Shooting schedule
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The shooting schedule outlines 8 scenes over 3 days for the film "The Tea Boy" by Hamim Tak. Scenes 1-3 will be filmed on March 14th at a home and office between 9:30pm and 11:20pm, while scenes 4-5 will be filmed at a home on March 15th between 12:30am and 3:00am. Scenes 6-7 will be filmed in an alleyway and outside a home on March 16th and 17th between 11:30pm and 1:30am, with the last scene being filmed at a home on March 17th from 4:40am to 6:20am.
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The production schedule outlines the filming schedule for 17 scenes across 7 days. It details the date, scene numbers, required equipment, crew, actors, and locations for each filming session. Scenes will be filmed both in and after school at various outdoor locations like outside and a pub as well as indoor locations like Bethan's house and the studio. The main actors involved are the main female performer, main male performer, and various extras and backing dancers depending on the scene. Equipment like DSLR cameras, tripods, and studio cameras are booked for each filming session.
Production Schedule
The production schedule outlines the filming schedule over two weeks in June. On Tuesdays and Wednesdays scenes will be filmed both during and after school hours using DSLR cameras, tripods, and studio cameras. The locations include Bethan's house, outside areas, a pub, and the studio. Crews and specific actors are booked for each filming session.
Production Schedule Update
The production schedule outlines the filming plan over two weeks in June. It details the date, scene numbers, required equipment, crew, actors, and locations for each shoot. Scenes will be filmed at Bethan's house, outside locations, and in the school studio using DSLR cameras, tripods, and studio cameras. The main performers and various extras are scheduled on different dates to film scenes both during and after school hours.
Filming Schedule
The filming schedule outlines 7 scenes for a movie involving the character Lucy. The first scene shows Lucy walking to work outside Reigate Castle grounds and getting coffee while being stalked. The second scene takes place inside the Castlefield office as Lucy arrives at work while still being watched. The final scene takes place inside Lucy's office as the detectives boss assigns Lucy's case to himself.
Rudimental waiting all night
This document outlines the plan for a music video featuring 5 different locations - a dark road, studio, bar, toilets, and outside wall. It will star one girl and include some other girls at the bar and bathroom scenes. The costumes will start casual and change to a white vest and nice dress. The visual style will include extreme closeups, mid shots, and closeups of the girl's face at different scenes to convey the narrative of a girl missing an important person and waiting for them throughout the night.
Rudimental waiting all night
This document outlines the plan for a music video featuring 5 different locations - a dark road, studio, bar, toilets, and outside wall. It will star one girl and include some other girls at the bar and bathroom scenes. The costumes will start casual and change to a white vest and nice dress. The visual style will include extreme closeups, mid shots, and closeups of the girl's face at different scenes to convey the narrative of a girl missing an important person and waiting for them throughout the night.
call sheet
This production call sheet summarizes the logistics of filming the movie "SanityAgainstReality" over two days at two locations. It details the shooting schedule and scenes to be filmed each day, contacts for those involved in the production, and a basic equipment and props list. Precautions are noted around utilizing private homes for filming and managing other potential risks. The goal is to efficiently allocate time and complete all necessary scenes within the scheduled filming windows.
Call sheet
This call sheet provides details for the filming of an untitled film noir project scheduled for November 8-9 in Thornley Village, Durham. Roy Stephenson will direct and produce, with filming taking place from 10:30-14:00 each day. The cast includes Raymond Stephenson as The Don, Susan Stephenson as Rita, and James Campbell as Jax. Required equipment includes a camera, tripod, gun, and cigarettes.
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New production schedule media
The production schedule outlines the filming schedule for 17 scenes across 7 days. It details the date, scene numbers, required equipment, crew, actors, and locations for each filming session. Scenes will be filmed both in and after school at various outdoor locations like outside and a pub as well as indoor locations like Bethan's house and the studio. The main actors involved are the main female performer, main male performer, and various extras and backing dancers depending on the scene. Equipment like DSLR cameras, tripods, and studio cameras are booked for each filming session.
Production Schedule
The production schedule outlines the filming schedule over two weeks in June. On Tuesdays and Wednesdays scenes will be filmed both during and after school hours using DSLR cameras, tripods, and studio cameras. The locations include Bethan's house, outside areas, a pub, and the studio. Crews and specific actors are booked for each filming session.
Production Schedule Update
The production schedule outlines the filming plan over two weeks in June. It details the date, scene numbers, required equipment, crew, actors, and locations for each shoot. Scenes will be filmed at Bethan's house, outside locations, and in the school studio using DSLR cameras, tripods, and studio cameras. The main performers and various extras are scheduled on different dates to film scenes both during and after school hours.
Filming Schedule
The filming schedule outlines 7 scenes for a movie involving the character Lucy. The first scene shows Lucy walking to work outside Reigate Castle grounds and getting coffee while being stalked. The second scene takes place inside the Castlefield office as Lucy arrives at work while still being watched. The final scene takes place inside Lucy's office as the detectives boss assigns Lucy's case to himself.
Rudimental waiting all night
This document outlines the plan for a music video featuring 5 different locations - a dark road, studio, bar, toilets, and outside wall. It will star one girl and include some other girls at the bar and bathroom scenes. The costumes will start casual and change to a white vest and nice dress. The visual style will include extreme closeups, mid shots, and closeups of the girl's face at different scenes to convey the narrative of a girl missing an important person and waiting for them throughout the night.
Rudimental waiting all night
This document outlines the plan for a music video featuring 5 different locations - a dark road, studio, bar, toilets, and outside wall. It will star one girl and include some other girls at the bar and bathroom scenes. The costumes will start casual and change to a white vest and nice dress. The visual style will include extreme closeups, mid shots, and closeups of the girl's face at different scenes to convey the narrative of a girl missing an important person and waiting for them throughout the night.
call sheet
This production call sheet summarizes the logistics of filming the movie "SanityAgainstReality" over two days at two locations. It details the shooting schedule and scenes to be filmed each day, contacts for those involved in the production, and a basic equipment and props list. Precautions are noted around utilizing private homes for filming and managing other potential risks. The goal is to efficiently allocate time and complete all necessary scenes within the scheduled filming windows.
Call sheet
This call sheet provides details for the filming of an untitled film noir project scheduled for November 8-9 in Thornley Village, Durham. Roy Stephenson will direct and produce, with filming taking place from 10:30-14:00 each day. The cast includes Raymond Stephenson as The Don, Susan Stephenson as Rita, and James Campbell as Jax. Required equipment includes a camera, tripod, gun, and cigarettes.
Location 1
This document summarizes the filming of a music video at the filmmaker's first location, which was near their house. It took the longest to film as most scenes were shot there. There were many reshoots needed due to blurry shots, which took up time. Working with friends as actors was enjoyable but also challenging as they often joked around between takes. Overall, the filmmaker was happy with the quality of the shots captured at this first location despite some technical issues during filming.
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Shooting plan 4
The shooting plan outlines a film shoot taking place on November 13th at 7pm. Sophie Laxton will direct and Elise will be the cinematographer. They will walk to the location with a Canon 70D, tripod, light, batteries, and GoPro. On the day of shooting, Elise will obtain the equipment and bring it to Sophie's house after dark. They will then film Sophie acting in a scene where her character Saura takes pills and self harms in her room.
Shooting plan 2
The shooting plan outlines the details for filming a scene on Monday November 7th. It will involve Sophie Laxton as the director, Elise Thompson as cinematographer, and actors Tanyel Dayla and Marcus Stamp. They will meet at 5pm at the cinematographer's house to film a flashback scene where the characters Myles and Emel have a fight over a phone. They will ensure they have a shot list and script and clearly explain expectations to the actors.
Call sheetriskassessmentandshootingschedule (1)
The production call sheet provides details for a music video shoot on April 8th including contact information, locations, scenes, and equipment. It will be shot by Square Bracket Productions in various locations around Leigh, including a back alley, field, and street. The director, producer, camera operator, and editor is Adam Grundy. Five actors are listed to play main roles with additional actors as extras if needed. Three locations are outlined with descriptions of the planned scenes. An equipment and props list is also included. The sheet aims to prepare the production team for the shoot and ensure it runs smoothly.
Shooting plan 3
The shooting plan outlines the details for filming on November 9th including the director, cinematographer, actor, equipment, and process. Filming will begin at 5pm at the cinematographer's house and include the actor's bathroom scene where he begins twitching and hallucinating. The cinematographer will obtain the camera, batteries, light, SD card, tripod, and go-pro before filming to ensure a quick and simple process.
Shooting plans 1
The shooting plan outlines the details for filming on October 8th, including the start time of 2pm, locations, and people involved. Six actors and actresses will be present, along with the director and cinematographer. Equipment like a Canon 70d camera, batteries, tripod, and Go-Pro will be used. The process will begin with picking up equipment, charging batteries, and meeting the cast. The first scene to be filmed is an exterior scene in the park involving all characters. A shot list and spare scripts will be used to ensure everyone knows their roles.
Contingency plans
Contingency plans are made for filming car scenes late at night to minimize risks. Permission will be obtained from home owners before filming in houses. Actors' availability will be checked and potential replacements identified in case of scheduling conflicts. The film is planned for release in late April 2019, about a year after conception, to allow editing while avoiding summer heat. An alternate October 2019 release is scheduled in case of delays.
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This document outlines the plan for a music video including 5 different location shots: 1) a dark road with a close-up of the performer's face, 2) a studio with a black background, 3) a bar to show the performer is lonely with no friends, 4) a toilet scene of the performer staring in the mirror, and 5) the performer singing to a wall and dropping to the floor at the end. It discusses having one main performer and additional actors at the bar and bathroom scenes. Costumes will start casual and change to a white vest for the studio scenes and a dress for party scenes. The narrative will show a girl missing an important person by looking at her phone throughout the night. Visual styles will include
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The document provides a shooting schedule for a documentary on beggars. On August 15th, the crew will gather at KL Sentral station at 7am to have breakfast before beginning photography. They will take photos of beggars being ignored at a terminal in the morning and of a beggar's expression at the same location. In the afternoon, they will photograph a beggar looking for food in Petaling Street. That evening, they will capture photos of a beggar sleeping at a bus station in Tampin at night before wrapping up and returning to KL.
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Hamim Tak edited his 6 minute movie from 11 minutes of footage using Adobe Premiere, adjusting the pace and adding sound effects. He created a website for the film using Wix, uploading pictures and information. Tak also designed a post card for the film using Adobe Photoshop, adding the title and a curious image without hints about the film.
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Location 1
This document summarizes the filming of a music video at the filmmaker's first location, which was near their house. It took the longest to film as most scenes were shot there. There were many reshoots needed due to blurry shots, which took up time. Working with friends as actors was enjoyable but also challenging as they often joked around between takes. Overall, the filmmaker was happy with the quality of the shots captured at this first location despite some technical issues during filming.
Evaluation
The document provides an evaluation of the filmmaking process for a short film. It discusses three main lessons learned: 1) the importance of scheduling and timing, as actors were unavailable on scheduled days; 2) choosing appropriate locations, such as moving scenes closer to bushes to block wind noise; and 3) managing expectations, as the final film was longer than initially estimated despite having a detailed storyboard and shotlist. It also reflects on addressing challenges like windy conditions, traffic noise, and camera malfunctions through problem-solving techniques during production.
Shooting plan 4
The shooting plan outlines a film shoot taking place on November 13th at 7pm. Sophie Laxton will direct and Elise will be the cinematographer. They will walk to the location with a Canon 70D, tripod, light, batteries, and GoPro. On the day of shooting, Elise will obtain the equipment and bring it to Sophie's house after dark. They will then film Sophie acting in a scene where her character Saura takes pills and self harms in her room.
Shooting plan 2
The shooting plan outlines the details for filming a scene on Monday November 7th. It will involve Sophie Laxton as the director, Elise Thompson as cinematographer, and actors Tanyel Dayla and Marcus Stamp. They will meet at 5pm at the cinematographer's house to film a flashback scene where the characters Myles and Emel have a fight over a phone. They will ensure they have a shot list and script and clearly explain expectations to the actors.
Call sheetriskassessmentandshootingschedule (1)
The production call sheet provides details for a music video shoot on April 8th including contact information, locations, scenes, and equipment. It will be shot by Square Bracket Productions in various locations around Leigh, including a back alley, field, and street. The director, producer, camera operator, and editor is Adam Grundy. Five actors are listed to play main roles with additional actors as extras if needed. Three locations are outlined with descriptions of the planned scenes. An equipment and props list is also included. The sheet aims to prepare the production team for the shoot and ensure it runs smoothly.
Shooting plan 3
The shooting plan outlines the details for filming on November 9th including the director, cinematographer, actor, equipment, and process. Filming will begin at 5pm at the cinematographer's house and include the actor's bathroom scene where he begins twitching and hallucinating. The cinematographer will obtain the camera, batteries, light, SD card, tripod, and go-pro before filming to ensure a quick and simple process.
Shooting plans 1
The shooting plan outlines the details for filming on October 8th, including the start time of 2pm, locations, and people involved. Six actors and actresses will be present, along with the director and cinematographer. Equipment like a Canon 70d camera, batteries, tripod, and Go-Pro will be used. The process will begin with picking up equipment, charging batteries, and meeting the cast. The first scene to be filmed is an exterior scene in the park involving all characters. A shot list and spare scripts will be used to ensure everyone knows their roles.
Contingency plans
Contingency plans are made for filming car scenes late at night to minimize risks. Permission will be obtained from home owners before filming in houses. Actors' availability will be checked and potential replacements identified in case of scheduling conflicts. The film is planned for release in late April 2019, about a year after conception, to allow editing while avoiding summer heat. An alternate October 2019 release is scheduled in case of delays.
Call sheet x
This call sheet schedules cast members for a filming on specific dates and times and provides notes about expectations. Thirza Robinson is scheduled to play the role of Dorothy (old) on July 2nd from 2-4pm. Elisha Smyth and Lewis Shillingford are scheduled to play Dorothy (young) and Arthur respectively on February 25th. Lloyd Kent and Shann Allen are listed as understudies for Arthur and Dorothy (young) for February 26th. The notes section outlines policies regarding punctuality, behavior, and addressing any scheduling issues or confusion.
final idea
This document outlines the plan for a music video including 5 different location shots: 1) a dark road with a close-up of the performer's face, 2) a studio with a black background, 3) a bar to show the performer is lonely with no friends, 4) a toilet scene of the performer staring in the mirror, and 5) the performer singing to a wall and dropping to the floor at the end. It discusses having one main performer and additional actors at the bar and bathroom scenes. Costumes will start casual and change to a white vest for the studio scenes and a dress for party scenes. The narrative will show a girl missing an important person by looking at her phone throughout the night. Visual styles will include
Callsheet
The document provides a shooting schedule for a documentary on beggars. On August 15th, the crew will gather at KL Sentral station at 7am to have breakfast before beginning photography. They will take photos of beggars being ignored at a terminal in the morning and of a beggar's expression at the same location. In the afternoon, they will photograph a beggar looking for food in Petaling Street. That evening, they will capture photos of a beggar sleeping at a bus station in Tampin at night before wrapping up and returning to KL.
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This lighting plan describes using low key lighting for a suspense-thriller film. In the first scene, a dark red light combination will be used to convey both depression, as the character is committing suicide, and a bloody death scene. Low key lighting creates a depressed look and helps audiences feel what the character is experiencing. It also represents the dark phase and difficult condition the character is in. This lighting style hints that it is a horror film, though it turns out to be something different through a plot twist.
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Hamim Tak edited his 6 minute movie from 11 minutes of footage using Adobe Premiere, adjusting the pace and adding sound effects. He created a website for the film using Wix, uploading pictures and information. Tak also designed a post card for the film using Adobe Photoshop, adding the title and a curious image without hints about the film.
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Institution research
Warner Bros. Entertainment Inc. is a major American film and television studio that is a subsidiary of Time Warner. It has many successful subsidiary companies involved in film, television, animation, video games, and more. In 2013, Warner Bros. had its most successful year ever at the global box office, grossing over $5 billion. It has been the industry leader in home entertainment for 13 consecutive years. Warner Bros. owns a vast library of over 61,000 hours of programming, including thousands of feature films and television episodes. It employs thousands of people in its production and operations across North America and other countries.
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Screenplay
This screenplay follows the story of Alex and the tea boy over 8 scenes. In the first scene, a person is shown applying makeup and sitting on a bed. In scene 2, the tea boy delivers tea to Alex in his office. In scene 3, Alex leaves a conversation with Janice on a swing. Later in scene 4, Alex sits on a sofa and then rides in a car with the tea boy. The story continues with scenes of Alex working on a car engine and getting a ride on the tea boy's bike. In scene 7, the tea boy talks with his girlfriend while Alex watches. The final scene reveals that Alex has taken sleeping pills while dressed in a wig and makeup and lies dying on the bed.
Props list
This props list contains items needed for the film "The Tea Boy" directed by Hamim Tak, including costumes like a wig and women's clothing, furniture such as a bed, dressing table, office table and sofa, props like tea cups, office supplies, an envelope and fake sleeping pills, and vehicles including 3 cars for different scenes, a motorbike, and a cell phone with a torch function.
Mis-en-scene Note
The document discusses the mis-en-scene elements used in the film "The Tea Boy" including lighting, costumes, locations, camera shots, sound, and editing. Low-key lighting and dark locations were used to portray sad scenes while high-key lighting showed happy moments. Casual clothing was worn throughout and costumes changed to show the passage of time. Both mid and long shots were primarily used with some close-ups. Sound gradually increased in pitch to build drama and editing was slow to maintain a dramatic flow for the romantic drama.
Lighting plan
The lighting plan describes the different lighting techniques used in each scene of the director's film. Soft lighting was used overall, with the intensity and patterns changing based on the scene. Low-key lighting was used in the first scene to create drama and curiosity, and in later scenes to depict depression and sadness. High-key lighting was used to portray normal office environments and happy, fantasy scenes. Lighting was also manipulated to indicate nighttime versus daytime settings.
Film treatment
The film follows Alex, who develops an attraction for his office's tea boy. Alex fantasizes about having a romantic relationship with the tea boy. However, Alex sees the tea boy with his girlfriend, leaving Alex heartbroken. Struggling with his secret desires and the end of his hopes, Alex dresses as a woman and contemplates suicide with a packet of sleeping pills. The film explores Alex's repressed feelings for the tea boy and the consequences of his unrequited love.
Film concept
The Tea Boy is a romantic drama film about a married man named Alex who falls in love with his office's tea boy/peon. Alex tries to convey his feelings for the tea boy through various gestures but the tea boy is uninterested in Alex, leaving him heartbroken and driving him to suicide.
Character profiling
Alex is a middle-aged man who works in an office and lives in the city with his wife Janice, though he ignores her and is unhappy in their marriage as he is homosexual. Janice is in her early 30s, a housewife who likes fashionable clothes but is also unhappy with Alex ignoring her. John is a young adult in his late 20s who lives alone in the city and works as a tea boy at an office, making minimum wage and wearing neutral casual clothes, and is in a relationship with a maid from his office.
Shot division list[1]
This document lists 6 shots for a scene including close-ups, wide shots, and an extreme close-up, providing the shot number, scene, camera angle, and type of camera movement for each shot. Shot 1 and 2 are close-ups, shot 3 is a wide shot with panning movement, shots 4-6 include additional close-ups and a wide shot, and shot 7 is an extreme close-up from a high camera angle.
Props list
The props list includes items like a metal gun, red dark light, tables and chairs, pillows and cushions, casual and night wear clothes, a bed with blankets and pillows, a sharp knife, oranges and plates, ketchup for a blood effect, a mobile phone, and tube lights.
Shooting schedule
The shooting schedule outlines two days of filming, with the first day running from 8:25pm to 11:50pm at a home location to shoot scenes 1, 2, and 3, and the second day running from 10:45pm to 2:50am at the same home location to shoot scenes 4, 5, 6, and 7.
Film concep hamim tak
The film concept is a thriller that follows a small town boy who moves to the city for a job at a multi-national company. The movie uses narration instead of dialogue and shows footage of past incidents from the main character's life. It opens with the character holding a gun to his head, implying suicide, then flashes back to reveal the past events that led him to commit suicide, which a final text message helps explain.
Mis en-scene notes
The document provides mis-en-scene notes for multiple scenes in a film or video. In the first scene, a person holds a gun to their head in a dark room with only a window. The second scene shows two people conversing while sitting at a table in a lawn with trees, cars, and a garden swing visible. Subsequent scenes depict a character on a cell phone near a wall and table, cutting their wrist while sitting on a sofa with stairs visible, sleeping in bed under blankets and pillows, and finally dead on the floor after shooting themselves with a mobile phone next to them.
Dialogues
The narrator has been experiencing increasingly frequent incidents of hearing voices in their head telling them to kill themselves or the voices will do it. The voices have gotten stronger over time and now constantly compel the narrator to commit suicide. Unable to resist the urges anymore, the narrator has decided to end their own life to stop the voices.
Laura Mulvey
Laura Mulvey is a prominent British feminist film theorist who developed the influential concept of the "male gaze" in cinema. She argued that classical Hollywood films positioned the male viewer to identify with male protagonists and objectify female characters who were presented as objects of male desire. Her 1975 essay "Visual Pleasure and Narrative Cinema" used psychoanalytic concepts from Freud and Lacan to analyze how the cinematic apparatus reinforced gender stereotypes and the objectification of women on screen.
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Shooting schedule
- 1. Shooting Schedule The Tea Boy A Film By Hamim Tak Scene #1 March 14th Location: Home Time: 9:30pm – 10:20pm Scene #2 March 14th Location: Office Time: 10:50pm- 11:20pm Scene #3 March 15th Location: Home Time: 12:30am- 12:58am Scene #4
- 2. March 15th Location: Home Time: 1:15am- 2:10am Scene #5 March 15th Location: Home Time: 2:30am- 3:00am Scene #6 March 16th Location: Alley way Time: 11:30pm-1:50am Scene #7 March 17th Location: Outside Home Time: 12:45am-1:30am Scene #8 (Last Scene)
- 3. March 17th Location: Home Time: 4:40am-6:20am