The document proposes a music video for the song "Archie, Marry Me" by Alvvays. The video will depict two intertwining scenes - an outdoor wedding between two men, and a live performance of the wedding band playing the song. It outlines the locations, actors, costumes, props, and production schedule. The goal is to create an original interpretation that relates to the song's lyrics about marriage, in the style of typical indie/alternative rock music videos.
Dokumen tersebut memberikan panduan untuk menjadi kreatif dengan menjelaskan bahwa kreativitas bukanlah keahlian bawaan melainkan hasil dari keinginan untuk melakukan sesuatu secara berbeda, serta memberikan 5 langkah untuk meningkatkan kreativitas yaitu membaca, bersosialisasi, menjelajahi, bersantai, dan tidak ragu. Dokumen tersebut juga memberikan 6 tips agar tetap kreatif seperti menjadi proaktif
Teknik penjualan konsultatif melibatkan menggali kebutuhan pelanggan dan memilihkan produk sesuai kebutuhan untuk membangun hubungan jangka panjang. Teknik ini melibatkan 4 langkah yaitu menggali kebutuhan, memilih produk sesuai, pengiriman produk, dan layanan purna jual. Keterampilan kunci mencakup teknik bertanya, pengetahuan produk, negosiasi, dan penutupan penjualan.
1) La planificación de la intervención comprende cuatro pasos: conocer la situación para emitir un diagnóstico, planificar la intervención a partir del diagnóstico, ejecutar lo programado, y evaluar los resultados.
2) Un plan de intervención es un instrumento que establece objetivos, estrategias, actividades, recursos y medios de evaluación para lograr los objetivos trazados.
3) Los elementos principales de la planificación incluyen la justificación, objetivos, metas, evaluación, recursos, presupuesto, plan de acc
This document provides instructions for students to create a music video pitch for an independent record label. It outlines that students should complete blog posts about possible tracks, their chosen track, and inspiration sources. Their pitch presentation should include details about the track, inspiration, intended audience, a synopsis of the video, and timeline. It should also include designs for a digipak and website. Students have class time and homework time over the next two weeks to complete these elements and present their pitch to the class by the second lesson of the following week.
The document outlines plans for a music video to express the theme of individuality. It will have two sections: a narrative of an artist mentoring a boy to express himself despite bullying, and a performance of the artist expressing themselves uniquely. The narrative will be filmed at the filmmaker's home using family members as actors, while the performance will take place in the school photography studio. Costumes and lighting are designed to emphasize self-expression and link to superhero themes. The filmmaker must book studio time in advance and work around their home's busy schedule.
The document proposes a music video idea for the song "Dream Catch Me" by Newton Faulkner. The proposed narrative music video would follow a girl dealing with a breakup through text message. Drawings she made would come to life to console her. By the end, her drawings construct an uplifting message. The proposal discusses conventions of acoustic music videos and how the proposed video would follow or contrast them. It outlines plans for promotion, distribution, and addressing potential technical difficulties.
This document contains a collection of resources for pitching venture capitalists (VCs), including links to presentations by successful entrepreneurs on their VC pitches, annotated pitch decks, articles with advice on pitching VCs, and links to general startup resources. It provides over a dozen links to materials on crafting an effective VC pitch, the dos and don'ts of pitching investors, and examples of real pitches that secured funding.
Dokumen tersebut memberikan panduan untuk menjadi kreatif dengan menjelaskan bahwa kreativitas bukanlah keahlian bawaan melainkan hasil dari keinginan untuk melakukan sesuatu secara berbeda, serta memberikan 5 langkah untuk meningkatkan kreativitas yaitu membaca, bersosialisasi, menjelajahi, bersantai, dan tidak ragu. Dokumen tersebut juga memberikan 6 tips agar tetap kreatif seperti menjadi proaktif
Teknik penjualan konsultatif melibatkan menggali kebutuhan pelanggan dan memilihkan produk sesuai kebutuhan untuk membangun hubungan jangka panjang. Teknik ini melibatkan 4 langkah yaitu menggali kebutuhan, memilih produk sesuai, pengiriman produk, dan layanan purna jual. Keterampilan kunci mencakup teknik bertanya, pengetahuan produk, negosiasi, dan penutupan penjualan.
1) La planificación de la intervención comprende cuatro pasos: conocer la situación para emitir un diagnóstico, planificar la intervención a partir del diagnóstico, ejecutar lo programado, y evaluar los resultados.
2) Un plan de intervención es un instrumento que establece objetivos, estrategias, actividades, recursos y medios de evaluación para lograr los objetivos trazados.
3) Los elementos principales de la planificación incluyen la justificación, objetivos, metas, evaluación, recursos, presupuesto, plan de acc
This document provides instructions for students to create a music video pitch for an independent record label. It outlines that students should complete blog posts about possible tracks, their chosen track, and inspiration sources. Their pitch presentation should include details about the track, inspiration, intended audience, a synopsis of the video, and timeline. It should also include designs for a digipak and website. Students have class time and homework time over the next two weeks to complete these elements and present their pitch to the class by the second lesson of the following week.
The document outlines plans for a music video to express the theme of individuality. It will have two sections: a narrative of an artist mentoring a boy to express himself despite bullying, and a performance of the artist expressing themselves uniquely. The narrative will be filmed at the filmmaker's home using family members as actors, while the performance will take place in the school photography studio. Costumes and lighting are designed to emphasize self-expression and link to superhero themes. The filmmaker must book studio time in advance and work around their home's busy schedule.
The document proposes a music video idea for the song "Dream Catch Me" by Newton Faulkner. The proposed narrative music video would follow a girl dealing with a breakup through text message. Drawings she made would come to life to console her. By the end, her drawings construct an uplifting message. The proposal discusses conventions of acoustic music videos and how the proposed video would follow or contrast them. It outlines plans for promotion, distribution, and addressing potential technical difficulties.
This document contains a collection of resources for pitching venture capitalists (VCs), including links to presentations by successful entrepreneurs on their VC pitches, annotated pitch decks, articles with advice on pitching VCs, and links to general startup resources. It provides over a dozen links to materials on crafting an effective VC pitch, the dos and don'ts of pitching investors, and examples of real pitches that secured funding.
The document proposes a music video for the song "Archie, Marry Me" by Alvvays. The video will depict an outdoor wedding between two men, with one wearing a wedding dress. It will also show the wedding band performing the song. Scenes will be filmed at a church and field near the filmmakers' school. A storyboard outlines the narrative and shots. Details are provided on locations, actors, costumes, props, and a production schedule.
The document proposes a music video for the song "Archie, Marry Me" by Alvvays. The video will depict an outdoor wedding between two men, with one wearing a wedding dress. It will also show the wedding band performing the song. Scenes will be filmed at a church and field near the filmmakers' school. The video aims to portray the romantic and free spirit themes of indie/alternative rock through the same-sex wedding and natural scenery. A storyboard, casting, costumes, props, filming schedule and other production details are provided.
The group plans to film a music video for the song "Ladykiller" by The Saturdays. They will film an introduction scene of a formal dinner party in someone's home. Additional scenes will include the singers lip syncing in front of a plain wall and boys chasing girls outside in locations around Cambridge. The video will have a narrative storyline portrayed through the introduction and throughout. It will feature two girls singing and two boys acting. Different filming techniques, effects and editing styles will be used to keep the video visually interesting and engaging for the full duration.
The document outlines plans for a grime music video featuring the artist Frank, who will tell his emotional story of how past events have changed him through a narrative that includes flashbacks. The grime song "My Story" by Krept and Konan was chosen to convey meaningful lyrics and allow a realistic narrative to be created around Frank dealing with family issues. Production details such as the black and white aesthetic, outdoor locations, and sports clothing styles were selected to align with grime music video conventions.
The document outlines plans for a grime music video featuring the artist "Frank". It will tell the story of Frank dealing with a tragic event from his past that has changed him. The video will include flashbacks showing a younger Frank and how he has been impacted by what occurred. It will have a serious tone to evoke empathy from audiences and subvert expectations for typical grime music videos.
This document outlines a pitch for a music video for the song "Ladykiller" by The Saturdays. It will tell a narrative story through an introduction and scenes filmed at various locations. It will feature two girls lip syncing the song and two boys chasing them. Shots will include a formal dinner party, lip syncing in front of a plain wall, and scenes of running outside. The video aims to be energetic and fun while connecting the visuals and lyrics to sell the artist. It will use different filming and editing techniques like split screens and speed adjustments.
The document discusses mise-en-scene planning for a music video being produced by SE7EN STUDIOS. It outlines the characters, locations, costumes, and lighting that will be used. The main characters are Elijah, played by Tariq, and his girlfriend Justine, played by Analayah. Locations will include streets in London, a coffee shop, and a graveyard. Costumes will reflect an R&B style while avoiding inappropriate revealing attire. Lighting will use natural light for performances and low-key light for memory flashback scenes.
1) The document establishes the mise-en-scene elements (costume, lighting, actors, makeup, props, setting) for an indie music video through the CLAMPS framework.
2) Costume will be everyday, dark colored clothes to relate to the sad theme of the song. Lighting will be low-key to focus on the fire with some natural light for certain scenes. Actors will portray frustration and sadness through subtle body language. Makeup and props will be natural and subtle to relate to audiences. Key props include a burning birthday card and gasoline can matching song lyrics. Outdoor and indoor settings will be ordinary locations.
3) The mise-en-scene aims to tell a story
L&L Productions proposes to create a music video for the song "He Loves You" by The Pretty Reckless. The video will include both live performance scenes of the band as well as narrative scenes portraying the story of betrayal told in the song lyrics. It will be fast-paced and edited to match the energy of the upbeat rock track. Traditional rock costumes, makeup, and a simple dark background will be used to showcase the performers. Possible locations include the drama studio, a bedroom, and Wandlebury Woods.
L&L Productions proposes to create a music video for the song "He Loves You" by The Pretty Reckless. The video will include both live performance scenes of the band as well as narrative elements depicting the story of betrayal told in the song's lyrics. Scenes will be filmed at locations like the drama studio and outdoors. Technical elements like editing, lighting, costumes, and camera work will all be designed to maintain the energy and pace of the upbeat, rock/pop track. The goal is to produce an entertaining music video that fully captures the sound and message of the song.
The document discusses the mise-en-scene planning for a music video being produced by SE7EN Studios. It outlines the characters, locations, costumes, and props that will be used. The main characters are Elijah, the artist, and his girlfriend Justine. Elijah will be played by Tariq and Justine by Analayah. Their outfits are described as sophisticated and fashionable. Primary locations include streets in London for performances, a coffee shop for a date scene, and a graveyard for the ending. Lighting and weather elements will help set the mood and advance the narrative.
The document discusses how the student's media product uses and develops conventions of real rock music videos. It examines the genres, conventions around mise-en-scene elements like costumes, lighting and editing that were adhered to. The music video included a narrative portion to convey the song's message and multiple shots of the band performing with their instruments to portray them as a real band. The video was uploaded to YouTube to distribute it, following standard practice for promoting music videos.
The group chose the song "We don't have to take our clothes off" by Ella Eyre for their music video because its changing pace allows for variety in shot types. They want to portray a summery, fun, and carefree vibe through shots of their artist enjoying themselves at sunny locations like the beach, festivals, clubs, and theme parks. Practical challenges include filming in autumn instead of summer and getting permission to film in some locations.
The music video will follow the indie/rock genre and feature typical elements like close-ups of band members performing, stereotypical indie clothing, and live performances. It will be filmed over a weekend in Leeds, UK at three locations - a music practice room, a student house, and outside on the street. The narrative will show the band having fun together through cross-cutting between the different shooting locations. Props, clothing, and equipment will be used to portray a typical student and band lifestyle.
The group decided to produce a music video for Taylor Swift's song "White Horse" using a narrative and performance structure. They chose simple locations like a college canteen and living room to film the narrative parts which will show the main character as the artist who gets cheated on by her boyfriend. For the performance sections, they will use the college's "Black Room". Costumes will be simple except for the artist wearing a prom dress. The video will use various camera angles and match lip movements to the song. They received audience feedback which helped decide their final video idea.
This document discusses plans for creating a music video for the song "Mr. Blue Sky" by Electric Light Orchestra. It will be filmed at Shiplake College on a sunny winter day to establish a calm tone. Scenes will include a character having breakfast and another running. Multiple stories will show different ways people enjoy their day. The target audience is people over 35 who were familiar with the 1978 song, but the upbeat nature may also appeal to younger viewers unfamiliar with the original video.
This document outlines location plans for an upcoming music video. It proposes five locations: 1) A blacked out room with neon lights to create a surreal rock concert atmosphere. 2) Holly's Diner to establish an 1950/60s aesthetic through its bright blue walls. 3) Bradwell Beach to convey images of fun and romance as seen in Grease. 4) A forest/park to add natural imagery and texture without distracting from the narrative of young love. 5) Southend-On-Sea pier and arcades as the setting for a third date, using the location's romantic connotations found in other iconic romance films.
Question 1 - In what ways does your media product use, develop or challenge f...Jason Marshgreen
The document provides an analysis of the conventions used in a music video and promotional materials for a band. It summarizes the shots in the music video and how they illustrate the band's style. It also compares the digipaks, magazine ads, and other promotional materials to those of other rock artists to demonstrate how they follow conventions of the genre. Overall, the document discusses how the project challenges some conventions to create a unique vision while still relating the various materials to continue branding the band.
The music video treatment is for a trap music video featuring the song "Panda" by Desiigner. It will have 3-5 characters meeting at an abandoned farm building at night while wearing masks. The video will have two sections to match changes in the song - the first will be dark and gritty with casual clothes, while the second will be softer with smarter attire. Shots will include the characters arriving and interacting at the location, as well as driving and showing off wealth. References are made to other trap-style videos for location, editing, and attire ideas.
This document summarizes how a media project conformed to or subverted several conventions of indie rock music videos. It conformed to conventions of having a DIY/low budget aesthetic by using mid-range cameras and effects to make footage look homemade. It also conformed to using summer and natural outdoor settings. It broke conventions by showing a same-sex marriage and having a man sing in the band. However, it subverted the convention of including live concert footage and crowds by showing the band playing to an empty venue.
This document provides a preliminary storyboard for a video with 19 shots. It describes each shot in sequence, including camera movements, focuses, and elements included. Shot durations are provided from 0:00 to 2:00. The storyboard focuses on shots of trees, leaves, sticks, the sky, lights, figures, and an expressionless man to convey a hookworm-themed video.
The document proposes a music video for the song "Archie, Marry Me" by Alvvays. The video will depict an outdoor wedding between two men, with one wearing a wedding dress. It will also show the wedding band performing the song. Scenes will be filmed at a church and field near the filmmakers' school. A storyboard outlines the narrative and shots. Details are provided on locations, actors, costumes, props, and a production schedule.
The document proposes a music video for the song "Archie, Marry Me" by Alvvays. The video will depict an outdoor wedding between two men, with one wearing a wedding dress. It will also show the wedding band performing the song. Scenes will be filmed at a church and field near the filmmakers' school. The video aims to portray the romantic and free spirit themes of indie/alternative rock through the same-sex wedding and natural scenery. A storyboard, casting, costumes, props, filming schedule and other production details are provided.
The group plans to film a music video for the song "Ladykiller" by The Saturdays. They will film an introduction scene of a formal dinner party in someone's home. Additional scenes will include the singers lip syncing in front of a plain wall and boys chasing girls outside in locations around Cambridge. The video will have a narrative storyline portrayed through the introduction and throughout. It will feature two girls singing and two boys acting. Different filming techniques, effects and editing styles will be used to keep the video visually interesting and engaging for the full duration.
The document outlines plans for a grime music video featuring the artist Frank, who will tell his emotional story of how past events have changed him through a narrative that includes flashbacks. The grime song "My Story" by Krept and Konan was chosen to convey meaningful lyrics and allow a realistic narrative to be created around Frank dealing with family issues. Production details such as the black and white aesthetic, outdoor locations, and sports clothing styles were selected to align with grime music video conventions.
The document outlines plans for a grime music video featuring the artist "Frank". It will tell the story of Frank dealing with a tragic event from his past that has changed him. The video will include flashbacks showing a younger Frank and how he has been impacted by what occurred. It will have a serious tone to evoke empathy from audiences and subvert expectations for typical grime music videos.
This document outlines a pitch for a music video for the song "Ladykiller" by The Saturdays. It will tell a narrative story through an introduction and scenes filmed at various locations. It will feature two girls lip syncing the song and two boys chasing them. Shots will include a formal dinner party, lip syncing in front of a plain wall, and scenes of running outside. The video aims to be energetic and fun while connecting the visuals and lyrics to sell the artist. It will use different filming and editing techniques like split screens and speed adjustments.
The document discusses mise-en-scene planning for a music video being produced by SE7EN STUDIOS. It outlines the characters, locations, costumes, and lighting that will be used. The main characters are Elijah, played by Tariq, and his girlfriend Justine, played by Analayah. Locations will include streets in London, a coffee shop, and a graveyard. Costumes will reflect an R&B style while avoiding inappropriate revealing attire. Lighting will use natural light for performances and low-key light for memory flashback scenes.
1) The document establishes the mise-en-scene elements (costume, lighting, actors, makeup, props, setting) for an indie music video through the CLAMPS framework.
2) Costume will be everyday, dark colored clothes to relate to the sad theme of the song. Lighting will be low-key to focus on the fire with some natural light for certain scenes. Actors will portray frustration and sadness through subtle body language. Makeup and props will be natural and subtle to relate to audiences. Key props include a burning birthday card and gasoline can matching song lyrics. Outdoor and indoor settings will be ordinary locations.
3) The mise-en-scene aims to tell a story
L&L Productions proposes to create a music video for the song "He Loves You" by The Pretty Reckless. The video will include both live performance scenes of the band as well as narrative scenes portraying the story of betrayal told in the song lyrics. It will be fast-paced and edited to match the energy of the upbeat rock track. Traditional rock costumes, makeup, and a simple dark background will be used to showcase the performers. Possible locations include the drama studio, a bedroom, and Wandlebury Woods.
L&L Productions proposes to create a music video for the song "He Loves You" by The Pretty Reckless. The video will include both live performance scenes of the band as well as narrative elements depicting the story of betrayal told in the song's lyrics. Scenes will be filmed at locations like the drama studio and outdoors. Technical elements like editing, lighting, costumes, and camera work will all be designed to maintain the energy and pace of the upbeat, rock/pop track. The goal is to produce an entertaining music video that fully captures the sound and message of the song.
The document discusses the mise-en-scene planning for a music video being produced by SE7EN Studios. It outlines the characters, locations, costumes, and props that will be used. The main characters are Elijah, the artist, and his girlfriend Justine. Elijah will be played by Tariq and Justine by Analayah. Their outfits are described as sophisticated and fashionable. Primary locations include streets in London for performances, a coffee shop for a date scene, and a graveyard for the ending. Lighting and weather elements will help set the mood and advance the narrative.
The document discusses how the student's media product uses and develops conventions of real rock music videos. It examines the genres, conventions around mise-en-scene elements like costumes, lighting and editing that were adhered to. The music video included a narrative portion to convey the song's message and multiple shots of the band performing with their instruments to portray them as a real band. The video was uploaded to YouTube to distribute it, following standard practice for promoting music videos.
The group chose the song "We don't have to take our clothes off" by Ella Eyre for their music video because its changing pace allows for variety in shot types. They want to portray a summery, fun, and carefree vibe through shots of their artist enjoying themselves at sunny locations like the beach, festivals, clubs, and theme parks. Practical challenges include filming in autumn instead of summer and getting permission to film in some locations.
The music video will follow the indie/rock genre and feature typical elements like close-ups of band members performing, stereotypical indie clothing, and live performances. It will be filmed over a weekend in Leeds, UK at three locations - a music practice room, a student house, and outside on the street. The narrative will show the band having fun together through cross-cutting between the different shooting locations. Props, clothing, and equipment will be used to portray a typical student and band lifestyle.
The group decided to produce a music video for Taylor Swift's song "White Horse" using a narrative and performance structure. They chose simple locations like a college canteen and living room to film the narrative parts which will show the main character as the artist who gets cheated on by her boyfriend. For the performance sections, they will use the college's "Black Room". Costumes will be simple except for the artist wearing a prom dress. The video will use various camera angles and match lip movements to the song. They received audience feedback which helped decide their final video idea.
This document discusses plans for creating a music video for the song "Mr. Blue Sky" by Electric Light Orchestra. It will be filmed at Shiplake College on a sunny winter day to establish a calm tone. Scenes will include a character having breakfast and another running. Multiple stories will show different ways people enjoy their day. The target audience is people over 35 who were familiar with the 1978 song, but the upbeat nature may also appeal to younger viewers unfamiliar with the original video.
This document outlines location plans for an upcoming music video. It proposes five locations: 1) A blacked out room with neon lights to create a surreal rock concert atmosphere. 2) Holly's Diner to establish an 1950/60s aesthetic through its bright blue walls. 3) Bradwell Beach to convey images of fun and romance as seen in Grease. 4) A forest/park to add natural imagery and texture without distracting from the narrative of young love. 5) Southend-On-Sea pier and arcades as the setting for a third date, using the location's romantic connotations found in other iconic romance films.
Question 1 - In what ways does your media product use, develop or challenge f...Jason Marshgreen
The document provides an analysis of the conventions used in a music video and promotional materials for a band. It summarizes the shots in the music video and how they illustrate the band's style. It also compares the digipaks, magazine ads, and other promotional materials to those of other rock artists to demonstrate how they follow conventions of the genre. Overall, the document discusses how the project challenges some conventions to create a unique vision while still relating the various materials to continue branding the band.
The music video treatment is for a trap music video featuring the song "Panda" by Desiigner. It will have 3-5 characters meeting at an abandoned farm building at night while wearing masks. The video will have two sections to match changes in the song - the first will be dark and gritty with casual clothes, while the second will be softer with smarter attire. Shots will include the characters arriving and interacting at the location, as well as driving and showing off wealth. References are made to other trap-style videos for location, editing, and attire ideas.
This document summarizes how a media project conformed to or subverted several conventions of indie rock music videos. It conformed to conventions of having a DIY/low budget aesthetic by using mid-range cameras and effects to make footage look homemade. It also conformed to using summer and natural outdoor settings. It broke conventions by showing a same-sex marriage and having a man sing in the band. However, it subverted the convention of including live concert footage and crowds by showing the band playing to an empty venue.
This document provides a preliminary storyboard for a video with 19 shots. It describes each shot in sequence, including camera movements, focuses, and elements included. Shot durations are provided from 0:00 to 2:00. The storyboard focuses on shots of trees, leaves, sticks, the sky, lights, figures, and an expressionless man to convey a hookworm-themed video.
Drenge Digipak and Poster Deconstructionguils9201as
This document summarizes and analyzes the packaging of an indie rock album called "Undertow". It notes that the album cover does not include the band or album name, focusing instead on the mysterious image and music. Additionally, the front cover features an abandoned car in a dark forest. The back cover includes the necessary band and album information. Interior artwork continues the mysterious forest theme. Lyrics are included in the booklet, oriented around the music. A poster for a band gig also features a simple yet mysterious black and white image of a graveyard and car scrapyard, conforming to conventions of the indie genre.
Fidlar Digipak and Poster Deconstructionguils9201as
This document analyzes the album cover and poster for the indie rock band FIDLAR. It notes that the album cover features the band's name in a punk style font, reflecting punk influences in their music. The simple black and white design with no images focuses on the music rather than the band's image, in line with indie conventions. Inside the digipak is a photo of a mixing board, representing their use of real instruments, and a sign, fitting with punk's rebellious attitude. The included poster has handwritten lyrics on one side and unposed band photos on the other, highlighting the DIY aesthetic and focus on music common to both indie and punk genres.
The Wytches Digipak and Poster Deconstructionguils9201as
The album cover features a psychedelic tin foil head design, which is typical of the indie music genre's ties to 1960s-1970s alternative and psychedelic "hippie" music. The simple design also allowed it to be produced inexpensively, important for indie bands working with small budgets. The interior of the digipak continues the abstract, psychedelic imagery and includes multiple instances of the tin foil head. While displaying the album name, the band's name is absent, suggesting they prioritize the music over their image. The poster depicts the three band members in a black-and-white photographed outdoor setting, following indie conventions of using a low-budget production in plain clothing to focus on the music.
The document discusses three articles about films: 1) The Force Awakens trailer which was viewed over 100,000 times on YouTube and retweeted 37,000 times, showing the success of social media in film promotion. 2) Avengers: Age of Ultron, which is using the successful sequelization technique started by Star Wars to continue the Avengers franchise. 3) The Poltergeist remake, which the actor says is being remade as more of a kids' movie to attract family audiences and their ticket sales to the 3D film.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
2. Our Chosen Song
S We have decided to ‘Archie Marry Me’ by
Alvvays for our music video as it is a typical
song of the Indie Rock genre which we feel can
be easily remade and created into something
original with our own interpretation. We will also
be able to relate our music video to the lyrics of
the song as it is heavily orientated around
marriage and love. This romantic, free spirit
convention is also typical of the Indie/Alternative
Rock genre. The overall tone of the song is very
happy and summery which will allow us to
convey a strong community feel in our music
video and also include some naturistic imagery.
https://www.youtube.com/watch?v=ZAn3JdtSrnY
6. Storyboard and Narrative
S The narrative story of our music video is not a specific
beginning-middle-end but rather two entwining scenes.
S The first scene is of an outdoors wedding between two men,
although one of the men is wearing a wedding dress. There will
be 10-15 guests, a priest and a minimalist set with chairs and a
cake as the only props.
S Our video’s second scene is a live performance of the wedding
band playing our chosen song “Archie, marry me”. The band
will feature two of the wedding guests and the newlywed
couple.
S We have decided to do this as our music video as it is relevant
to the lyrics of the song which are about marriage
10. Locations
S We want to film our video in a range of locations so we have a
diverse video throughout. Other music videos of this genre tend
to have more then one filming location and so we shall follow
this convention.
S We plan to film in a church setting (in a church) and a rural
setting (a field or woods).
S Both these locations are going to be used as they can be
associated with weddings. For instance the wedding will take
place in the field and churches are commonly associated with
marriage.
11. Locations
S We will film in a field located near to school so we are
able to get other students to act in our wedding as the
wedding guests or a nearby forest.
S We will film in the church near to Ruben his family knows
the vicar of Creaton and will allow us access in the
church to film with our instruments.
14. Props
For our music video to be successful and professional we
need to include props which are realistic and add to the
overall aesthetic of our video. As we are aiming to shoot a
minimalistic video in the style of a home video, we don’t
require many high-tech or high expense props. Due to
budgeting and the fact we’re going to have to spend a large
proportion of our budget on a wedding dress we are aiming
to source as many of our props as we can from our homes
and our sixth form. This will also be in conjuncture with the
overall ‘homemade’ tone our video will have.
15. Props
S Chairs x15: Our video requires seating for our outdoor wedding
and as we plan to have 15 ‘guests’ at the wedding. We will use
school chairs.
S Musical Instruments: We will need a whole band set up for our
music video to achieve the live performance aspect of the
video. This will include an electric guitar, a bass guitar, a drum
kit, a microphone and amplifiers.
S Cake: We will need a wedding cake to make the wedding more
realistic. We will also have miniature wedding figurines atop the
cake.
16. Actors
Ruben Clark: We will use
Ruben as the bride as
cross dressing subverts
the norm. This technique
is seen in many different
music videos of this
genre as it conveys a
carefree/free spirit
alternative attitude.
17. Actors
Sam Thompson: We will use
Sam as the groom at the
wedding. We have chosen
to do this because as Sam
has put towards writing
script and storyboard for the
project, he understands the
sort of acting and character
we are aiming for. In
addition to this as he is
heavily involved with the
project he will be able to
commit time to the filming of
our video.
19. Actors
Our additional actors will all be extras acting as guests at the wedding.
We will source these actors through asking our friends and peers at
Sixth Form. We have chosen to take this approach as it means that
transport for the extras to the filming locations will be simple and
cheap as both locations are just a few minutes from our Sixth Form.
Furthermore, by including our friends in our video we hope to create an
up-beat, warm location which will reflect the wedding scene we are
filming.
20. Costumes
The groom (Sam) will be dressed up
smartly in a traditional wedding suit,
complete with a white flower in his top
pocket. We have chosen this costume
as it is easily to visibly identify the
character as the groom due to the
traditional nature of his costume.
21. Costumes
The bride (Ruben) will be dressed up
smartly in a traditional white wedding
dress, complete with a white veil over
his face. We have chosen this costume
as it is easily to visibly identify the
character as the bride due to the
traditional nature of their costume.
22. Costumes
Harry (The Vicar) will be dressed in a
typical priest outfit to make the marriage
more believable and to fit into the
traditional nature of the wedding. We
may use a normal black suit and add a
white collar instead of a gown though as
it would be more convenient.
23. Possible Problems
S Lighting Problems: Keeping the scenes consistently
well-lit may be an issue as the outdoors scene is
obviously very dependent on the sun and the indoor
church scene features large stain glass windows
which let in a large amount of light. To address this
issue we will use special effects in post-production.
S Technical problems: There are no plug sockets or
electricity in the church (its well old) or in our
outdoors location so we will need to ensure that the
cameras have spare battery packs for the day of
filming
24. Crew
S Sam Thompson: Writer, co-director, actor and producer
S Ruben Clark: Writer, co-director, actor and producer
S Harry Medlock: Actor
S Nils Turner: Actor
26. Shot Locati
on
Lighti
ng
Cast Direct
or
Shot
and
Angle
Props Health
and
Safety
Date
of
Shot
Contin
gencie
s
8 - - - - - - - 9/12/1
5
-
9 Churc
h
Churc
h
interior
Ruben
, Sam,
Nils,
Harry
(Band)
Ruben Long
shot
Instru
ments,
amplifi
ers
Heavy
equip
ment
19/12/
15
Churc
h
closed
10 Churc
h
Churc
h
interior
Band Ruben Close
up
Guitar - 19/12/
15
-
11 Churc
h
Churc
h
interior
- Ruben Mediu
m shot
Churc
h
ornam
ents
- 19/12/
15
-
12 Churc
h
Churc
h
interior
Nils Ruben Close
up
Bass
guitar
- 19/12/
15
-
13 Churc Churc Band Ruben Long Band Heavy 12/12/ -
27. Shot Locati
on
Lighti
ng
Cast Direct
or
Shot
and
Angle
Props Health
and
Safety
Date
of
Shot
Contin
gencie
s
14 Churc
h/Field
Daytim
e
- Ruben
/Sam
Worm’
s eye
- - 19(12)/
12/15
-
15 Churc
h
Daytim
e
Ruben Ruben Long
shot
- Trip
over
the
dress
19/12/
15
Churc
h
closed
16 Churc
h
Daytim
e
Ruben Ruben Close
up
Bouqu
et
- 19/12/
15
-
17 Churc
h
Churc
h
interior
Sam Ruben Mediu
m shot
- - 19/12/
15
-
18 Churc
h
Churc
h
interior
Harry Ruben Close
up
Bass
drum
- 19/12/
15
-
19 Churc
h
Churc
h
interior
Harry Ruben Mediu
m shot
Drum
kit
- 19/12/
15
-
20 Churc Churc - Ruben Close Amplifi - 19/12/ -
28. Shot Locati
on
Lighti
ng
Cast Direct
or
Shot
and
Angle
Props Health
and
Safety
Date
of
Shot
Contin
gencie
s
21 Churc
h
Churc
h
interior
Sam Ruben Mediu
m/long
shot
Guitar - 19/12/
15
-
22 Field Daytim
e
Ruben
, Sam
Sam Mediu
m shot
Confet
ti
- 12/12/
15
-
23 Field Daytim
e
Extras Sam Mediu
m shot
- - 12/12/
15
-
24 Field Daytim
e
- Sam Mediu
m shot
Caterp
illar
cake
- 12/12/
15
-
25 Field Daytim
e
Sam Sam Close
up
Bottle - 12/12/
15
-
26 Field Daytim
e
Sam,
Extras
Sam Mediu
m shot
Bottle - 19/12/
15
Bottle
doesn’
t fizz
27 Field Daytim
e
- Sam Birds
eye
Bouqu
et
- 19/12/
15
-
29. Shot Locati
on
Lighti
ng
Cast Direct
or
Shot
and
Angle
Props Health
and
Safety
Date
of
Shot
Contin
gencie
s
28 Field Daytim
e
Sam,
Ruben
Sam Close
up
- - 12/12/
15
-
29 Churc
h
Daytim
e
Sam Ruben Long
shot
Wall - 19/12/
15
-
30 Field Daytim
e
Ruben Sam Mediu
m shot
Confet
ti, veil
- 12/12/
15
-
31 Field Daytim
e
Ruben Sam Close
up
Confet
ti, veil
- 12/12/
15
-
32 Churc
h
Churc
h
interior
Sam Ruben Close
up
Guitar - 19/12/
15
-
33 Churc
h
Churc
h
interior
Ruben Ruben Mediu
m shot
Microp
hone
- 19/12/
15
-
34 Churc
h
Churc
h
interior
Harry Ruben Extrem
e close
up
Snare
drum
and
drum
- 19/12/
15
-
31. Production Schedule
Date Action
9/12/15 Organise and
prepare
costumes and
props
10/12/15 Book the
camera ready
for filming
11/12/15 Organise lifts
and actors
12/12/15 Bring props
and
everything
needed for
filming
Date Action
24/12/15 Download all
of the film
from the
cameras onto
movie maker
5/1/16 Begin editing
the shots
while
following the
storyboard
2/2/16 Upload the
finished video
to youtube
Pre-Production Post-Production