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Mise-en-scene encompasses the most recognizable 
attributes of a film – the setting and the actors; it includes 
costumes and make-up, props, and all the other natural and 
artificial details that characterize the spaces filmed. 
The term is borrowed from a French theatrical expression, 
meaning roughly “put into the scene”. 
In other words, mise-en-scène describes the stuff in the 
frame and the way it is shown and arranged. It covers four 
general areas: setting, lighting, costume and staging.
Lighting is the deliberate application of light to achieve 
some practical or aesthetic effect. 
o Natural lighting – is from a natural source such as the 
sun or fire 
o Available lighting – the naturally occurring light on 
the set will be used to completely or partially light the 
scene. This is usually sunlight but can also refer to any 
lighting that is not set up by the crew. Eg. Street 
lights. 
o Artificial lighting – lighting that is not provided by a 
natural or available source
o Key lighting – the main light source used to 
light a subject in a scene 
o Low key – refer to any scene with a high light 
ratio. Often used in horror/thrillers 
o High key – this scene is flooded with light, 
very few shadows. Often seen in romantic 
comedies/musicals.
The obvious purpose of costuming is to dress 
an actor according to his character. Lawyers 
wear suits, nurses wear scrubs, and a drifter 
could wear worn out shoes, ragged shirt, and 
baggy trousers - But, more than that, 
costuming can also be used to establish 
someone’s hierarchic level. Costuming may 
also be used to emphasise a theme.
The set design refers to the decor of the 
set, or how it’s dressed. Mainly 
containing the furniture, props, and the 
set itself. Instead of just placing objects 
here and there, the director must be 
savvy to fathom how these elements 
may bear significance in a deeper level, 
while also emphasizing themes, creating 
meanings, and provoking thoughts.

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Mis-en-scene

  • 1. Mise-en-scene encompasses the most recognizable attributes of a film – the setting and the actors; it includes costumes and make-up, props, and all the other natural and artificial details that characterize the spaces filmed. The term is borrowed from a French theatrical expression, meaning roughly “put into the scene”. In other words, mise-en-scène describes the stuff in the frame and the way it is shown and arranged. It covers four general areas: setting, lighting, costume and staging.
  • 2. Lighting is the deliberate application of light to achieve some practical or aesthetic effect. o Natural lighting – is from a natural source such as the sun or fire o Available lighting – the naturally occurring light on the set will be used to completely or partially light the scene. This is usually sunlight but can also refer to any lighting that is not set up by the crew. Eg. Street lights. o Artificial lighting – lighting that is not provided by a natural or available source
  • 3. o Key lighting – the main light source used to light a subject in a scene o Low key – refer to any scene with a high light ratio. Often used in horror/thrillers o High key – this scene is flooded with light, very few shadows. Often seen in romantic comedies/musicals.
  • 4. The obvious purpose of costuming is to dress an actor according to his character. Lawyers wear suits, nurses wear scrubs, and a drifter could wear worn out shoes, ragged shirt, and baggy trousers - But, more than that, costuming can also be used to establish someone’s hierarchic level. Costuming may also be used to emphasise a theme.
  • 5. The set design refers to the decor of the set, or how it’s dressed. Mainly containing the furniture, props, and the set itself. Instead of just placing objects here and there, the director must be savvy to fathom how these elements may bear significance in a deeper level, while also emphasizing themes, creating meanings, and provoking thoughts.