The document discusses several key traits of Modernist literature:
- Modernist writers were fascinated with how individuals adapted to a changing world and often depicted characters struggling to stay afloat.
- The carnage of World War I and II profoundly impacted writers and contributed to a sense that the world had become absurd. Modernist works often depicted this absurdity.
- Modernist writers infused symbols and hidden meanings into their works, leaving more open to interpretation than earlier writers. Works had multiple layers and interpretations.
- Writers saw literature as a craft constructed of parts rather than an organic process, which fed their desire for originality and experimentation. Modernist works frequently broke conventions.
The document summarizes Realism, the first major art movement of the modern period from 1848-late 1800s. It rejected Romanticism in favor of depicting ordinary people and contemporary life realistically and accurately, including the unpleasant aspects, through techniques like close observation of modern subjects. Major Realist artists included Courbet, who declared Realism through his independent exhibitions, and Manet, whose Realist works shocked audiences by depicting modern life and ordinary people. Realism developed alongside trends in photography, which allowed for realistic depictions, and literary Naturalism.
Henry James was an American-born English novelist and critic born in 1843 in New York City. He traveled extensively in Europe and the United States, studying in several major cities. James published numerous novels, novellas, stories, travel writings and works of literary criticism over his career. Some of his most famous novels include The Portrait of a Lady, The Wings of the Dove and The Ambassadors.
Langston Hughes was an influential African American poet, novelist, and playwright. He was born in Joplin, Missouri in 1902 to parents with mixed racial heritage. Hughes experienced an unstable childhood, being raised mainly by his grandmother after his parents separated. He faced racism and discrimination throughout his life. Hughes made significant contributions to the Harlem Renaissance of the 1920s through his poems and writing that celebrated black culture and promoted racial pride and equality. He lived most of his life in Harlem, New York, passing away there in 1967 at the age of 65.
Modernism was a loose collection of artistic movements and styles in the early 20th century that rejected historical styles and applied ornament. It embraced abstraction and believed that design and technology could transform society. Some key aspects of Modernism included Suprematism's use of basic geometric shapes, Constructivism's view of art as an instrument for social purposes, and the Bauhaus school's goal of combining all the arts in an ideal unity.
The document discusses various literary genres and movements in 19th century literature in England, including Gothic fiction, sentimental novels, novels of virtue, and the rise of the novel form. It notes that Gothic fiction was popular but not considered "high art" and featured settings like dark castles and churches intended to scare audiences. Sentimental novels often told stories of "fallen women" and illicit sexuality as a way for female authors to support themselves financially. Novels of virtue emerged as instructional texts for proper female behavior. The Victorian period saw the novel reach its peak popularity and gain more artistic respect, with notable novelists including Dickens, the Brontë sisters, Austen, Eliot, and others.
This document provides biographical information about the Victorian poet Alfred Tennyson. It details key facts about his life and upbringing in Lincolnshire, England. It discusses his education at Trinity College, Cambridge and his close friendship with Arthur Henry Hallam. The document also lists many of Tennyson's famous poems and describes how he came to be seen as the poetic voice of his era, remaining one of the great English poets.
The document summarizes Realism, the first major art movement of the modern period from 1848-late 1800s. It rejected Romanticism in favor of depicting ordinary people and contemporary life realistically and accurately, including the unpleasant aspects, through techniques like close observation of modern subjects. Major Realist artists included Courbet, who declared Realism through his independent exhibitions, and Manet, whose Realist works shocked audiences by depicting modern life and ordinary people. Realism developed alongside trends in photography, which allowed for realistic depictions, and literary Naturalism.
Henry James was an American-born English novelist and critic born in 1843 in New York City. He traveled extensively in Europe and the United States, studying in several major cities. James published numerous novels, novellas, stories, travel writings and works of literary criticism over his career. Some of his most famous novels include The Portrait of a Lady, The Wings of the Dove and The Ambassadors.
Langston Hughes was an influential African American poet, novelist, and playwright. He was born in Joplin, Missouri in 1902 to parents with mixed racial heritage. Hughes experienced an unstable childhood, being raised mainly by his grandmother after his parents separated. He faced racism and discrimination throughout his life. Hughes made significant contributions to the Harlem Renaissance of the 1920s through his poems and writing that celebrated black culture and promoted racial pride and equality. He lived most of his life in Harlem, New York, passing away there in 1967 at the age of 65.
Modernism was a loose collection of artistic movements and styles in the early 20th century that rejected historical styles and applied ornament. It embraced abstraction and believed that design and technology could transform society. Some key aspects of Modernism included Suprematism's use of basic geometric shapes, Constructivism's view of art as an instrument for social purposes, and the Bauhaus school's goal of combining all the arts in an ideal unity.
The document discusses various literary genres and movements in 19th century literature in England, including Gothic fiction, sentimental novels, novels of virtue, and the rise of the novel form. It notes that Gothic fiction was popular but not considered "high art" and featured settings like dark castles and churches intended to scare audiences. Sentimental novels often told stories of "fallen women" and illicit sexuality as a way for female authors to support themselves financially. Novels of virtue emerged as instructional texts for proper female behavior. The Victorian period saw the novel reach its peak popularity and gain more artistic respect, with notable novelists including Dickens, the Brontë sisters, Austen, Eliot, and others.
This document provides biographical information about the Victorian poet Alfred Tennyson. It details key facts about his life and upbringing in Lincolnshire, England. It discusses his education at Trinity College, Cambridge and his close friendship with Arthur Henry Hallam. The document also lists many of Tennyson's famous poems and describes how he came to be seen as the poetic voice of his era, remaining one of the great English poets.
After the Restoration of the monarchy in 1660, English literature moved away from Puritan ideals towards more worldly concerns. The Age of Dryden was dominated by John Dryden, who perfected the heroic couplet in poetry, drama, and prose. Restoration drama featured comedies of manners that satirized the aristocracy, while tragedy focused on heroic themes. Prose evolved to be more precise and suited to scientific, historical and philosophical topics. John Bunyan's The Pilgrim's Progress was a masterpiece of simple allegorical English prose.
Ben Johnson was a leading figure of the Elizabethan and Jacobean eras. He created "types" of human behaviors based on the medieval theory of the four humours. Johnson is known for his stylish satires such as Volpone and The Alchemist. Other notable figures included Beaumont and Fletcher, known for their comedy The Knight of the Burning Pestle. The King James Bible was also a major project of this time. Major poets included the Metaphysical poets John Donne and George Herbert, who wrote on Christian mysticism and eroticism. Theater remained popular but was closed during the Puritan Revolution.
The document discusses T.S. Eliot's poem "The Waste Land" and its purpose, form, and influences. It aims to convey a sense of emptiness and aimlessness in the soul and civilization after World War I. Eliot uses techniques like the "mythical method" and references works like Jung's archetypes, Weston's "From Ritual to Romance", and Frazer's "The Golden Bough" to structure the fragmented experience of modernity. The form captures 1920s techniques like collage, film, and jazz to represent the dissonance of modern life.
George Bernard Shaw was an Irish playwright known for his comedic plays that also contained social commentary critiquing issues like capitalism, women's rights, and class struggles. Some of his most famous plays include Man and Superman, Pygmalion, and Saint Joan. Man and Superman explores Shaw's philosophy of evolution and the "life force" that drives humans, particularly women, to reproduce and continue the species. Pygmalion tells the story of Professor Higgins who bets he can pass off a Cockney flower girl as high society if he teaches her to speak properly, though she rejects his attempts to control her future. Shaw was a hugely influential dramatist who helped shape modern theater with his witty dialog and use
The modern novel reflects the scientific, technological, and ideological developments of the late 19th and 20th centuries. It presents a realistic but subjective view of the world from the perspective of individual characters. Modern novels are also psychological, exploring hidden motives influenced by Freudian theory, and use techniques like stream of consciousness. Additionally, modern novels often abandon linear plots and chronological order, reflecting a sense of pessimism that replaced 19th century optimism. Some major modern novelists mentioned are Thomas Hardy, D.H. Lawrence, James Joyce, and Virginia Woolf.
Miracle plays were medieval dramas depicting stories from the Bible or lives of saints, usually performed by craft guilds. They dealt with supernatural events contradicting the laws of nature. Morality plays were allegorical dramas from the 15th-16th centuries featuring characters representing virtues, vices, or death, involving direct conflicts between right and wrong to impart moral lessons. Some of the most important examples of miracle and morality plays include Everyman, Doctor Faustus, and Robin Hood.
Aldous Huxley was an English novelist and critic best known for his dystopian novel Brave New World. He was born into an upper-middle-class family in England in 1894. Brave New World, published in 1931, depicts a future London set in the 26th century where society is strictly controlled and people are genetically engineered and conditioned from birth to fit predetermined classes. Henry Ford's assembly line technique of mass production inspired Huxley's vision of a highly technological yet dehumanized world where individuality and freedom have been sacrificed for stability and material comfort. Huxley died in Los Angeles in 1963.
John Keats was a prominent Romantic poet born in 1795 in London. He wrote prolifically in his short life and is now considered one of the most studied British poets. The document discusses Keats as a Romantic poet, outlining his foremost themes of love, nature, fancy, and pain. It provides an analysis of his famous ode "Ode on a Grecian Urn", contrasting the urn with the nightingale and highlighting the poem's exploration of themes like human attempts versus nature.
The Pre-Raphaelite Brotherhood was a group of 19th century English painters, poets and critics who reacted against academic art by producing religious works inspired by medieval and early Renaissance styles up until Raphael. Some of the key founders and their works included Dante Gabriel Rossetti and his paintings "Proserpine" and "The Girlhood of Virgin Mary", John Everett Millais' "Christ In The House Of His Parents" and "Ophelia", and William Holman Hunt's "The Return of the Dove to the Ark", "The Hireling Shepherd", and "The Finding of the Savior
Geoffrey Chaucer (/ˈtʃɔːsər/; c. 1340s – 25 October 1400) was an English poet and author. Considered the greatest English poet of the Middle Ages,[citation needed] he is best known for The Canterbury Tales, and is considered the "Father of English literature". He was the first writer buried in Poets' Corner of Westminster Abbey.[1] Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his 10-year-old son Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.
The 14th century is known as Chaucer’s age
It marks the beginning of a new language and literature
It was the age of transformation from medieval age to modern times
It was essentially an era of unrest and transition
Main writers of the age: Geoffrey Chaucer, William Langland, John Wycliffe, Sir John Mandeville, John Gower
Remarkable Events that Influenced Chaucer
Natural calamities
Black Death [Plague] (A.D. 1348-49)
Age of social unrest and economic troubles. -- Labor become unsatisfied with their salary. -- Efforts were made to keep the labors under control with the help of legislation.
Burdens of taxation.
Conflict between king Richard and his subjects
Features of Chaucer’s Age with Example
Standard English Language: Proper English without influence of other languages
Example: The Canterbury Tales, Chanticleer and the Fox by Geoffrey Chaucer; Piers Plowman by William Langland etc.
Realism: Concept of reality
Example: The settings of The Canterbury Tales
Church Corruption:
Example: The religious figures in The Canterbury Tales highlights many problems of church corruptions
Presence of Humor, Satire & Irony:
Example: The Canterbury Tales reveal Chaucerian Humor in the Prologue, showed Satire through the characterization & Irony to build up a satirical portrait.
Spirit of Romance:
Example: Courtly love, Romance, Marriage & Sexual Desire are found in the theme of The Canterbury Tales
Frame Story: A literary device that joins together 2 or more large stories or frame.
Example: The Canterbury Tales is a great indication of the frame work
Growth of Nationalism:
Example: In the writings of this age the influence of love for nation are found.
The document provides an overview of literature from the Puritan age in England from 1603-1660. Some key aspects summarized are:
- Writers followed Renaissance thinkers like Newton and Bacon, popularizing science and criticism. English was used more for instruction.
- Major works included John Milton's Paradise Lost about the casting out of angels from heaven and their plans for revenge in hell. John Bunyan's The Pilgrim's Progress was also influential.
- Poetry included the Metaphysical poets like John Donne who used complicated symbols, and Cavalier poets who followed Ben Jonson with pseudo-classical styles. Theater declined without the Elizabethan spirit.
The document discusses the history and development of the modern novel. It begins by defining the novel and its distinguishing length from other forms. It then outlines some antecedents and traces the origins of the modern novel to 18th century Britain. Major developments included the romantic novel of the early 19th century and the realism of Victorian novels. Characteristics of the modern novel include subjectivity, psychological exploration, stream of consciousness techniques, and a reflection of 20th century disillusionment. Some key modern novelists mentioned are Thomas Hardy, D.H. Lawrence, James Joyce, and Virginia Woolf.
The document discusses the key Romantic poets William Wordsworth and Percy Bysshe Shelley. Both poets found inspiration in nature, though Shelley portrayed nature's both positive and destructive powers. Wordsworth saw nature as healing and advancing human spirituality. Shelley was an atheist and idealist who criticized political and religious institutions, while Wordsworth was more theistic and focused on nature. They differed in their views of religion, optimism/pessimism, and attitudes toward social structures, but both emphasized imagination and the power of the human mind.
This Presentation is about Modern Century literaure, Modernism, Poetry and Modern Novel. and Stream of Consiousness. also discuss about Poets and Novelists. This era started from 1900 to 1961
G. Bernard Shaw was an Irish playwright known for addressing social issues through his plays. He helped found the Fabian Society in 1882, a socialist group that advocated for reform through non-violent and rational debate rather than revolution. Some of Shaw's most famous plays include Pygmalion, Arms and the Man, and Major Barbara. Major Barbara features a debate between the ideals of the Salvation Army and those of a global weapons manufacturer, representing differing philosophies around how to solve social problems. Through his plays, Shaw aimed to use art to stimulate discussion and enact positive change in society.
This document provides an overview of 17th century English literature during the Puritan and Restoration periods. It summarizes the major genres of the time, including Puritan poetry divided into the School of Spenser, Metaphysical school, and Cavalier poets. The major dramatists of Jacobean and Caroline drama are also discussed, along with famous prose writers like Bacon, Burton, Milton and Taylor. The document analyzes the work and styles of influential poets, dramatists and prose writers like Donne, Jonson, Milton and others during this period of English literature.
- Seneca was a Roman playwright who modeled his tragedies after Greek ones, concentrating on language, form, spirit, and Greek myths. Some of his most famous tragedies include The Trojan Woman and Medea.
- Gorboduc was one of the earliest English tragedies, written in 1562, and was influenced by Seneca. It tells the story of Gorboduc, King of Britain, who divides his realm between his sons Ferrex and Porrex, leading to rebellion.
- The play borrows elements from Senecan tragedies like the use of a chorus, messenger, and rhetorical language with figures of speech, but lacks a unified plot. It
The document provides an overview of the Romantic period in British literature from 1789 to 1832. It describes how the French and American revolutions and the Industrial Revolution disrupted society and led writers to emphasize imagination, emotion, and individualism in their works. It profiles some of the major first and second generation Romantic poets like William Wordsworth, Samuel Taylor Coleridge, Lord Byron, and John Keats.
Transcendentalism was a literary, intellectual and artistic movement that emerged from Unitarianism in New England during the 19th century. Unitarianism rejected traditional Christian doctrines like the Trinity and took a more rational, scientific approach to religion. This led some Unitarians to form the transcendentalist movement, which was influenced by German and English romanticism. Transcendentalists like Ralph Waldo Emerson believed in an interconnected spiritual essence called the "Oversoul" and that divine truths could be found in nature. The movement emphasized intuition, individualism, and nonconformity. Though small, transcendentalism had influence on American literature and philosophy.
Modernism was a period of transition influenced by world wars, new science and philosophies. Writers experimented with new styles and techniques like stream of consciousness to depict an absurd world. Freud's theories of the conscious, unconscious and repression influenced depictions of inner minds. Cities and daily life became subjects of literature. The period was one of political and social change as new ideologies like communism and feminism emerged.
The document provides an overview of key differences between Victorian and Modern literature. It discusses changes in several genres from the Victorian era to Modernism, including differences in attitudes towards authority, domestic life, sexuality, and style of writing. Modernist works were more experimental, focused on the individual over society, and reflected the rapid changes of the time including new technologies, wars, and political unrest. Modern poetry, drama, and novels broke conventions and were influenced by movements like Imagism and Symbolism.
After the Restoration of the monarchy in 1660, English literature moved away from Puritan ideals towards more worldly concerns. The Age of Dryden was dominated by John Dryden, who perfected the heroic couplet in poetry, drama, and prose. Restoration drama featured comedies of manners that satirized the aristocracy, while tragedy focused on heroic themes. Prose evolved to be more precise and suited to scientific, historical and philosophical topics. John Bunyan's The Pilgrim's Progress was a masterpiece of simple allegorical English prose.
Ben Johnson was a leading figure of the Elizabethan and Jacobean eras. He created "types" of human behaviors based on the medieval theory of the four humours. Johnson is known for his stylish satires such as Volpone and The Alchemist. Other notable figures included Beaumont and Fletcher, known for their comedy The Knight of the Burning Pestle. The King James Bible was also a major project of this time. Major poets included the Metaphysical poets John Donne and George Herbert, who wrote on Christian mysticism and eroticism. Theater remained popular but was closed during the Puritan Revolution.
The document discusses T.S. Eliot's poem "The Waste Land" and its purpose, form, and influences. It aims to convey a sense of emptiness and aimlessness in the soul and civilization after World War I. Eliot uses techniques like the "mythical method" and references works like Jung's archetypes, Weston's "From Ritual to Romance", and Frazer's "The Golden Bough" to structure the fragmented experience of modernity. The form captures 1920s techniques like collage, film, and jazz to represent the dissonance of modern life.
George Bernard Shaw was an Irish playwright known for his comedic plays that also contained social commentary critiquing issues like capitalism, women's rights, and class struggles. Some of his most famous plays include Man and Superman, Pygmalion, and Saint Joan. Man and Superman explores Shaw's philosophy of evolution and the "life force" that drives humans, particularly women, to reproduce and continue the species. Pygmalion tells the story of Professor Higgins who bets he can pass off a Cockney flower girl as high society if he teaches her to speak properly, though she rejects his attempts to control her future. Shaw was a hugely influential dramatist who helped shape modern theater with his witty dialog and use
The modern novel reflects the scientific, technological, and ideological developments of the late 19th and 20th centuries. It presents a realistic but subjective view of the world from the perspective of individual characters. Modern novels are also psychological, exploring hidden motives influenced by Freudian theory, and use techniques like stream of consciousness. Additionally, modern novels often abandon linear plots and chronological order, reflecting a sense of pessimism that replaced 19th century optimism. Some major modern novelists mentioned are Thomas Hardy, D.H. Lawrence, James Joyce, and Virginia Woolf.
Miracle plays were medieval dramas depicting stories from the Bible or lives of saints, usually performed by craft guilds. They dealt with supernatural events contradicting the laws of nature. Morality plays were allegorical dramas from the 15th-16th centuries featuring characters representing virtues, vices, or death, involving direct conflicts between right and wrong to impart moral lessons. Some of the most important examples of miracle and morality plays include Everyman, Doctor Faustus, and Robin Hood.
Aldous Huxley was an English novelist and critic best known for his dystopian novel Brave New World. He was born into an upper-middle-class family in England in 1894. Brave New World, published in 1931, depicts a future London set in the 26th century where society is strictly controlled and people are genetically engineered and conditioned from birth to fit predetermined classes. Henry Ford's assembly line technique of mass production inspired Huxley's vision of a highly technological yet dehumanized world where individuality and freedom have been sacrificed for stability and material comfort. Huxley died in Los Angeles in 1963.
John Keats was a prominent Romantic poet born in 1795 in London. He wrote prolifically in his short life and is now considered one of the most studied British poets. The document discusses Keats as a Romantic poet, outlining his foremost themes of love, nature, fancy, and pain. It provides an analysis of his famous ode "Ode on a Grecian Urn", contrasting the urn with the nightingale and highlighting the poem's exploration of themes like human attempts versus nature.
The Pre-Raphaelite Brotherhood was a group of 19th century English painters, poets and critics who reacted against academic art by producing religious works inspired by medieval and early Renaissance styles up until Raphael. Some of the key founders and their works included Dante Gabriel Rossetti and his paintings "Proserpine" and "The Girlhood of Virgin Mary", John Everett Millais' "Christ In The House Of His Parents" and "Ophelia", and William Holman Hunt's "The Return of the Dove to the Ark", "The Hireling Shepherd", and "The Finding of the Savior
Geoffrey Chaucer (/ˈtʃɔːsər/; c. 1340s – 25 October 1400) was an English poet and author. Considered the greatest English poet of the Middle Ages,[citation needed] he is best known for The Canterbury Tales, and is considered the "Father of English literature". He was the first writer buried in Poets' Corner of Westminster Abbey.[1] Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his 10-year-old son Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.
The 14th century is known as Chaucer’s age
It marks the beginning of a new language and literature
It was the age of transformation from medieval age to modern times
It was essentially an era of unrest and transition
Main writers of the age: Geoffrey Chaucer, William Langland, John Wycliffe, Sir John Mandeville, John Gower
Remarkable Events that Influenced Chaucer
Natural calamities
Black Death [Plague] (A.D. 1348-49)
Age of social unrest and economic troubles. -- Labor become unsatisfied with their salary. -- Efforts were made to keep the labors under control with the help of legislation.
Burdens of taxation.
Conflict between king Richard and his subjects
Features of Chaucer’s Age with Example
Standard English Language: Proper English without influence of other languages
Example: The Canterbury Tales, Chanticleer and the Fox by Geoffrey Chaucer; Piers Plowman by William Langland etc.
Realism: Concept of reality
Example: The settings of The Canterbury Tales
Church Corruption:
Example: The religious figures in The Canterbury Tales highlights many problems of church corruptions
Presence of Humor, Satire & Irony:
Example: The Canterbury Tales reveal Chaucerian Humor in the Prologue, showed Satire through the characterization & Irony to build up a satirical portrait.
Spirit of Romance:
Example: Courtly love, Romance, Marriage & Sexual Desire are found in the theme of The Canterbury Tales
Frame Story: A literary device that joins together 2 or more large stories or frame.
Example: The Canterbury Tales is a great indication of the frame work
Growth of Nationalism:
Example: In the writings of this age the influence of love for nation are found.
The document provides an overview of literature from the Puritan age in England from 1603-1660. Some key aspects summarized are:
- Writers followed Renaissance thinkers like Newton and Bacon, popularizing science and criticism. English was used more for instruction.
- Major works included John Milton's Paradise Lost about the casting out of angels from heaven and their plans for revenge in hell. John Bunyan's The Pilgrim's Progress was also influential.
- Poetry included the Metaphysical poets like John Donne who used complicated symbols, and Cavalier poets who followed Ben Jonson with pseudo-classical styles. Theater declined without the Elizabethan spirit.
The document discusses the history and development of the modern novel. It begins by defining the novel and its distinguishing length from other forms. It then outlines some antecedents and traces the origins of the modern novel to 18th century Britain. Major developments included the romantic novel of the early 19th century and the realism of Victorian novels. Characteristics of the modern novel include subjectivity, psychological exploration, stream of consciousness techniques, and a reflection of 20th century disillusionment. Some key modern novelists mentioned are Thomas Hardy, D.H. Lawrence, James Joyce, and Virginia Woolf.
The document discusses the key Romantic poets William Wordsworth and Percy Bysshe Shelley. Both poets found inspiration in nature, though Shelley portrayed nature's both positive and destructive powers. Wordsworth saw nature as healing and advancing human spirituality. Shelley was an atheist and idealist who criticized political and religious institutions, while Wordsworth was more theistic and focused on nature. They differed in their views of religion, optimism/pessimism, and attitudes toward social structures, but both emphasized imagination and the power of the human mind.
This Presentation is about Modern Century literaure, Modernism, Poetry and Modern Novel. and Stream of Consiousness. also discuss about Poets and Novelists. This era started from 1900 to 1961
G. Bernard Shaw was an Irish playwright known for addressing social issues through his plays. He helped found the Fabian Society in 1882, a socialist group that advocated for reform through non-violent and rational debate rather than revolution. Some of Shaw's most famous plays include Pygmalion, Arms and the Man, and Major Barbara. Major Barbara features a debate between the ideals of the Salvation Army and those of a global weapons manufacturer, representing differing philosophies around how to solve social problems. Through his plays, Shaw aimed to use art to stimulate discussion and enact positive change in society.
This document provides an overview of 17th century English literature during the Puritan and Restoration periods. It summarizes the major genres of the time, including Puritan poetry divided into the School of Spenser, Metaphysical school, and Cavalier poets. The major dramatists of Jacobean and Caroline drama are also discussed, along with famous prose writers like Bacon, Burton, Milton and Taylor. The document analyzes the work and styles of influential poets, dramatists and prose writers like Donne, Jonson, Milton and others during this period of English literature.
- Seneca was a Roman playwright who modeled his tragedies after Greek ones, concentrating on language, form, spirit, and Greek myths. Some of his most famous tragedies include The Trojan Woman and Medea.
- Gorboduc was one of the earliest English tragedies, written in 1562, and was influenced by Seneca. It tells the story of Gorboduc, King of Britain, who divides his realm between his sons Ferrex and Porrex, leading to rebellion.
- The play borrows elements from Senecan tragedies like the use of a chorus, messenger, and rhetorical language with figures of speech, but lacks a unified plot. It
The document provides an overview of the Romantic period in British literature from 1789 to 1832. It describes how the French and American revolutions and the Industrial Revolution disrupted society and led writers to emphasize imagination, emotion, and individualism in their works. It profiles some of the major first and second generation Romantic poets like William Wordsworth, Samuel Taylor Coleridge, Lord Byron, and John Keats.
Transcendentalism was a literary, intellectual and artistic movement that emerged from Unitarianism in New England during the 19th century. Unitarianism rejected traditional Christian doctrines like the Trinity and took a more rational, scientific approach to religion. This led some Unitarians to form the transcendentalist movement, which was influenced by German and English romanticism. Transcendentalists like Ralph Waldo Emerson believed in an interconnected spiritual essence called the "Oversoul" and that divine truths could be found in nature. The movement emphasized intuition, individualism, and nonconformity. Though small, transcendentalism had influence on American literature and philosophy.
Modernism was a period of transition influenced by world wars, new science and philosophies. Writers experimented with new styles and techniques like stream of consciousness to depict an absurd world. Freud's theories of the conscious, unconscious and repression influenced depictions of inner minds. Cities and daily life became subjects of literature. The period was one of political and social change as new ideologies like communism and feminism emerged.
The document provides an overview of key differences between Victorian and Modern literature. It discusses changes in several genres from the Victorian era to Modernism, including differences in attitudes towards authority, domestic life, sexuality, and style of writing. Modernist works were more experimental, focused on the individual over society, and reflected the rapid changes of the time including new technologies, wars, and political unrest. Modern poetry, drama, and novels broke conventions and were influenced by movements like Imagism and Symbolism.
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Modernism in literature by Monir Hossen Monir Hossen
This document provides an overview of modernism in literature during the early 20th century. It defines modernism as an international movement that flourished between the 1890s and 1930s, characterized by experimentation in both form and content. The document outlines some of the key dates and developments in modernist literature, including the first Futurist manifesto in 1909 and important works by Eliot, Joyce, and Proust in the 1920s. It also discusses some of the theoretical influences on modernism like Marx, Darwin, Freud, and Einstein and surveys modernist trends in other art forms such as painting, music, and architecture. Finally, the document examines some of the formal innovations of modernist poetry, novels, and narrative techniques
The document provides an overview of literary modernism in the early 20th century. It defines modernism as an international movement characterized by experimentation with form and a rejection of absolute knowledge. The document lists some key dates and developments in modernist literature, painting, music, and thought. It discusses some of the major themes, techniques, and influential figures of modernism, including a rejection of tradition, focus on individual experience, and interest in the unconscious and primitive cultures.
Jaydeep Padhiyar TCAS-General characteristics of twentieth century literature veer203
The document summarizes the general characteristics of 20th century literature. It discusses how 20th century literature featured fragmented structures and perspectives, novels set in cities, voices from marginalized groups, an emphasis on individualism, experimentation in form and style, themes of absurdity, symbolism, and a view of literature as a craft or formal construction. Some of the most popular 20th century works mentioned include novels by Nabokov, Fitzgerald, Joyce, Faulkner, Woolf, and Garcia Marquez.
Modernism was an artistic and literary movement between 1900-1945 that embraced experimental styles and forms that challenged tradition. Modernist writers and artists sought to depict subjective experience, psychological realism, and disjointed narratives influenced by new theories of science, psychology, and philosophy. Some key characteristics of Modernist literature include nonlinear narratives, stream-of-consciousness writing, intertextuality, and themes of individual alienation, social change, and urban living.
The document provides an overview of modernism in literature during the early 20th century. It defines modernism as an international movement marked by experimentation with form and a rejection of absolute knowledge. Some key features of modernist literature included fragmentation, ambiguity, and a focus on form over meaning. Influential thinkers like Einstein, Freud, and Jung challenged previous worldviews. Modernist works experimented with techniques like stream of consciousness, interior monologue, and nonlinear narratives. The movement influenced literature, visual arts, music and other fields in the early 1900s.
The relationship between literature and societyTshen Tashi
The document discusses the relationship between English literature and society from different literary periods in English history. It explores how works from each period reflected aspects of the corresponding society, such as its religion, government structure, views of nature, and lifestyle. For example, Anglo-Saxon works focused on morality through bloodshed while Medieval literature dealt with themes of sin. The document also examines how major historical events like the Industrial Revolution influenced Victorian literature and society. Overall, it analyzes how literature both shaped and was shaped by the societies it emerged from.
The Depiction of the Metaphysical in German and African Fiction: a study of s...iosrjce
IOSR Journal of Humanities and Social Science is a double blind peer reviewed International Journal edited by International Organization of Scientific Research (IOSR).The Journal provides a common forum where all aspects of humanities and social sciences are presented. IOSR-JHSS publishes original papers, review papers, conceptual framework, analytical and simulation models, case studies, empirical research, technical notes etc.
The document discusses the evolution of the modern novel from its origins. It began in the 18th century as novels recognized changes brought by modernity like the shift from agriculture to industry. The novel is defined by elements like characterization, point of view, and plot. Some antecedents included Don Quixote, Gargantua and Pantagruel, Pamela and Pride and Prejudice. In the 20th century, modern novels featured realism over idealism and psychological analysis of characters. Key writers included James Joyce, Virginia Woolf, D.H. Lawrence, William Golding and Joseph Conrad in England and Henry James, Faulkner, Steinbeck and Hemingway in America. Henry James
Virginia Woolf was born in 1882 in London to an intellectual family. She grew up surrounded by literature but suffered from mental illness throughout her life. Some of her most famous works include Mrs. Dalloway, To the Lighthouse, and Orlando, which explored themes of feminism, mental illness, and the passage of time through modernist techniques. Woolf helped form the Bloomsbury Group and co-founded the Hogarth Press with her husband. Despite her struggles with mental health, she produced groundbreaking fiction until her death by suicide in 1941.
The essay discusses different perspectives on defining literature. It notes that literature can be defined broadly as any type of creative writing such as fiction or poetry. Some see literature as works from a specific time period or culture that express elements of that era. Others view literature as writing that uses creative language and leaves aspects open to reader interpretation. While there is no single agreed upon definition, most see literature as creative written works that can reflect or relate to the culture and time of its creation.
The document appears to be discussing H.G. Wells' famous science fiction novel "The War of the Worlds". It describes how one day, something happened in London, England, though does not provide details. It then asks a series of questions about whether the events could have truly occurred, what context the events might have taken place in, and if such events could happen in the future.
1) Mr. Cathcart buys a small island in order to create his own isolated world, but begins to fear the sinister aspects of the island and its influence over him and the inhabitants.
2) After several failed attempts to develop the island and make it profitable, Cathcart sells the original island and moves to an even smaller uninhabited island.
3) On the new island, Cathcart becomes increasingly isolated and detached from humanity, rejecting any contact or intrusion onto his island refuge until he is overwhelmed by a snowstorm and realizes he cannot truly isolate himself from nature.
This document provides course contents for an advanced reading skills course, including summaries of 3 poems and 2 songs. It outlines works studied such as sonnets by Shakespeare and Milton, songs by Christina Rossetti and John Donne, dramatic monologues from Browning and Shakespeare, elegies by Gray and Thomas, a ballad by Keats, odes by Shelley and Keats, and free verse by Pound. It also lists one-act plays by Koss, Chekov and Gregory.
Modern drama developed in 3 phases: 1) G.B. Shaw plays focused on marriage, justice, and reform; 2) Irish movement expressed hope for Irish people; 3) T.S. Eliot's poetic dramas were inspired by Elizabethan works. Realism and dealing with real life problems were important features. Ibsen popularized realism. Modern drama was also a drama of ideas used to spread ideas in society and touch human emotions. Other features included romanticism, expressionism in Germany/England, and works by Shaw, Wilde, and Galsworthy.
The document outlines some key differences between Victorian and modern eras. In the Victorian era, faith and authority were accepted without question. Family and domestic life were highly valued. Writing was straightforward and intended for a broad audience. Society was more important than the individual. Transportation was limited to walking and boats. In contrast, the modern era questioned authority and traditions. Family ties declined as domestic life was seen as restrictive. Writing became more complex and intended for intellectual readers. Individualism was valued over society. Transportation advanced with cars, trains and other new methods.
This document outlines the key aspects of group discussions, including the purposes, types, importance, participation, leadership roles, advantages and disadvantages. It introduces group discussions as a forum where people come together to discuss a topic with the common goal of finding solutions to problems or issues. Group discussions are used to evaluate candidates on their content knowledge, communication skills, behavior within a group, and leadership abilities. The document provides an overview of the main components of effective group discussions.
When there are more than eight members in a group, it is helpful to have a leader or facilitator to ensure an effective discussion. Some potential group leaders include directors of organizations, public officials, teachers, and respected community members. Effective facilitation includes creating an inclusive environment, keeping discussions constructive, encouraging participation, and ensuring all members have necessary materials and information. Facilitators should also avoid allowing some members to dominate conversation and treat all participants with respect.
Group study has several advantages: it can motivate procrastinators to study; students learn actively by discussing material; explaining concepts to others deepens understanding. Group study also broadens perspectives as other students provide additional ideas and questions. Tasks like making study materials can be shared, reducing the individual burden. However, there are also disadvantages such as groups potentially becoming social instead of academic. Studying with unprepared or negative students can be frustrating and a waste of time. Groups with varying ability levels may not challenge all students. Students must also avoid over-dependence on the group and ensure individual study time. Effective group planning includes selecting motivated students, setting guidelines, and giving members preparation and discussion responsibilities.
Syed Sardar Ahmad Pirzada was born partially blind in 1961 and became fully blind later in life due to glaucoma. Despite challenges with his vision impairment, he became Pakistan's first blind journalist and radio anchor. He received his master's degree from the University of Punjab in 1985. Throughout his career, Pirzada worked as an editor for several newspapers and published a five volume book series on Urdu language in Pakistan. He received numerous awards for his work in media and contributions to the disability rights movement in Pakistan. Pirzada overcame significant obstacles to set an example that disabled people can also achieve success through determination.
Stephen Hawking was a renowned theoretical physicist and cosmologist despite being diagnosed with ALS. He was born in 1942 in Oxford, England to a working class family. During his studies at Oxford University, he began exhibiting symptoms of ALS. He was later told he had only a few years to live but continued his academic career, receiving his PhD from Cambridge University. Hawking went on to make several groundbreaking discoveries about black holes and the origins of the universe. He received numerous honors for his scientific work and authored several popular science books, including A Brief History of Time. Though wheelchair-bound and unable to speak without a computer, Hawking inspired many with his perseverance in pursuing his scientific passions.
The document provides biographies of several famous disabled role models including Stephen Hawking, Helen Keller, John Hockenberry, Marlee Matlin, Dr. Salma Maqbool, and Syed Sardar Ahmad Pirzada. Each biography highlights their early life, disability, achievements, awards, and lessons learned from their success despite facing challenges. The document was presented to provide inspiration by showing how these disabled individuals overcame obstacles through determination and hard work.
Marlee Matlin was born in 1965 in Morton Grove, USA. She lost her hearing at 18 months due to a genetic disorder. Despite being deaf, she attended a community school where she learned sign language rather than a special school. She later graduated from high school and college, getting a degree in law enforcement. Her acting career began when Henry Winkler saw one of her plays. She won an Academy Award for her role in Children of a Lesser God and went on to write several books and play other notable roles.
John Hockenberry was born in Ohio in 1956 and grew up in New York and Michigan. At age 19, he became paralyzed from the mid-chest down in a car accident. He studied mathematics and music in university. Hockenberry is an American journalist, author, and disability rights advocate. He has written for many publications and hosted the radio program "The Takeaway." The document provides biographical details on John Hockenberry's life and career.
The document describes the life accomplishments of Helen Keller. It notes that she started talking at 6 months and walking at a year old, but then became blind and deaf at 19 months due to an illness. She was taught to communicate by Anne Sullivan and went on to graduate from Radcliffe College with a Bachelor's of Arts degree. Keller published 12 books, wrote an autobiography, co-founded the ACLU and Helen Keller International, and received the Presidential Medal of Freedom. She proved that physical disabilities do not have to limit success if one has a strong drive and determination.
Life story of Hockenberry, stephen hawking, syed sardar ahmad pirzada, dr. salma maqbool, hellen keller and marlee matlin who proved that disability is not a hindrance to success.
Dr. Salma Maqbool was born in 1945 and graduated as a medical doctor in 1974, but was later diagnosed with Retinitis Pigmentosa, a genetically transmitted disease that causes vision loss. In 1978, she married Captain Maqbool Ahmed, who was also blind. Despite facing difficulties with her own disability and her husband's blindness, Dr. Salma went on to establish several organizations that helped people with disabilities, including the Darakhshan Resource and Training Centre for Girls and Women with Disabilities and the Rehabilitation Project of PFFB. She received several awards for her social services before passing away in 2018 after undergoing heart surgery.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
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LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
2. In Modernist literature, the individual is more
interesting than society. Specifically, modernist writers
were fascinated with how the individual adapted to the
changing world. In some cases, the individual
triumphed over obstacles. For the most part,
Modernist literature featured characters who just kept
their heads above water. Writers presented the world
or society as a challenge to the integrity of their
characters. Ernest Hemingway is especially
remembered for vivid characters who accepted their
circumstances at face value and persevered.
3. The carnage of two World Wars profoundly affected writers of
the period. Several great English poets died or were wounded in
WWI. At the same time, global capitalism was reorganizing
society at every level. For many writers, the world was becoming
a more absurd place every day. The mysteriousness of life was
being lost in the rush of daily life. The senseless violence of
WWII was yet more evidence that humanity had lost its way.
Modernist authors depicted this absurdity in their works. Franz
Kafka's "The Metamorphosis," in which a traveling salesman is
transformed into an insect-like creature, is an example of
modern absurdism.
4. The Modernist writers infused objects, people, places
and events with significant meanings. They imagined a
reality with multiple layers, many of them hidden or in
a sort of code. The idea of a poem as a riddle to be
cracked had its beginnings in the Modernist period.
Symbolism was not a new concept in literature, but the
Modernists' particular use of symbols was an
innovation. They left much more to the reader's
imagination than earlier writers, leading to open-
ended narratives with multiple interpretations. For
example, James Joyce's "Ulysses" incorporates
distinctive, open-ended symbols in each chapter.
5. Writers of the Modernist period saw literature more as
a craft than a flowering of creativity. They believed
that poems and novels were constructed from smaller
parts instead of the organic, internal process that
earlier generations had described. The idea of
literature as craft fed the Modernists' desire for
creativity and originality. Modernist poetry often
includes foreign languages, dense vocabulary and
invented words. The poet e.e. cummings abandoned
all structure and spread his words all across the page.
6. Talk about weird science.
The early 20th century signaled a massive explosion in scientific innovation. We're not just talking
about motorcars and the telephone—although those were huge—we're talking about Einstein.
Yup: the era of the Modernist writers saw tremendous leaps in physics that shook the world.
Modernists were equally influenced by the shiny new science of their time and by new discoveries
about ancient civilizations. Sound confusing? Yeah, that's the idea—Modernists were living in an age
where both the new (the Theory of Relativity, y'all) and the old (King Tut!) were changing the way
people thought about everything.
Religious belief started to give way to science as the predominant way of understanding the universe
(leading to several notable clashes) but allusions to Judeo-Christianity, Eastern religions, and ancient
mythology were popping up everywhere. How do you deal with this topsy-turvy world? You write
about it, naturally.
That "Whoa, what's going on here" change of public perception has an SAT-caliber name: a shift in
the dominant paradigm. And it turns out that a massive shift in the way people think leads to some
awesomesauce—albeit confusing—writing.
Chew On This:
Yeats' poem "The Second Coming," leans on the (spooky!) Book of Revelation in its language and
imagery, but reads more like a political prophesy. There are plenty of detailed Biblical references in
this poem. But Yeats adds to these his own mystical and historical elements. Yeats, true to his
Modernist roots, is looking both backward (towards Biblical language) and forward (at a particularly
nasty political and religious apocalyptic future).
Virginia Woolf's novel Mrs. Dalloway creates a network of perspectives on a single day in London.
Perspective, like Einstein's universe, is proved to be relative.
7. Etymology time, Shmoopers! This brain snack is cool: the term "Avant-garde" comes from French military
terminology. It refers to the front line of soldiers, the vanguard, who are out in front of the rest (which is a super-
dangerous place to be).
It also refers to creating new art. This was also dangerous, both figuratively and sometimes even literally. Writers were
taking their positions on the battle lines, fighting against the forces of the outmoded traditions to offend, upend, and
destroy the surviving vestiges of the old order. Out with the old, in with the new.
Artistic experimentation wasn't just about getting attention, but about creating a new role for art and artists and
helping to bring a new order into being. These guys were playing for pretty high stakes.
We're supposed to be talking about literature here, but Modernism tends to blur the lines between media. Maybe
that's because Modernist writers hung out with visual artists all the time, and these kinds of art tended to cross-
pollinate.
Crazy-pants artistic movements like Cubism and Surrealism definitely influenced writers. If visual artists could paint
from all angles at once, or paint their dreams, what was stopping their literary pals from doing the same?
Nothing but tradition, that's what. And Modernists weren't keen on the same ol' same ol'.
Chew On This
Heard of Finnegan's Wake? Notice we said, "heard of" not "read": it's generally acknowledged to be unreadable
(something that didn't keep the authorities, ever suspicious of such subversive efforts, from claiming that it was
obscene!). It's almost impossible to read Joyce's book without a dozen reference texts and dictionaries in several
languages. What could the point of such dizzying confusion-making be?
Take a gander at the strange poems in Gertrude Stein's collection Tender Buttons. It's crazy-weird, and, like Finnegan's
Wake, it requires its own Wiki to contain all the references it makes to other (older) literature. If Avant-garde works
like this require knowledge of conventional literary history, are they really as new as they pretend to be?
8. No, not what happens when you bonk your head on a brick wall. We're talking Freud's idea about the stormy seas of desire and animal need
that are crashing about in the back of your mind right now. Wow. Just writing that makes up realize we want a chocolate-covered
cheeseburger, with a side of fist fighting. How's that for animal instincts?
Sigmund Freud was kind of a big deal. And he knew it, too. Though strictly speaking, he wasn't the first or only psychologist of his time, he
single-handedly founded psychoanalysis, and in the process changed the way we think and write. Dang, Freud.
One of Freud's most important theories was that the mind is divided into three parts:
ego, or conscious mind;
superego, the in-house censor that cuts out all the nasty bits from dreams and thoughts so they won't offend the delicate sensibilities of the
ego; and
id, the wild unconscious mind where primitive drives and instincts rule.
Sounds like it's pretty crowded in your skull, doesn't it?
Freud believed that the development of an individual human being tells us about the overall development of the entire human race. Freud
thought that human beings had become civilized by repressing primitive drives.
He also wanted to understand why people act and think as they do, so he thought that the main task was to decode the language of dreams,
where the id speaks most freely. But that isn't so simple, because dream language is not based on logic. Maybe that's why people don't make
much sense in the morning before they've had their first cup of coffee.
His ideas greatly influenced artists and writers who emphasized the life of the mind over the everyday existence of human beings in the
world. That's one reason that the Modernists can be so dang difficult to decipher… although, compared to deciphering dreams, even Mrs.
Dalloway is easy-peasy.
Chew On This
Joseph Conrad's novel Heart of Darkness contains Kurtz's famous last words: "The horror, the horror!" What are you talking about, Kurtz?
The horror of what, exactly? Conrad's not going to tell you, because he knows you can fill in the blank by referring to the storehouse of fears
locked in your unconscious.
In Kafka's novel The Trial the narrator K has been charged with a crime, but no one will tell him what it is. Kafka—who was generally
acknowledged to have been a pretty miserable guy—is letting the reader fill in the blank with whatever they think their own personal most
despicable deed was. And chances are that deed is coming straight from the unconscious.
9. Freud's theories about the unconscious definitely changed the way people thought about the mind. But William James' theories about the nature of consciousness that had a
much greater influence on the way Modernist literature was written than most people realize.
Wait. William who now?
Willy James' had a little theory called Radical Empiricism (which kind of sounds like a metal band), which sheds doubt on the existence of a unified self. In normal-people
speak, this means that the "I" you were five years ago or even five minutes ago is not the same "I" you are now. We are all a series of selves and that the self cannot be
disentangled from the world. In other words, we are what we see.
Mind. Blown.
He shared with his brother, the novelist Henry James (how much do you want to go to the Jamesfamily Thanksgiving?!), a preoccupation with consciousness. He described the
flow of thought, in a phrase that would launch a thousand works of fiction, as "a stream." The rest is history… Modernist literary history.
Who employed stream of consciousness writing techniques? Um, everyonewho was anyone in Modernism. Dorothy Richardson, Virginia Woolf, and James Joyce… and that's
just the tip of the stream of consciousness iceberg.
Not surprisingly, Henry James was the earliest novelist whose work reflects his bro William James' theories. The books Henry James published after the appearance of his
brother's Principles of Psychology (1890) seem to turn upon the issues related to consciousness. In novels like What Maisie Knew (1897) and The Golden Bowl (1904), readers
have to ask themselves how the narrators' perspectives account for what they see.
Gertrude Stein also was tight with William James. He was her mentor at Radcliffe, where she studied from 1893-97. In fact, the story goes that Stein wrote nothing at all in her
examination booklet in the final exam for James' class (didn't feel like taking an exam that day, it seems), but he gave her an A in the class anyhow. Official Shmoop Disclaimer:
We do not suggest taking this same approach to acing your exams.
As Judith Ryan argues in her book The Vanishing Subject: Early Psychology and Literary Modernism, even though critics often call Stein's work Cubist, it is William James'
theories that account for Stein's Avant-garde techniques.
Stream of consciousness reminds us of a technique in film that, not coincidentally, was also introduced about this time. That's "montage," developed by Russian
filmmaker Sergei Eisenstein. When a camera cuts from the door to a shot of a person looking frightened, we get the idea that something or someone dangerous is about to
come through that door. Eisenstein was the first filmmaker to cut from one shot to another seemingly discontinuous one so that the viewer had to draw an inference about
their connection.
This method seems super-obvious today (and we also think of montages more about scrappy underdog athletes training for the Big Day in feel-good 80s movies than anything
else), but back then, it seemed revolutionary… and definitely the cinematic equivalent of stream of consciousness writing.
Chew On This
James Joyce's novel Ulysses not only gives us access to the thoughts of its characters, but also presents each chapter in the style of a different writer and work. This novel is a
whole delta of streams of consciousness.
In the novel Mrs. Dalloway, Virginia Woolf plays up stream of consciousness while emphasizing the uniqueness of the characters, creating a web of connection between them.
10. Gertrude Stein reportedly quoted the mechanic who fixed her car when she branded the young group of artists and
writers who attended her Paris salon as "a lost generation." Ernest Hemingway borrowed that line (cause it's awesome)
for the epigraph of his first novel, The Sun Also Rises.
This super-wise repairman based his view on the idea that the ages of 18-25 generally marked the period during which
individuals became civilized members of society. But the soldiers returning from WWI, which ended in 1919, had
missed this crucial "becoming a good citizen" period. They also returned traumatized by crazypants modern warfare:
poison gas and trenches don't exactly make for happy memories.
Modernism marked an age of accelerated technological change—both on and off the battlefield. Some of this change
we would probably list as positive (cars! movies!), but also there were also a whole lot of check marks in the
"Technology Is Evil" side of the list.
Airplanes are awesome, right? Sure, until they're used in warfare in WWI. The same goes for automobiles, which
brought tanks to the battlefield. Aerial photography made bombing from the air more accurate, which was good if you
were on the right side of the camera but not so hot if you weren't. Basically, war was more brutal than ever before.
So it's no shocker that young men began to question traditional wisdoms and new innovations. The authorities (a
stand-in for traditional wisdoms) sent these men into battle, and new innovations in weaponry helped kill, maim, or
haunt them. No wonder this generation didn't trust anyone. And if you don't know who to trust, it's pretty easy to feel,
well, lost.
Chew On This
Though Hemingway's writing style seems much more straightforward and conventional than other Modernist writers'
(although that's not saying much!) it still captures the spirit of the period: Hemingway refuses to tell us how to feel.
Trench warfare, perhaps made possible by the invention of barbed wire, was its own sort of hell, as the World War I
British poet, Isaac Rosenberg testifies in his poem, "Dead Man's Dump." Rosenberg's poem is like a close-up lens that
gives us an individual's view of the war.
11. One of the most influential poets of the period was Ezra Pound, who proclaimed the
maxim "Make it New!" on frequent occasion and even made it a title to one of his books.
Pound and his buddies disagreed with the Futurists and Dadaists, who wanted to jettison
everything from the past. In fact, Pound & Co. sought out ancient traditions and used
them in their work.
A scholar as well as a writer, Pound researched the latest scholarly work on the Chinese
and Japanese literary traditions and produced "translations" (more like poems influenced
by these traditions than literal translations) of classic Chinese works.
Pound felt that rather than throwing out every outmoded idea and tradition, poets and
artists had to gather up odds and ends of the past and repurpose them. The resulting
works would preserve civilization, even in an age where everything seemed to be up for
grabs.
Chew On This
Pound's poem "The River Merchant's Wife" is a Chinese translation, relic of a tradition
thousands of years old. Then how is Pound following his own advice—is he making this
poem new?
T.S. Eliot's technique in The Waste Land sticks bits of this and that into the text of his
poem. It's a verbal Pinterest page. Wait a sec… is this "making it new," or is just "making it
a collage"?
12. As well as being among the most significant poets of his time, Pound had a talent for attracting attention. This gift served him well in the early years, when he could pretend to
discover rules for making immortal poetry. What he was actually doing was describing the poems he liked and that he and his immediate circle had already written. Clever guy.
In 1912-1913, Pound embraced or invented imagism. Imagism had three major criteria: It had to be
direct and unornamented,
economical in its language,
and composed in free verse (or at least not in any forms of the immediate past).
Pound first branded his lover, the poet H.D. (Hilda Doolittle), who had grown up with him in Pittsburgh, as an "Imagiste." Notice the pretentious spelling! By his criteria, her
poems seem to fit. But we can't really say that of others who associated themselves with this short-lived school of poetry.
Though we might tend to use the word "image" interchangeably with "metaphor" or "simile," Pound had something much larger and more complex than this in mind. Pound's
definition of an image as "that which presents an intellectual and emotional complex in an instant of time." D-dang, Pound.
So basically: in a very small space of time an artwork should connect many different ideas that had not been connected up to that point in a new way that would spark
emotional and psychological insight. It should also totally change the way people would view the world and the way they would feel about it too. Not too tall an order, right?
Sounds easy enough?
By 1914, Imagism (though not the images themselves) had lost its luster for Pound. Too many boring people he'd rather not be associated with were flying this banner. So he cut
himself loose from Imagism and now proclaimed himself and the visual artists, musicians, sculptors, and writers he embraced to be Vorticists.
Pound founded a journal, Blast, in June of 1914 to present the works associated with this movement.
The characteristics of Vorticism—which sounds kind of sci-fi to us—sound a lot like those of Imagism, though the description of Vorticism referred toall the arts, and not just
poetry. Pound described a vortex as "a radiant node or cluster […] from which and into which ideas are constantly rushing." Sounds like a hurricane or a black hole.
What's our takeaway from all this (besides that the all-important strategy of rebranding can apply even to poets)? Simple: cram as many ideas, as beautifully as possible, into
your artwork.
Chew On This
With some judicious editing by Pound, the poem "Oread," by H.D. becomes the definition of an Imagist poem. In fact, it was while Pound was reading through H.D.'s poetry
that he first got the idea for Imagism in the first place. Psst: also, H.D. and Pound were totally smooching.
Compare "Oread" to H.D.'s poem to Pound's "In a Station of the Metro." Do the language and imagery
13. Ever ride a bus in New York City full of the cacophony of people speaking in half a dozen languages?
Or drive the streets of metropolitan Southern California, where the street signs morph every few
miles from Spanish to Vietnamese to Chinese to Thai to Korean to Hindi? Modern cities are melting
pots of various cultures and languages, full of fermenting ideas as a fusion restaurant or ethnic
market.
Modernist writers and artists not only congregated in major cities like Paris, London, St. Petersburg,
Chicago, and New York, but also frequently focused their work on these places. Think about
Joyce's Ulysses, which juxtaposes figures and fables of classical mythology to the mundane world of
Dublin and the people who inhabited it.
Or about William Carlos William's Modernist epic, Paterson, which is an amalgamation of bits and
pieces set in unlikely place—a highly industrialized and not at all glamorous town in New Jersey. And
that was way before Bruce Springsteen was putting his poetic spin on Joisey.
Modernism blew raspberries at the idea that everyday places, people, and language were unfit for art.
These artists insisted that any subject, location, or language could be turned to an artistic purpose.
The city formed the central focus of these writers' world. Whether they celebrated or complained
about the city, it was generally a major feature of their work.
Chew On This
Have a look at the famous opening poem to The Bridge, "To Brooklyn Bridge." What is Crane's overall
attitude toward the bridge in this poem? What relationship to the human beings around it does the
bridge seem to have?
In his dystopian novel We, Russian novelist Evgeny Zamyatin creates the image of a nightmare city
where a totalitarian government controls every aspect of residents' lives. Blegh. Can you think of any
other writers of the period with a more positive (or at least neutral) view of cities?
14. Gangsters. Flappers. Speakeasies. Bathtub gin. Sexual freedom. Oh, yeah, and hot, hot jazz music: the 1920s was a time
for pushing the envelope in all ways possible.
Jazz was considered the first truly American art form. It represented not just a form of music but an entire way of life: a
diverse and freeing alternative to stuffy Edwardianism.
History time: jazz marks the merging of African-American culture into the mainstream of American culture. Because
of vicious Jim Crow laws thousands of African Americans left the economically depressed American South for urban
centers in the Northeast and Midwest. African Americans brought with them culture that prompted the rise of jazz
music. Jazz clubs (like the Cotton Club in Harlem) allowed musicians like Louis Armstrong, Billie Holiday, and many
others to gain fame.
But jazz itself was only part of the Jazz Age. There was also alcohol. Or, more specifically, there was no alcohol… no
legal alcohol, that is. The 18th Amendment, passed in 1920, put a stop to legal distribution of the strong stuff, but
opened the door to bathtub gin and smuggled Canadian whiskey.
People left the bars and headed into speakeasies, and private parties like those described in F. Scott Fitzgerald's
novel The Great Gatsby ruled the day. And here's the weird, awesome thing: this meant that women could play the
drinking game as well. Bars had traditionally been men only, but illegal speakeasies couldn't be so choosy. That meant
that women got to throw back a few with the menfolk, for the first time in history.
Chew On This
The Great Gatsby is considered the quintessential text on the Jazz Age. We've seen that Modernism for many of the
writers and artists of the period aims to leave the past behind. Where does this novel stand on this issue?
The writers of the Harlem Renaissance are often considered separate to Modernism. But they're responding to some of
the same cultural phenomena that inspired other writers of the period. What do the writers of the Harlem Renaissance
have in common with Modernists? How are they different?
15. You say you want a revolution? Well, you know, we all want to change the world.
The Modernist heyday was a time not only for revolutionary scientific and philosophical theories… it was also a time of
literal revolutions and uprisings.
Over in Russia, Czar Nicholas was a weak and ineffective leader. His government was corrupt and Russian soldiers
fighting in WWI were unprepared and died in large numbers. Oh, yeah, and the poor were horrifically poor while the
rich were absurdly, disgustingly rich. People weren't too happy… leading to the 1917 Bolshevik Revolution.
In the good old US of A, the women's suffrage movement caught on like wild fire. This movement culminated in the
passing of the 19th Amendment of 1921, finally giving women the vote.
Around the world, the working classes formed labor unions. After the 1911 Triangle Shirtwaist Fire called the public's
attention to the need for reform.
And the Modernist writers weren't plugging their ears and singing "Happy Birthday" while all this political unrest
heaved about them. Nope, they took sides.
Ernest Hemingway went to Spain to cover the Spanish Civil War as a journalist… and ended up writing one of his most
famous novels.
German playwright Bertolt Brecht and Vladimir Mayakovsky in Russia were both loud n' proud
Marxists. Yeats and Joyce were Irish Nationalists.
Chew On This
Andrei Bely's famous novel, Petersburg, manages to create a literary equivalent of the Bolshevik Revolution using
modernist narrative techniques. How does the influence of contemporary revolutions (or uprisings) appear in other
Modernist works?
Pound and Eliot were both fairly politically conservative. Can this conservatism be seen in their work? How so?