Mis-en-scene Note
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The document discusses the mis-en-scene elements used in the film "The Tea Boy" including lighting, costumes, locations, camera shots, sound, and editing. Low-key lighting and dark locations were used to portray sad scenes while high-key lighting showed happy moments. Casual clothing was worn throughout and costumes changed to show the passage of time. Both mid and long shots were primarily used with some close-ups. Sound gradually increased in pitch to build drama and editing was slow to maintain a dramatic flow for the romantic drama.
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Feedback
The document contains feedback from multiple evaluations of a student film project titled "Final Cut". The evaluations praise the film's mise en scene, lighting, editing, camera work and use of music/sound, but note weaknesses in storyline, narrative clarity and one repetitive music loop. Overall, the evaluators felt the editing, effects and opening scene conventions were done very well, though the title could be clearer.
Lighting research
The document discusses the importance of lighting in movie trailers for setting mood. It notes that trailers typically use brighter lighting for happy scenes and darker lighting for sad or intense scenes. It analyzes the lighting used in the trailers for the movies "Me and Earl and the Dying Girl" and "If I Stay" as examples that convey different emotions through lighting. The document concludes that using varying lighting, from bright to dark, can help make a trailer more authentic and impactful in portraying different moods.
Unit 2
The document discusses different film techniques used in the movie Final Destination. It describes various shot types like long shots, medium shots, and close-ups used to convey emotion and movement. It also discusses lighting techniques like high-key and low-key lighting used to set mood. Editing techniques like cuts, transitions, and visual effects are used to tell the story at a certain pace. Mise-en-scene elements like costumes, props, setting and sounds are discussed in relation to how they contribute to the horror genre of the film.
Unit 2
The document discusses different film techniques used in the movie Final Destination. It describes various shot types like long shots, medium shots, and close-ups and how they were used in specific scenes to convey emotion and focus on certain characters. It also covers other cinematic elements like lighting, editing, visual effects, camera movement, mise-en-scene involving costumes, props, and setting. Sound design is also summarized, including diegetic sounds, non-diegetic music, and sound bridges between scenes.
Summary of trailers
The document discusses conventions in movie trailers. Trailers typically include a summary of the film's equilibrium, disequilibrium, and new equilibrium. They also feature positive reviews from critics. Trailers are usually less than 3 minutes to avoid revealing too much information. Titles and graphics in trailers aim to summarize the film and genre without giving too much away. Editing and sound work together in trailers to build suspense through techniques like starting slow and picking up pace or mixing non-diegetic sounds.
Paranormal activity
Paranormal Activity 3 uses camerawork, editing techniques, mise-en-scene, and sound design to build tension and create a scary atmosphere for the audience. Static cameras are used to show surrounding areas where characters may be dragged or pulled from frame to frame. Fast-paced editing with short clips keeps tensions high. Candlelight, mysterious props, and carefully designed sets contribute to an unsettling feel. Non-diegetic music and sounds are employed alongside dialogue to gradually increase a sense of dread in viewers. These filmmaking elements work together to craft a trailer that builds hype by teasing scare without revealing too much of the plot.
Lighting plan
This lighting plan for a horror movie uses low lighting and darkness to create tension, suspense, and a horror effect by controlling what is revealed about the surroundings and characters. Bright lighting and shooting in bright colors would not achieve the intended horror effect, so the plan keeps the background dull and uses low lighting to set the dark, tense tone and mood for the film.
Initial ideas
The filmmaker plans to shoot a tense conversation intercut with intervals of action from another location, inspired by Casino Royale's introduction. Camera movements from the short film "Losses" will be used to build tension during the action scenes. Low lighting will be used during the conversation to create tension and hide the identities of the speakers. The slow, tense conversation will be contrasted with fast-paced, black-and-white action scenes to confuse viewers while still allowing them to follow the plot.
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Feedback
The document contains feedback from multiple evaluations of a student film project titled "Final Cut". The evaluations praise the film's mise en scene, lighting, editing, camera work and use of music/sound, but note weaknesses in storyline, narrative clarity and one repetitive music loop. Overall, the evaluators felt the editing, effects and opening scene conventions were done very well, though the title could be clearer.
Lighting research
The document discusses the importance of lighting in movie trailers for setting mood. It notes that trailers typically use brighter lighting for happy scenes and darker lighting for sad or intense scenes. It analyzes the lighting used in the trailers for the movies "Me and Earl and the Dying Girl" and "If I Stay" as examples that convey different emotions through lighting. The document concludes that using varying lighting, from bright to dark, can help make a trailer more authentic and impactful in portraying different moods.
Unit 2
The document discusses different film techniques used in the movie Final Destination. It describes various shot types like long shots, medium shots, and close-ups used to convey emotion and movement. It also discusses lighting techniques like high-key and low-key lighting used to set mood. Editing techniques like cuts, transitions, and visual effects are used to tell the story at a certain pace. Mise-en-scene elements like costumes, props, setting and sounds are discussed in relation to how they contribute to the horror genre of the film.
Unit 2
The document discusses different film techniques used in the movie Final Destination. It describes various shot types like long shots, medium shots, and close-ups and how they were used in specific scenes to convey emotion and focus on certain characters. It also covers other cinematic elements like lighting, editing, visual effects, camera movement, mise-en-scene involving costumes, props, and setting. Sound design is also summarized, including diegetic sounds, non-diegetic music, and sound bridges between scenes.
Summary of trailers
The document discusses conventions in movie trailers. Trailers typically include a summary of the film's equilibrium, disequilibrium, and new equilibrium. They also feature positive reviews from critics. Trailers are usually less than 3 minutes to avoid revealing too much information. Titles and graphics in trailers aim to summarize the film and genre without giving too much away. Editing and sound work together in trailers to build suspense through techniques like starting slow and picking up pace or mixing non-diegetic sounds.
Paranormal activity
Paranormal Activity 3 uses camerawork, editing techniques, mise-en-scene, and sound design to build tension and create a scary atmosphere for the audience. Static cameras are used to show surrounding areas where characters may be dragged or pulled from frame to frame. Fast-paced editing with short clips keeps tensions high. Candlelight, mysterious props, and carefully designed sets contribute to an unsettling feel. Non-diegetic music and sounds are employed alongside dialogue to gradually increase a sense of dread in viewers. These filmmaking elements work together to craft a trailer that builds hype by teasing scare without revealing too much of the plot.
Lighting plan
This lighting plan for a horror movie uses low lighting and darkness to create tension, suspense, and a horror effect by controlling what is revealed about the surroundings and characters. Bright lighting and shooting in bright colors would not achieve the intended horror effect, so the plan keeps the background dull and uses low lighting to set the dark, tense tone and mood for the film.
Initial ideas
The filmmaker plans to shoot a tense conversation intercut with intervals of action from another location, inspired by Casino Royale's introduction. Camera movements from the short film "Losses" will be used to build tension during the action scenes. Low lighting will be used during the conversation to create tension and hide the identities of the speakers. The slow, tense conversation will be contrasted with fast-paced, black-and-white action scenes to confuse viewers while still allowing them to follow the plot.
Lighting plan
Low-key lighting is used in horror films to create tension through a mysterious and dark atmosphere with dim hues and shadows that only partially reveal characters and surroundings. The document discusses how a horror film lighting plan uses low-key lighting to set an ominous tone through a dank look generated with dim lighting, such as using a small lamp for scenes shot in the dark.
6. production reflection (fmp)
The document discusses editing photos for a horror film project. It provides before and after examples of editing techniques used to make images darker, spookier and more haunted-looking. Techniques included making images black and white, increasing contrast and shadows, adding dark overlays and rain effects. The unedited versions were too bright and lacked a scary atmosphere. The edited versions focused lighting and drew attention to dark areas to create tension and an eerie feel for the horror genre.
The office clip analysis
The office clip analysis document discusses the lighting, costumes, and colors used in a scene. The room is well lit so all aspects of the set are clear, suggesting the characters are not morally wrong and reflecting the lighthearted nature of the scene. The characters are dressed formally to reflect the business environment. All colors are dull showing formality, which is in contrast to the characters' actions, as all characters wear neutral colors that are non-intrusive.
Lighting plan
The lighting plan describes the different lighting techniques used in each scene of the director's film. Soft lighting was used overall, with the intensity and patterns changing based on the scene. Low-key lighting was used in the first scene to create drama and curiosity, and in later scenes to depict depression and sadness. High-key lighting was used to portray normal office environments and happy, fantasy scenes. Lighting was also manipulated to indicate nighttime versus daytime settings.
Targets for horror trailer
This document outlines targets for improving a horror movie trailer. It suggests reshooting a scene to improve accuracy, making injuries look more realistic, adding transitions to show the passing of time, starting with more ominous music to set the horror tone, using low-key lighting to create a scary environment, clarifying the confusing beginning, and improving acting to make it seem more real and less comedic.
Lighting plan
This lighting plan discusses using low-key lighting for a horror film to create tension, mystery, and fear. Low-key lighting produces dim shadows that set the dark and ominous tone needed for horror by revealing characters and surroundings in a controlled way through shadows and dull backgrounds. The document explains that a torch light was used to generate shadows, and low-key lighting throughout the film builds tension as a ghost spies on the main character, Lucas.
Lighting plan2
This lighting plan discusses using low-key lighting for a horror film to create tension, mystery, and fear. Low-key lighting produces dim shadows that set the dark and ominous tone needed for horror by revealing characters and surroundings in a controlled way through shadows and dull backgrounds. The document explains that a torch light was used to generate shadows, and low-key lighting throughout the film builds tension as a ghost spies on the main character, Lucas.
Using Color
The document discusses color palettes and techniques for painting skin tones of different shades. It mentions earth tones like raw umber and chromatic black, and provides directions to add dark to light colors as well as lighten a color using zinc or titanium. Skin tones from pale to dark are also referenced.
Filming and lighting
We filmed part of our movie trailer in the drama studio to take advantage of the spotlights, which we adjusted to fit our theme. We darkened most of the room and used a spotlight focused on our actor to make it seem like he was giving a presentation.
Horror Trailer Conventions
Horror film trailers often use certain conventions to create tension and establish a dark atmosphere. They frequently have scenes shot with little light and desaturated colors to appear darker. Fades to black are also commonly used to transition between related and unrelated scenes and add to the film's theme. Mysterious and dark objects are featured to generate suspense, such as antique chairs or hidden items arranged spookily. The title graphics usually have an aged, gritty texture and colors like red, black, and gray that provide clues to the film's atmosphere and themes.
Location
The document describes the locations used in two movie scenes. The first scene takes place in a middle class working man's house as he reads the newspaper before leaving for work. The second scene is set in an office with low key lighting to create a suspenseful and horror-filled atmosphere, as an office setting would be less mainstream than a dark room or jungle for a horror genre film.
Live type and IMovie
The document describes the process of making a horror movie trailer in iMovie. Key steps include importing scenes, arranging them in order, adding transitions between clips like fades to black, adding sound effects and captions, and manipulating video properties like brightness to set the creepy tone. Text slides were also added for film company names against a black background to appear creepy.
Film opening analysis the ring Jushna
The opening scene of The Ring establishes tension and fear through the use of close-ups on the main girl's frightened face, reflections that hint at something supernatural, and dim lighting with dull colors. The editing pace is fast but also slows down to build suspense. Strange diegetic sounds from the television draw the audience into the isolated world of the film and suggest it may be a symbolic object. The opening scene reinforces the horror/thriller genre through the girl's aloneness and the unsettling sounds that elicit fear from viewers.
Unit 2,3 task 3
This document summarizes various film techniques used in a scene. It discusses the establishing shot at the beginning that shows the location. A close-up shot within the first 48 seconds focuses on a lady drinking from a cup. A mid shot from the waist up allows clear recognition of an individual while also showing what they are doing with their hands. Editing techniques like cutting, changing color schemes, and adding CGI or visual effects are mentioned. Parallel editing, which alternates between two simultaneous scenes in different locations, is highlighted as a type of editing. Mise-en-scene, props, and low key lighting are discussed as important aspects that relate to the mood and meaning. The document also distinguishes between diegetic sounds that are
Lighting plan
Low-key lighting is used in film to create shadows and highlight contrast between light and dark areas. It is commonly used for suspense and action genres to heighten a sense of alienation in viewers. For the film "Shout Out", low-key lighting was mainly used to achieve a dark and shadowy look that would create realistic tension for the action and suspense scenes. However, a news room shot was taken in natural daylight to avoid background noise.
Light presentation
Lighting is important in film to set moods - bright colors suggest happiness while dark colors imply sinister tones. The director works with camera and lighting crews to ensure imagery flows coherently. Background lighting illuminates the entire background, often using three or four-point setups. Cameo lighting uses spotlights to focus on a single subject or person against a dark background. High key lighting reduces lighting ratios to create an upbeat mood and allow filming at any time. Popular techniques include using a soft front light with a stronger backlight to define edges, and mixing color temperatures from different lights in a scene.
Mise en-scene mission impossible
The document analyzes the mise-en-scene elements of an opening scene from Mission Impossible. It discusses how the positioning of characters, dim lighting, costumes, and props are used to convey meaning and set the tone. The characters are positioned on opposite sides of a light to seem distant despite their close proximity. Mr. Phelps wears a plain suit and remains calm to appear inconspicuous for his secret mission. Lighting and setting on a plane create suspense and indicate the danger of the covert operation.
Evaluation question 5
The document provides descriptions of various scenes and elements in a film production. It describes how the black writing stands out on a white background in the opening credits. It then discusses how shaky white writing stands out from a black background. Later sections summarize shots from inside a barn to establish the film's location, describe a running sequence with fast-paced editing and tension-building music, and mention a loud scream following the end title.
Media language investigation
The document analyzes three horror movie trailers through their use of cinematography, editing, sound, and mise-en-scene. For The Purge, extreme close-ups and tense music are used. Shots focus on villains following victims to build tension. The Women in Black uses dark settings and creepy toys to create an eerie atmosphere. Paranormal Activity 3 appears like shaky homemade videos to seem realistic, with distorted sounds and flashes to previous films adding to the scare factor.
Mise en-scene note
The document discusses the elements of mise-en-scene in filmmaking. Mise-en-scene includes settings, props, costumes, lighting, color, and character positioning/expressions. It notes that these elements communicate meaning to audiences and influence their feelings. The document then provides specific examples of how the filmmaker utilized settings, costumes, lighting, props, and camera shots/angles in their short psychological thriller film to build tension and portray the protagonist's mental state.
Lighting plan A2
The document discusses the use of high key and low key lighting in films. It explains that the filmmaker used high key lighting in the first scene of their final film to show that the agent was trapped in a deserted area with the sun as the light source. They then used low key lighting in the next two scenes - with a bulb and moonlight as the light source in one scene to show the character's worried mood, and dim lighting in another to create suspense. Low key lighting was also used in subsequent scenes to convey tension, a bad mood before a killing, and to sneak quietly at night during an action/thriller film. Street lights provided the low key light in the final scene discussed.
The Last Exorcism Trailer Deconstruction
The trailer uses several editing techniques to build tension and drama, including fast-paced cuts that increase with the music, zooms, and static effects. Camera angles provide different perspectives, like high angles that make the protagonist feel inferior. Shots include close-ups of characters' expressions, medium shots, and silhouettes for a creepy feel. Distinctive facial expressions, fire, and a potentially ambiguous upside down shot are used. The voiceover and dialogue aim to establish characters, while music complements the eerie tone and builds tension with stops and slow parts. Title text uses contrasting white on black and thriller-esque red and yellow glows.
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Lighting plan
Low-key lighting is used in horror films to create tension through a mysterious and dark atmosphere with dim hues and shadows that only partially reveal characters and surroundings. The document discusses how a horror film lighting plan uses low-key lighting to set an ominous tone through a dank look generated with dim lighting, such as using a small lamp for scenes shot in the dark.
6. production reflection (fmp)
The document discusses editing photos for a horror film project. It provides before and after examples of editing techniques used to make images darker, spookier and more haunted-looking. Techniques included making images black and white, increasing contrast and shadows, adding dark overlays and rain effects. The unedited versions were too bright and lacked a scary atmosphere. The edited versions focused lighting and drew attention to dark areas to create tension and an eerie feel for the horror genre.
The office clip analysis
The office clip analysis document discusses the lighting, costumes, and colors used in a scene. The room is well lit so all aspects of the set are clear, suggesting the characters are not morally wrong and reflecting the lighthearted nature of the scene. The characters are dressed formally to reflect the business environment. All colors are dull showing formality, which is in contrast to the characters' actions, as all characters wear neutral colors that are non-intrusive.
Lighting plan
The lighting plan describes the different lighting techniques used in each scene of the director's film. Soft lighting was used overall, with the intensity and patterns changing based on the scene. Low-key lighting was used in the first scene to create drama and curiosity, and in later scenes to depict depression and sadness. High-key lighting was used to portray normal office environments and happy, fantasy scenes. Lighting was also manipulated to indicate nighttime versus daytime settings.
Targets for horror trailer
This document outlines targets for improving a horror movie trailer. It suggests reshooting a scene to improve accuracy, making injuries look more realistic, adding transitions to show the passing of time, starting with more ominous music to set the horror tone, using low-key lighting to create a scary environment, clarifying the confusing beginning, and improving acting to make it seem more real and less comedic.
Lighting plan
This lighting plan discusses using low-key lighting for a horror film to create tension, mystery, and fear. Low-key lighting produces dim shadows that set the dark and ominous tone needed for horror by revealing characters and surroundings in a controlled way through shadows and dull backgrounds. The document explains that a torch light was used to generate shadows, and low-key lighting throughout the film builds tension as a ghost spies on the main character, Lucas.
Lighting plan2
This lighting plan discusses using low-key lighting for a horror film to create tension, mystery, and fear. Low-key lighting produces dim shadows that set the dark and ominous tone needed for horror by revealing characters and surroundings in a controlled way through shadows and dull backgrounds. The document explains that a torch light was used to generate shadows, and low-key lighting throughout the film builds tension as a ghost spies on the main character, Lucas.
Using Color
The document discusses color palettes and techniques for painting skin tones of different shades. It mentions earth tones like raw umber and chromatic black, and provides directions to add dark to light colors as well as lighten a color using zinc or titanium. Skin tones from pale to dark are also referenced.
Filming and lighting
We filmed part of our movie trailer in the drama studio to take advantage of the spotlights, which we adjusted to fit our theme. We darkened most of the room and used a spotlight focused on our actor to make it seem like he was giving a presentation.
Horror Trailer Conventions
Horror film trailers often use certain conventions to create tension and establish a dark atmosphere. They frequently have scenes shot with little light and desaturated colors to appear darker. Fades to black are also commonly used to transition between related and unrelated scenes and add to the film's theme. Mysterious and dark objects are featured to generate suspense, such as antique chairs or hidden items arranged spookily. The title graphics usually have an aged, gritty texture and colors like red, black, and gray that provide clues to the film's atmosphere and themes.
Location
The document describes the locations used in two movie scenes. The first scene takes place in a middle class working man's house as he reads the newspaper before leaving for work. The second scene is set in an office with low key lighting to create a suspenseful and horror-filled atmosphere, as an office setting would be less mainstream than a dark room or jungle for a horror genre film.
Live type and IMovie
The document describes the process of making a horror movie trailer in iMovie. Key steps include importing scenes, arranging them in order, adding transitions between clips like fades to black, adding sound effects and captions, and manipulating video properties like brightness to set the creepy tone. Text slides were also added for film company names against a black background to appear creepy.
Film opening analysis the ring Jushna
The opening scene of The Ring establishes tension and fear through the use of close-ups on the main girl's frightened face, reflections that hint at something supernatural, and dim lighting with dull colors. The editing pace is fast but also slows down to build suspense. Strange diegetic sounds from the television draw the audience into the isolated world of the film and suggest it may be a symbolic object. The opening scene reinforces the horror/thriller genre through the girl's aloneness and the unsettling sounds that elicit fear from viewers.
Unit 2,3 task 3
This document summarizes various film techniques used in a scene. It discusses the establishing shot at the beginning that shows the location. A close-up shot within the first 48 seconds focuses on a lady drinking from a cup. A mid shot from the waist up allows clear recognition of an individual while also showing what they are doing with their hands. Editing techniques like cutting, changing color schemes, and adding CGI or visual effects are mentioned. Parallel editing, which alternates between two simultaneous scenes in different locations, is highlighted as a type of editing. Mise-en-scene, props, and low key lighting are discussed as important aspects that relate to the mood and meaning. The document also distinguishes between diegetic sounds that are
Lighting plan
Low-key lighting is used in film to create shadows and highlight contrast between light and dark areas. It is commonly used for suspense and action genres to heighten a sense of alienation in viewers. For the film "Shout Out", low-key lighting was mainly used to achieve a dark and shadowy look that would create realistic tension for the action and suspense scenes. However, a news room shot was taken in natural daylight to avoid background noise.
Light presentation
Lighting is important in film to set moods - bright colors suggest happiness while dark colors imply sinister tones. The director works with camera and lighting crews to ensure imagery flows coherently. Background lighting illuminates the entire background, often using three or four-point setups. Cameo lighting uses spotlights to focus on a single subject or person against a dark background. High key lighting reduces lighting ratios to create an upbeat mood and allow filming at any time. Popular techniques include using a soft front light with a stronger backlight to define edges, and mixing color temperatures from different lights in a scene.
Mise en-scene mission impossible
The document analyzes the mise-en-scene elements of an opening scene from Mission Impossible. It discusses how the positioning of characters, dim lighting, costumes, and props are used to convey meaning and set the tone. The characters are positioned on opposite sides of a light to seem distant despite their close proximity. Mr. Phelps wears a plain suit and remains calm to appear inconspicuous for his secret mission. Lighting and setting on a plane create suspense and indicate the danger of the covert operation.
Evaluation question 5
The document provides descriptions of various scenes and elements in a film production. It describes how the black writing stands out on a white background in the opening credits. It then discusses how shaky white writing stands out from a black background. Later sections summarize shots from inside a barn to establish the film's location, describe a running sequence with fast-paced editing and tension-building music, and mention a loud scream following the end title.
Media language investigation
The document analyzes three horror movie trailers through their use of cinematography, editing, sound, and mise-en-scene. For The Purge, extreme close-ups and tense music are used. Shots focus on villains following victims to build tension. The Women in Black uses dark settings and creepy toys to create an eerie atmosphere. Paranormal Activity 3 appears like shaky homemade videos to seem realistic, with distorted sounds and flashes to previous films adding to the scare factor.
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The document discusses the elements of mise-en-scene in filmmaking. Mise-en-scene includes settings, props, costumes, lighting, color, and character positioning/expressions. It notes that these elements communicate meaning to audiences and influence their feelings. The document then provides specific examples of how the filmmaker utilized settings, costumes, lighting, props, and camera shots/angles in their short psychological thriller film to build tension and portray the protagonist's mental state.
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The document discusses the use of high key and low key lighting in films. It explains that the filmmaker used high key lighting in the first scene of their final film to show that the agent was trapped in a deserted area with the sun as the light source. They then used low key lighting in the next two scenes - with a bulb and moonlight as the light source in one scene to show the character's worried mood, and dim lighting in another to create suspense. Low key lighting was also used in subsequent scenes to convey tension, a bad mood before a killing, and to sneak quietly at night during an action/thriller film. Street lights provided the low key light in the final scene discussed.
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Media language investiation
The document reviews the use of media language techniques in three horror movie trailers. It analyzes the cinematography, editing, sound, and mise-en-scene in each trailer. For cinematography, it notes the frequent use of close-ups to show facial expressions and build tension. The editing is described as generally fast-paced to create suspense. Non-diegetic music and sounds are used to emphasize scary moments. Dark lighting, isolated settings, and other visual elements establish the horror genre conventions.
Mise-en-scene Note
Mise-en-scene refers to everything that appears before the camera and is made up of 5 elements: settings, props, costumes, lighting, and positioning of characters/objects. Settings play a vital role and locations are chosen to add meaning. Costumes indicate time period and culture while reflecting character traits. Lighting can be used to highlight subjects or convey emotions. Props are also an important part of mise-en-scene but too many can confuse audiences. Cinematography incorporates camera angles, shots, and movements to tell the story.
Film lighting
This lighting plan describes using low key lighting for a suspense-thriller film. In the first scene, a dark red light combination will be used to convey both depression, as the character is committing suicide, and a bloody death scene. Low key lighting creates a depressed look and helps audiences feel what the character is experiencing. It also represents the dark phase and difficult condition the character is in. This lighting style hints that it is a horror film, though it turns out to be something different through a plot twist.
Analysing marketing campaign a2 media
This trailer provides an overview of a horror/thriller film about two brothers. Through analysis of the mise-en-scène, editing, sound, and camerawork, the trailer effectively establishes the dark and ominous tone of the genre. Key events shown include one brother making a paper boat for the other, the boat getting lost down a drain, and the younger brother encountering a frightening clown face in the dark. Intense non-diegetic music and sounds build tension throughout. While much of the clown's appearance is obscured, creating mystery, the trailer leaves the audience with questions about what will happen to the brothers.
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Screenplay
This screenplay follows the story of Alex and the tea boy over 8 scenes. In the first scene, a person is shown applying makeup and sitting on a bed. In scene 2, the tea boy delivers tea to Alex in his office. In scene 3, Alex leaves a conversation with Janice on a swing. Later in scene 4, Alex sits on a sofa and then rides in a car with the tea boy. The story continues with scenes of Alex working on a car engine and getting a ride on the tea boy's bike. In scene 7, the tea boy talks with his girlfriend while Alex watches. The final scene reveals that Alex has taken sleeping pills while dressed in a wig and makeup and lies dying on the bed.
Editing note
Hamim Tak edited his 6 minute movie from 11 minutes of footage using Adobe Premiere, adjusting the pace and adding sound effects. He created a website for the film using Wix, uploading pictures and information. Tak also designed a post card for the film using Adobe Photoshop, adding the title and a curious image without hints about the film.
Shooting schedule
The shooting schedule outlines 8 scenes over 3 days for the film "The Tea Boy" by Hamim Tak. Scenes 1-3 will be filmed on March 14th at a home and office between 9:30pm and 11:20pm, while scenes 4-5 will be filmed at a home on March 15th between 12:30am and 3:00am. Scenes 6-7 will be filmed in an alleyway and outside a home on March 16th and 17th between 11:30pm and 1:30am, with the last scene being filmed at a home on March 17th from 4:40am to 6:20am.
Props list
This props list contains items needed for the film "The Tea Boy" directed by Hamim Tak, including costumes like a wig and women's clothing, furniture such as a bed, dressing table, office table and sofa, props like tea cups, office supplies, an envelope and fake sleeping pills, and vehicles including 3 cars for different scenes, a motorbike, and a cell phone with a torch function.
Film treatment
The film follows Alex, who develops an attraction for his office's tea boy. Alex fantasizes about having a romantic relationship with the tea boy. However, Alex sees the tea boy with his girlfriend, leaving Alex heartbroken. Struggling with his secret desires and the end of his hopes, Alex dresses as a woman and contemplates suicide with a packet of sleeping pills. The film explores Alex's repressed feelings for the tea boy and the consequences of his unrequited love.
Film concept
The Tea Boy is a romantic drama film about a married man named Alex who falls in love with his office's tea boy/peon. Alex tries to convey his feelings for the tea boy through various gestures but the tea boy is uninterested in Alex, leaving him heartbroken and driving him to suicide.
Character profiling
Alex is a middle-aged man who works in an office and lives in the city with his wife Janice, though he ignores her and is unhappy in their marriage as he is homosexual. Janice is in her early 30s, a housewife who likes fashionable clothes but is also unhappy with Alex ignoring her. John is a young adult in his late 20s who lives alone in the city and works as a tea boy at an office, making minimum wage and wearing neutral casual clothes, and is in a relationship with a maid from his office.
Institution research
Warner Bros. Entertainment Inc. is a major American film and television studio that is a subsidiary of Time Warner. It has many successful subsidiary companies involved in film, television, animation, video games, and more. In 2013, Warner Bros. had its most successful year ever at the global box office, grossing over $5 billion. It has been the industry leader in home entertainment for 13 consecutive years. Warner Bros. owns a vast library of over 61,000 hours of programming, including thousands of feature films and television episodes. It employs thousands of people in its production and operations across North America and other countries.
Shoot location
The document discusses shoot location for a film. It is titled "Shoot Location" and is authored by Hamim Tak. The main topic appears to be planning the location for filming a project.
Shot division list[1]
This document lists 6 shots for a scene including close-ups, wide shots, and an extreme close-up, providing the shot number, scene, camera angle, and type of camera movement for each shot. Shot 1 and 2 are close-ups, shot 3 is a wide shot with panning movement, shots 4-6 include additional close-ups and a wide shot, and shot 7 is an extreme close-up from a high camera angle.
Props list
The props list includes items like a metal gun, red dark light, tables and chairs, pillows and cushions, casual and night wear clothes, a bed with blankets and pillows, a sharp knife, oranges and plates, ketchup for a blood effect, a mobile phone, and tube lights.
Shooting schedule
The shooting schedule outlines two days of filming, with the first day running from 8:25pm to 11:50pm at a home location to shoot scenes 1, 2, and 3, and the second day running from 10:45pm to 2:50am at the same home location to shoot scenes 4, 5, 6, and 7.
Film concep hamim tak
The film concept is a thriller that follows a small town boy who moves to the city for a job at a multi-national company. The movie uses narration instead of dialogue and shows footage of past incidents from the main character's life. It opens with the character holding a gun to his head, implying suicide, then flashes back to reveal the past events that led him to commit suicide, which a final text message helps explain.
F ilm treatment (2)
Jonathan Blunt moves to the city and buys a house from a friend. He begins experiencing strange incidents in the house like lights turning on and off on their own and losing his senses. Voices in his head tell him to kill himself. The incidents drive Jonathan crazy and he commits suicide by shooting himself. It is later revealed by his doctor that Jonathan had a blood clot in his brain that was causing him to hallucinate, and there was nothing actually wrong with the house.
Mis en-scene notes
The document provides mis-en-scene notes for multiple scenes in a film or video. In the first scene, a person holds a gun to their head in a dark room with only a window. The second scene shows two people conversing while sitting at a table in a lawn with trees, cars, and a garden swing visible. Subsequent scenes depict a character on a cell phone near a wall and table, cutting their wrist while sitting on a sofa with stairs visible, sleeping in bed under blankets and pillows, and finally dead on the floor after shooting themselves with a mobile phone next to them.
Dialogues
The narrator has been experiencing increasingly frequent incidents of hearing voices in their head telling them to kill themselves or the voices will do it. The voices have gotten stronger over time and now constantly compel the narrator to commit suicide. Unable to resist the urges anymore, the narrator has decided to end their own life to stop the voices.
Director research
Clint Eastwood is an American actor, filmmaker, musician, and politician known for roles in Westerns like A Fistful of Dollars and Unforgiven, for which he won an Oscar for Best Director. Some of his most successful films include Every Which Way But Loose, Any Which Way You Can, and Gran Torino. Eastwood has also directed many acclaimed films that he did not star in such as Mystic River and Letters from Iwo Jima.
Laura Mulvey
Laura Mulvey is a prominent British feminist film theorist who developed the influential concept of the "male gaze" in cinema. She argued that classical Hollywood films positioned the male viewer to identify with male protagonists and objectify female characters who were presented as objects of male desire. Her 1975 essay "Visual Pleasure and Narrative Cinema" used psychoanalytic concepts from Freud and Lacan to analyze how the cinematic apparatus reinforced gender stereotypes and the objectification of women on screen.
Hollywood Project.
Hollywood was incorporated as a small municipality in 1903 and officially merged with Los Angeles in 1910. It soon emerged as a prominent film industry, becoming the most dominant in the world. Some of Hollywood's best directors included Alfred Hitchcock, Charlie Chaplin, and Orson Welles. The name "Hollywood" was coined in 1887 by H.J. Whitley who arranged the purchase of land and promoted the area's growth, building attractions like the Hollywood Hotel to draw land buyers. Hollywood gradually developed infrastructure and became a center of the film industry.
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Mis-en-scene Note
- 1. Mis-en-scene Note The Tea Boy A film By Hamim Tak The Mis-en-scene of my film is that the lighting in the film is a mixture of low and high key lighting. I used low-key lighting to portray the scene to give out sad and emotional vibes. I used high-key lighting to show happy moments or flashbacks. The characters were wearing casual clothes throughout the film. I used a office location with high key lighting. I used a dark alley with low lighting to portray night- time and a room with low key lighting with not much furniture or decorations to show depression and sadness. My characters wore different clothes for different scene to show time lapse. I mostly used mid-shots or long-shots with few close-
- 2. ups to show the significance of the scene and drama. The sound I used was mostly dramatic and the sound would start with a low pitch increasing towards high pitch gradually to show drama and to gain the audience’s attention. Since my movie is a romantic drama, I have used slow editing. This slow paced editing helps in maintaining a dramatic flow to the movie. The End