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BACKGROUND INFO ON
 THE MUSIC INDUSTRY
      M&M Productions
TIMELINE FOR THE 1940‟S
 1940   Production of records halted by World War II and the shortage of shellac, due to the invasion of
         South East Asia by the Japanese. The replacement of the base material was discovered from a
         plastic resin derivative of petroleum called vinyl.

         David Sarnoff of RCA installed first secret recording devices in the White House for 11 weeks,
         from June to October, using the same optical Phonofilm method used in RKO films.

 1941   The quality of the Magnetophone in Germany dramatically improved with the use of high
         frequency biasing developed by Weber and Von Braunmuhl at AEG.

 1942   Armed Forces Radio Service created to distribute programs to soldiers overseas.

 1943   The first V-Discs were shipped from the RCA Victor pressing plant in Camden, New Jersey.

 1944   3M Co. (Minnesota Mining and Manufacturing) began tape coating experiments in U.S. under
         Ralph J. Oace.
TIMELINE FOR THE 1940‟S
 1945   Working tape recorders brought back to the USA from Germany.

 1946   RCA Victor releases the very first commercial vinylite record.

 1947   Roy Brown recorded one of the earliest "rock and roll" songs Good Rocking Tonight on
         DeLuxe label.

 1948   Columbia introduces the first 12-inch 33-1/3 rpm microgroove LP vinylite record with
         23-minute play-time per side it also has a special turntable to play them on made by
         Philco.

 1949   RCA Victor introduce the 7-inch 45 rpm micro-groove vinyl single and compatible turn
         table. Capitol became the first major label to support all three recording speeds of 78,
         45, 33-1/3 rpm.

         Todd Storz from the KOWH radio station sets up a Top 40.
TIMELINE FOR THE 1950‟S
 1950   The improvements in sound quality of the new vinyl format encourage record companies
         to embrace the technology, this marks the beginning of the end for the 78rpm shellac disc.
         RCA Victor issues records on Columbia 12 inch LP format.
 1951   Columbia releases records on the RCA 7 inch 45 rpm format.
         First Jukebox produced that was able to play 7 inch 45 rpm records.
 1952   Alan Freed starts the influential radio show Moondog's Rock and Roll Party.
 1953   Elvis Presley made his first recording (a personal disc for himself, not for his mother's
         birthday that was in the spring) at the Sun studio of Sam Phillips in Memphis; the
         second recording by Elvis at Sun was "That's All Right", released 19th July.
TIMELINE FOR THE 1950‟S

 1954   Record companies start to deliver 7 inch 45 rpm record singles to radio stations instead of
         78s. Bill Haley releases "Shake, Rattle and Roll" and "Rock Around the Clock".
 1955   BBC begins FM broadcasting.
 1956   The Chrysler Imperial in-car turntable 16-2/3 rpm record player with 7-inch
         ultramicrogroove records developed by Peter Goldmark - the man who invented the 33-1/3
         rpm long playing (LP) record format.
 1957   The Recording Industry Association of America chooses the Westrex standard for stereo
         records. Stereo vinyl is to became the dominant medium of recorded music.
 1958   RCA introduces its first stereo LPs.
 1959   The FCC decides the FM stereo broadcast format.
TIMELINE FOR THE 1960‟S
 1960   Ampex shared VTR patents with Sony and Sony shared transistorised circuitry with
         Ampex.

 1961   RCA Victor release the compact single 33 - a 7inch playing at 33 1/3 - it didn't last
         long.

         Rupert Neve's introduced the first Valve mixer.

         EMI sign The Beatles.

 1962   3M introduces Scotch 201/202 "Dynarange," a black oxide low-noise mastering tape
         with a 4 dB improvement in s/n ratio over Scotch 111.

         Twist Dance Fever originated by Hank Ballard hits the UK.
TIMELINE FOR THE 1960‟S
 1963   Bob Moog unveils voltage controlled synthesizer.

         Andrew Loog Oldham manages the Rolling Stones and they sign a recording
         contract with Decca.

         Philips introduces compact cassette, offering free licenses worldwide. Wollensak
         stereo open reel.

         The Beach Boys contract Sunn Electronics to build the first large full-range
         sound system for their rock music concert tour.

 1964   Pirate radio stations start broadcasting among them Radio Caroline.

         Record sales in the UK up 60% on 1960.
TIMELINE FOR THE 1960‟S
 1965   Philips sells first cassette machines.

         The Dolby Type A noise reduction system is introduced.

         Herb Alpert and the Tijuana Brass tour with a Harry McCune Custom Sound System.

 1966   "River Deep Mountain High" by Ike and Tina Turner and produced by Phil Spector with his
         trademark "Wall of Sound" released.

 1967   Birth of Radio 1 using a Pirate Radio format as the offshore broadcasters are forced to withdraw.
         The Monterey International Pop Festival becomes the first large rock music festival, with
         performers     including Jimi Hendrix, The Who & Otis Redding (who was killed that December).
         Elektra releases the first electronic music recording: Morton Subotnick's Silver Apples of the
         Moon.

         Revox converts to solid state. Sgt. Peppers ushers in new age of popular recording.
TIMELINE FOR THE 1960‟S
 1968   Bill Hailey and the Comets designs and builds the sound system for the Woodstock
         Music Festival.

         CBS releases "Switched-On Bach," Walter (Wendy) Carlos's polyphonic multitracking
         of Moog's early music synthesizer.

 1969   The Woodstock Festival, billed as 3 days of peace and love, takes place in upstate
         New York.
TIMELINE FOR THE 1970‟S
   1970   Ampex introduced the Instavision that it had developed with Toshiba; N.V. Philips introduced its own videocassette
           recorder (VCR) format in Europe; AVCO introduced a solid state compact Cartrivision VCR.

   1971   The great consumer format flop; the Quadraphonic sound, launched by Japanese firms.

           Klark-Teknik start manufacture of graphic equalizers.

   1972   Chrome cassettes and Dolby; first Advent decks.

           Denon develops digital recorder and introduces first digitally recorded LP.

   1973   Electro-Voice and CBS licensed by Peter Scheiber to produce quadraphonic decoders using his patented
           matrixes.

   1974   Amek and Soundcraft introduce consoles and Amek also introduces Grandmaster recording tape that
           remained the     standard for next 15 years.

           The Grateful Dead produce the "Wall of Sound" at the San Francisco Cow Palace, incorporating separate
           systems for vocals, each of the guitars, piano and drums. Dupont introduces chromium dioxide (CrO2)
           cassette tape.
TIMELINE FOR THE 1970‟S
   1975   Sony Betamax became the first successful home video and then later died a natural death in the market
           place.

   1976   Digital tape recording begins to take hold in professional audio studios.

           The VHS video cassettes was introduced to the market place.

   1977   RCA announced in March it would sell VHS with 4-hour tapes.

           3M and Denon introduced digital-multitrack automation for the masses including the MCI JH-50. The
           Tascam 80-8demo studio becomes reality.

   1978   Wollensak makes last open reel recorder marks the end of the amateur reel-to-reel era.

           Pioneer developed the LaserDisc that was first used by General Motors to train Cadillac salesmen.

   1979   Sony introduced the TPS-L2 Walkman portable audio cassette player, inaugurating a new era of personal
           music listening.

           3M introduces the metal-particle cassette tape.
TIMELINE FOR THE 1980‟S
   1980   Sony introduced first consumer video camcorder.

   1981   3M was no longer a market force, leading audiophile engineers declare war against digital as acquisition system.

           The MIDI system is standardised as the universal synthesizer interface.

   1982   Philips and Sony introduce compact disc in late 1982 to the buying public and the American dominance of formats
           is ended, that same year, Sony acquires MCI.

           Sony releases the first CD player, the Model CDP-101.

   1983   BT's Fibre-optic cable is used for long-distance digital audio transmission in linking New York and Washington.

           Sony introduced the Beta HiFi VCR with high-quality FM sound.

   1984   The Apple Corporation market the Macintosh computer and in that same year sales of the recorded compact
           cassettes (audio cassettes) exceeded LP record sales for the first time.
TIMELINE FOR THE 1980‟S
 1985   Sony introduced the 8-mm format in April; the VHS group, led by JVC, brought out a compact
         version of VHS, known as VHS-C, but it only recorded for 20 minutes.
 1986   R-DAT recorders are introduced in Japan and Dr. Gunther Theile gave a prescribe description of a
         novel stereo "sphere microphone.".
 1987   LEF Digidesign markets "Sound Tools," a Macintosh-based digital workstation using DAT as its
         source and storage medium.
 1988   CD becomes dominant medium.
         Super-VHS video format equalled 8-mm in picture quality but not in sound quality.
 1989   Sony introduced the Hi8 video format and the Sony CCD-V99 camcorder.
         Dolby S brings new generation of inexpensive 24 tracks to home use.
TIMELINE FOR THE 1990‟S




   1990   Dolby proposes a 5-channel surround-sound scheme for home theatre systems, and the write-once CD-R becomes a
           commercial reality.

           The BT invention of ISDN telephone links are offered for high-end studio use.

   1991   Wolfgang Ahnert presents, in a binaural simulation, the first digitally enhanced modeling of an acoustic space.

   1992   The Philips DCC and Sony's MiniDisc, using digital audio data-reduction, are offered to consumers as record/play
           hardware and software.

           Recordable CD's become commonplace.

   1993   In the first extensive use of "distance recording" via ISDN, producer Phil Ramone records the "Duets" album with Frank
           Sinatra.

           Digital HDTV Grand Alliance in October selected Dolby AC-3 to provide digital surround sound for the emerging
           technology of digital television.

   1994   Global Big 6 control $30 billion record industry: Philips (owns Polygram, A&M, Mercury, Island), Sony (owns CBS
           Records), Matsushita (owns MCA, Geffen), Thorn-EMI (owns Capitol, Virgin), Time Warner, and Bertelsmann (owns
           RCA Records).
TIMELINE FOR THE 1990‟S
   1995   By September, all companies in the DVD consortium agreed to DVD standards.

           The first "solid-state" audio recorder, the Nagra ARES-C, is introduced. It is a battery-operated field unit recording on PCMCIA
           cards using MPEG-2 audio compression.

   1996   Iomega debuts high-capacity "Jazz" and "Zip" drives, useful as removable storage media for hard-disk recording.     DVD players
           started selling in Japan, and began in 1997 selling in the U.S.

   1997   DVD videodiscs and players are introduced. An audio version with 6 channel surround sound is expected to eventually supplant
           the CD as the chosen playback medium in the home.

           San Diego's MP3.com was founded in November by Michael Robertson.

   1998   MP-3 players for downloading MP-3 Audio music from the Internet appeared.

           The Winter Olympics open with a performance of Beethoven's "Ode to Joy," played and sung by synchronizing live audio feeds
           from five continents with an orchestra and conductor at the Olympic stadium in Nagano, Japan, using satellite and the BT
           ISDN technology.

   1999   The 5 largest record companies in the U.S. controlled 84% of the 755 million albums sold in the U.S. in 1999: 26.3% by
           Seagram's Universal (owns MCA, Polygram), 16.2% by Sony Music (owns Columbia), 16% by Bertelsmann's BMG (owns RCA
           Victor), 15.7% by Time Warner's Warner Music, 9.4% by EMI.
MUSIC DISTRIBUTION

 Music has gone through many formats of distribution over the years, the first
of which was the vinyl record.
 There was a lot of controversy when it came to having to change the method of
distribution to CD‟s.
 Many record labels we reluctant to pick up the use of CD‟s because the potential
for piracy was just too great and companies only agreed to use CD‟s if the
technology to create CD‟s was kept too high for the average householder to buy so
that piracy would be kept to a minimum. But as the years went on, so did
technology and soon most computers were able to burn CD‟s
THE I NTERNET – BLESSI NG OR
          CURSE?

 The internet is a wonderful thing, we can find all sort of handy things
out at a few strokes of the keyboard
 You can go to YouTube and listen to all of your favorite songs in a
instant
 However this isn‟t such a light hearted situation for the music industry
because most people would rather go to YouTube to listen to their
favorite songs rather than going out and buying them. In 2003 something
amazing happened: iTunes was created
ITUNES

 iTunes was released in 2003 and was a piece of software that allowed
one to digitally obtain songs rather than going out an buying the full
album, why would you when you can download the few songs that you
might like rather that having to buy all the song and you not liking the rest

 iTunes has over 435 million accounts and have sold over 6 billions
songs since 2003 and is responsible 75% of all digital song sales in key
territories including England and America
MUSIC VIDEOS

 First music video – Blues singer Bessie Smith appeared in a short film
„Saint Louis Blues‟ which featured a dramatized version of the hit song. This
was shown in theatres until 1932.
 Bohemian Rhapsody (1975) is one of the songs generally considered to have
been the first music video.
 Thriller by Michael Jackson is arguably one of the most famous music videos of
all time. It was a 14 minute video which featured the performance of the song as
well as a screenplay. Thriller is known as being „a watershed moment for the music
industry‟ because of its merging of filmmaking and music.
H I S T O RY O F T H E M U S I C V I D E O
                 – K E Y DAT E S
   1965   The Beatles use promotional films – 10 films to promote album releases, kicks off video promotion.
   1981   MTV launched – 24hr broadcast means music videos begin to play a central role in music marketing.
   1982   Thriller – Michael Jackson‟s most successful and influential video of all time released
   1985   VH1 launched – featured softer music & catered to an older demographic, widening the audience of music
           videos
   1992   Rise of the directors – listed in the credits for the first time, directors such as Goudry and Romanek launch
           careers
   1995   Scream – the Jackson‟s “Scream” is the most expensive music video ever, costing £7 million to produce
   2005   YouTube – allows people to watch videos online. New artists see popularity rise through internet
   2005   iTunes opens – allows music videos to be downloaded from the internet. Reaches 1 million downloads after
           20 days.
   2010   One billion – Lady Gaga‟s music videos views reach one billion views. „Poker Face‟ sees 373mill views done.
   2010   New Heights – number of music videos viewed online reaches 34 billion with 183 million viewers.
MARKETING & PROMOTION

Publicity
 Artists gain publicity from reviews in magazines and online
(Billboard, NME etc.)
 Also gain publicity from word of mouth and recommendations
(particularly for smaller bands/artists)
 Word of mouth quoted as being “still the best advertising a band
can get”
ADVERTISING

 Artists use different advertising methods, depending on their
popularity:
 Internet advertising e.g. Facebook, YouTube ads
 Television adverts – for albums or commercial products e.g.
Professor Green – Relentless
 Radio adverts
 Billboards
RETAIL/DISTRIBUTION

 CDs can still be bought in a variety of stores e.g. HMV,
supermarkets

 Albums/singles available to buy on iTunes (more and more
customers purchasing select tracks as opposed to an entire album)

 Internet distribution – prevents distribution costs, piracy/illegal
downloads (publicity for artists/less revenue gained by artists)
MERCHANDISING

 Accounts for an ever-growing percentage of a band‟s income due
to illegal downloads/decreasing record sales

 Merchandising – t-shirts, posters, hats, jewellery etc

 Synergy – artists creating songs specifically for films/games
TOURING

 Touring is the major source of income for most artists

 In most cases touring is used to promote a new album

 Gives artists a chance to connect and give back to the fans

 Amount of tours also depends on popularity of band –
mainstream artists don‟t rely on touring as much as smaller artists
who find touring their main source of income.
FAN BASE

 Artists need a solid fan base to target their music towards
 Some artists have developed solid cult-like fan bases e.g. 30 Seconds to
Mars “ The Echelon”
 Some artists hold meets with fans
 Use the internet to connect with fans (fan
pages, Facebook, Twitter, YouTube, blogs etc.)
 Some artists get fans involved with albums e.g. voting for album/single
titles

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Music industry research

  • 1. BACKGROUND INFO ON THE MUSIC INDUSTRY M&M Productions
  • 2. TIMELINE FOR THE 1940‟S  1940 Production of records halted by World War II and the shortage of shellac, due to the invasion of South East Asia by the Japanese. The replacement of the base material was discovered from a plastic resin derivative of petroleum called vinyl. David Sarnoff of RCA installed first secret recording devices in the White House for 11 weeks, from June to October, using the same optical Phonofilm method used in RKO films.  1941 The quality of the Magnetophone in Germany dramatically improved with the use of high frequency biasing developed by Weber and Von Braunmuhl at AEG.  1942 Armed Forces Radio Service created to distribute programs to soldiers overseas.  1943 The first V-Discs were shipped from the RCA Victor pressing plant in Camden, New Jersey.  1944 3M Co. (Minnesota Mining and Manufacturing) began tape coating experiments in U.S. under Ralph J. Oace.
  • 3. TIMELINE FOR THE 1940‟S  1945 Working tape recorders brought back to the USA from Germany.  1946 RCA Victor releases the very first commercial vinylite record.  1947 Roy Brown recorded one of the earliest "rock and roll" songs Good Rocking Tonight on DeLuxe label.  1948 Columbia introduces the first 12-inch 33-1/3 rpm microgroove LP vinylite record with 23-minute play-time per side it also has a special turntable to play them on made by Philco.  1949 RCA Victor introduce the 7-inch 45 rpm micro-groove vinyl single and compatible turn table. Capitol became the first major label to support all three recording speeds of 78, 45, 33-1/3 rpm. Todd Storz from the KOWH radio station sets up a Top 40.
  • 4. TIMELINE FOR THE 1950‟S  1950 The improvements in sound quality of the new vinyl format encourage record companies to embrace the technology, this marks the beginning of the end for the 78rpm shellac disc. RCA Victor issues records on Columbia 12 inch LP format.  1951 Columbia releases records on the RCA 7 inch 45 rpm format. First Jukebox produced that was able to play 7 inch 45 rpm records.  1952 Alan Freed starts the influential radio show Moondog's Rock and Roll Party.  1953 Elvis Presley made his first recording (a personal disc for himself, not for his mother's birthday that was in the spring) at the Sun studio of Sam Phillips in Memphis; the second recording by Elvis at Sun was "That's All Right", released 19th July.
  • 5. TIMELINE FOR THE 1950‟S  1954 Record companies start to deliver 7 inch 45 rpm record singles to radio stations instead of 78s. Bill Haley releases "Shake, Rattle and Roll" and "Rock Around the Clock".  1955 BBC begins FM broadcasting.  1956 The Chrysler Imperial in-car turntable 16-2/3 rpm record player with 7-inch ultramicrogroove records developed by Peter Goldmark - the man who invented the 33-1/3 rpm long playing (LP) record format.  1957 The Recording Industry Association of America chooses the Westrex standard for stereo records. Stereo vinyl is to became the dominant medium of recorded music.  1958 RCA introduces its first stereo LPs.  1959 The FCC decides the FM stereo broadcast format.
  • 6. TIMELINE FOR THE 1960‟S  1960 Ampex shared VTR patents with Sony and Sony shared transistorised circuitry with Ampex.  1961 RCA Victor release the compact single 33 - a 7inch playing at 33 1/3 - it didn't last long. Rupert Neve's introduced the first Valve mixer. EMI sign The Beatles.  1962 3M introduces Scotch 201/202 "Dynarange," a black oxide low-noise mastering tape with a 4 dB improvement in s/n ratio over Scotch 111. Twist Dance Fever originated by Hank Ballard hits the UK.
  • 7. TIMELINE FOR THE 1960‟S  1963 Bob Moog unveils voltage controlled synthesizer. Andrew Loog Oldham manages the Rolling Stones and they sign a recording contract with Decca. Philips introduces compact cassette, offering free licenses worldwide. Wollensak stereo open reel. The Beach Boys contract Sunn Electronics to build the first large full-range sound system for their rock music concert tour.  1964 Pirate radio stations start broadcasting among them Radio Caroline. Record sales in the UK up 60% on 1960.
  • 8. TIMELINE FOR THE 1960‟S  1965 Philips sells first cassette machines. The Dolby Type A noise reduction system is introduced. Herb Alpert and the Tijuana Brass tour with a Harry McCune Custom Sound System.  1966 "River Deep Mountain High" by Ike and Tina Turner and produced by Phil Spector with his trademark "Wall of Sound" released.  1967 Birth of Radio 1 using a Pirate Radio format as the offshore broadcasters are forced to withdraw. The Monterey International Pop Festival becomes the first large rock music festival, with performers including Jimi Hendrix, The Who & Otis Redding (who was killed that December). Elektra releases the first electronic music recording: Morton Subotnick's Silver Apples of the Moon. Revox converts to solid state. Sgt. Peppers ushers in new age of popular recording.
  • 9. TIMELINE FOR THE 1960‟S  1968 Bill Hailey and the Comets designs and builds the sound system for the Woodstock Music Festival. CBS releases "Switched-On Bach," Walter (Wendy) Carlos's polyphonic multitracking of Moog's early music synthesizer.  1969 The Woodstock Festival, billed as 3 days of peace and love, takes place in upstate New York.
  • 10. TIMELINE FOR THE 1970‟S  1970 Ampex introduced the Instavision that it had developed with Toshiba; N.V. Philips introduced its own videocassette recorder (VCR) format in Europe; AVCO introduced a solid state compact Cartrivision VCR.  1971 The great consumer format flop; the Quadraphonic sound, launched by Japanese firms. Klark-Teknik start manufacture of graphic equalizers.  1972 Chrome cassettes and Dolby; first Advent decks. Denon develops digital recorder and introduces first digitally recorded LP.  1973 Electro-Voice and CBS licensed by Peter Scheiber to produce quadraphonic decoders using his patented matrixes.  1974 Amek and Soundcraft introduce consoles and Amek also introduces Grandmaster recording tape that remained the standard for next 15 years. The Grateful Dead produce the "Wall of Sound" at the San Francisco Cow Palace, incorporating separate systems for vocals, each of the guitars, piano and drums. Dupont introduces chromium dioxide (CrO2) cassette tape.
  • 11. TIMELINE FOR THE 1970‟S  1975 Sony Betamax became the first successful home video and then later died a natural death in the market place.  1976 Digital tape recording begins to take hold in professional audio studios. The VHS video cassettes was introduced to the market place.  1977 RCA announced in March it would sell VHS with 4-hour tapes. 3M and Denon introduced digital-multitrack automation for the masses including the MCI JH-50. The Tascam 80-8demo studio becomes reality.  1978 Wollensak makes last open reel recorder marks the end of the amateur reel-to-reel era. Pioneer developed the LaserDisc that was first used by General Motors to train Cadillac salesmen.  1979 Sony introduced the TPS-L2 Walkman portable audio cassette player, inaugurating a new era of personal music listening. 3M introduces the metal-particle cassette tape.
  • 12. TIMELINE FOR THE 1980‟S  1980 Sony introduced first consumer video camcorder.  1981 3M was no longer a market force, leading audiophile engineers declare war against digital as acquisition system. The MIDI system is standardised as the universal synthesizer interface.  1982 Philips and Sony introduce compact disc in late 1982 to the buying public and the American dominance of formats is ended, that same year, Sony acquires MCI. Sony releases the first CD player, the Model CDP-101.  1983 BT's Fibre-optic cable is used for long-distance digital audio transmission in linking New York and Washington. Sony introduced the Beta HiFi VCR with high-quality FM sound.  1984 The Apple Corporation market the Macintosh computer and in that same year sales of the recorded compact cassettes (audio cassettes) exceeded LP record sales for the first time.
  • 13. TIMELINE FOR THE 1980‟S  1985 Sony introduced the 8-mm format in April; the VHS group, led by JVC, brought out a compact version of VHS, known as VHS-C, but it only recorded for 20 minutes.  1986 R-DAT recorders are introduced in Japan and Dr. Gunther Theile gave a prescribe description of a novel stereo "sphere microphone.".  1987 LEF Digidesign markets "Sound Tools," a Macintosh-based digital workstation using DAT as its source and storage medium.  1988 CD becomes dominant medium. Super-VHS video format equalled 8-mm in picture quality but not in sound quality.  1989 Sony introduced the Hi8 video format and the Sony CCD-V99 camcorder. Dolby S brings new generation of inexpensive 24 tracks to home use.
  • 14. TIMELINE FOR THE 1990‟S  1990 Dolby proposes a 5-channel surround-sound scheme for home theatre systems, and the write-once CD-R becomes a commercial reality. The BT invention of ISDN telephone links are offered for high-end studio use.  1991 Wolfgang Ahnert presents, in a binaural simulation, the first digitally enhanced modeling of an acoustic space.  1992 The Philips DCC and Sony's MiniDisc, using digital audio data-reduction, are offered to consumers as record/play hardware and software. Recordable CD's become commonplace.  1993 In the first extensive use of "distance recording" via ISDN, producer Phil Ramone records the "Duets" album with Frank Sinatra. Digital HDTV Grand Alliance in October selected Dolby AC-3 to provide digital surround sound for the emerging technology of digital television.  1994 Global Big 6 control $30 billion record industry: Philips (owns Polygram, A&M, Mercury, Island), Sony (owns CBS Records), Matsushita (owns MCA, Geffen), Thorn-EMI (owns Capitol, Virgin), Time Warner, and Bertelsmann (owns RCA Records).
  • 15. TIMELINE FOR THE 1990‟S  1995 By September, all companies in the DVD consortium agreed to DVD standards. The first "solid-state" audio recorder, the Nagra ARES-C, is introduced. It is a battery-operated field unit recording on PCMCIA cards using MPEG-2 audio compression.  1996 Iomega debuts high-capacity "Jazz" and "Zip" drives, useful as removable storage media for hard-disk recording. DVD players started selling in Japan, and began in 1997 selling in the U.S.  1997 DVD videodiscs and players are introduced. An audio version with 6 channel surround sound is expected to eventually supplant the CD as the chosen playback medium in the home. San Diego's MP3.com was founded in November by Michael Robertson.  1998 MP-3 players for downloading MP-3 Audio music from the Internet appeared. The Winter Olympics open with a performance of Beethoven's "Ode to Joy," played and sung by synchronizing live audio feeds from five continents with an orchestra and conductor at the Olympic stadium in Nagano, Japan, using satellite and the BT ISDN technology.  1999 The 5 largest record companies in the U.S. controlled 84% of the 755 million albums sold in the U.S. in 1999: 26.3% by Seagram's Universal (owns MCA, Polygram), 16.2% by Sony Music (owns Columbia), 16% by Bertelsmann's BMG (owns RCA Victor), 15.7% by Time Warner's Warner Music, 9.4% by EMI.
  • 16. MUSIC DISTRIBUTION  Music has gone through many formats of distribution over the years, the first of which was the vinyl record.  There was a lot of controversy when it came to having to change the method of distribution to CD‟s.  Many record labels we reluctant to pick up the use of CD‟s because the potential for piracy was just too great and companies only agreed to use CD‟s if the technology to create CD‟s was kept too high for the average householder to buy so that piracy would be kept to a minimum. But as the years went on, so did technology and soon most computers were able to burn CD‟s
  • 17. THE I NTERNET – BLESSI NG OR CURSE?  The internet is a wonderful thing, we can find all sort of handy things out at a few strokes of the keyboard  You can go to YouTube and listen to all of your favorite songs in a instant  However this isn‟t such a light hearted situation for the music industry because most people would rather go to YouTube to listen to their favorite songs rather than going out and buying them. In 2003 something amazing happened: iTunes was created
  • 18. ITUNES  iTunes was released in 2003 and was a piece of software that allowed one to digitally obtain songs rather than going out an buying the full album, why would you when you can download the few songs that you might like rather that having to buy all the song and you not liking the rest  iTunes has over 435 million accounts and have sold over 6 billions songs since 2003 and is responsible 75% of all digital song sales in key territories including England and America
  • 19. MUSIC VIDEOS  First music video – Blues singer Bessie Smith appeared in a short film „Saint Louis Blues‟ which featured a dramatized version of the hit song. This was shown in theatres until 1932.  Bohemian Rhapsody (1975) is one of the songs generally considered to have been the first music video.  Thriller by Michael Jackson is arguably one of the most famous music videos of all time. It was a 14 minute video which featured the performance of the song as well as a screenplay. Thriller is known as being „a watershed moment for the music industry‟ because of its merging of filmmaking and music.
  • 20. H I S T O RY O F T H E M U S I C V I D E O – K E Y DAT E S  1965 The Beatles use promotional films – 10 films to promote album releases, kicks off video promotion.  1981 MTV launched – 24hr broadcast means music videos begin to play a central role in music marketing.  1982 Thriller – Michael Jackson‟s most successful and influential video of all time released  1985 VH1 launched – featured softer music & catered to an older demographic, widening the audience of music videos  1992 Rise of the directors – listed in the credits for the first time, directors such as Goudry and Romanek launch careers  1995 Scream – the Jackson‟s “Scream” is the most expensive music video ever, costing £7 million to produce  2005 YouTube – allows people to watch videos online. New artists see popularity rise through internet  2005 iTunes opens – allows music videos to be downloaded from the internet. Reaches 1 million downloads after 20 days.  2010 One billion – Lady Gaga‟s music videos views reach one billion views. „Poker Face‟ sees 373mill views done.  2010 New Heights – number of music videos viewed online reaches 34 billion with 183 million viewers.
  • 21. MARKETING & PROMOTION Publicity  Artists gain publicity from reviews in magazines and online (Billboard, NME etc.)  Also gain publicity from word of mouth and recommendations (particularly for smaller bands/artists)  Word of mouth quoted as being “still the best advertising a band can get”
  • 22. ADVERTISING  Artists use different advertising methods, depending on their popularity:  Internet advertising e.g. Facebook, YouTube ads  Television adverts – for albums or commercial products e.g. Professor Green – Relentless  Radio adverts  Billboards
  • 23. RETAIL/DISTRIBUTION  CDs can still be bought in a variety of stores e.g. HMV, supermarkets  Albums/singles available to buy on iTunes (more and more customers purchasing select tracks as opposed to an entire album)  Internet distribution – prevents distribution costs, piracy/illegal downloads (publicity for artists/less revenue gained by artists)
  • 24. MERCHANDISING  Accounts for an ever-growing percentage of a band‟s income due to illegal downloads/decreasing record sales  Merchandising – t-shirts, posters, hats, jewellery etc  Synergy – artists creating songs specifically for films/games
  • 25. TOURING  Touring is the major source of income for most artists  In most cases touring is used to promote a new album  Gives artists a chance to connect and give back to the fans  Amount of tours also depends on popularity of band – mainstream artists don‟t rely on touring as much as smaller artists who find touring their main source of income.
  • 26. FAN BASE  Artists need a solid fan base to target their music towards  Some artists have developed solid cult-like fan bases e.g. 30 Seconds to Mars “ The Echelon”  Some artists hold meets with fans  Use the internet to connect with fans (fan pages, Facebook, Twitter, YouTube, blogs etc.)  Some artists get fans involved with albums e.g. voting for album/single titles