting the video in a bedroom and alleyway to seem naturalistic. Props will be minimal to avoid distraction from the lyrics. Costumes will be casual styles like t-shirts to match the indie genre. Makeup and hair will also be natural and minimalist to reflect the natural approach and keep attention on the music.
Final major project
This document discusses and compares three types of music videos: performance based videos, narrative videos, and live performance videos. Performance based videos use lighting effects and camera shots to enhance upbeat songs. Narrative videos portray the meaning of lyrics through characters and scenes. Live performance videos show both the stage and crowd to convey the excitement of a real performance. While each type has benefits, narrative and live performance videos require more planning and work to produce effectively.
Fav music vid
The music video uses interconnected tracking shots and reverse shots to create a surreal dream-like sequence with creative changes in location through zooms. It stands out by not using close-ups of the singers, relying instead on natural lighting and locations like underwater to intrigue audiences. The complex narrative leaves viewers watching multiple times to understand its deep meaning, reunifying characters at the end to create familiarity and irony with the recurring dream theme.
Set, Props, Costume + Make-up
The document outlines the set, props, costumes, and makeup for a music video. It describes setting the video in a bedroom and alleyway to seem naturalistic. Props will be minimal to avoid distraction, though books are included. Costumes will be casual styles like t-shirts to match the indie genre. Makeup and hair will also be natural and minimalist to reflect the artists' typical style and keep attention on the music.
Notes Evaluation Question 1
The document discusses two authors' perspectives on music videos:
Goodwin describes three relationships between songs and videos - illustration, amplification, and disjuncture. Vernallis observed that edits in music videos come more frequently than films and break continuity rules to draw attention to the screen. The music video created followed a disjuncture structure as in Goodwin, and exemplified Vernallis' ideas through varied editing in time with the music and lyrics and using jump cuts and base tracks.
What's hot (20)
What are the 5 conventions of a music video? – Applied specifically to the in...
What are the 5 conventions of a music video? – Applied specifically to the in...
Similar to Music videos by XXYYXX
Let it go- James Bay
The document analyzes the music video for "Let It Go" by James Bay. It discusses how the video uses a narrative structure but focuses heavily on shots of James, reflecting the song's emotional tone. The video has a simple, isolating storyline and basic visuals but effectively conveys James' story of heartbreak. Shots like close-ups are used to showcase emotions, while lighting, costume, and editing fit the song's slow tempo to create a meaningful, connecting experience for viewers.
Music Video Textual/Codal analysis
The document analyzes the music video for "Holocene" by Bon Iver. It discusses the visual, audio, narrative and technical codes used in the video. Visually, the video features natural rural settings that create a sense of surrealism. Audio-wise, the song's ambient style complements the slow visuals. Narratively, the video depicts a journey that reinforces the song's themes of redemption. Technically, subtle camera movements and long shots are used to immerse the viewer in the vast natural locations.
Evaluation
The document provides an evaluation of a music video created for the artist XXYYXX. It summarizes how the music video develops conventions of the chillwave genre, such as having a loose narrative and shots that add to a disjointed, dazed feel. Audience research found the target was males aged 16-24. Various media technologies were used at different stages of production, including researching other music videos online, using a voice recorder for an interview, PowerPoint for planning, and Final Cut Pro for editing. Some challenges were faced with editing software and working within the constraints of available equipment.
Final pitch
The document proposes a promotional package for artist XXYYXX that includes an interview DVD, lyrics, and track list. It outlines plans for a music video for XXYYXX's song "Breeze" showing an attractive girl walking through a forest being chased by people in masks, alluding to the song's lyrics. For the digipak, it plans to use repetitive logo branding and images from the music video to create synergy between the two. It discusses the forest location for filming and shows a proposed actress. It also provides an audience profile of a typical 19-year-old male fan who listens to similar artists, works part-time, enjoys creating and listening to music, and has a unique hipster
Hillsong Young and Free (Analysis)
The document provides an analysis of four music videos by the band This Is Living: "This Is Living", "Where You Are", and "Back To Life". It summarizes the key elements of each video, including lighting/color schemes, camerawork, themes, and editing styles. Common themes across the videos include representing young people in a positive light and conveying messages of empowerment. While the videos have different aesthetics, they are all aimed at engaging young audiences.
Question 1
The document discusses conventions used in a student music video project based on Andrew Goodwin's seven conventions for music videos. It describes how the video incorporated conventions of genre, star identification, voyeurism, lyrics and visuals, and locations to tell the story of two lovers. It also discusses challenges to conventions like not including inter-textual references or following all conventions. Inspiration was drawn from music videos by Lana Del Rey, Florence and the Machine, and Ed Sheeran that also challenged conventions.
Music video analysis
The video for Pendulum's song "Watercolour" is set on an unknown planet eclipsed by the sun, adding an element of surrealism reflecting the band's futuristic style. Throughout the video, the band is shown battling the strong forces of wind and rain, conveying the idea of power and linking to the song's powerful bass-dominated music. Close-ups of the band members' distressed faces as they persevere show the physical effort of breaking boundaries in their music, relating to lyrics about perseverance and motivation. By the end of the video, the band is fully exposed to sunlight, representing their success in rebelling against mainstream music conventions.
Codal analysis a2
The music video is set at a beauty pageant where Beyoncé explores the toxic standards of beauty and the damaging things people do to themselves to achieve physical perfection. Scenes show Beyoncé preparing for plastic surgery and consuming diet pills to lose weight. At the end, an albino woman wins which suggests that Beyoncé is not always perfect and doesn't always win despite her best efforts. The video concludes by showing clips of Beyoncé's childhood to connect it to the album's narrative.
Genre analysis
The document analyzes the music video for the song "Reality" by Lost Frequencies. It summarizes that the music video takes a narrative approach, telling a story of a couple going on a treasure hunt, rather than just being a performance-based video. This narrative style makes it stand out compared to typical deep house music videos. Symbols and locations in the video convey a message about the importance of love and relationships. While some conventions like handheld camerawork are used, overall the video counters stereotypes of the deep house genre through its focus on a calm, loving couple rather than partying.
Evaluation Question 1
This document summarizes how the media product, a music video, uses and develops conventions of real music videos. It provides 10 screenshots from the video with explanations of how they demonstrate techniques inspired by other music videos. These include using visuals to sync with lyrics, portraying the artist in an indie style, using nature themes, intertextual references to water, varied camera shots, lighting techniques like lens flares, mise-en-scene with natural elements, and props or themes inspired by other videos like sparklers and a theme of forbidden love.
Textual analysis snow patrol & kings of leon
Music videos allow artists to connect with audiences on another level and promote their work. They can expand an artist's audience by reaching new platforms and often create narratives that reflect the song's content. Music videos can also increase sales of albums and related products through increased exposure. They provide an opportunity for creative expression that can help new artists break into the market.
Textual analyses
This document analyzes and summarizes various aspects of music videos and album packaging, including their codes, conventions, narratives, audiences, and editing techniques. Regarding music videos, it discusses how they can promote albums, films, and artists. It also examines specific music videos in detail, analyzing elements like genre, narrative structure, intended audience, and editing styles. For album packaging, it compares and contrasts the digipaks of different artists, focusing on aspects like genre, imagery, lettering, representation, and target audiences. Overall, the document provides insightful textual analysis of various media related to the music industry.
Question 1
The document discusses how a music video project used and developed several conventions of real music videos. It analyzes the use of conventions like genre, star identification, voyeurism, lyrics and visuals, and location. It provides examples of how the project incorporated these conventions and drew inspiration from other music videos. However, it did not include the conventions of inter-textual references and star iconography, challenging those conventions.
Question 1 evaluation
This document compares the media student's video and ancillary texts for their song "Louder" to real music videos and albums by artists like Little Mix and Neon Jungle. It discusses how they used similar shots and styles seen in popular music videos, such as close-ups and group shots, but also challenged conventions by not including revealing costumes and not featuring the artists on the album cover. The document also analyzes similarities between their album design and real albums in terms of fonts, logos and essential information.
Textual analyses
This music video by Phaeleh uses slow motion shots of attractive women in exotic locations to represent peace between nature and mankind, drawing on the Male Gaze theory. It aims to attract free thinkers interested in environmentalism through its earthy colors and footage of animals. While the unrealistic interactions between people and animals risks seeming humorous, the slow pace, camera angles, and fades between shots keep viewers engaged and match the ambient music genre.
Evaluation 1 planning
The document summarizes conventions used in a music video and accompanying digipak for an indie pop genre project. For the music video, conventions like narrative, setting, close-up shots, props, and lighting were used to tell a relatable story of a long-distance relationship. Performance elements and a black and white filter were not used to avoid being too complex or standing out from the footage. For the digipak, clear visual connections to the music video through props and aesthetics that fit the happy memory theme were prioritized over cartoony or band photos that did not link to the project. Maintaining the band's unique font logo was also important for identity.
Music video inspiration
The document discusses music videos that have inspired the creation of a new music video. It provides screenshots and descriptions of several music videos in a similar genre to the band's music. Key aspects that will be incorporated into the new video include an emphasis on both performance and storyline, a dark and eerie atmosphere using limited lighting, and a monotone black and white style for the storyline portions to contrast with the colored performance sections.
Music video inspiration
The document discusses music videos that have inspired the creation of a new music video. It provides screenshots and descriptions of several music videos in a similar genre that influenced different aspects of the planned video. Elements that were inspiring include an emphasis on both performance and storyline, blurred/old footage effects, eerie atmospheres, use of lighting, creative ideas like a girl in a white dress, focusing on both the full band and individual members, and contrasting a monotone storyline with color in the performance.
The music video
The document discusses the history and evolution of music videos. It notes that some of the earliest music videos date back to the late 1920s, featuring animated visuals and performances. However, music videos rose to prominence in the 1960s with The Beatles producing abstract, surreal videos to accompany songs like "Strawberry Fields Forever." The Beatles' innovative videos helped establish the music video as an art form that enhances the listening experience and interprets lyrics through visual imagery. The document analyzes shots from "Strawberry Fields Forever" that create a dreamlike, hallucinogenic feel through techniques like changing colors, unnatural movements, and distorted effects.
Presentation2
The document discusses music video ideas and inspiration taken from analyzing various music videos. Key videos mentioned include "Bon Ivor- Calgary" which featured a woman in a white dress walking through a dark forest, inspiring the idea of a woman in a forest. "Ellie Goulding- Guns and Horses" provided inspiration for creating a gloomy, lonely atmosphere. "Bombay Bicycle Club-Shuffle" emphasized performance but also had a story element. "Puddle of mud- Blurry" used a blurry effect that could make footage look old. "Coldplay- Yellow" featured an emotionless actor walking sadly, inspiring a sad, confused female character. Analyzing these videos provided ideas and techniques for filming that could
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Pre production planning
The document discusses pre-production planning for a project including locations, actors, and costumes and props. Locations and actors need to be researched. For costumes, regular clothes will be worn to maintain a realistic setting while those in masks will wear dark clothing. Props include white masks, a camera, and actors.
XXYYXX and Label info
XXYYXX, also known as Marcel Everett, is an electronic musician from Orlando, Florida who creates chillwave and chillstep music using Ableton software in his bedroom. He is signed to Relief in Abstract Records and has gained popularity in the underground dance music scene. His music has been described as "Doing drugs on a freeway...underwater." His music video for 'About You' has over 12 million views on YouTube. While he usually plays small intimate venues, in 2013 he headlined the Noise Pop festival in San Francisco. Relief in Abstract Records is an independent label based in Orlando that found success signing XXYYXX.
Lyric and Live Performance Analysis
XXYYXX, also known as Marcel Everett, is an electronic musician from Orlando, Florida who creates chillwave and chillstep music using Ableton software in his bedroom. Some key points:
- He is signed to Relief in Abstract Records and has gained popularity in the underground dance music scene.
- His music has been described as "Doing drugs on a freeway...underwater." His song 'About You' has over 10 million YouTube views.
- Relief in Abstract Records is an independent label based in Orlando that found success signing XXYYXX.
- In an interview, XXYYXX discusses experimenting with sounds, making synths from scratch, and not remembering the last song
Mood board
The document discusses inspiration and how it plays an important role in our lives. Inspiration allows us to achieve more than we ever thought possible and helps us accomplish great things. When we feel inspired, we are able to overcome obstacles and challenges with creativity, passion, and determination.
Research XXYYXX
Marcel Everett, known by his stage name XXYYXX, is an electronic musician from Orlando, Florida signed to the independent record label Relief in Abstract Records. He gained prominence in the indie music scene at a young age through his experimental lo-fi bedroom productions made using FL Studio and Ableton software. Everett described his music as "Doing drugs on a freeway...underwater" and cites UK electronic artists like James Blake as influences, though there is little scene for that type of post-dubstep music in Orlando. XXYYXX remains a modest musician who is focused on school as well as expanding the local electronic music community.
Lyric and Music Video Analysis
The document provides an analysis of the lyrics and live performance of the song "Breeze" by XXYYXX. The lyrics are repetitive and don't tell a narrative, instead reinforcing the chilled vibe of the song. Specifically, the word "Runaway" will represent a girl walking through a forest, feeling as if she is running away. A video of a live XXYYXX performance is also analyzed, noting the inclusive but small crowd size typical of less mainstream artists. Strobe lights create a "ravey" and "trippy" feel consistent with the chillwave genre. The performance itself is simple with just XXYYXX and no additional lighting or dancers unlike more mainstream concerts.
Lyric and Live Performance Analysis
The document provides an analysis of the lyrics and live performance of the song "Breeze" by XXYYXX. The lyrics are repetitive and don't tell a narrative, instead reinforcing the chilled vibe of the song. Specifically, the "Runaway" lyric will represent a girl walking through a forest, feeling like she is running away. A video of a live XXYYXX performance is analyzed, noting the inclusive but small crowd size typical of less mainstream artists. Strobe lights create a "ravey, trippy feel" consistent with the chillwave genre. The performance set is simple with just XXYYXX and no additional lighting or dancers unlike more mainstream concerts.
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A Prime Location
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
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University of Western Sydney degree offer diploma Transcript
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The Gallery of Shadows, In the heart of a bustling city
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Everything You Need to Know About IPTV Ireland.pdf
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Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
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The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
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From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
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Music videos by XXYYXX
- 2. Even though-XXYYXX The video for Even Though by XXYYXX, is set outside in a forest. The shots include lots of disjointed images of the forest, using a quick crabbing shot- this creates a ‘trippy’ feel, which correlates with the genre of music- Chillwave. The camera follows a path through the forest, so as a viewer it feels like we are going on the journey with them. This is reinforced by the kaleidoscope effect which creates confusion. The colours XXYYXX use are very surreal as they use different hues and saturations, e.g. the sky is pink, this fits in with the running theme of disarray. The colours are also very pale, and contrast with each other. We also noticed that when the beat drops within the song that the colours change, it makes the video feel very hallucinogenic, and allows you to appreciate the simplicity of the music. I have pulled this shot from the video , as I feel this is the sort of idea we are trying to create. Hopefully we will be able to do something similar to this, by doing simple shots of the surroundings and edit them using different filters and hues. Unlike this video though we are intending to have more of a story line, including a young girl and her trip through the forest. This story line goes against traditional and typical fables of girls in a wood, e.g. Red Riding Hood, our modern spin on this fits in to our genre, which has become big since 2013.
- 3. Never Leave- XXYYXX This video is very psychedelic and shows jellyfish. Similar to all the other XXYYXX videos there is no real characters shown and instead there is something natural, e.g. trees. We will be part taking on this aspect as ours will be set in nature, but it will have people in it. The colours used are extremely bright, and they contrast a lot with each other, which catches the audience’s eye. This goes with the song as it is fairly upbeat. The movement of the jelly fish also resembles the beat of the song.
- 4. Cirrus- Bonobo The video for Cirrus by Bonobo also has a very surreal feel. The video has strongly contrasting themes of vintage and very modern aspects, shown in the image above of the 60s housewives. The story line of the video is that all the small things in life, join to together to make a large robot that wants to trample down earth. The video has a ‘trippy’ feel of disillusion as the video doesn’t follow basic conventions of shots, as they use lots of images all on top of one another. This creates the feel that we are trying to achieve in our video-disarray and confusion. Also, again the video doesn’t really have a strong narrative and instead is just a number of events which don’t necessarily correlate, which is similar to other music in this genre. The video has a strong rhythmic feel to it, which matches the idea of the robot being made of lots of little elements working as clock work.
- 5. M83- Wait This video is a over exaggerated version of the video we are trying to create. It has all the aspects that we are trying to achieve, e.g. It is set outside in nature, it has a narrative, and a surreal feel. The video doesn’t necessarily follow the conventions of the genre in every way, as this video is more detailed and looks like it has had more a budget to it. We plan to use an attractive female protagonist in our video, whereas in this video they have used children that appear to be on drugs. In some parts of the video we can see a psychedelic elements, as when the boy is in side the pyramid he looks as though he is having a seizure.
- 6. Giving it All- Bondax The video for Giving it all by Bondax, shows a story between a young couple and their adventures, which is quite common for Chillwave music style. The lyrics of the chorus in the song relate back to the couple and their relationship as he is ‘giving it all’ to be with her. The colours of the video also match the lyrics, as they are bright and exciting, which is similar to the couples care- free lifestyles in the video. Unlike this video there is no disillusion, as it just tells a chronological story of a regular day, whereas the other videos are extremely surreal and unlikely. Our video aims to be in the middle of these two spectrums, as there will be confusion but it will be fairly realistic.