Music video Editing: Final Scene
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Emma Davis created the final scene of a music video by using a video clip that featured a beautiful sunset. She placed the video on the timeline without background audio using the "drag video only" option. She then cropped the video to only show the relevant visual, displaying it twice with different parts. Emma used a "Ghosting" effect to double the video and play it slowly, conveying the length and love of the couple's relationship. She blended the sunset scene with a static TV scene using the "Texturize" transition to suggest their relationship continues into the future. This is Emma's favorite scene as the calming sunset represents the couple's relationship lasting till the end of time.
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1. Adjustment layers and three-way color correction were used extensively in the music video to establish tone and mood through manipulation of color, brightness, and contrast.
2. Footage was carefully edited together with cuts aligned to the beat of the music to create a smooth, developing narrative as the video progressed.
3. Speed/duration of many clips was altered to 50% normal speed and some footage was reversed to add subtle variation and allow certain shots to be reused in different ways. Warp stabilizer addressed any shakiness in footage.
Factual production
The document provides details about Chloe Ross's process for creating a video analysis of the film Baby Driver. Some key points:
- Chloe filmed an opening and closing but dubbed over her voice, keeping her mask on to be less noticeable.
- She added title cards and transitions between sections, using images and fonts relating to the film.
- Audio included her amplified voice over music from the film's soundtrack.
- Comparisons to other films included side-by-side clips and names/dates to provide context.
- Effects like rewind and slow motion were used to emphasize points about characters' movements matching music.
Factual production refection
Chloe Ross created a video analysis of the film Baby Driver. She filmed an opening and closing statement while wearing a mask, as she dubbed over her own voice. For the title sequence, she used footage of the main character from Baby Driver and designed the title font to relate to the film. Throughout the video, she included clips from Baby Driver as well as other films like Wonder Woman and Captain America to illustrate her points. She also used title cards, visual effects like rewind, and side-by-side comparisons to engage viewers and analyze similarities between films like Baby Driver and Hot Fuzz. Chloe took care to provide context for any clips from unfamiliar movies. She edited the video and audio carefully to keep the viewer interested
Evaluation and feedback
The document provides an evaluation and feedback for a final major project music video created by Shauna Leacy and Emily Aldred. It describes the process of planning, filming, and editing the video to match the song "Years & Years – Desire." Feedback was gathered on Facebook from 13 people, mostly praising how the clips matched the music but providing some criticisms around slow motion quality and clip matching. Overall the feedback was positive and the creators learned skills in using editing software and managing collaborative projects.
Development Diary Music Video
The document describes the process of creating a music video for the song "First Love" by The Maccabees. It details writing the script, storyboarding, filming, and editing the footage in Final Cut Pro. Weather issues caused some shots to be unusable. Clips were edited to the beat of the song by cutting unnecessary parts and ensuring syncing. Color correction and filters were added to enhance the visuals. Text was included at the beginning and end to identify the song and artist. The completed video was exported for uploading and sharing.
Task 2 conventions
The document analyzes the music video for the song "The Sinner" by Memphis May Fire. It discusses the following key points:
1) The use of instrumental props, dark clothing, lighting, and an all-male band creates an intense, live performance feel that is conventional for the heavy metal genre.
2) Editing is minimized to further enhance the live performance aesthetic. Color grading and contrast are also used to create a darker mood.
3) Close-up shots of the lead singer are used frequently to showcase lip syncing and add intensity during screaming parts. Varied shot types within limited locations keeps the viewer engaged.
Music Video Constuction
Farzana Begum edited a music video over several weeks using Final Cut Express. She organized footage and audio on separate timelines, added transitions between clips, and applied effects like cross dissolves and soft edges. Flashback scenes were edited to be black and white and cut into shorter clips. Additional text was overlaid and the artist's face was zoomed in on. Throughout the video, multiple video transitions were used to give a smooth, professional flow. In the final credits, low key lighting was used with a black background to signal the end of the video.
Music Video Printscreens
Farzana Begum edited a music video over several weeks using Final Cut Express. She organized footage and audio on separate timelines, added transitions between clips, and applied effects like cross dissolves and soft edges. Flashback scenes were edited to be black and white and cut into shorter clips. The video tells a story of an artist leaving her husband, conveyed through shots of a ring and the husband's confused reaction. Credits were added at the end over black to conclude the video.
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- 1. By Emma Davis MUSIC VIDEO EDITING: FINAL SCENE
- 2. • The file for the end scene is located in Multimedia > Media > Year 13 > 0vedavis > Rob and Stella MP4 > MOV04B. I used this specific video for the reason that I really liked the sunset in the background. WHERE FILE IS LOCATED
- 3. • It was important that I placed the video onto the timeline without any background audio. Therefore, I used the ‘drag video only’ option to ensure that the only sound was the track. I then used the cropping feature to present only the visual that was relevant. This is why the video is shown twice with different parts. TIMELINE
- 4. • I used ‘Ghosting’ for the reason that it creates a beautiful effect along with the sunset. It allows the video to be doubled and is played slowly so that the audience can feel the length of the relationship and the couple’s love. EFFECTS
- 5. • The transition ‘Texturize’ blends the sunset scene with the static TV scene which creates a lovely image. It helps to suggest that the relationship continues further in the future. TRANSITIONS
- 6. • This is my favourite scene due to the beautiful sunset that calms the audience and shows that the relationship with last till the end of time. I am therefore pleased with this scene as it represents the couple in such a positive way to the audience. IMPLEMENTATION
Editor's Notes
- Insert a map of your country.
- Insert a picture of one of the geographic features of your country.
- Insert a picture illustrating a season in your country.
- Insert a picture of an animal and or plant found in your country.