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Music Theory
By Megan Brant
Andrew Goodwin identifies 5 key aspects of music
videos that we the audience should look out for,
these are:
• Thought beats- seeing the sound
• Narrative and Performance
• The star image
• Relation of visuals to song
• Technical Aspects of music video.
•First step is to look at the music itself. Take in the structure of the song.
•Secondly, the voice of the song. The artist voice is extremely unique and
can form identification or trademarks that work well with the star image.
Roland Barthes theory of the grain of the voice can be related to this. He
sees the singing voice as an expressive instrument and therefore able to
make associations of its own.
•Thirdly, Goodwin also points out the artists mode of address. Songs can be
see as stories and the artist is the storyteller, making the music video a
communication, them telling us a story and us listening.
We only tend to get a gist of the meaning of the song and then tend to
make up our own idea of what is being told.
Goodwin explains that music videos should ignore common narrative. It is
important in their role of advertising.
Music videos should coherent repeatability. Narrative and performance
work hand in hand it makes it easier for the audience to watch over and
over without loosing interest.
The artist acting as both narrator and participant helps to increase the
authenticity however the lip sync and other mimed actions remains the
heart of music videos. The audience need to believe this is real.
The star image is another vital aspect of music videos. Meta narrative which
is a big story that describes the development of the star over time, it has an
important part to play in the music video production process.
Three ways in which music videos work to promote a song:

Illustrate- Music videos can use a set of images to illustrate the meaning of the
lyrics and genre, this is the most common.
Amplify- This is similar to repeatability. Meanings and effects are manipulated
and constantly shown through the video and drummed into our vision.
Disjuncture- This is where the meaning of the song is completely ignored.
Technical aspects hold the music video together though the use of camera
work, movement, angle, mise-en-scene, editing sound and special effects.
Speed, camera movement, editing, cutting and post production are all forms
of use of camera.
Lighting and colour helps set moods and emphasise key movement of the
song for dramatic effect.

Mise-en-scene, the setting of the music videos is vital, it needs to look
authentic to attain professionalism.
Beats, music videos use cuts to go with the beat or rhythm making the video
more entertaining.

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Music theory

  • 2. Andrew Goodwin identifies 5 key aspects of music videos that we the audience should look out for, these are: • Thought beats- seeing the sound • Narrative and Performance • The star image • Relation of visuals to song • Technical Aspects of music video.
  • 3. •First step is to look at the music itself. Take in the structure of the song. •Secondly, the voice of the song. The artist voice is extremely unique and can form identification or trademarks that work well with the star image. Roland Barthes theory of the grain of the voice can be related to this. He sees the singing voice as an expressive instrument and therefore able to make associations of its own. •Thirdly, Goodwin also points out the artists mode of address. Songs can be see as stories and the artist is the storyteller, making the music video a communication, them telling us a story and us listening.
  • 4. We only tend to get a gist of the meaning of the song and then tend to make up our own idea of what is being told. Goodwin explains that music videos should ignore common narrative. It is important in their role of advertising. Music videos should coherent repeatability. Narrative and performance work hand in hand it makes it easier for the audience to watch over and over without loosing interest. The artist acting as both narrator and participant helps to increase the authenticity however the lip sync and other mimed actions remains the heart of music videos. The audience need to believe this is real.
  • 5. The star image is another vital aspect of music videos. Meta narrative which is a big story that describes the development of the star over time, it has an important part to play in the music video production process.
  • 6. Three ways in which music videos work to promote a song: Illustrate- Music videos can use a set of images to illustrate the meaning of the lyrics and genre, this is the most common. Amplify- This is similar to repeatability. Meanings and effects are manipulated and constantly shown through the video and drummed into our vision. Disjuncture- This is where the meaning of the song is completely ignored.
  • 7. Technical aspects hold the music video together though the use of camera work, movement, angle, mise-en-scene, editing sound and special effects. Speed, camera movement, editing, cutting and post production are all forms of use of camera. Lighting and colour helps set moods and emphasise key movement of the song for dramatic effect. Mise-en-scene, the setting of the music videos is vital, it needs to look authentic to attain professionalism. Beats, music videos use cuts to go with the beat or rhythm making the video more entertaining.