Mood board for thriller opening sequence
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A mood board focused on murder was created with the theme of "Wanted". It likely included dark imagery and words related to crime scenes, suspects, investigations and wanted posters to set the tone for a project centered around murder mysteries or fugitives.
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BBFC Guidelines
The document discusses the BBFC age rating guidelines for films rated 15 and 18. A 15 rating means anyone under 15 cannot view the film and may contain strong violence, sexual references, depictions of sexual activity or nudity. An 18 rating prohibits anyone under 18 from viewing and can include very strong violence, frequent strong language, strong sexual activity, scenes of sexual violence, strong horror or discriminatory content. The document also examines theories around the influence of media on audiences, particularly the hypodermic needle theory which suggests media passively influences viewers, and the uses and gratifications theory which argues audiences actively use media. It discusses how films may glamorize violence, sex, drugs and alcohol for teenagers without portraying the negatives.
Genre theories
Rick Altman proposed a three-point approach to understanding genres: semantic (building blocks like costumes, props, settings), syntactic (deeper structures like themes, narratives, character relationships), and pragmatic (how audiences decode and understand genres differently). Christian Metz believed genres go through experimental, classical, parody, and deconstruction stages as conventions are established and then challenged over time. Examples are given of how specific films fit into or challenge conventions of the thriller genre according to these theories.
Mood board for thriller opening sequence
A mood board focused on murder was created with the theme of "Wanted". It likely included dark imagery and words related to crime scenes, suspects, investigations and wanted posters to set the tone for a project centered around murder mysteries or fugitives.
Analysis of similar texts
This document analyzes and summarizes two funk music videos: "Uptown Funk" by Mark Ronson featuring Bruno Mars and "Beat It" by Michael Jackson. It discusses the target audiences, socioeconomic groups, psychographic profiles, storylines, filming techniques, lighting, camera shots, and genres of both songs. The document concludes by stating that the creator intends to make a funk music video inspired by these examples that will get the audience dancing.
Storyboard first draft
The document does not contain any text to summarize. It only contains the abbreviation "ST" which provides no context or meaningful information to summarize.
Call Sheet
Lewis Pike is producing a music video shoot at Queensbury Academy for a junior student. The shoot will take place on December 15th at the academy's media department building and will include green screen scenes of the student lip syncing and dancing. The nearest hospital is Luton and Dunstable Hospital located 2.9 miles away. A call sheet outlines the shoot schedule, crew, and safety information.
Call Sheet
This document provides location and logistical information for a student film shoot at Queensbury Academy. It identifies the nearest hospital as Luton and Dunstable Hospital, located 2.9 miles away. It lists contact information for the location, parking details, and first aid resources. It includes a basic schedule with call times, lunch, and wrap time. It also outlines requirements for props, wardrobe, bathrooms, and medical support for the production.
Recommended
BBFC Guidelines
The document discusses the BBFC age rating guidelines for films rated 15 and 18. A 15 rating means anyone under 15 cannot view the film and may contain strong violence, sexual references, depictions of sexual activity or nudity. An 18 rating prohibits anyone under 18 from viewing and can include very strong violence, frequent strong language, strong sexual activity, scenes of sexual violence, strong horror or discriminatory content. The document also examines theories around the influence of media on audiences, particularly the hypodermic needle theory which suggests media passively influences viewers, and the uses and gratifications theory which argues audiences actively use media. It discusses how films may glamorize violence, sex, drugs and alcohol for teenagers without portraying the negatives.
Genre theories
Rick Altman proposed a three-point approach to understanding genres: semantic (building blocks like costumes, props, settings), syntactic (deeper structures like themes, narratives, character relationships), and pragmatic (how audiences decode and understand genres differently). Christian Metz believed genres go through experimental, classical, parody, and deconstruction stages as conventions are established and then challenged over time. Examples are given of how specific films fit into or challenge conventions of the thriller genre according to these theories.
Mood board for thriller opening sequence
A mood board focused on murder was created with the theme of "Wanted". It likely included dark imagery and words related to crime scenes, suspects, investigations and wanted posters to set the tone for a project centered around murder mysteries or fugitives.
Analysis of similar texts
This document analyzes and summarizes two funk music videos: "Uptown Funk" by Mark Ronson featuring Bruno Mars and "Beat It" by Michael Jackson. It discusses the target audiences, socioeconomic groups, psychographic profiles, storylines, filming techniques, lighting, camera shots, and genres of both songs. The document concludes by stating that the creator intends to make a funk music video inspired by these examples that will get the audience dancing.
Storyboard first draft
The document does not contain any text to summarize. It only contains the abbreviation "ST" which provides no context or meaningful information to summarize.
Call Sheet
Lewis Pike is producing a music video shoot at Queensbury Academy for a junior student. The shoot will take place on December 15th at the academy's media department building and will include green screen scenes of the student lip syncing and dancing. The nearest hospital is Luton and Dunstable Hospital located 2.9 miles away. A call sheet outlines the shoot schedule, crew, and safety information.
Call Sheet
This document provides location and logistical information for a student film shoot at Queensbury Academy. It identifies the nearest hospital as Luton and Dunstable Hospital, located 2.9 miles away. It lists contact information for the location, parking details, and first aid resources. It includes a basic schedule with call times, lunch, and wrap time. It also outlines requirements for props, wardrobe, bathrooms, and medical support for the production.
Call Sheet
This document provides production details for a music video shoot taking place at Queensbury Academy. It lists the location address, parking information, and main production contact. It outlines the scene, call times, lunch break, preliminary schedule, health and safety risks, transportation, and catering details. It also includes department rosters and production requirements.
Call Sheet No2
This document provides production details for a music video shoot taking place at Queensbury Academy. It lists the location address, parking information, and main production contact. It outlines the scene, call times, lunch break, preliminary schedule, health and safety risks, transportation, and catering details. It also includes production department rosters and requirements such as props, wardrobe, toilets, medical support, and that no stunts are required.
Call Sheet No2
This document provides location and production details for a music video shoot at Queensbury Academy. It lists the location address, parking information, and nearest hospital. It then provides a schedule, call times, health and safety notes, transportation details, and credits the key crew members and their roles. The production will involve a junior lip syncing and dancing with green screen scenes over one day of filming.
Storyboard by LP
The document appears to be a storyboard, which is a visual representation of the sequence of events in a story or film. Storyboards are used in filmmaking and video production to help plan scenes and shots and visualize how they will be arranged and flow together. They provide an outline of the key plot points, scenes, characters, and visual elements before going into production.
Narrative in music videos
1) The document discusses different narrative structures that can be applied to music videos, including linear, non-linear, single strand, and multi strand narratives.
2) It analyzes the music videos for "I'm Not the Only One" by Sam Smith and "One Last Time" by Ariana Grande, finding that they use single strand, realist narratives.
3) The conclusion is that the author's own music video will use a realist, single strand narrative structure with an open ending, following theories about relating the visuals and lyrics.
Mood Board
Lewis Pike created a mood board to represent America by including icons of its famous musicians, activists, and sports stars. The board shows America's diverse landscapes ranging from hot deserts to cold northern climates as well as its multicultural society. To symbolize America's politics, the board features Donald Trump's "Make America Great Again" hat which became iconic during his 2016 campaign. Shots of iconic American diners like McDonald's are also included to depict the country's culture.
Audience Profile
This document provides a target audience profile for a funk music video. The target audience is 16-35 year olds, mainly male, in the United States and other English-speaking countries. This audience enjoys socializing, fitness, music, and dining out. They have disposable income and are emerging in their careers or education. This demographic falls in the working class categories. The target psychographic groups are explorers seeking discovery and aspirers focused on appearance and status. This audience prefers popular music genres and consuming media like Spotify, YouTube, and socializing online.
Regulation
The British Board of Film Classification (BBFC) regulates music videos in the UK by assigning age ratings of 12, 15, or 18 based on content involving drugs, dangerous behavior, bad language, sexuality, and violence. Major record labels submit UK videos to the BBFC for classification. While Ofcom oversees communications, the BBFC has the power to restrict videos. Music videos are regulated to protect children from inappropriate influences on behaviors and attitudes.
Representations in Music Video
This document provides links to 3 music videos. The links direct the reader to music videos on YouTube at the specified URLs.
Director Research
This document summarizes information about three music video directors - David Wilson, Alexandre Courtes, and Cameron Duddy - and discusses how their work is inspiring for creating a successful music video production. It provides details about some of their notable music videos and awards. It also reviews the Uses and Gratification theory and how it relates to interpreting media. The document concludes that combining images in a split screen like Courtes' "Go Up" video and including dancing scenes could help make the production successful, and filming authentic footage in America will help depict modern life in the country.
Music video Record Label
RCA Records would be the best label for the music video production due to its wide audience reach and promotion of various genres and artists. As a subsidiary of Sony, RCA has more financial resources than independent labels to fund production. However, the video's portrayal of current issues in America and inclusion of Donald Trump imagery could cause controversy and lose some audience members. The goal is to show America from the perspective of an English student living there today.
Music Video Market Analysis
Bruno Mars' "24K Magic" music video has been the most successful of the three analyzed, with over 827 million YouTube views. It depicts Bruno Mars in Las Vegas living a lavish lifestyle, relating to the song's lyrics. Jax Jones' "You Don't Know Me" has been similarly successful, with its unofficial animated music video receiving over 154 million views by depicting a man dancing on a cereal box. The report concludes Bruno Mars presents the greatest threat to future productions due to how his music video directly relates to and illustrates the song's storyline. To make a new production stand out, the report proposes showing America in an authentic, non-exaggerated way through various camera shots during a road trip.
Director research
This document summarizes information on three music video directors - David Wilson, Alexandre Courtes, and Cameron Duddy - and discusses how their work can provide inspiration. It also provides an overview of the Uses and Gratification theory and how it relates to music videos. The director explores using split screens of American photos in their own music video for "Living in America" based on the video for "Go Up." Dancing scenes may also be included, inspired by successful videos like "Uptown Funk." The conclusion reaffirms showing a realistic modern America without editing out issues.
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This document discusses several music video directors and their works. It provides information on directors David Wilson, Alexandre Courtes, and Cameron Duddy. It discusses some of their most notable music videos and the concepts and styles used. It also discusses the Uses and Gratification theory and how it relates to interpreting media. Finally, it reflects on how studying these directors' works could provide inspiration for the author's own music video production on the song "Living in America."
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Trailers are brief previews of upcoming films, shown on television, in cinemas, and online, to make audiences aware of new releases and attract them to watch. They showcase exciting clips and highlights to entice viewers. While trailers effectively promote films with a wide reach, some audiences may avoid them by skipping television ads or arriving late to cinemas. Institutions also benefit from the low cost of trailers compared to other marketing, but certain trailers may receive less airtime than others.
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Chapter 2
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Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
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Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
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Call Sheet
This document provides production details for a music video shoot taking place at Queensbury Academy. It lists the location address, parking information, and main production contact. It outlines the scene, call times, lunch break, preliminary schedule, health and safety risks, transportation, and catering details. It also includes department rosters and production requirements.
Call Sheet No2
This document provides production details for a music video shoot taking place at Queensbury Academy. It lists the location address, parking information, and main production contact. It outlines the scene, call times, lunch break, preliminary schedule, health and safety risks, transportation, and catering details. It also includes production department rosters and requirements such as props, wardrobe, toilets, medical support, and that no stunts are required.
Call Sheet No2
This document provides location and production details for a music video shoot at Queensbury Academy. It lists the location address, parking information, and nearest hospital. It then provides a schedule, call times, health and safety notes, transportation details, and credits the key crew members and their roles. The production will involve a junior lip syncing and dancing with green screen scenes over one day of filming.
Storyboard by LP
The document appears to be a storyboard, which is a visual representation of the sequence of events in a story or film. Storyboards are used in filmmaking and video production to help plan scenes and shots and visualize how they will be arranged and flow together. They provide an outline of the key plot points, scenes, characters, and visual elements before going into production.
Narrative in music videos
1) The document discusses different narrative structures that can be applied to music videos, including linear, non-linear, single strand, and multi strand narratives.
2) It analyzes the music videos for "I'm Not the Only One" by Sam Smith and "One Last Time" by Ariana Grande, finding that they use single strand, realist narratives.
3) The conclusion is that the author's own music video will use a realist, single strand narrative structure with an open ending, following theories about relating the visuals and lyrics.
Mood Board
Lewis Pike created a mood board to represent America by including icons of its famous musicians, activists, and sports stars. The board shows America's diverse landscapes ranging from hot deserts to cold northern climates as well as its multicultural society. To symbolize America's politics, the board features Donald Trump's "Make America Great Again" hat which became iconic during his 2016 campaign. Shots of iconic American diners like McDonald's are also included to depict the country's culture.
Audience Profile
This document provides a target audience profile for a funk music video. The target audience is 16-35 year olds, mainly male, in the United States and other English-speaking countries. This audience enjoys socializing, fitness, music, and dining out. They have disposable income and are emerging in their careers or education. This demographic falls in the working class categories. The target psychographic groups are explorers seeking discovery and aspirers focused on appearance and status. This audience prefers popular music genres and consuming media like Spotify, YouTube, and socializing online.
Regulation
The British Board of Film Classification (BBFC) regulates music videos in the UK by assigning age ratings of 12, 15, or 18 based on content involving drugs, dangerous behavior, bad language, sexuality, and violence. Major record labels submit UK videos to the BBFC for classification. While Ofcom oversees communications, the BBFC has the power to restrict videos. Music videos are regulated to protect children from inappropriate influences on behaviors and attitudes.
Representations in Music Video
This document provides links to 3 music videos. The links direct the reader to music videos on YouTube at the specified URLs.
Director Research
This document summarizes information about three music video directors - David Wilson, Alexandre Courtes, and Cameron Duddy - and discusses how their work is inspiring for creating a successful music video production. It provides details about some of their notable music videos and awards. It also reviews the Uses and Gratification theory and how it relates to interpreting media. The document concludes that combining images in a split screen like Courtes' "Go Up" video and including dancing scenes could help make the production successful, and filming authentic footage in America will help depict modern life in the country.
Music video Record Label
RCA Records would be the best label for the music video production due to its wide audience reach and promotion of various genres and artists. As a subsidiary of Sony, RCA has more financial resources than independent labels to fund production. However, the video's portrayal of current issues in America and inclusion of Donald Trump imagery could cause controversy and lose some audience members. The goal is to show America from the perspective of an English student living there today.
Music Video Market Analysis
Bruno Mars' "24K Magic" music video has been the most successful of the three analyzed, with over 827 million YouTube views. It depicts Bruno Mars in Las Vegas living a lavish lifestyle, relating to the song's lyrics. Jax Jones' "You Don't Know Me" has been similarly successful, with its unofficial animated music video receiving over 154 million views by depicting a man dancing on a cereal box. The report concludes Bruno Mars presents the greatest threat to future productions due to how his music video directly relates to and illustrates the song's storyline. To make a new production stand out, the report proposes showing America in an authentic, non-exaggerated way through various camera shots during a road trip.
Director research
This document summarizes information on three music video directors - David Wilson, Alexandre Courtes, and Cameron Duddy - and discusses how their work can provide inspiration. It also provides an overview of the Uses and Gratification theory and how it relates to music videos. The director explores using split screens of American photos in their own music video for "Living in America" based on the video for "Go Up." Dancing scenes may also be included, inspired by successful videos like "Uptown Funk." The conclusion reaffirms showing a realistic modern America without editing out issues.
Director research
This document discusses several music video directors and their works. It provides information on directors David Wilson, Alexandre Courtes, and Cameron Duddy. It discusses some of their most notable music videos and the concepts and styles used. It also discusses the Uses and Gratification theory and how it relates to interpreting media. Finally, it reflects on how studying these directors' works could provide inspiration for the author's own music video production on the song "Living in America."
Film exhibition
This document provides information about three different cinema options in the UK:
Cineworld Milton Keynes, The BFI Southbank, and The Rex Cinema in Berkhamsted. It summarizes the facilities, types of films shown, audiences catered to, locations, and some potential issues for each: multiplex cinemas like Cineworld versus independent cinemas like The BFI and The Rex. The document also discusses how the internet has changed film exhibition by allowing audiences to watch films online through services like Netflix and Amazon, as well as helping film companies market to wider audiences.
Trailers
Trailers are brief previews of upcoming films, shown on television, in cinemas, and online, to make audiences aware of new releases and attract them to watch. They showcase exciting clips and highlights to entice viewers. While trailers effectively promote films with a wide reach, some audiences may avoid them by skipping television ads or arriving late to cinemas. Institutions also benefit from the low cost of trailers compared to other marketing, but certain trailers may receive less airtime than others.
Film Narratives
The document analyzes film narrative theories and applies them to the film "Before I Go to Sleep." It summarizes Todorov's, Propp's, and Levi-Strauss's theories and identifies the narrative structures they see in the film. The document concludes that Todorov's theory of narrative equilibrium, disruption, recognition, repair, and return to equilibrium best describes the plot of the film. It also discusses potential applications of Propp's character archetypes to the author's own thriller film.
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