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CONVENTIONS IN A MUSIC VIDEO
PURPOSE OF A MUSIC VIDEO
 Promotes a single and album
 Promotes the artist or band
 Creates, adapts or feeds into a stars image
 Sets the meaning of a song using images.
BASIC STRUCTURES
 A music video should conventionally be 3-4 minutes
with a combination of a live performance, narrative
and other computer graphics.
 Many music videos include performances of artists
as part of the video
 It was from clips of performances that music videos
developed
 Can be a live stage performance, with shots of
artists and audiences
 Can be the artists in real life situation e.g. fooling
around, talking
IDEA OF SPECTACLE
Music videos can be considered to be examples of spectacle.
This is when the performers are performing, often looking directly at the viewer.
This is called direct address which is when they are directly interacting with the
viewer.
Examples:
 In the case of men, this involves the look of the character towards the viewer.
The male is seen to be addressing the viewer directly. He is supposed to be
singing directly at you.
 The female figure is often an object of an erotic gaze, object of males desire
which is a voyeuristic gaze. Which is someone who looks at someone for
pleasure. Women in music videos are often dresses and posed in sexual
ways.
NARRATIVE
 Often the video tells a story either that features in
the lyrics or is suggested in the lyrics .e.g. boy
dumps girl
 Like a mini film with a beginning, middle and end
 Very fast paced, lots of shots and cuts
 Sometimes the story can contradict what is said for effect
THEMATIC
 There are lots of common themes in music videos
 Depends on the genre of music
 Heavy metal bands go for dominant clips
 Rap will have street images
 Female artists have dance sequences
ANDREW GOODWIN
Andrew Goodwin identifies 5 key aspects of music
videos that the audiences look out for which is:
 Thought beats – seeing the sound
 Narrative and performance
 The star image
 Relation of visuals to song
 Technical aspects of music videos
THOUGHT BEATS
 First step: is to look at the music itself and take into
account the structure of the song
 Second: the voice of the song, the artists voice is
extremely unique and can form identification it
trademarks that work well with the star image.
Ronald Barthes theory of the Grain of voice can be
related to this. He sees the singing voice as an
expressive instrument and therefore able to make
an association of its own
 Third: He points out the artists mode of address.
Songs can be seen as stories and the artist the
storyteller, making the music video a two was
communication device, them telling us the story and
us listening.
NARRATIVE AND PERFORMANCE
We only tend to typically get the git of the meaning of
the song and then tend to make up our own idea to
what is being told. Goodwin explains that music
videos should ignore common narrative. It is
important in their role of advertising. Music videos
should coherent repeatability. Narrative and
performance work hand in hand it makes it easier for
the audience to watch over and over without loosing
interest. The artist acting as both narrator and
participant helps to increase the authenticity however
the lip sync and other mimed actors remains the heart
of music videos. The audience need to believe its
real.
THE STAR IMAGE
The star image is another vital aspect of music
videos. Meta narrative which is a big story that
describes the development of the star over time, it
has an important part to play in the music video
production process.
RELATION OF VISUALS TO SONG
This is similar to
repeatability.
Meanings and effects
are manipulated and
constantly shown
through the video
and drummed into
our vision
This is where the meaning
of the song is completely
ignored
Music videos can
use a set of
images to
illustrate the
meaning of lyrics
and genre, this is
the most
common
TECHNICAL ASPECTS
 Technical aspects hold the music video together through
use of camera work, movement, angle, mise-en-scene,
editing, sound and special effects.
 Speed, camera movement, editing, cutting and post
production are all forms of use of camera. Lighting and
colour help set the moods and emphasise the key
moments of the song for dramatic effect.
 Mise-en-scene, the setting of music videos is vital, it
needs to look authentic to attain professionalism
 Beats, music videos use cuts to go with the beat or
rhythm making music videos more entertaining.

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Music Video Conventions & Techniques

  • 1. CONVENTIONS IN A MUSIC VIDEO
  • 2. PURPOSE OF A MUSIC VIDEO  Promotes a single and album  Promotes the artist or band  Creates, adapts or feeds into a stars image  Sets the meaning of a song using images.
  • 3. BASIC STRUCTURES  A music video should conventionally be 3-4 minutes with a combination of a live performance, narrative and other computer graphics.  Many music videos include performances of artists as part of the video  It was from clips of performances that music videos developed  Can be a live stage performance, with shots of artists and audiences  Can be the artists in real life situation e.g. fooling around, talking
  • 4. IDEA OF SPECTACLE Music videos can be considered to be examples of spectacle. This is when the performers are performing, often looking directly at the viewer. This is called direct address which is when they are directly interacting with the viewer. Examples:  In the case of men, this involves the look of the character towards the viewer. The male is seen to be addressing the viewer directly. He is supposed to be singing directly at you.  The female figure is often an object of an erotic gaze, object of males desire which is a voyeuristic gaze. Which is someone who looks at someone for pleasure. Women in music videos are often dresses and posed in sexual ways.
  • 5. NARRATIVE  Often the video tells a story either that features in the lyrics or is suggested in the lyrics .e.g. boy dumps girl  Like a mini film with a beginning, middle and end  Very fast paced, lots of shots and cuts  Sometimes the story can contradict what is said for effect
  • 6. THEMATIC  There are lots of common themes in music videos  Depends on the genre of music  Heavy metal bands go for dominant clips  Rap will have street images  Female artists have dance sequences
  • 7. ANDREW GOODWIN Andrew Goodwin identifies 5 key aspects of music videos that the audiences look out for which is:  Thought beats – seeing the sound  Narrative and performance  The star image  Relation of visuals to song  Technical aspects of music videos
  • 8. THOUGHT BEATS  First step: is to look at the music itself and take into account the structure of the song  Second: the voice of the song, the artists voice is extremely unique and can form identification it trademarks that work well with the star image. Ronald Barthes theory of the Grain of voice can be related to this. He sees the singing voice as an expressive instrument and therefore able to make an association of its own  Third: He points out the artists mode of address. Songs can be seen as stories and the artist the storyteller, making the music video a two was communication device, them telling us the story and us listening.
  • 9. NARRATIVE AND PERFORMANCE We only tend to typically get the git of the meaning of the song and then tend to make up our own idea to what is being told. Goodwin explains that music videos should ignore common narrative. It is important in their role of advertising. Music videos should coherent repeatability. Narrative and performance work hand in hand it makes it easier for the audience to watch over and over without loosing interest. The artist acting as both narrator and participant helps to increase the authenticity however the lip sync and other mimed actors remains the heart of music videos. The audience need to believe its real.
  • 10. THE STAR IMAGE The star image is another vital aspect of music videos. Meta narrative which is a big story that describes the development of the star over time, it has an important part to play in the music video production process.
  • 11. RELATION OF VISUALS TO SONG This is similar to repeatability. Meanings and effects are manipulated and constantly shown through the video and drummed into our vision This is where the meaning of the song is completely ignored Music videos can use a set of images to illustrate the meaning of lyrics and genre, this is the most common
  • 12. TECHNICAL ASPECTS  Technical aspects hold the music video together through use of camera work, movement, angle, mise-en-scene, editing, sound and special effects.  Speed, camera movement, editing, cutting and post production are all forms of use of camera. Lighting and colour help set the moods and emphasise the key moments of the song for dramatic effect.  Mise-en-scene, the setting of music videos is vital, it needs to look authentic to attain professionalism  Beats, music videos use cuts to go with the beat or rhythm making music videos more entertaining.